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There's a later section about the actual plot. This section isn't about the plot; it's about Freud's interpretation of it. Freud's interpretation is off-base, and wanting to clarify that is understandable, but distracting when trying to talk about the concept of Oedipus Complex. Adding a note because this has come up more than once.


The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus (unknowingly) [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:

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The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus (unknowingly) [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:
ExaggeratedTrope: %% Keep this paragraph focused on Freud's interpretation of the play. There's a later section about ThisIndexIsNotAnExample -- details about about the actual plot belong there.



UsefulNotes/CarlJung later coined a DistaffCounterpart of the Oedipus complex: the Electra complex, where the conflict is between mother and daughter, named after another one of Sophocles' tragedies, ''Theatre/{{Electra}}''. Freud, however, rejected the idea.

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!! Namesake



UsefulNotes/CarlJung later coined a DistaffCounterpart of the Oedipus complex: the Electra complex, where the conflict is between mother and daughter, named after another one of Sophocles' tragedies, ''Theatre/{{Electra}}''. Freud, however, rejected the idea.
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The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus {unknowingly) [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:

to:

The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus {unknowingly) (unknowingly) [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:
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None


The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:

to:

The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus {unknowingly) [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:
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The Suprise Incest plot is explained later, but here it's about how Freud interpreted it, not if that interpretation is really in line with the plot


The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]], with neither parents nor child being aware of their true relationships. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:

to:

The concept takes its name from Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]], with neither parents nor child being aware of their true relationships.mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:



The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. As a newborn it was prophesied that Oedipus would one day kill his father and marry his mother, so he was abandoned by his biological parents then found and raised by adoptive parents. Oedipus didn't know who his biological parents were until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.

to:

The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. As a newborn it was prophesied that Oedipus would one day kill his father and marry his mother, so he mother. He was abandoned by his biological parents parents, then found and raised by adoptive parents. Neither Oedipus didn't know who nor his biological parents knew who they were to each other until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.
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The concept takes its name from the play ''Theatre/OedipusTheKing'', wherein Oedipus [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]]. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:

to:

The concept takes its name from the play Creator/{{Sophocles}}' tragedy ''Theatre/OedipusTheKing'', wherein Oedipus [[{{Patricide}} kills his father]] and then [[ParentalIncest marries and has sex with his widowed mother]].mother]], with neither parents nor child being aware of their true relationships. Freud thought virtually no one would take it that far in real life, but described the events of the play as an ExaggeratedTrope:



UsefulNotes/CarlJung later coined a DistaffCounterpart of the Oedipus complex: the Electra complex, where the conflict is between mother and daughter, named after one of Sophocles' tragedies, ''Theatre/{{Electra}}''. Freud, however, rejected the idea.

to:

UsefulNotes/CarlJung later coined a DistaffCounterpart of the Oedipus complex: the Electra complex, where the conflict is between mother and daughter, named after another one of Sophocles' tragedies, ''Theatre/{{Electra}}''. Freud, however, rejected the idea.

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* LoveTriangle: Being interested in a woman who already has a partner.


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* MurderTheHypotenuse: Murdering a romantic rival to free up your love interest.
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->''I have always been puzzled by the... causality, shall we say. Does every man wish to kill his father so that he could finally be free to bed his mother, or is it the other way around? Does he wish to bed his mother in order to vanquish and then replace his father?''
-->-- ''[[https://archiveofourown.org/works/15472917 Hair the Color of Saffron]]''

[[AC: The Mother]]


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[[AC: The Father]]
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Another tempered reimagining of the idea can be seen in the trope JealousParent. It has the same basic premise of jealousy in the parent-child triangle, but the jealous figure is the father rather than the son. The incest is removed; the father and son both desire the mother's affections, but the husband's desire is sexual while the son's is not. A baby literally ''needs'' its mother in a bodily, bone-deep, instinctual way that can be difficult for adults to fully imagine. The son may be possessively fixated on his mother, and that love may function jealously -- just as sexual love does -- without it ''actually'' being amorous.

The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. Oedipus was a foundling child abandoned by his true parents, who had been forewarned that the boy would bring tragedy upon the family. Raised by a shepherd, Oedipus didn't know who his parents were - until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.

Interestingly though, in the play Jocasta ([[SurpriseIncest Oedipus's wife and unknowingly his mother]]) at one point comments that it's not especially unusual for people to have dreams of sleeping with their mothers, meaning the concept itself is OlderThanTheyThink.

to:

Another tempered reimagining of the idea can be seen in the trope JealousParent. It has the same basic premise of jealousy in the parent-child triangle, but the jealous figure is the father rather than the son. The incest is removed; the father and son both desire the mother's affections, but the husband's desire is sexual while the son's is not. A baby literally ''needs'' its his mother in a bodily, bone-deep, instinctual way that can be difficult for adults to fully imagine. The son may be possessively fixated on his mother, and that love may function jealously -- just as sexual love does -- without it ''actually'' being amorous.

The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. As a newborn it was prophesied that Oedipus would one day kill his father and marry his mother, so he was a foundling child abandoned by his true parents, who had been forewarned that the boy would bring tragedy upon the family. Raised biological parents then found and raised by a shepherd, adoptive parents. Oedipus didn't know who his biological parents were - until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.

Interestingly Interestingly, though, in the play Jocasta ([[SurpriseIncest Oedipus's wife and unknowingly his mother]]) at one point comments that it's not especially unusual for people to have dreams of sleeping with their mothers, meaning the concept itself is OlderThanTheyThink.

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The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. Oedipus was an orphan raised by a shepherd, who didn't know who his parents were - until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.

to:

The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. Oedipus was an orphan raised a foundling child abandoned by his true parents, who had been forewarned that the boy would bring tragedy upon the family. Raised by a shepherd, who Oedipus didn't know who his parents were - until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.
Is there an issue? Send a MessageReason:
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The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. Oedipus never knew who his mother and father were until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.

to:

The namesake, Oedipus himself, is [[ThisIndexIsNotAnExample not an example]]. Oedipus never knew was an orphan raised by a shepherd, who didn't know who his mother and father parents were - until it was too late. He was ''not'' someone who secretly wanted to kill his father and sleep with his mother -- he ''desperately'' didn't want ''either'', but ended up doing so anyway because YouCantFightFate.

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