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Deleted line(s) 1 (click to see context) :
* FakeScot: Eve Austin and Sally Messham, who play Kay and Manda in the film, are both English.
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* RenamedToAvoidAssociation: Done with both adaptations to avoid association with ''Series/TheSopranos'', naturally.
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get the project off the ground.
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get the project off the ground.
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Deleted line(s) 3 (click to see context) :
* KeepCirculatingTheTapes: No cast recording of the show exists. While the National Theatre has an archive recording of a complete performance, it hasn’t appeared on their official streaming service or been made available on DVD.
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Added DiffLines:
* KeepCirculatingTheTapes: No cast recording of the show exists. While the National Theatre has an archive recording of a complete performance, it hasn’t appeared on their official streaming service or been made available on DVD.
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Changed line(s) 1 (click to see context) from:
* FakeScot: Eve Austin and Sally Messham, who play Kay and Manda, are both English.
to:
* FakeScot: Eve Austin and Sally Messham, who play Kay and Manda, Manda in the film, are both English.
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* FollowTheLeader: Takes some stylistic influence from ''Literature/{{Trainspotting}}'', with the emphasis on dialect and the narrative splitting off into multiple threads once the girls reach Edinburgh.
to:
* FollowTheLeader: Takes The book takes some stylistic influence from ''Literature/{{Trainspotting}}'', with the emphasis on dialect and the narrative splitting off into multiple threads once the girls reach Edinburgh.
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Changed line(s) 2 (click to see context) from:
* FollowTheLeader: Takes some stylistic influence from ''Literature/{{Trainspotting}}'', with the emphasis on dialect and the narrative splitting of into multiple threads once the girls reach Edinburgh.
to:
* FollowTheLeader: Takes some stylistic influence from ''Literature/{{Trainspotting}}'', with the emphasis on dialect and the narrative splitting of off into multiple threads once the girls reach Edinburgh.
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Changed line(s) 3 (click to see context) from:
* RenamedToAvoidAssociation: Done with both adaptation to avoid association with ''Series/TheSopranos'', naturally.
to:
* RenamedToAvoidAssociation: Done with both adaptation adaptations to avoid association with ''Series/TheSopranos'', naturally.
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Changed line(s) 3 (click to see context) from:
* RenamedToAvoidAssociation: With ''Series/TheSopranos'', naturally.
to:
* RenamedToAvoidAssociation: With Done with both adaptation to avoid association with ''Series/TheSopranos'', naturally.
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Added DiffLines:
* RenamedToAvoidAssociation: With ''Series/TheSopranos'', naturally.
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Deleted line(s) 3 (click to see context) :
* PeripheryDemographic: A couple of reviews of the film on Letterboxd suggest that people in the Pacific Northwest who might not otherwise have given the film a look-in have seen it in cinemas in order to hide out from the 2021 [[https://en.wikipedia.org/wiki/2021_Western_North_America_heat_wave Western North American heat wave]] in an air-conditioned movie theatre for a few hours.
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* UnintentionalPeriodPiece: The book was set in the present-day mid-nineties when it was first published, and the adaptations have preserved this setting rather than trying to update it.
to:
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Added DiffLines:
* FakeScot: Eve Austin and Sally Messham, who play Kay and Manda, are both English.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* PeripheryDemographic: A couple of reviews of the film on Letterboxd suggest that people in the Pacific Northwest who might not otherwise have given the film a look-in have seen it in cinemas in order to hide out from the 2021 [[https://en.wikipedia.org/wiki/2021_Western_North_America_heat_wave Western North American heat wave]] in an air-conditioned movie theatre for a few hours.
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None
Added DiffLines:
* FollowTheLeader: Takes some stylistic influence from ''Literature/{{Trainspotting}}'', with the emphasis on dialect and the narrative splitting of into multiple threads once the girls reach Edinburgh.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get the project off the ground.
to:
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get the project off the ground.ground.
* UnintentionalPeriodPiece: The book was set in the present-day mid-nineties when it was first published, and the adaptations have preserved this setting rather than trying to update it.
* UnintentionalPeriodPiece: The book was set in the present-day mid-nineties when it was first published, and the adaptations have preserved this setting rather than trying to update it.
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Changed line(s) 1 (click to see context) from:
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get it made.
to:
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get it made.the project off the ground.
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None
Added DiffLines:
* SavedFromDevelopmentHell: Director Michael Caton-Jones originally [[https://www.hollywoodreporter.com/news/michael-caton-jones-direct-catholic-choir-comedy-sopranos-1159464 optioned]] the film rights with his own money when the book was first published in 1998 and spent the next twenty years trying to get it made.