Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
* ReferencedBy: ''Series/InterviewWithTheVampire2022'''s [[https://www.facebook.com/TheGoodStuffAMCPlus/videos/interview-with-the-vampire-premieres-october-2/1719721658397958/ Season 1 Claudia-centric TV spot]] is set to "Overture".
to:
* ReferencedBy: ''Series/InterviewWithTheVampire2022'''s [[https://www.facebook.com/TheGoodStuffAMCPlus/videos/interview-with-the-vampire-premieres-october-2/1719721658397958/ com/TheGoodStuffAMCPlus/videos/1719721658397958/ Season 1 Claudia-centric TV spot]] is set to "Overture".
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CommonKnowledge: People with only a passing familiarity with opera tend to assume that the famous "Figaro" aria originated in this opera rather than ''Theatre/TheBarberOfSeville''. An understandable mistake, given the title.
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
* FollowTheLeader: Mozart's decision to make the Beaumarchais play into an opera was inspired by the great success of the Italian composer Giovanni Paisiello with his 1782 operatic version of the first Figaro play, ''Theatre/TheBarberOfSeville'', though this opera has been largely forgotten thanks to [[AdaptationDisplacement the even greater success of Rossini's version]]. Cherubino's "Voi che sapete" is modeled on (and in the same key as) the big hit song from Paisiello's opera, [[https://www.youtube.com/watch?v=5AFWPLOofN0 the serenade "saper bramate"]].
to:
* FollowTheLeader: Mozart's decision to make the Beaumarchais play into an opera was inspired by the great success of the Italian composer Giovanni Paisiello with his 1782 operatic version of the first Figaro play, ''Theatre/TheBarberOfSeville'', though this opera has been largely forgotten thanks to [[AdaptationDisplacement the even greater success of Rossini's version]]. Cherubino's "Voi che sapete" is modeled on (and in the same key as) the big hit song from Paisiello's opera, [[https://www.youtube.com/watch?v=5AFWPLOofN0 the serenade "saper bramate"]].bramate"]].
* ReferencedBy: ''Series/InterviewWithTheVampire2022'''s [[https://www.facebook.com/TheGoodStuffAMCPlus/videos/interview-with-the-vampire-premieres-october-2/1719721658397958/ Season 1 Claudia-centric TV spot]] is set to "Overture".
----
* ReferencedBy: ''Series/InterviewWithTheVampire2022'''s [[https://www.facebook.com/TheGoodStuffAMCPlus/videos/interview-with-the-vampire-premieres-october-2/1719721658397958/ Season 1 Claudia-centric TV spot]] is set to "Overture".
----
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BannedInChina: In Austria, the play was banned by Emperor Joseph due to its political subject matter and fears of a copycat unrest similar to that which would later claim the life of his sister. Contrary to popular belief, though, he approved Mozart's opera adaptation from the start, as being a self-admitted apolitical he had already removed the offending material.
Is there an issue? Send a MessageReason:
None
Changed line(s) 32 (click to see context) from:
* FollowTheLeader: Mozart's decision to make the Beaumarchais play into an opera was inspired by the great success of the Italian composer Giovanni Paisiello with his 1782 operatic version of the first Figaro play, ''Theatre/TheBarberOfSeville'', though this opera has been largely forgotten thanks to [[AdaptationDisplacement the even greater success of Rossini's version]]. Cherubino's "Voi che sapete" is modeled on the big hit song from Paisiello's opera, [[https://www.youtube.com/watch?v=5AFWPLOofN0 the serenade "saper bramate"]].
to:
* FollowTheLeader: Mozart's decision to make the Beaumarchais play into an opera was inspired by the great success of the Italian composer Giovanni Paisiello with his 1782 operatic version of the first Figaro play, ''Theatre/TheBarberOfSeville'', though this opera has been largely forgotten thanks to [[AdaptationDisplacement the even greater success of Rossini's version]]. Cherubino's "Voi che sapete" is modeled on (and in the same key as) the big hit song from Paisiello's opera, [[https://www.youtube.com/watch?v=5AFWPLOofN0 the serenade "saper bramate"]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
*** 2006, conducted by Nikolaus Harnoncourt at the Salzburg Festival: Ildebrando D'Arcangelo, Anna Netrebko, Bo Skovhus, Dorothea Röschmann, Christine Schäfer, Marie [=McLaughlin=]
to:
*** 2006, conducted by Nikolaus Harnoncourt at the Salzburg Festival: Ildebrando D'Arcangelo, Anna Netrebko, Bo Skovhus, Dorothea Röschmann, Christine Schäfer, Marie [=McLaughlin=][=McLaughlin=]
* FollowTheLeader: Mozart's decision to make the Beaumarchais play into an opera was inspired by the great success of the Italian composer Giovanni Paisiello with his 1782 operatic version of the first Figaro play, ''Theatre/TheBarberOfSeville'', though this opera has been largely forgotten thanks to [[AdaptationDisplacement the even greater success of Rossini's version]]. Cherubino's "Voi che sapete" is modeled on the big hit song from Paisiello's opera, [[https://www.youtube.com/watch?v=5AFWPLOofN0 the serenade "saper bramate"]].
* FollowTheLeader: Mozart's decision to make the Beaumarchais play into an opera was inspired by the great success of the Italian composer Giovanni Paisiello with his 1782 operatic version of the first Figaro play, ''Theatre/TheBarberOfSeville'', though this opera has been largely forgotten thanks to [[AdaptationDisplacement the even greater success of Rossini's version]]. Cherubino's "Voi che sapete" is modeled on the big hit song from Paisiello's opera, [[https://www.youtube.com/watch?v=5AFWPLOofN0 the serenade "saper bramate"]].
Is there an issue? Send a MessageReason:
Realized that some productions will have Bartolo there even though he has nothing to sing.
Changed line(s) 1 (click to see context) from:
* ActingForTwo: In the original production, the tenor who sang Don Basilio also took the smaller role of Don Curzio, and the singer playing Bartolo also played Antonio (which is why Bartolo doesn't appear in the final scene). Some productions still double up the roles, but others cast them separately.
to:
* ActingForTwo: In the original production, the tenor who sang Don Basilio also took the smaller role of Don Curzio, and the singer playing Bartolo also played Antonio (which is why Bartolo doesn't appear sing in the final scene). Some productions still double up the roles, but others cast them separately.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* ActingForTwo: In the original production, the tenor who sang Don Basilio also took the smaller role of Don Curzio, and the singer playing Bartolo also played Antonio. Some productions still double up the roles, but others cast them separately.
to:
* ActingForTwo: In the original production, the tenor who sang Don Basilio also took the smaller role of Don Curzio, and the singer playing Bartolo also played Antonio.Antonio (which is why Bartolo doesn't appear in the final scene). Some productions still double up the roles, but others cast them separately.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ActingForTwo: In the original production, the tenor who sang Don Basilio also took the smaller role of Don Curzio, and the singer playing Bartolo also played Antonio. Some productions still double up the roles, but others cast them separately.
Is there an issue? Send a MessageReason:
None
Changed line(s) 28 (click to see context) from:
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley, Rodney Gilfry, Hillevi Martinpelto, Pamela Helen Stephen, Susan McCulloch, Francis Egerton
to:
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley, Rodney Gilfry, Hillevi Martinpelto, Pamela Helen Stephen, Susan McCulloch, [=McCulloch=], Francis Egerton
Is there an issue? Send a MessageReason:
None
Changed line(s) 19,20 (click to see context) from:
*** 1993, conducted by Sir John Eliot Gardiner: Bryn Terfel, Alison Hagley, Rodney Gilfry, Hillevi Martinpelto, Pamela Helen Stephen, Susan McCulloch, Carlos Feller
*** 1994, conducted by Claudio Abbado: Lucio Gallo, Sylvia McNair, Bo Skovhus, Cheryl Studer, Cecilia Bartoli, Anna Caterina Antonacci, Ildebrando D'Arcangelo
*** 1994, conducted by Claudio Abbado: Lucio Gallo, Sylvia McNair, Bo Skovhus, Cheryl Studer, Cecilia Bartoli, Anna Caterina Antonacci, Ildebrando D'Arcangelo
to:
*** 1993, conducted by Sir John Eliot Gardiner: Bryn Terfel, Alison Hagley, Rodney Gilfry, Hillevi Martinpelto, Pamela Helen Stephen, Susan McCulloch, [=McCulloch=], Carlos Feller
*** 1994, conducted by Claudio Abbado: Lucio Gallo, SylviaMcNair, [=McNair=], Bo Skovhus, Cheryl Studer, Cecilia Bartoli, Anna Caterina Antonacci, Ildebrando D'Arcangelo
*** 1994, conducted by Claudio Abbado: Lucio Gallo, Sylvia
Changed line(s) 22,23 (click to see context) from:
*** 2003, conducted by René Jacobs: Lorenzo Regazzo, Patrizia Ciofi, Simon Keenlyside, Véronique Gens, Angelika Kirschlager, Marie McLaughlin, Antonio Abete
*** 2004, conducted by David Parry: Christopher Purves, Rebecca Evans, William Dazely, Yvonne Kenny, Diana Montague, Frances McCafferty, Jonathan Veira
*** 2004, conducted by David Parry: Christopher Purves, Rebecca Evans, William Dazely, Yvonne Kenny, Diana Montague, Frances McCafferty, Jonathan Veira
to:
*** 2003, conducted by René Jacobs: Lorenzo Regazzo, Patrizia Ciofi, Simon Keenlyside, Véronique Gens, Angelika Kirschlager, Marie McLaughlin, [=McLaughlin=], Antonio Abete
*** 2004, conducted by David Parry: Christopher Purves, Rebecca Evans, William Dazely, Yvonne Kenny, Diana Montague, FrancesMcCafferty, [=McCafferty=], Jonathan Veira
*** 2004, conducted by David Parry: Christopher Purves, Rebecca Evans, William Dazely, Yvonne Kenny, Diana Montague, Frances
Changed line(s) 30 (click to see context) from:
*** 2006, conducted by Nikolaus Harnoncourt at the Salzburg Festival: Ildebrando D'Arcangelo, Anna Netrebko, Bo Skovhus, Dorothea Röschmann, Christine Schäfer, Marie McLaughlin
to:
*** 2006, conducted by Nikolaus Harnoncourt at the Salzburg Festival: Ildebrando D'Arcangelo, Anna Netrebko, Bo Skovhus, Dorothea Röschmann, Christine Schäfer, Marie McLaughlin[=McLaughlin=]
Is there an issue? Send a MessageReason:
None
*** 1950, conducted by Herbert von Karajan: Erich Kunz, Irmgard Seefried, George London, Elisabeth Schwarzkopf, Sena Jurinac, Elisabeth Höngen, Marjan Rus
*** 1955, conducted by Erich Kleiber: Cesare Siepi, Hilde Güden, Alfred Poell, Lisa Della Casa, Suzanne Danco, Hilde Rössel-Majdan, Fernando Corena
*** 1955, conducted by Erich Kleiber: Cesare Siepi, Hilde Güden, Alfred Poell, Lisa Della Casa, Suzanne Danco, Hilde Rössel-Majdan, Fernando Corena
Changed line(s) 4,7 (click to see context) from:
*** 1960, conducted by Carlo Maria Giulini: Giuseppe Taddei, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Fiorenza Cossotto
*** 1971, conducted by Colin Davis: Wladimiro Ganzarolli, Mirella Freni, Ingvar Wixell, Jessye Norman, Yvonne Minton, Maria Casula
*** 1981, conducted by Georg Solti: Samuel Ramey, Lucia Popp, Thomas Allen, Kiri Te Kanawa, Frederica von Stade
*** 1985, conducted by Neville Marriner: Ruggero Raimondi, Lucia Popp, Jose van Dam, Barbara Hendricks, Agnes Baltsa
*** 1971, conducted by Colin Davis: Wladimiro Ganzarolli, Mirella Freni, Ingvar Wixell, Jessye Norman, Yvonne Minton, Maria Casula
*** 1981, conducted by Georg Solti: Samuel Ramey, Lucia Popp, Thomas Allen, Kiri Te Kanawa, Frederica von Stade
*** 1985, conducted by Neville Marriner: Ruggero Raimondi, Lucia Popp, Jose van Dam, Barbara Hendricks, Agnes Baltsa
to:
*** 1960, conducted by Carlo Maria Giulini: Giuseppe Taddei, Anna Moffo, Eberhard Wächter, Elisabeth Schwarzkopf, Fiorenza Cossotto
Cossotto, Dora Gatta, Ivo Vinco
*** 1960, conducted by Ferenc Fricsay: Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper, Lilian Benningsen, Ivan Sardi
*** 1964, conducted by Otmar Suitner: Walter Berry, Anneliese Rothenberger, Hermann Prey, Hilde Güden, Edith Mathis, Annelies Burmeister, Fritz Ollendorf (sung in German)
*** 1968, conducted by Karl Böhm: Hermann Prey, Edith Mathis, Dietrich Fischer-Dieskau, Gundula Janowitz, Tatiana Troyanos, Patricia Johnson, Peter Lagger
*** 1970, conducted by Otto Klemperer: Geraint Evans, Reri Grist, Gabriel Bacquier, Elisabeth Söderström, Teresa Berganza, Annelies Burmeister, Michael Langdon
*** 1971, conducted by Sir Colin Davis: Wladimiro Ganzarolli, Mirella Freni, Ingvar Wixell, Jessye Norman, Yvonne Minton, MariaCasula
Casula, Clifford Grant
*** 1978, conducted by Herbert von Karajan: José van Dam, Ileana Cotrubas, Tom Krause, Anna Tomowa-Sintow, Frederica von Stade, Jane Berbié, Jules Bastin
*** 1981, conducted by Sir Georg Solti: Samuel Ramey, Lucia Popp, Thomas Allen, Kiri Te Kanawa, Frederica vonStade
Stade, Jane Berbié, Kurt Moll
*** 1985, conducted by Sir Neville Marriner: José van Dam, Barbara Hendricks, Ruggero Raimondi, Lucia Popp,Jose van Dam, Agnes Baltsa, Felicity Palmer, Robert Lloyd
*** 1986, conducted by Riccardo Muti: Thomas Allen, Kathleen Battle, Jorma Hynninen, Margaret Price, Ann Murray, Mariana Nicolesco, Kurt Rydl
*** 1987, conducted by Arnold Östman: Petteri Salmoaa, BarbaraHendricks, Agnes BaltsaBonney, Hakan Hagegard, Arleen Augér, Alicia Nafé, Della Jones, Carlos Feller
*** 1988, conducted by James Levine: Ferruccio Furlanetto, Dawn Upshaw, Thomas Hampson, Kiri Te Kanawa, Anne Sofie von Otter, Tatiana Troyanos, Paul Plishka
*** 1988, conducted by Nikolaus Harnoncourt: Anton Scharinger, Barbara Bonney, Thomas Hampson, Charlotte Margiono, Petra Lang, Ann Murray, Kurt Moll
*** 1993, conducted by Sir John Eliot Gardiner: Bryn Terfel, Alison Hagley, Rodney Gilfry, Hillevi Martinpelto, Pamela Helen Stephen, Susan McCulloch, Carlos Feller
*** 1994, conducted by Claudio Abbado: Lucio Gallo, Sylvia McNair, Bo Skovhus, Cheryl Studer, Cecilia Bartoli, Anna Caterina Antonacci, Ildebrando D'Arcangelo
*** 1994, conducted by Sir Charles Mackerras: Alastair Miles, Nuccia Focile, Alessandro Corbelli, Carol Vaness, Susanne Mentzer, Susan Murphy, Alfonso Antoniozzi
*** 2003, conducted by René Jacobs: Lorenzo Regazzo, Patrizia Ciofi, Simon Keenlyside, Véronique Gens, Angelika Kirschlager, Marie McLaughlin, Antonio Abete
*** 2004, conducted by David Parry: Christopher Purves, Rebecca Evans, William Dazely, Yvonne Kenny, Diana Montague, Frances McCafferty, Jonathan Veira
*** 1960, conducted by Ferenc Fricsay: Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper, Lilian Benningsen, Ivan Sardi
*** 1964, conducted by Otmar Suitner: Walter Berry, Anneliese Rothenberger, Hermann Prey, Hilde Güden, Edith Mathis, Annelies Burmeister, Fritz Ollendorf (sung in German)
*** 1968, conducted by Karl Böhm: Hermann Prey, Edith Mathis, Dietrich Fischer-Dieskau, Gundula Janowitz, Tatiana Troyanos, Patricia Johnson, Peter Lagger
*** 1970, conducted by Otto Klemperer: Geraint Evans, Reri Grist, Gabriel Bacquier, Elisabeth Söderström, Teresa Berganza, Annelies Burmeister, Michael Langdon
*** 1971, conducted by Sir Colin Davis: Wladimiro Ganzarolli, Mirella Freni, Ingvar Wixell, Jessye Norman, Yvonne Minton, Maria
*** 1978, conducted by Herbert von Karajan: José van Dam, Ileana Cotrubas, Tom Krause, Anna Tomowa-Sintow, Frederica von Stade, Jane Berbié, Jules Bastin
*** 1981, conducted by Sir Georg Solti: Samuel Ramey, Lucia Popp, Thomas Allen, Kiri Te Kanawa, Frederica von
*** 1985, conducted by Sir Neville Marriner: José van Dam, Barbara Hendricks, Ruggero Raimondi, Lucia Popp,
*** 1986, conducted by Riccardo Muti: Thomas Allen, Kathleen Battle, Jorma Hynninen, Margaret Price, Ann Murray, Mariana Nicolesco, Kurt Rydl
*** 1987, conducted by Arnold Östman: Petteri Salmoaa, Barbara
*** 1988, conducted by James Levine: Ferruccio Furlanetto, Dawn Upshaw, Thomas Hampson, Kiri Te Kanawa, Anne Sofie von Otter, Tatiana Troyanos, Paul Plishka
*** 1988, conducted by Nikolaus Harnoncourt: Anton Scharinger, Barbara Bonney, Thomas Hampson, Charlotte Margiono, Petra Lang, Ann Murray, Kurt Moll
*** 1993, conducted by Sir John Eliot Gardiner: Bryn Terfel, Alison Hagley, Rodney Gilfry, Hillevi Martinpelto, Pamela Helen Stephen, Susan McCulloch, Carlos Feller
*** 1994, conducted by Claudio Abbado: Lucio Gallo, Sylvia McNair, Bo Skovhus, Cheryl Studer, Cecilia Bartoli, Anna Caterina Antonacci, Ildebrando D'Arcangelo
*** 1994, conducted by Sir Charles Mackerras: Alastair Miles, Nuccia Focile, Alessandro Corbelli, Carol Vaness, Susanne Mentzer, Susan Murphy, Alfonso Antoniozzi
*** 2003, conducted by René Jacobs: Lorenzo Regazzo, Patrizia Ciofi, Simon Keenlyside, Véronique Gens, Angelika Kirschlager, Marie McLaughlin, Antonio Abete
*** 2004, conducted by David Parry: Christopher Purves, Rebecca Evans, William Dazely, Yvonne Kenny, Diana Montague, Frances McCafferty, Jonathan Veira
Changed line(s) 10 (click to see context) from:
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley, Rod Gilfry, Hillevi Martinpelto, Pamela Helen Stephen
to:
*** 1973, conducted by Sir John Pritchard at the Glyndebourne Festival: Knut Skram, Ileana Cotrubas, Benjamin Luxon, Kiri Te Kanawa, Frederica von Stade, Nucci Condò, Marius Rintzler
*** 1975, conducted by Karl Böhm: Hermann Prey, Mirella Freni, Dietrich Fischer-Dieskau, Kiri Te Kanawa, Maria Ewing, Heather Begg, Paolo Montarsolo
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley,Rod Rodney Gilfry, Hillevi Martinpelto, Pamela Helen StephenStephen, Susan McCulloch, Francis Egerton
*** 1994, conducted by Bernard Haitink at the Glyndebourne Festival: Gerald Finley, Alison Hagley, Andreas Schmidt, Renée Fleming, Marie-Ange Torodovitch, Wendy Hillhouse, Manfred Röhrl
*** 1975, conducted by Karl Böhm: Hermann Prey, Mirella Freni, Dietrich Fischer-Dieskau, Kiri Te Kanawa, Maria Ewing, Heather Begg, Paolo Montarsolo
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley,
*** 1994, conducted by Bernard Haitink at the Glyndebourne Festival: Gerald Finley, Alison Hagley, Andreas Schmidt, Renée Fleming, Marie-Ange Torodovitch, Wendy Hillhouse, Manfred Röhrl
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* AllStarCast:
to:
* AllStarCast:AllStarCast: As Figaro, Susanna, Count Almaviva, Countess Almaviva, Cherubino, Marcellina, and Bartolo...
Changed line(s) 3,5 (click to see context) from:
*** 1958, conducted by Erich Leinsdorf: American bass Giorgio Tozzi as Figaro, American soprano Roberta Peters as Susanna, Swiss soprano Lisa Della Casa as the Countess, Canadian baritone George London as the Count, and American mezzo-soprano Rosalind Elias as Cherubino.
*** 1970, conducted by Otto Klemperer: Welsh bass-baritone Geraint Evans as Figaro, Black-American soprano Reri Grist as Susana, Swedish soprano Elisabeth Soderstrom as the Countess, French baritone Gabriel Bacquier as the Count, and Spanish mezzo-soprano Teresa Berganza as Cherubino.
*** 1981, conducted by Georg Solti: American bass Samuel Ramey as Figaro, Slovak soprano Lucia Popp as Susanna, New Zealander soprano Kiri Te Kanawa as the Countess, English baritone Thomas Allen as the Count, and American mezzo-soprano Frederica von Stade as Cherubino.
*** 1970, conducted by Otto Klemperer: Welsh bass-baritone Geraint Evans as Figaro, Black-American soprano Reri Grist as Susana, Swedish soprano Elisabeth Soderstrom as the Countess, French baritone Gabriel Bacquier as the Count, and Spanish mezzo-soprano Teresa Berganza as Cherubino.
*** 1981, conducted by Georg Solti: American bass Samuel Ramey as Figaro, Slovak soprano Lucia Popp as Susanna, New Zealander soprano Kiri Te Kanawa as the Countess, English baritone Thomas Allen as the Count, and American mezzo-soprano Frederica von Stade as Cherubino.
to:
*** 1958, conducted by Erich Leinsdorf: American bass Giorgio Tozzi as Figaro, American soprano Tozzi, Roberta Peters as Susanna, Swiss soprano Peters, George London, Lisa Della Casa as the Countess, Canadian baritone George London as the Count, and American mezzo-soprano Casa, Rosalind Elias as Cherubino.
Elias, Sandra Warfield, Fernando Corena
***1970, 1960, conducted by Otto Klemperer: Welsh bass-baritone Geraint Evans as Figaro, Black-American soprano Reri Grist as Susana, Swedish soprano Carlo Maria Giulini: Giuseppe Taddei, Anna Moffo, Eberhard Wächter, Elisabeth Soderstrom as the Countess, French baritone Gabriel Bacquier as the Count, and Spanish mezzo-soprano Teresa Berganza as Cherubino.
Schwarzkopf, Fiorenza Cossotto
*** 1971, conducted by Colin Davis: Wladimiro Ganzarolli, Mirella Freni, Ingvar Wixell, Jessye Norman, Yvonne Minton, Maria Casula
*** 1981, conducted by Georg Solti:American bass Samuel Ramey as Figaro, Slovak soprano Ramey, Lucia Popp as Susanna, New Zealander soprano Popp, Thomas Allen, Kiri Te Kanawa as the Countess, English baritone Thomas Allen as the Count, and American mezzo-soprano Kanawa, Frederica von Stade as Cherubino.Stade
*** 1985, conducted by Neville Marriner: Ruggero Raimondi, Lucia Popp, Jose van Dam, Barbara Hendricks, Agnes Baltsa
*** 2016, conducted by Yannick Nézet-Séguin: Luca Pisaroni, Christiane Karg, Thomas Hampson, Sonya Yoncheva, Angela Brower, Anne Sofie von Otter
** Video Recordings:
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley, Rod Gilfry, Hillevi Martinpelto, Pamela Helen Stephen
*** 2006, conducted by Nikolaus Harnoncourt at the Salzburg Festival: Ildebrando D'Arcangelo, Anna Netrebko, Bo Skovhus, Dorothea Röschmann, Christine Schäfer, Marie McLaughlin
***
*** 1971, conducted by Colin Davis: Wladimiro Ganzarolli, Mirella Freni, Ingvar Wixell, Jessye Norman, Yvonne Minton, Maria Casula
*** 1981, conducted by Georg Solti:
*** 1985, conducted by Neville Marriner: Ruggero Raimondi, Lucia Popp, Jose van Dam, Barbara Hendricks, Agnes Baltsa
*** 2016, conducted by Yannick Nézet-Séguin: Luca Pisaroni, Christiane Karg, Thomas Hampson, Sonya Yoncheva, Angela Brower, Anne Sofie von Otter
** Video Recordings:
*** 1993, conducted by John Eliot Gardiner at the Théâtre du Châtelet: Bryn Terfel, Alison Hagley, Rod Gilfry, Hillevi Martinpelto, Pamela Helen Stephen
*** 2006, conducted by Nikolaus Harnoncourt at the Salzburg Festival: Ildebrando D'Arcangelo, Anna Netrebko, Bo Skovhus, Dorothea Röschmann, Christine Schäfer, Marie McLaughlin
Is there an issue? Send a MessageReason:
None
Added DiffLines:
*AllStarCast:
**Audio Recordings:
***1958, conducted by Erich Leinsdorf: American bass Giorgio Tozzi as Figaro, American soprano Roberta Peters as Susanna, Swiss soprano Lisa Della Casa as the Countess, Canadian baritone George London as the Count, and American mezzo-soprano Rosalind Elias as Cherubino.
***1970, conducted by Otto Klemperer: Welsh bass-baritone Geraint Evans as Figaro, Black-American soprano Reri Grist as Susana, Swedish soprano Elisabeth Soderstrom as the Countess, French baritone Gabriel Bacquier as the Count, and Spanish mezzo-soprano Teresa Berganza as Cherubino.
***1981, conducted by Georg Solti: American bass Samuel Ramey as Figaro, Slovak soprano Lucia Popp as Susanna, New Zealander soprano Kiri Te Kanawa as the Countess, English baritone Thomas Allen as the Count, and American mezzo-soprano Frederica von Stade as Cherubino.
**Audio Recordings:
***1958, conducted by Erich Leinsdorf: American bass Giorgio Tozzi as Figaro, American soprano Roberta Peters as Susanna, Swiss soprano Lisa Della Casa as the Countess, Canadian baritone George London as the Count, and American mezzo-soprano Rosalind Elias as Cherubino.
***1970, conducted by Otto Klemperer: Welsh bass-baritone Geraint Evans as Figaro, Black-American soprano Reri Grist as Susana, Swedish soprano Elisabeth Soderstrom as the Countess, French baritone Gabriel Bacquier as the Count, and Spanish mezzo-soprano Teresa Berganza as Cherubino.
***1981, conducted by Georg Solti: American bass Samuel Ramey as Figaro, Slovak soprano Lucia Popp as Susanna, New Zealander soprano Kiri Te Kanawa as the Countess, English baritone Thomas Allen as the Count, and American mezzo-soprano Frederica von Stade as Cherubino.
