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History Trivia / TheChildrensHour

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* SelfRemake: The 1961 adaptation was Wyler's attempt to make a TruerToTheText version of Hellman's play in comparison to the earlier ''These Three'', also made by Wyler.

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Removed: 431

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* ActorAllusion: In 1961 film adaptation, Martha tells Karen: "We're always in style. But you're not. You're Fifth Avenue. Rue de la Paix." Creator/AudreyHepburn had indeed been filmed [[Film/FunnyFace on Rue de la Paix in Paris]] and [[Film/BreakfastAtTiffanys on Fifth Avenue in New York]].



* UsefulNotes/TheHaysCode: William Wyler cut several scenes hinting at Martha's homosexuality for fear of not receiving the seal of approval from the Motion Picture Production Code. At the time, any story about homosexuality was forbidden by the production code.
* WhatCouldHaveBeen: There are promotional images of the court scene in the second film adaptation. The final film doesn't show the scene.

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* UsefulNotes/TheHaysCode: William Wyler GayPanic: Creator/WilliamWyler cut several scenes hinting at Martha's homosexuality for fear of not receiving the seal of approval from the Motion Picture Production Code. At the time, any story about homosexuality was forbidden by the production code. \n* WhatCouldHaveBeen: There are promotional images of the court scene in the second film adaptation. The final film doesn't show the scene.
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* AdaptationalContextChange:
** The plot of ''These Three'' is censored due to UsefulNotes/TheHaysCode. In the original play the accusation is Martha and Karen [[MistakenForGay are a couple]], and Karen is [[YourCheatingHeart cheating]] on her fiancee. In the 1936 version it's assumed Martha and ''Joe'' are cheating. Thus many of Joe's lines are given to Karen, and his anxiety over the concept of his girlfriend cheating on him is transferred to her. The climax and ending are completely different. Instead of [[spoiler:Joe leaving Karen]] it is [[spoiler:Karen who didn't believe Joe]]. The dialogue afterwards between Karen and Martha is considerably less dramatic [[spoiler:as Martha is calmly confessing her unrequited feelings for Joe instead of giving a {{gayngst}} filled AnguishedDeclarationOfLove to Karen]]. The ending is a BittersweetEnding [[spoiler:where Karen and Joe reunite but the reputation of their school remains ruined]] instead of the DownerEnding of the play [[spoiler:where Martha [[DrivenToSuicide killed herself]] and Karen and Joe stay separated.]]
** ''The Childrens Hour'' film changed [[spoiler:Mary's grandmother apologizing to Karen]] to happen ''before'' [[spoiler:Martha's death]]

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* DeletedScene: Judging from promotional screenshots for the 1961 film, the scene where Martha and Karen try to sue Amelia for libel was originally on-screen and was shot. However, the scene was not in the final product and has never surfaced.



* WhatCouldHaveBeen: There are promotional images of the court scene from the play in the second film adaptation. The final film doesn't show the scene.

to:

* WhatCouldHaveBeen: There are promotional images of the court scene from the play in the second film adaptation. The final film doesn't show the scene.
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** ''The Childrens Hour'' changed [[spoiler:Mary's grandmother apologizing to Karen]] to happen ''before'' [[spoiler:Martha's death]]

to:

** ''The Childrens Hour'' film changed [[spoiler:Mary's grandmother apologizing to Karen]] to happen ''before'' [[spoiler:Martha's death]]
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* WhatCouldHaveBeen: There are promotional images of the court scene from the play in the second film adaptation. The final film doesn't show the scene.

to:

* WhatCouldHaveBeen: There are promotional images of the court scene from the play in the second film adaptation. The final film doesn't show the scene.scene.
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* ValuesDissonance: A case of lesbianism wouldn't have ruined somebody's life in present day America.
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* ActorAllusion: In 1961 film adaptation, Martha tells Karen: "We're always in style. But you're not. You're Fifth Avenue. Rue de la Paix." Creator/AudreyHepburn had indeed been filmed [[Film/FunnyFace in Rue de la Paix in Paris]] and [[Film/BreakfastAtTiffanys in Fifth Avenue in New York]].

to:

* ActorAllusion: In 1961 film adaptation, Martha tells Karen: "We're always in style. But you're not. You're Fifth Avenue. Rue de la Paix." Creator/AudreyHepburn had indeed been filmed [[Film/FunnyFace in on Rue de la Paix in Paris]] and [[Film/BreakfastAtTiffanys in on Fifth Avenue in New York]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ActorAllusion: In 1961 film adaptation, Martha tells Karen: "We're always in style. But you're not. You're Fifth Avenue. Rue de la Paix." Creator/AudreyHepburn had indeed been filmed [[Film/FunnyFace in Rue de la Paix in Paris]] and [[Film/BreakfastAtTiffanys in Fifth Avenue in New York]].

Added: 364

Changed: 1007

Is there an issue? Send a MessageReason:
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** ''These Three'' switched around a large number of Joe's and Karen's dialogue to make the film about a heterosexual love triangle.

to:

** The plot of ''These Three'' switched around is censored due to UsefulNotes/TheHaysCode. In the original play the accusation is Martha and Karen [[MistakenForGay are a large number couple]], and Karen is [[YourCheatingHeart cheating]] on her fiancee. In the 1936 version it's assumed Martha and ''Joe'' are cheating. Thus many of Joe's lines are given to Karen, and Karen's his anxiety over the concept of his girlfriend cheating on him is transferred to her. The climax and ending are completely different. Instead of [[spoiler:Joe leaving Karen]] it is [[spoiler:Karen who didn't believe Joe]]. The dialogue afterwards between Karen and Martha is considerably less dramatic [[spoiler:as Martha is calmly confessing her unrequited feelings for Joe instead of giving a {{gayngst}} filled AnguishedDeclarationOfLove to make Karen]]. The ending is a BittersweetEnding [[spoiler:where Karen and Joe reunite but the film about a heterosexual love triangle.reputation of their school remains ruined]] instead of the DownerEnding of the play [[spoiler:where Martha [[DrivenToSuicide killed herself]] and Karen and Joe stay separated.]]


Added DiffLines:

* UsefulNotes/TheHaysCode: William Wyler cut several scenes hinting at Martha's homosexuality for fear of not receiving the seal of approval from the Motion Picture Production Code. At the time, any story about homosexuality was forbidden by the production code.
* ValuesDissonance: A case of lesbianism wouldn't have ruined somebody's life in present day America.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AdaptationalContextChange:
** ''These Three'' switched around a large number of Joe's and Karen's dialogue to make the film about a heterosexual love triangle.
** ''The Childrens Hour'' changed [[spoiler:Mary's grandmother apologizing to Karen]] to happen ''before'' [[spoiler:Martha's death]]
* WhatCouldHaveBeen: There are promotional images of the court scene from the play in the second film adaptation. The final film doesn't show the scene.

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