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* DevelopmentHell / WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on from "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much searching around, was eventually picked up and released 18 months later through R&M.
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* DevelopmentHell / WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on from "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much searching around, the album was eventually picked up and released 18 months later through R&M.Randm.
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** [https://www.55design.co.uk/space-the-band The original artwork for the album] was intended to show a suburban household from the point of view of a sniper's target, but the band lost the rights to the original photo due to complaints from the homeowner, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
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** [https://www.[[https://www.55design.co.uk/space-the-band The original artwork for the album] album]] was intended to show a suburban household from the point of view of a sniper's target, but the band lost the rights to the original photo due to complaints from the homeowner, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
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Changed line(s) 3 (click to see context) from:
** The original artwork for the album was intended to show a suburban household from the point of view of a sniper's target, but the band lost the rights to the original photo due to complaints from the homeowner, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
to:
** [https://www.55design.co.uk/space-the-band The original artwork for the album album] was intended to show a suburban household from the point of view of a sniper's target, but the band lost the rights to the original photo due to complaints from the homeowner, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
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Changed line(s) 3 (click to see context) from:
** The original artwork for the album was intended to show a suburban household from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
to:
** The original artwork for the album was intended to show a suburban household from the point of view of a sniper's target, but the band lost the rights to the original photo, photo due to complaints from the homeowner, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
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Changed line(s) 3 (click to see context) from:
** The original artwork for the album was intended to show a suburban home from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
to:
** The original artwork for the album was intended to show a suburban home household from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
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* CreativeDifferences: Both Franny Griffiths and Yorkie had a serious falling out during the making of the album over the songs' keyboard arrangements, which was one of the factors behind the band calling it a day in 2005 and Yorkie not rejoining them for their reunion in 2011.
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* CreativeDifferences: Both Franny Griffiths and Yorkie had a serious falling out during the making of the album ''Suburban Rock 'n' Roll'' over the songs' keyboard arrangements, which was one of the factors behind the band calling it a day in 2005 and Yorkie not rejoining them for their reunion in 2011.
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* CreativeDifferences: Both Franny Griffiths and Yorkie had a serious falling out during the making of the album over the songs' keyboard arrangements, which was one of the factors behind the band calling it a day in 2005 and Yorkie not rejoining them for their reunion in 2011.
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* WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on from "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much searching around, was eventually picked up and released 18 months later through R&M.
to:
* DevelopmentHell / WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on from "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much searching around, was eventually picked up and released 18 months later through R&M.
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None
Changed line(s) 2 (click to see context) from:
** The original artwork for the album was intended to show a suburban home from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead.
to:
** The original artwork for the album was intended to show a suburban home from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead. It was also meant to use the "bullet-hole" logo featured on "Zombies" before reverting to the classic yellow logo.
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Changed line(s) 1 (click to see context) from:
* WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on after "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much hunting, was eventually released 18 months later through RandM.
to:
* WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on after from "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much hunting, searching around, was eventually picked up and released 18 months later through RandM.R&M.
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Added DiffLines:
* WhatCouldHaveBeen: The album was intended to be released in early 2003 through Stephen Lironi's Mutant label, following on after "Zombies" which was released as a single in November the previous year. However, the label collapsed and after much hunting, was eventually released 18 months later through RandM.
** The original artwork for the album was intended to show a suburban home from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead.
** A track called "All the Boys" was recorded early on in the ''Suburban Rock 'n' Roll'' sessions and was tipped to be the lead-off single for the album. However, the song ended up not making the cut and has not yet surfaced.
** The original artwork for the album was intended to show a suburban home from the point of view of a sniper's target, but the band lost the rights to the original photo, and so a collage piece by Tommy Scott was used instead.
** A track called "All the Boys" was recorded early on in the ''Suburban Rock 'n' Roll'' sessions and was tipped to be the lead-off single for the album. However, the song ended up not making the cut and has not yet surfaced.
