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** It was long rumoured that Harry H. Corbett and Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however. The docudrama ''The Curse of Steptoe'' focused on this, prompting Ray Galton and Alan Simpson to state in a letter to ''The Times'' that "during this entire [12 year] period we were unaware of any conflict between the actors save from the occasional gritting of Wilfrid's false teeth when Harry had the perceived audacity to give him a little direction. At all other times they were the acme of professionalism". Though they were never close friends due to their very different lifestyles (Brambell was a closet homosexual with refined tastes, Corbett was an extroverted heterosexual and committed socialist) and approaches to their craft (Brambell was classically trained, Corbett was a Method actor), the only real argument between them during the TV series came over who should get top billing (the BBC compromised by alternating their credits each episode).

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** It was long rumoured that Harry H. Corbett Creator/HarryHCorbett and Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however. The docudrama ''The Curse of Steptoe'' focused on this, prompting Ray Galton and Alan Simpson to state in a letter to ''The Times'' that "during this entire [12 year] period we were unaware of any conflict between the actors save from the occasional gritting of Wilfrid's false teeth when Harry had the perceived audacity to give him a little direction. At all other times they were the acme of professionalism". Though they were never close friends due to their very different lifestyles (Brambell was a closet homosexual with refined tastes, Corbett was an extroverted heterosexual and committed socialist) and approaches to their craft (Brambell was classically trained, Corbett was a Method actor), the only real argument between them during the TV series came over who should get top billing (the BBC compromised by alternating their credits each episode).



* RealLifeWritesTheHairstyle: Harry H. Corbett was losing his hair when the series began. He began wearing a hairpiece to cover his bald spot in 1963, before wearing a full wig from 1972 onwards.

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* RealLifeWritesTheHairstyle: Harry H. Corbett Creator/HarryHCorbett was losing his hair when the series began. He began wearing a hairpiece to cover his bald spot in 1963, before wearing a full wig from 1972 onwards.



* TypeCasting: Both Corbett and Brambell suffered from this in their later careers.
* UnderageCasting: Wilfrid Brambell was only 49 when he began playing Albert Steptoe, who was supposed to be 63 when the series began; he was just 13 years older than Harry H. Corbett.

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* TypeCasting: Both Corbett Creator/HarryHCorbett and Brambell Creator/WilfridBrambell suffered from this in their later careers.
* UnderageCasting: Wilfrid Brambell Creator/WilfridBrambell was only 49 when he began playing Albert Steptoe, who was supposed to be 63 when the series began; he was just 13 years older than Harry H. Corbett.Creator/HarryHCorbett.



** When Creator/WilfridBrambell left the series in 1965 to star in the Broadway musical ''Kelly'', Galton and Simpson toyed with the concept of killing off Albert in order to continue the show without having to await Brambell's return. The character would have been replaced with Harold's illegitimate son, Arthur (a part thought to be intended for actor David Hemmings). This idea was detested by Corbett, who thought it ridiculous and was abandoned when Brambell returned when ''Kelly'' closed after just '''one''' performance.

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** When Creator/WilfridBrambell left the series in 1965 to star in the Broadway musical ''Kelly'', Galton and Simpson toyed with the concept of killing off Albert in order to continue the show without having to await Brambell's return. The character would have been replaced with Harold's illegitimate son, Arthur (a part thought to be intended for actor David Hemmings). This idea was detested by Corbett, Creator/HarryHCorbett, who thought it ridiculous and was abandoned when Brambell returned when ''Kelly'' closed after just '''one''' performance.

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* HostilityOnTheSet: It was long rumoured that Harry H. Corbett and Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however. The docudrama ''The Curse of Steptoe'' focused on this, prompting the creators to state in a letter to ''The Times'' that "during this entire [12 year] period we were unaware of any conflict between the actors save from the occasional gritting of Wilfrid's false teeth when Harry had the perceived audacity to give him a little direction. At all other times they were the acme of professionalism".

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* HostilityOnTheSet: HostilityOnTheSet:
**
It was long rumoured that Harry H. Corbett and Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however. The docudrama ''The Curse of Steptoe'' focused on this, prompting the creators Ray Galton and Alan Simpson to state in a letter to ''The Times'' that "during this entire [12 year] period we were unaware of any conflict between the actors save from the occasional gritting of Wilfrid's false teeth when Harry had the perceived audacity to give him a little direction. At all other times they were the acme of professionalism". Though they were never close friends due to their very different lifestyles (Brambell was a closet homosexual with refined tastes, Corbett was an extroverted heterosexual and committed socialist) and approaches to their craft (Brambell was classically trained, Corbett was a Method actor), the only real argument between them during the TV series came over who should get top billing (the BBC compromised by alternating their credits each episode).
** However, what tensions there were between them exploded during a 1977-78 stage tour of Australia and New Zealand.
*** Brambell and Corbett signed on for the tour as their careers were in the doldrums, and they found the money impossible to turn down. However, they were starting to tire of being typecast as Albert and Harold, seeing each other as symbols of something they wanted to move past. As Brambell was drinking more heavily than ever while Corbett was smoking multiple packs of cigarettes every day, the punishing schedule took its toll on their mental and physical states. Corbett was deeply fond of Australia and New Zealand, both of which he had visited extensively, but Brambell knew little about them, and his feelings of being set adrift in an unfamiliar land caused him to seek further solace in the bottle. At one point, he drunkenly lashed out at Corbett for travelling with his wife and children - ''in front of them''. An enraged Corbett grabbed Brambell by the collar and snarled, "Never my children."
*** Brambell's alcoholism led to a steep decline in his professionalism, particularly if he and Corbett had been fighting; at one point, he simply refused to go on stage, instead joining an usher he had befriended for a roast beef dinner with his family while Corbett struggled through the performance on his own. Eventually, Corbett gave up trying to cover for his co-star's antics, and his wife Maureen took over the task of keeping Brambell in line. Things hit rock bottom during a promotional radio interview in Christchurch; when asked what they thought of New Zealand's landscape and architecture, a seriously hung over Brambell growled, "I hate your fucking town, and it's the lowest place I've ever been in all my life," to Corbett's horror. The blowback was immediate, with the broadcast being cut, the switchboard flooded with angry phone calls from politicians, and the actors and their entourages smuggled out of the studio. The tour never recovered, although Brambell and Corbett's relationship did; they continued to make joint appearances as Albert and Harold right up until Corbett's death in 1982 (just before a planned second tour of Australia).
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* UnderageCasting: Wilfrid Brambell was only 49 when he began playing Albert Steptoe, who was supposed to be 63 when the series began; he was just 13 years older than Harry H. Corbett.

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* MissingEpisode: A notable aversion to the state of most BBC 60s TV Shows, every episode exists, but many of the early 70s episodes, although taped in colour, only survive in black and white copies (including an episode rovolving around the characters buying a colo9ur TV, ironically). A couple were only preserved in the form of domestic off-air recordings made by Galton and Simpson themselves.

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* MissingEpisode: MissingEpisode:
**
A notable aversion to the state of most BBC 60s TV Shows, every episode exists, but many of the early 70s episodes, although taped in colour, only survive in black and white copies (including an episode rovolving revolving around the characters buying a colo9ur colour TV, ironically). A couple were only preserved in the form of domestic off-air recordings made by Galton and Simpson themselves.
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** Not quite, it's a specific upper-crust Dublin accent that while extremely similar to RP, does have slight differences.
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** Not quite, it's a specific upper-crust Dublin accent that while extremely similar to RP, does have slight differences.
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None


* HostilityOnTheSet: It is long rumoured that Harry H. Corbett and Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however.

to:

* HostilityOnTheSet: It is was long rumoured that Harry H. Corbett and Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however. The docudrama ''The Curse of Steptoe'' focused on this, prompting the creators to state in a letter to ''The Times'' that "during this entire [12 year] period we were unaware of any conflict between the actors save from the occasional gritting of Wilfrid's false teeth when Harry had the perceived audacity to give him a little direction. At all other times they were the acme of professionalism".

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* SeriesHiatus: The series took a break from 1965-1970.

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* SequelInAnotherMedium: The 2005 stage play ''[[https://en.wikipedia.org/wiki/Steptoe_and_Son_in_Murder_at_Oil_Drum_Lane Steptoe and Son in Murder at Oil Drum Lane]]'', co-written by Ray Galton, brought an end to the series, explaining the two protagonists' lives together and their deaths.
* SeriesHiatus: The series took a break from 1965-1970.1965-1970 due to Creator/WilfridBrambell wanting to move on to other projects.



** When Creator/WilfridBrambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series with Harry at Albert's grave and then be introduced to an illegitimate son he never knew about. This was abandoned when Brambell returned when ''Kelly'' closed after just '''one''' performance.

to:

** When Creator/WilfridBrambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series Galton and Simpson toyed with Harry at Albert's grave and then be introduced the concept of killing off Albert in order to an continue the show without having to await Brambell's return. The character would have been replaced with Harold's illegitimate son he never knew about. son, Arthur (a part thought to be intended for actor David Hemmings). This idea was detested by Corbett, who thought it ridiculous and was abandoned when Brambell returned when ''Kelly'' closed after just '''one''' performance.
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* RecycledScript: Season six's "A Star is Born" is lifted from one of the 'Classic 39' episodes of ''Series/TheHoneymooners'' titled "On Stage", in which Ralph Kramden in order to raise money for his lodge (The Racoons) takes part in a play directed by a Mr Faversham, the "polo-ponies" joke is identical.

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* HostilityOnTheSet: It is long rumoured that Harry H. Corbett and Wilfrid Brambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however.

to:

* FakeBrit: Creator/WilfridBrambell, despite being Irish, spoke with a received pronunciation English accent
* HostilityOnTheSet: It is long rumoured that Harry H. Corbett and Wilfrid Brambell Creator/WilfridBrambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however.
Is there an issue? Send a MessageReason:
None


* MissingEpisode: A notable aversion to the state of most BBC 60s TV Shows, every episode exists, but many of the early 70s episodes, although taped in colour, only survive in black and white copies. A couple were only preserved in the form of domestic off-air recordings made by Galton and Simpson themselves.

to:

* MissingEpisode: A notable aversion to the state of most BBC 60s TV Shows, every episode exists, but many of the early 70s episodes, although taped in colour, only survive in black and white copies.copies (including an episode rovolving around the characters buying a colo9ur TV, ironically). A couple were only preserved in the form of domestic off-air recordings made by Galton and Simpson themselves.
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None


* DawsonCasting: There was only a thirteen year age gap between the two stars.



** The sixth episode of the fourth series, "My Old Man's a Tory" (originally broadcast on 8th November 1965) was thought to be lost until 1994, when an optical transfer made from a domestic 405 line reel to reel videotape was obtained from Galton and Simpson.
* RealLifeWritesTheHairstyle: Harry H. Corbett was losing his hair when the series began. He began wearing a hairpiece to cover his bald spot in 1963, before wearing a full wig from 1972 onwards.
* SeriesHiatus: The series took a break from 1965-1970.



** There was talk of reviving the series in 1981 but it never happened.

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** There was talk of reviving the series in 1981 but it never happened.happened.
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* HostilityOnTheSet: It is long rumoured that Harry H. Corbett and Wilfrid Brambell couldn't stand each other in real life and had recurrent problems working together on set. Family members and production members have argued against this however.

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This entry was based on the misleading impression in the docdrama 'The curse of steptoe' which 'was found to be unfair and inaccurate'


* DoingItForTheArt: If the BBC Docu-drama about the show is to be believed, Corbett thought he could highlight the plight of the working class, which is why he took the role. A combination of ClassicallyTrainedExtra and typecasting meant that he grew to hate the show - audiences were laughing at the pathetic lives of two losers, and Corbett hated the show and the audience because of it.
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** When Wilfred Brambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series with Harry at Albert's grave and then be introduced to an illegitimate son he never knew about. This was abandoned when Brambell returned when ''Kelly'' closed after just '''one''' performance.

to:

** When Wilfred Brambell Creator/WilfridBrambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series with Harry at Albert's grave and then be introduced to an illegitimate son he never knew about. This was abandoned when Brambell returned when ''Kelly'' closed after just '''one''' performance.
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** When Wilfred Brambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series with Harry at Albert's grave and then be introduced to an illegitimate son he never knew about. This was abandoned when Brambell returned when ''Kelly'' closed.

to:

** When Wilfred Brambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series with Harry at Albert's grave and then be introduced to an illegitimate son he never knew about. This was abandoned when Brambell returned when ''Kelly'' closed.closed after just '''one''' performance.
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* PlayingGertrude: Wilfrid Brambell was only 49 when he began playing Albert Steptoe, who was supposed to be 63 when the series began.

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* TypeCasting: Both Corbett and Brambell suffered from this in their later careers.

to:

* PlayingGertrude: Wilfrid Brambell was only 49 when he began playing Albert Steptoe, who was supposed to be 63 when the series began.
* TypeCasting: Both Corbett and Brambell suffered from this in their later careers.careers.
* WhatCouldHaveBeen:
** When Wilfred Brambell left the series in 1965 to star in the Broadway musical ''Kelly'', the writers planned to open the series with Harry at Albert's grave and then be introduced to an illegitimate son he never knew about. This was abandoned when Brambell returned when ''Kelly'' closed.
** There was talk of reviving the series in 1981 but it never happened.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* DoingItForTheArt: If the BBC Docu-drama about the show is to be believed, Corbett thought he could highlight the plight of the working class, which is why he took the role. A combination of ClassicallyTrainedExtra and typecasting meant that he grew to hate the show - audiences were laughing at the pathetic lives of two losers, and Corbett hated the show and the audience because of it.
* MissingEpisode: A notable aversion to the state of most BBC 60s TV Shows, every episode exists, but many of the early 70s episodes, although taped in colour, only survive in black and white copies. A couple were only preserved in the form of domestic off-air recordings made by Galton and Simpson themselves.
* TypeCasting: Both Corbett and Brambell suffered from this in their later careers.

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