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* AllThereInTheManual: It may or may not be referenced in productions of the opera, but in the original John Luther Long short story and its stage adaptation by David Belasco, Prince Yamadori is a thoroughly Westernized Japanese man who lives mainly in New York City and speaks fluent English.
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* DawsonCasting: As is the norm for opera, Cio-Cio-San is never played by an actual teenager (she is 15 in the first act and 18 in the last two acts). Her role is very demanding, and it can take years of training before one is ready to take it on. An interesting variation occurs with her three-year old son, Sorrow, who almost always appears "big for his age", with actors around 5-7 - most likely so they'll behave themselves and stay where they're supposed to, not throw tantrums and ruin the show, etc.
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* DawsonCasting: As is the norm for opera, Cio-Cio-San is never played by an actual teenager (she is 15 in the first act and 18 in the last two acts). Her role is very demanding, and it can take years of training before one is ready to take it on. An interesting variation occurs with her three-year old son, Sorrow, who almost always appears "big for his age", with actors around 5-7 - — most likely so they'll behave themselves and stay where they're supposed to, not throw tantrums and ruin the show, etc.
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** In WesternAnimation/TheSimpsons, Barney Gumble's entry into the Springfield Film Festival in [[Recap/TheSimpsonsS6E18AStarIsBurns A Star Is Burns]] uses "Un Bel Di" to great effect as Barney muses over his wasted life.
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** In WesternAnimation/TheSimpsons, Barney Gumble's entry into the Springfield Film Festival in [[Recap/TheSimpsonsS6E18AStarIsBurns A Star Is Burns]] uses "Un Bel Di" to great effect as Barney muses over laments his wasted life.