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* CareerResurrection:''Grown Backwards'' marked a huge resurgence of popularity for Byrne among critics (being his first critical success since ''Rei Momo'' in 1989) thanks to it crafting a niche that allowed him to more readily stand out on his own, and he continued to rise as an indie favorite afterwards, ultimately becoming Talking Heads' main BreakupBreakout. This would eventually culminate in his BreakthroughHit albums ''Music/LoveThisGiant'' and ''Music/AmericanUtopia''.
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* CareerResurrection:''Grown Backwards'' marked a huge resurgence of popularity for Byrne among critics (being his first critical success since ''Rei Momo'' ''Music/ReiMomo'' in 1989) thanks to it crafting a niche that allowed him to more readily stand out on his own, and he continued to rise as an indie favorite afterwards, ultimately becoming Talking Heads' main BreakupBreakout. This would eventually culminate in his BreakthroughHit albums ''Music/LoveThisGiant'' and ''Music/AmericanUtopia''.
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* ChannelHop: ''Grown Backwards'' marked a move from Byrne's vanity label Luaka Bop (which he left to get away from the stress of managing it ''and'' having an active music career) to Creator/NonesuchRecords, under whom Byrne currently remains active.
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* ChannelHop: ''Grown Backwards'' marked a move from Byrne's vanity label Luaka Bop (which he left to get away from the stress of both managing it ''and'' having an active music career) career at the same time) to Creator/NonesuchRecords, under whom Byrne currently remains active.
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Changed line(s) 1 (click to see context) from:
* CareerResurrection:''Grown Backwards'' marked a huge resurgence of popularity for Byrne among critics (being his first critical success since ''Rei Momo'' in 1989) thanks to it crafting a niche that allowed him to more readily stand out on his own, and he spent the remainder of the 2000s and 2010s further rising as an indie favorite, ultimately becoming Talking Heads' main BreakupBreakout. This would eventually culminate in his BreakthroughHit albums ''Music/LoveThisGiant'' and ''Music/AmericanUtopia''.
to:
* CareerResurrection:''Grown Backwards'' marked a huge resurgence of popularity for Byrne among critics (being his first critical success since ''Rei Momo'' in 1989) thanks to it crafting a niche that allowed him to more readily stand out on his own, and he spent the remainder of the 2000s and 2010s further rising continued to rise as an indie favorite, favorite afterwards, ultimately becoming Talking Heads' main BreakupBreakout. This would eventually culminate in his BreakthroughHit albums ''Music/LoveThisGiant'' and ''Music/AmericanUtopia''.
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* RefittedForSequel: Byrne's rendition of "Un Dì, Felice, Eterea" was originally recorded for the soundtrack to ''Film/DirtyPrettyThings'', only for it to be rejected; Byrne ended up using it as the penultimate track on this album instead.
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* RefittedForSequel: CareerResurrection:''Grown Backwards'' marked a huge resurgence of popularity for Byrne among critics (being his first critical success since ''Rei Momo'' in 1989) thanks to it crafting a niche that allowed him to more readily stand out on his own, and he spent the remainder of the 2000s and 2010s further rising as an indie favorite, ultimately becoming Talking Heads' main BreakupBreakout. This would eventually culminate in his BreakthroughHit albums ''Music/LoveThisGiant'' and ''Music/AmericanUtopia''.
* ChannelHop: ''Grown Backwards'' marked a move from Byrne's vanity label Luaka Bop (which he left to get away from the stress of managing it ''and'' having an active music career) to Creator/NonesuchRecords, under whom Byrne currently remains active.
* CutSong: Byrne's rendition of "Un Dì, Felice, Eterea" was originally recorded for the soundtrack to ''Film/DirtyPrettyThings'', only for it to be rejected; Byrne ended up using it as the penultimate track on this album instead.
* ChannelHop: ''Grown Backwards'' marked a move from Byrne's vanity label Luaka Bop (which he left to get away from the stress of managing it ''and'' having an active music career) to Creator/NonesuchRecords, under whom Byrne currently remains active.
* CutSong: Byrne's rendition of "Un Dì, Felice, Eterea" was originally recorded for the soundtrack to ''Film/DirtyPrettyThings'', only for it to be rejected; Byrne ended up using it as the penultimate track on this album instead.
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Added DiffLines:
* RefittedForSequel: Byrne's rendition of "Un Dì, Felice, Eterea" was originally recorded for the soundtrack to ''Film/DirtyPrettyThings'', only for it to be rejected; Byrne ended up using it as the penultimate track on this album instead.
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