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* ActorAllusion: The last part of the miniseries version of the book involves Mike fighting [[spoiler: Rogette]] in a bathroom [[spoiler: to the death,]] just when you think it's all over. Is it a wonder why they got Creator/PierceBrosnan to play Mike?
* UnintentionalPeriodPiece: Max Devore has a gay son, leading to a few references to gay marriage not being legal in all states at the time. Mike is also uncomfortable with his lawyer’s cynical strategy to use this to turn the jury against Max.
* UnintentionalPeriodPiece: Max Devore has a gay son, leading to a few references to gay marriage not being legal in all states at the time. Mike is also uncomfortable with his lawyer’s cynical strategy to use this to turn the jury against Max.
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** Michael Noonan is another of Stephen King's large group of writer protagonists.
to:
** Michael Noonan is another of Stephen King's Creator/StephenKing's large group of writer protagonists.
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* UnintentionalPeriodPiece: Max Devore has a gay son, leading to a few references to gay marriage not being legal in all states at the time. Mike is also uncomfortable with his lawyer’s cynical strategy to use this to turn the jury against Max.
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Moved from the main page.
Added DiffLines:
* ActorAllusion: The last part of the miniseries version of the book involves Mike fighting [[spoiler: Rogette]] in a bathroom [[spoiler: to the death,]] just when you think it's all over. Is it a wonder why they got Creator/PierceBrosnan to play Mike?
* WriteWhoYouKnow:
** Michael Noonan is another of Stephen King's large group of writer protagonists.
** The office being stiflingly hot in mid-summer is another detail taken directly from King's life--there was no other room in the house he could comfortably write in after his near-fatal car crash. And the sections dealing with the loss of Johanna are incredibly personal, though thankfully they are not inspired by real-life events.
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* WriteWhoYouKnow:
** Michael Noonan is another of Stephen King's large group of writer protagonists.
** The office being stiflingly hot in mid-summer is another detail taken directly from King's life--there was no other room in the house he could comfortably write in after his near-fatal car crash. And the sections dealing with the loss of Johanna are incredibly personal, though thankfully they are not inspired by real-life events.
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