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Dewicked trope


Then, there is the shipyard. Shipwright Aune, working for Bernick, is also a union man, debating with his fellow workers whether the use of new equipment will render them unemployed. Bernick puts him under pressure to make two ships ready on short notice, although Aune is aware that one of them, the "Indian Girl", bound for America, will go down because of some weaknesses in the hull. Bernick will not admit this, and matters get worse when this actual ship is the one that may carry Lona, John and possibly Dina back to the States (and possibly sink on the way). Thus, Bernick is in a MoralDilemma, considering whether he shall live on a lie, or flag the truth. Lona urges him to "do the right thing".

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Then, there is the shipyard. Shipwright Aune, working for Bernick, is also a union man, debating with his fellow workers whether the use of new equipment will render them unemployed. Bernick puts him under pressure to make two ships ready on short notice, although Aune is aware that one of them, the "Indian Girl", bound for America, will go down because of some weaknesses in the hull. Bernick will not admit this, and matters get worse when this actual ship is the one that may carry Lona, John and possibly Dina back to the States (and possibly sink on the way). Thus, Bernick is in a MoralDilemma, moral dilemma, considering whether he shall live on a lie, or flag the truth. Lona urges him to "do the right thing".

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* FriendOrIdolDecision: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Girl, to save the lives of his relatives. To make matters worse, revealing the truth may lead to financial loss for him.



* MoralDilemma: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Girl, to save the lives of his relatives. To make matters worse, revealing the truth may lead to financial loss for him.
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It has received several screen adaptations, including a 1916 American film that was one of the first features by Creator/RaoulWalsh, and [[Film/PillarsOfSociety a 1935 film]] from Germany directed by Creator/DouglasSirk.
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----



--> No, the spirit of truth and freedom, ''that'' is the true [[TitleDrop pillars of society]]!

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--> No, -->"No, the spirit of truth and freedom, ''that'' is the true [[TitleDrop pillars of society]]!society]]!"



* DomesticAbuser: Bernick shows up with a stick, justifiyng [[ValuesDissonance why he had to beat]] his teenage son Olaf to compliance.

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* DomesticAbuser: DomesticAbuse: Bernick shows up with a stick, justifiyng [[ValuesDissonance why he had to beat]] his teenage son Olaf to compliance.

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* CapitalismIsBad: To a point where Ibsen sets the subject of ''truth'' up against the need for profit. This play is his clearest statement in that respect.



* MoralDilemma: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Girl, to save the lives of his relatives.

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* MilesGloriosus: Hilmar.
* MoralDilemma: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Girl, to save the lives of his relatives. To make matters worse, revealing the truth may lead to financial loss for him.


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** The dialogue between Bernick and Aune reveals that Ibsen had read himself up on Creator/KarlMarx at this point. ''Das Kapital'' had been published ten years before this play.
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Problem is, he did not get his wealth by honorable means. When he started out, his family was close to bankruptcy, and he had to marry a wealty girl, Betty Tønnesen, to get on his feet. At the same time, her brother John and her half sister Lona migrated to the United States, and Bernick blamed the lousy book-keeping on John, seeing to it that he got off the hook himself. Problems rise when John and Lona returns, planning to stay. Lona Hessel is a BlitheSpirit, a free and independent woman ahead of her time, to great chagrin for the more moralistisc wifes in her home town. John is eager to settle things with Bernick, to get rid of the slander on his reputation. Problems arise when Bernick, for the sake of honor, denies him this right. There is also the question of Dina, a young prodigy he has fostered, daughter of a Madam Dorf, the woman Bernick discarded for the sake of Betty. Whether she is his daughter is anyone`s guess.

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Problem is, he did not get his wealth by honorable means. When he started out, his family was close to bankruptcy, and he had to marry a wealty girl, Betty Tønnesen, to get on his feet. At the same time, her brother John and her half sister Lona migrated to the United States, and Bernick blamed the lousy book-keeping on John, seeing to it that he got off the hook himself. Problems rise when John and Lona returns, planning to stay. Lona Hessel is a BlitheSpirit, a free and independent woman ahead of her time, to great chagrin for the more moralistisc wifes moralistic wives in her home town. John is eager to settle things with Bernick, to get rid of the slander on his reputation. Problems arise when Bernick, for the sake of honor, denies him this right. There is also the question of Dina, a young prodigy he has fostered, daughter of a Madam Dorf, the woman Bernick discarded for the sake of Betty. Whether she is his daughter is anyone`s guess.
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* WholePlotReference: ''Theatre/JohnGabrielBorkman''. Borkman is an expy of Bernick, only a lot older, living with a son who elopes. Erhart Borkman expies both Olaf and John, while Lona is expied in Fanny Wilton, who is willing to give Erhart away to a younger girl - Frida (expying Dina). Even Borkman`s wife Gunhild and her sister is parallelled by Betty and Lona respectively.
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* IWillWaitForYou: Marta waited unselfishly for John to return, only to find that he had "remained young" while she had gotten older. She gives him up to Dina, and is left with - Lona.


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* MaidenAunt: Marta Bernick, unmarried, tending to children and the sick.
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** Lampshaded on a couple of occasions. First, the American sailors arrive, and is seen as a wild and uncouth gang of brutes by the locals. Later, The US office which ordered the Indian Girl demands that it shall set sail before it is finished, effectively dooming it to sink. Bernick almost snarks something about the American way of doing business.

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** Lampshaded on a couple of occasions. First, the American sailors arrive, and is seen as a wild and uncouth gang of brutes by the locals. Later, The US office which ordered the Indian Girl demands that it shall set sail to be put to sea before it is finished, effectively dooming it to sink. Bernick almost snarks something about the American way of doing business.
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* The NeedsOfTheMany: Discussed by Aune and Bernick. Bernick effectively uses this against Aune to make him do his will. The result - a possible loss of a ship with all hands.

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* The NeedsOfTheMany: TheNeedsOfTheMany: Discussed by Aune and Bernick. Bernick effectively uses this against Aune to make him do his will. The result - a possible loss of a ship with all hands.
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* MrsRobinson: Lona towards John in a non-erotic way, calling him "the boy" a number of times. When time is ripe, she gladly gives him away to Dina.
* The NeedsOfTheMany: Discussed by Aune and Bernick. Bernick effectively uses this against Aune to make him do his will. The result - a possible loss of a ship with all hands.


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* ShipperOnDeck: Lona is this on behalf of John and Dina.

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* AwfulWeddedLife: Karsten Bernick to Betty. They do have a son, though. It may be subverted, as Betty actually seems to love her husband (but Bernick may have loved madam Dorf even more). It turns out Bernick married Betty for her inherited money - dumping Lona.



* DomesticAbuser: Bernick shows up with a stick, justifiyng [[ValuesDissonance why he had to beat]] his teenage son Olaf to compliance.



** Lampshaded on a couple of occasions. First, the American sailors arrive, and is seen as a wild and uncouth gang of brutes by the locals. Later, The US office which ordered the Indian Girl demands that it shall set sail before it is finished, effectively dooming it to sink. Bernick almost snarks something about the American way of doing business.



* LovelessMarriage: Karsten Bernick to Betty. They do have a son, though. It may be subverted, as Betty actually seems to love her husband (but Bernick may have loved madam Dorf even more).

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* LovelessMarriage: Karsten ItsAllAboutMe: Bernick to Betty. They do have a son, though. It may be subverted, as Betty actually seems point where the needs of society and his personal needs seem to love her husband (but Bernick may have loved madam Dorf even more). overlap. He gets better.



* MoralGuardian: The teacher Rørlund, and the married women at large.

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* MoralGuardian: The teacher Rørlund, and the married women at large. Lona lamshades it by just calling the other women "the moral ones".

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* NewTechnologyIsEvil: Discussed, because this new technology will put a number of shipyard workers out of employment.



* WorkingClassHero: Shipwright Aune is a union man, and speaks on behalf of his crew.

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* WorkingClassHero: Shipwright Aune is a union man, and speaks on behalf of his crew. DividedLoyalty between the other workers and the employer is commented upon. It has been discussed whether Ibsen actually developed this plotline thoroghly.
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** Note that Status Quo ''is'' preserved at the end of the play, at least regarding society at large (while Dina has eloped to a freer life, and the shipwright complies to the new machinery). The only one to gain some insight, is Bernick himself. [[FridgeLogic Does this mean another ironic twist from Ibsen?]]
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* AuthorTract: Lona Hessel states the issues Ibsen has on his mind. You can see those issues surfacing again in his next play, ''Theatre/ADollsHouse.''


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* ScrewThisImOutOfHere: Dina Dorf elopes with John, invoking the trope.

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Then, there is the shipyard. Shipwright Aune, working for Bernick, is also a union man, debating with his fellow workers whether the use of new equipment will render them unemployed. Bernick puts him under pressure to make two ships ready on short notice, although Aune is aware that one of them, the "Indian Queen", bound for America, will go down because of some weaknesses in the hull. Bernick will not admit this, and matters get worse when this actual ship is the one that may carry Lona, John and possibly Dina back to the States (and possibly sink on the way). Thus, Bernick is in a MoralDilemma, considering whether he shall live on a lie, or flag the truth. Lona urges him to "do the right thing".

to:

Then, there is the shipyard. Shipwright Aune, working for Bernick, is also a union man, debating with his fellow workers whether the use of new equipment will render them unemployed. Bernick puts him under pressure to make two ships ready on short notice, although Aune is aware that one of them, the "Indian Queen", Girl", bound for America, will go down because of some weaknesses in the hull. Bernick will not admit this, and matters get worse when this actual ship is the one that may carry Lona, John and possibly Dina back to the States (and possibly sink on the way). Thus, Bernick is in a MoralDilemma, considering whether he shall live on a lie, or flag the truth. Lona urges him to "do the right thing".



* BigDamnHeroes: Shipwright Aune intervened just in time to save Olaf Bernick from going down with the Indian Girl, and saw to it that the ship was kept in dock to be repaired.



* HappyEnding: The last play written by Ibsen to end on a lighter note.

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* HappyEnding: The last play written by Ibsen to end on a lighter note.note.
* HeelFaceTurn: Bernick has one at the end of the play, guided by Lona.



* MoralDilemma: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Queen, to save the lives of his relatives.

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* MoralDilemma: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Queen, Girl, to save the lives of his relatives.


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* OhCrap: Bernick gets it when he understands his son Olaf is a stowaway on the Indian Girl, while knowing the ship is jinxed.
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* SelfDeprecation: Lona Hessel cannot help herself at times, mostly referring to her age.
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* HappyEnding: The last play written by Ibsen to end on a lighter note.
* HomoeroticSubtext: If you read the scene with Lona Hessel and Marta Bernick a certain way, it may seem that the two "old aunts" have some of it.



* LoveDodekahedron: Karsten Bernick seems to have been infatuated with Lona Hessel at an early stage, while actually marrying her half sister Betty, all the while Lona may or may not have had feelings for ''his'' sister Marta, who also loved John, who ended up proposing to Dina who was betrothed to Rørlund - and Dina may be the illegitimate daughter of Bernick with yet another woman, madam Dorf.

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* LoveDodekahedron: LoveDodecahedron: Karsten Bernick seems to have been infatuated with Lona Hessel at an early stage, while actually marrying her half sister Betty, all the while Lona may or may not have had feelings for ''his'' sister Marta, who also loved John, who ended up proposing to Dina who was betrothed to Rørlund - and Dina may be the illegitimate daughter of Bernick with yet another woman, madam Dorf.
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* LoveDodekahedron: Karsten Bernick seems to have been infatuated with Lona Hessel at an early stage, while actually marrying her half sister Betty, all the while Lona may or may not have had feelings for ''his'' sister Marta, who also loved John, who ended up proposing to Dina who was betrothed to Rørlund - and Dina may be the illegitimate daughter of Bernick with yet another woman, madam Dorf.
* LoveTriangle: Dina Dorf is betrothed to the teacher Rørlund, but is in love with John Tønnesen, and elopes with him.
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* StatusQuoIsGod: Bernick lives after this trope, and god forbid if anything should change.

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* EagleLand: America is discussed as the "land of the free". Lona Hessel comes straight from there with John, and both Dina and Olaf, Bernicks son, wishes to go there. Being 1877, this is subverted according to later standards though. The discussion of MoralAmbiguity on behalf of the United States is there as well.

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* EagleLand: America is discussed as the "land of the free". Lona Hessel comes straight from there with John, and both Dina and Olaf, Bernicks son, wishes to go there. Being 1877, this is subverted according compared to later standards though. The discussion of MoralAmbiguity on behalf of the United States is there as well.


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* VerbalTic: Hilmar Tønnesen, cousin of John and Lona, regularly ends his lines with an "ouch" ("Uff").

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One more typo to fix


''The Pillars of Society'' is the second of Creator/HenrikIbsen's "political" plays (the first one being ''Theatre/TheLeagueOfYouth'', and the last one ''Theatre/AnEnemyOfThePeople''), written in 1877, kickstarting his string of "realistic" plays. This play tells the story of businessman and societal founder ''Carsten Bernick'', and his endeavour as a part of the "founding elite" at the time. Bernick owns a shipyard, and has interests in industrial developments, a possible railway built to his town (he lobbies on the line of it, seeing to it that it does not interfer with his steamboat lines), and several other investments. Bernick is, by far, the wealthiest man in his society - a "pillar" of the first order.

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''The Pillars of Society'' is the second of Creator/HenrikIbsen's "political" plays (the first one being ''Theatre/TheLeagueOfYouth'', and the last one ''Theatre/AnEnemyOfThePeople''), written in 1877, kickstarting his string of "realistic" plays. plays.

This play tells the story of businessman and societal founder ''Carsten Bernick'', and his endeavour as a part of the "founding elite" at the time. Bernick owns a shipyard, and has interests in industrial developments, a possible railway built to his town (he lobbies on the line of it, seeing to it that it does not interfer interfere with his steamboat lines), and several other investments. Bernick is, by far, the wealthiest man in his society - a "pillar" of the first order.
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''The Pillars of Society'' is the second of Henrik Ibsen`s "political" plays (the first one being ''Theatre/TheLeagueOfYouth'', and the last one ''Theatre/AnEnemyOfThePeople''), written i 1877, kickstarting his string of "realistic" plays. This play tells the story of businessman and societal founder ''Carsten Bernick'', and his endeavour as a part of the "founding elite" at the time. Bernick owns a shipyard, and has interests in industrial developments, a possible railway built to his town (he lobbies on the line of it, seeing to it that it does not interfer with his steamboat lines), and several other investments. Bernick is, by far, the wealthiest man in his society - a "pillar" of the first order.

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''The Pillars of Society'' is the second of Henrik Ibsen`s Creator/HenrikIbsen's "political" plays (the first one being ''Theatre/TheLeagueOfYouth'', and the last one ''Theatre/AnEnemyOfThePeople''), written i in 1877, kickstarting his string of "realistic" plays. This play tells the story of businessman and societal founder ''Carsten Bernick'', and his endeavour as a part of the "founding elite" at the time. Bernick owns a shipyard, and has interests in industrial developments, a possible railway built to his town (he lobbies on the line of it, seeing to it that it does not interfer with his steamboat lines), and several other investments. Bernick is, by far, the wealthiest man in his society - a "pillar" of the first order.
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* Loveless Marriage: Karsten Bernick to Betty. They do have a son, though. It may be subverted, as Betty actually seems to love her husband (but Bernick may have loved madam Dorf even more).

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* Loveless Marriage: LovelessMarriage: Karsten Bernick to Betty. They do have a son, though. It may be subverted, as Betty actually seems to love her husband (but Bernick may have loved madam Dorf even more).
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* ShoutOut: A subtle one for the Norwegian Politics. Bernick is called "the lever" in passing, being eager to make investments in the railroads, development of infrastructure and so on. "The lever" was also the nickname of the prime minister of Norway at the time, Frederik Stang, who eagerly pursued the same things. But, as Ibsen points out, tensions brewed beneath the surface, both for Bernick and for Stang.
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* WomenAreMoreWise: Lona Hessel ''is'' this trope.

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* WomenAreMoreWise: WomenAreWiser: Lona Hessel ''is'' this trope.
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* AnAesop: Given by Lona Hessel as the last line of the play:
--> No, the spirit of truth and freedom, ''that'' is the true [[TitleDrop pillars of society]]!


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* EagleLand: America is discussed as the "land of the free". Lona Hessel comes straight from there with John, and both Dina and Olaf, Bernicks son, wishes to go there. Being 1877, this is subverted according to later standards though. The discussion of MoralAmbiguity on behalf of the United States is there as well.
* Loveless Marriage: Karsten Bernick to Betty. They do have a son, though. It may be subverted, as Betty actually seems to love her husband (but Bernick may have loved madam Dorf even more).
* MoralDilemma: Tell the truth or not. Bernick has to decide whether his lie shall persist. And he has to decide on the issue of the Indian Queen, to save the lives of his relatives.


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* TitleDrop: Played with. The discussion on who or what is the "pillars of society" persists to the very end of the play.
* WomenAreMoreWise: Lona Hessel ''is'' this trope.
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''The Pillars of Society'' is the second of Henrik Ibsen`s "political" plays (the first one being ''Theatre/TheLeagueOfYouth'', and the last one ''Theatre/AnEnemyOfThePeople''), written i 1877, kickstarting his string of "realistic" plays. This play tells the story of businessman and societal founder ''Carsten Bernick'', and his endeavour as a part of the "founding elite" at the time. Bernick owns a shipyard, and has interests in industrial developments, a possible railway built to his town (he lobbies on the line of it, seeing to it that it does not interfer with his steamboat lines), and several other investments. Bernick is, by far, the wealthiest man in his society - a "pillar" of the first order.

Problem is, he did not get his wealth by honorable means. When he started out, his family was close to bankruptcy, and he had to marry a wealty girl, Betty Tønnesen, to get on his feet. At the same time, her brother John and her half sister Lona migrated to the United States, and Bernick blamed the lousy book-keeping on John, seeing to it that he got off the hook himself. Problems rise when John and Lona returns, planning to stay. Lona Hessel is a BlitheSpirit, a free and independent woman ahead of her time, to great chagrin for the more moralistisc wifes in her home town. John is eager to settle things with Bernick, to get rid of the slander on his reputation. Problems arise when Bernick, for the sake of honor, denies him this right. There is also the question of Dina, a young prodigy he has fostered, daughter of a Madam Dorf, the woman Bernick discarded for the sake of Betty. Whether she is his daughter is anyone`s guess.

Then, there is the shipyard. Shipwright Aune, working for Bernick, is also a union man, debating with his fellow workers whether the use of new equipment will render them unemployed. Bernick puts him under pressure to make two ships ready on short notice, although Aune is aware that one of them, the "Indian Queen", bound for America, will go down because of some weaknesses in the hull. Bernick will not admit this, and matters get worse when this actual ship is the one that may carry Lona, John and possibly Dina back to the States (and possibly sink on the way). Thus, Bernick is in a MoralDilemma, considering whether he shall live on a lie, or flag the truth. Lona urges him to "do the right thing".

!! Tropes to be found in this play:

* BlitheSpirit: Lona Hessel, carefree, independent, an outsider, and a true chagrin to the married women in town.
* MoralGuardian: The teacher Rørlund, and the married women at large.
* WorkingClassHero: Shipwright Aune is a union man, and speaks on behalf of his crew.
* WorkingClassPeopleAreMorons: Rørlund, and to some extent Bernick, seems to think so.

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