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In 2015 the show was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation. The production had several Deaf performers and included Ali Stoker, the first person in a wheelchair to perform on Broadway.

to:

In 2015 the show was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation. The production had several Deaf performers and included Ali Stoker, Stroker, the first person in a wheelchair to perform on Broadway.
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Spoilers are only allowed on trope examples, not the description. Acting For Two is trivia. Example Indentation. Song names do not count as context. Does not actually look like an example of The Four Loves


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%% Zero context examples have been commented out. Examples need context that explains how the trope occurs. Not just when, with whom, or to.
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''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' did in TheNineties. It closed January 19, 2009, after 888 shows.

In 2015 the show was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation (see YMMV). The production had several Deaf performers and included Ali Stoker, the first person in a wheelchair to perform on Broadway.

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''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' ''Theatre/{{RENT}}'' did in TheNineties. It closed January 19, 2009, after 888 shows.

In 2015 the show was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation (see YMMV).AlternateShowInterpretation. The production had several Deaf performers and included Ali Stoker, the first person in a wheelchair to perform on Broadway.



Melchior and Wendla [[spoiler: have a sexual encounter (the consent of which is ambiguous), and Wendla becomes pregnant. Whoops.]] Moritz is disgusted with his sexual feelings, which distract him from his schoolwork, causing him [[spoiler: to fail school and disappoint his parents who he can't turn to. He ends up committing suicide. Wendla's mother takes her to have an abortion, which Wendla does not survive.]] Two characters, Hanschen and Ernst, discover their homosexuality with one another. And, to top it off, two female characters, Martha and Ilse, are sexually and physically abused by their fathers.



* AdultsAreUseless: Almost everything any adult does is to the detriment of one of the teenagers. The only ones who may not qualify are the piano teacher and Hanschen's father.
* AbusiveParents: Martha's, Ilse's, and Moritz's.
* ActingForTwo: Well, a lot more than just two. All of the adults in the show are played by just two actors, The Adult Men and The Adult Women.

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* %%* AdultsAreUseless: Almost everything any adult does is to the detriment of one of the teenagers. The only ones who may not qualify are the piano teacher and Hanschen's father.
*
father. (What do the adults do?)
%%*
AbusiveParents: Martha's, Ilse's, and Moritz's.
* ActingForTwo: Well, a lot more than just two. All of the adults in the show are played by just two actors, The Adult Men and The Adult Women.
Moritz's.



* AgeAppropriateAngst

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* %%* AgeAppropriateAngst



* AllMenArePerverts: Or maybe it's just a teenage thing...
** [[AllWomenAreLustful The young ladies have plenty of perviness to go around.]]
* AluminumChristmasTrees: In the original productions, the punk rock-esque hairstyles some of the boys sported are assumed by many to be a result of the show's AnachronismStew, but in fact, [[WordOfGod the director]] claims that they were inspired by some actual hairstyles in photos from the era.

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* AllMenArePerverts: Or maybe it's just a teenage thing...
** [[AllWomenAreLustful The
thing, as[[AllWomenAreLustful the young ladies also have plenty of perviness to go around.]]
* AluminumChristmasTrees: AluminumChristmasTrees:
**
In the original productions, the punk rock-esque hairstyles some of the boys sported are assumed by many to be a result of the show's AnachronismStew, but in fact, [[WordOfGod the director]] claims that they were inspired by some actual hairstyles in photos from the era.



* AnachronismStew: Though still set in 19th century Germany, the lyrics to the musical are in a very modern idiom.
** When a character takes out their microphone and sings, they are said to be in their own "Song World", not in 19th century Germany anymore but in a more modern world. Steven Sater uses this to explain the many topics in the show are still very much relevant to the youth of today: death, rape, sexuality, adolescent love, authority and places in society, hence why Hanschen references turning his stereo on in "My Junk," and the Workshop's version of "The Bitch of Living" mentioned wearing jeans, although the characters singing it where smartly buttoned into their stiff school uniforms.

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* AlternateShowInterpretation: The 2015 Deaf West production, which cast several deaf performers in the roles, making their characters deaf as a result. The deaf performers would sign while hearing actors (who also made up the band) voiced their dialogue and singing. The change really heightened the themes of miscommunication and alienation and changed some of the shows relationships. The biggest change is the show incorporating the policies for the deaf enacted in education at the time, such as forbidding sign language and forcing the students to speak. As a result, [[spoiler: Moritz being intentionally failed is significantly harsher than the original as it seems like the teachers want to keep a deaf student out of the school and, in turn, their adoration of Melchior is because he can hear.]]
* AnachronismStew: Though still set in 19th century Germany, the lyrics to the musical are in a very modern idiom.
**
idiom. When a character takes out their microphone and sings, they are said to be in their own "Song World", not in 19th century Germany anymore but in a more modern world. Steven Sater uses this to explain the many topics in the show are still very much relevant to the youth of today: death, rape, sexuality, adolescent love, authority and places in society, hence why Hanschen references turning his stereo on in "My Junk," and the Workshop's version of "The Bitch of Living" mentioned wearing jeans, although the characters singing it where smartly buttoned into their stiff school uniforms.



* AnimeHair: Moritz.
* AntiHero: Melchior.

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* %%* AnimeHair: Moritz.
* %%* AntiHero: Melchior.



** BigYes: Following "Totally Fucked", when Melchior is asked [[spoiler: if he wrote the essay believed to have pushed Moritz over the edge]].
* BiTheWay: Hanschen.

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** * BigYes: Following "Totally Fucked", when Melchior is asked [[spoiler: if he wrote the essay believed to have pushed Moritz over the edge]].
* %%* BiTheWay: Hanschen.



* BlahBlahBlah: A lengthy section of "Totally Fucked."
* {{Bowdlerise}}: When the cast performed a medley at the Tony Awards, several lyrics to "The Bitch of Living" were changed to please CBS. Including, among others, "nothing but your hand" to "getting what you can" and "breasts" to "chest". The company then [[LampshadeHanging lampshades]] the censorship in the "Totally Fucked" portion by [[FingerOnLips censoring themselves]] on the words "ass" and "fucked". ([[Theatre/ForbiddenBroadway "Totally Bleeped,"]] indeed.) When the show performed another medley on ''Good Morning America'', part of "Totally Fucked" was also performed, but this time with the phrase "totally fucked" changed to "totally stuck" and "kiss your sorry ass goodbye" as "kiss your sorry life goodbye".

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* %%* BlahBlahBlah: A lengthy section of "Totally Fucked."
* {{Bowdlerise}}: {{Bowdlerise}}:
**
When the cast performed a medley at the Tony Awards, several lyrics to "The Bitch of Living" were changed to please CBS. Including, among others, "nothing but your hand" to "getting what you can" and "breasts" to "chest". The company then [[LampshadeHanging lampshades]] the censorship in the "Totally Fucked" portion by [[FingerOnLips censoring themselves]] on the words "ass" and "fucked". ([[Theatre/ForbiddenBroadway "Totally Bleeped,"]] indeed.) When the show performed another medley on ''Good Morning America'', part of "Totally Fucked" was also performed, but this time with the phrase "totally fucked" changed to "totally stuck" and "kiss your sorry ass goodbye" as "kiss your sorry life goodbye".



* BreakTheCutie: Everyone, but especially Wendla and Moritz.

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* %%* BreakTheCutie: Everyone, but especially Wendla and Moritz.



* ClusterFBomb: [[CaptainObvious "Totally Fucked"]].

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* %%* ClusterFBomb: [[CaptainObvious "Totally Fucked"]].



* DarkReprise: The penultimate song in the musical, "Those You've Known", which is a direct nod to Melchior's first song "All That's Known" at the very start of the musical. "Those You've Known" features reprises from "All That's Known" and "I Believe".

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* DarkReprise: DarkReprise:
**
The penultimate song in the musical, "Those You've Known", which is a direct nod to Melchior's first song "All That's Known" at the very start of the musical. "Those You've Known" features reprises from "All That's Known" and "I Believe".



* ADateWithRosiePalms: Hanschen, accompanying the idea of ''murdering'' a girl, along with raping her. Yikes.
** The murder is kind of compulsory, though, given he's masturbating to a depiction of [[Theatre/{{Othello}} Desdemona]].
* DeathBySex
* DeathByNewberyMedal: Or, in this case, by Tony Award.
* DeliveryStork: Frau Bergmann is still trying to use this story with sixteen-year-old Wendla, who becomes frustrated and insists her mother finally explain to her what ''really'' happens. She doesn't, and [[TearJerker this ends very, VERY badly.]]

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* ADateWithRosiePalms: Hanschen, accompanying the idea of ''murdering'' a girl, along with raping her. Yikes.
**
Yikes. The murder is kind of compulsory, though, given he's masturbating to a depiction of [[Theatre/{{Othello}} Desdemona]].
* %%* DeathBySex
* %%* DeathByNewberyMedal: Or, in this case, by Tony Award.
* DeliveryStork: Frau Bergmann is still trying to use this story with sixteen-year-old Wendla, who becomes frustrated and insists her mother finally explain to her what ''really'' happens. She doesn't, and [[TearJerker this ends very, VERY badly.]]



* DrivenToSuicide: [[spoiler: Moritz]]
* DrFeelgood: In the original play, this leads to [[spoiler: Wendla's death by abortion pills.]]

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* %%* DrivenToSuicide: [[spoiler: Moritz]]
* DrFeelgood: DrFeelgood:
**
In the original play, this leads to [[spoiler: Wendla's death by abortion pills.]]



* DysfunctionJunction: Big time.
* TheFourLoves: Martha, perhaps? She is shown to have a crush on Moritz, as mentioned during the start of the musical (as well in the original play), despite the rest of her friends going completely goo-goo over the radical that is Melchior Gabor.
* GhostSong: "Those You've Known", in which [[spoiler: Wendla and Moritz appear to Melchior as spirits, to reassure him.]]

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* %%* DysfunctionJunction: Big time.
* TheFourLoves: Martha, perhaps? She is shown to have a crush on Moritz, as mentioned during the start of the musical (as well in the original play), despite the rest of her friends going completely goo-goo over the radical that is Melchior Gabor.
* GhostSong:
GhostSong:
**
"Those You've Known", in which [[spoiler: Wendla and Moritz appear to Melchior as spirits, to reassure him.]]



*** Sater and Sheik composed two songs for the graveyard scenes before "Those You've Known". Their titles were "Clouds Will Drift Away" and "Blue-Mirror Night (Reprise)"
* GriefSong: "Left Behind."
* IAmSong: "All That's Known."
* InnocenceLost: Martha.
* IntercourseWithYou: "Touch Me."
* IrrelevantActOpener: The cut song, "There Once Was a Pirate", it only seen performed in the Off-Broadway run.
* IWantSong: "Mama Who Bore Me" and "Mama Who Bore Me (Reprise)".
** "All That's Known", again. And "Touch Me" is most ''definitely'' about wanting sex.
* LyricalDissonance: At least half of the musical, including "The Bitch of Living" and "Totally Fucked."

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*** ** Sater and Sheik composed two songs for the graveyard scenes before "Those You've Known". Their titles were "Clouds Will Drift Away" and "Blue-Mirror Night (Reprise)"
* %%* GriefSong: "Left Behind."
* %%* IAmSong: "All That's Known."
* %%* InnocenceLost: Martha.
* %%* IntercourseWithYou: "Touch Me."
* %%* IrrelevantActOpener: The cut song, "There Once Was a Pirate", it is only seen performed in the Off-Broadway run.
* IWantSong: %%* IWantSong:
%%**
"Mama Who Bore Me" and "Mama Who Bore Me (Reprise)".
** %%** "All That's Known", again. And "Touch Me" is most ''definitely'' about wanting sex.
* LyricalDissonance: LyricalDissonance:
**
At least half of the musical, including "The Bitch of Living" and "Totally Fucked."



* LoveHurts

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* %%* LoveHurts



* MissConception
* MindScrew: Budapest's version of said musical garnered a collective "what the fuck?!" from fans with their extreme and rather unnecessary alteration to the blocking/choreography/stage design that already existed. One rather creepy example is the new design of "The Dark I Know Well", leading to a very disturbing scene that is usually left to the audience's imagination.
** Ilse is seen carrying a plastic baby with her, Moritz and Ilse appear to have sex, The Song of Purple Summer is sung by the ensemble whilst wearing sauna-like towels, The Bitch of Living's Latin class' wooden chairs are instead neon-coloured cubes (of course) and Georg actually gets up close and personal with his piano teacher who, in this version, is portrayed by an elderly woman.
** [[ArsonMurderAndJaywalking And their microphones are taped to their foreheads.]]

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* %%* MissConception
* MindScrew: MindScrew:
**
Budapest's version of said musical garnered a collective "what the fuck?!" from fans with their extreme and rather unnecessary alteration to the blocking/choreography/stage design that already existed. One rather creepy example is the new design of "The Dark I Know Well", leading to a very disturbing scene that is usually left to the audience's imagination.
** Ilse is seen carrying a plastic baby with her, Moritz and Ilse appear to have sex, The Song of Purple Summer is sung by the ensemble whilst wearing sauna-like towels, The Bitch of Living's Latin class' wooden chairs are instead neon-coloured cubes (of course) and Georg actually gets up close and personal with his piano teacher who, in this version, is portrayed by an elderly woman.
**
woman. [[ArsonMurderAndJaywalking And their microphones are taped to their foreheads.]]



* MinorCharacterMajorSong: Martha is a minor character whose only major song is "The Dark I Know Well," a duet with Ilse about their physically [[spoiler: and sexually]] {{Abusive Parent}}s. The actresses frequently [[TearJerker get thanked by fans who were also abuse victims]].
* MrFanservice: Well, since this ''is'' an angsty rock musical marketed to teens, and the majority of the cast was under twenty-five (not including the Adult Man and Woman) the males are particularly popular amongst the female fans, although Moritz and Melchior divided most of the fandom into two separate camps.

to:

* MinorCharacterMajorSong: Martha is a minor character whose only major song is "The Dark I Know Well," a duet with Ilse about their physically [[spoiler: and sexually]] {{Abusive Parent}}s. The actresses frequently [[TearJerker get thanked by fans who were also abuse victims]].
victims.
* MrFanservice: MrFanservice:
**
Well, since this ''is'' an angsty rock musical marketed to teens, and the majority of the cast was under twenty-five (not including the Adult Man and Woman) the males are particularly popular amongst the female fans, although Moritz and Melchior divided most of the fandom into two separate camps.



* MusicalWorldHypotheses: Mostly All in Their Heads for solo numbers, though group songs seem to make use of the Adaptation Hypothesis.
* NotIfTheyEnjoyedItRationalization: [[spoiler:Wendla]], in the musical. See AntiHero above.
* OminousLatinChanting: At the beginning, background, and end of "All That's Known".
** This is a neat variation on the usual OminousLatinChanting: they're chanting a passage from ''Literature/TheAeneid'' as part of a Latin class.

to:

* %%* MusicalWorldHypotheses: Mostly All in Their Heads for solo numbers, though group songs seem to make use of the Adaptation Hypothesis.
* %%* NotIfTheyEnjoyedItRationalization: [[spoiler:Wendla]], in the musical. See AntiHero above.
* %%* OminousLatinChanting: At the beginning, background, and end of "All That's Known".
**
Known". This is a neat variation on the usual OminousLatinChanting: they're chanting a passage from ''Literature/TheAeneid'' as part of a Latin class.



* RapeAndRevenge: [[spoiler: Suggested as Martha's desire in one of the Vienna productions. During ''The Dark I Know Well'', Martha is shown literally overshadowed by the sinister silhouette of her father, finally seizing a pillow and stabbing it with a knife as Ilse helps her. The pillow begins to bleed. It's popular fanon that Martha actually manages this outside of the time frame of the play, mostly because she's left such a [[TheWoobie woobie]].]]
* SanitySlippageSong: "Don't Do Sadness".

to:

* RapeAndRevenge: [[spoiler: Suggested as Martha's desire in one of the Vienna productions. During ''The Dark I Know Well'', Martha is shown literally overshadowed by the sinister silhouette of her father, finally seizing a pillow and stabbing it with a knife as Ilse helps her. The pillow begins to bleed. It's popular fanon that Martha actually manages this outside of the time frame of the play, mostly because she's left such a [[TheWoobie woobie]].]]
* %%* SanitySlippageSong: "Don't Do Sadness".



* SomewhereSong: "My Junk."
* TheTalk: "In order for a woman to conceive a child... she must... love her husband, love him... as she can love only him! With her whole... heart! There, now you know everything."
** Which leads to the heartbreaking scene where [[spoiler: Wendla and her mother learn Wendla is pregnant, and Wendla doesn't understand how it could have happened as she isn't married. The worst thing is that this and only this seems to cause her mother distress even as she shrugs off all the blame.]]

to:

* %%* SomewhereSong: "My Junk."
* TheTalk: "In order for a woman to conceive a child... she must... love her husband, love him... as she can love only him! With her whole... heart! There, now you know everything."
**
" Which leads to the heartbreaking scene where [[spoiler: Wendla and her mother learn Wendla is pregnant, and Wendla doesn't understand how it could have happened as she isn't married. The worst thing is that this and only this seems to cause her mother distress even as she shrugs off all the blame.]]



* TeensAreShort: The teenage characters are all supposed to be 13-15 years old, but in reality it's rarely feasible for actors near that age range to be hired, particularly with the amount of sexual content in the show. To disguise this they make sure the majority are short in comparison to the adult actors.

to:

* TeensAreShort: TeensAreShort:
**
The teenage characters are all supposed to be 13-15 years old, but in reality it's rarely feasible for actors near that age range to be hired, particularly with the amount of sexual content in the show. To disguise this they make sure the majority are short in comparison to the adult actors.



* TeenPregnancy: [[spoiler: Wendla.]]

to:

* %%* TeenPregnancy: [[spoiler: Wendla.]]



* UnwantedHarem: Melchior, of course.

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* %%* UnwantedHarem: Melchior, of course.



** MARTHA. What happens to her after "The Dark I Know Well," for God's sake?
*** She attends Moritz' funeral, for one thing.



* YouAreNotAlone: [[spoiler: Melchior discovered Wendla's grave (who had died from a botched abortion while Melchior was at reform school, because he got her pregnant and was framed for his best friend Moritz's suicide) and decides his life is no longer worth living. He is visited by Wendla and Moritz, and all three sing "Those You've Known." Melchior ends the musical with renewed hope, since his loved ones are not as far as he once thought.]]

to:

* YouAreNotAlone: [[spoiler: YouAreNotAlone:
**[[spoiler:
Melchior discovered Wendla's grave (who had died from a botched abortion while Melchior was at reform school, because he got her pregnant and was framed for his best friend Moritz's suicide) and decides his life is no longer worth living. He is visited by Wendla and Moritz, and all three sing "Those You've Known." Melchior ends the musical with renewed hope, since his loved ones are not as far as he once thought.]]
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* In the original play, [[spoiler:Melchior rapes Wendla]]. The musical presents it as QuestionableConsent and even [[RomanticizedAbuse romanticizes]] the scene.

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* AdaptationalConsent: In the original play, [[spoiler:Melchior rapes Wendla]]. The musical presents it as QuestionableConsent and even [[RomanticizedAbuse romanticizes]] the scene.
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* In the original play, [[spoiler:Melchior rapes Wendla]]. The musical presents it as QuestionableConsent and even [[RomanticizedAbuse romanticizes]] the scene.

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** During the Ham4Ham performance of "Totally Fucked", original cast member Jonathan Groff and revival cast members Andy Mientus and Krysta Rodriguez, who were brought in allegedly because Groff didn't want to curse in public in front of children, censored the word "fucked" by signing rather than singing it. Averted with them outright singing "You can kiss your sorry ass goodbye," later to the crowd's laughter.

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** During the Ham4Ham {{Ham4Ham}} performance of "Totally Fucked", original cast member Jonathan Groff and revival cast members Andy Mientus and Krysta Rodriguez, who were brought in allegedly because Groff didn't want to curse in public in front of children, censored the word "fucked" by signing rather than singing it. Averted with them outright singing "You can kiss your sorry ass goodbye," later to the crowd's laughter.laughter.
** (Partly) Averted with the Tony Awards performance of the revival - The Bitch of Living was sung with original lyrics, although Hanschen's signing on the line "And you can screw them all," was altered because the original sign for "screw" was too sexual.
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* VisualPun: Specific to the 2015 Deaf West revival, "The Bitch of Living" has Anna (played by wheelchair-using actress Ali Stroker) wheel past Otto when he sings the line, ''"Then there's Marianna Wheelan, as if she'd return my calls."''
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In 2015 the show was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation (see YMMV). The production had several deaf performers and included Ali Stoker, the first person in a wheelchair to perform on Broadway.

to:

In 2015 the show was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation (see YMMV). The production had several deaf Deaf performers and included Ali Stoker, the first person in a wheelchair to perform on Broadway.
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Added DiffLines:

* AnAesop: The message of the original 1891 version (and also the musical, which wasn't really changed except for adding songs), seems to be "the prudishness and hypocrisy of modern society (circa 1891) is screwing up our children".
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* QuestionableConsent: Melchior and Wendla's sex scene. In the source material, and the earliest performances of the musical, Wendla screams. In most of the Broadway and national tour performances, the scene is portrayed as more consensual, but at the very least, Wendla had no idea what she was doing and the consequences of her actions, while Melchior did, thereby the situation being questionable at best.
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** [[spoiler: "Here rests in God, Wendl- Born- Died- Of... Anemia?!?"]]

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** [[spoiler: "Here rests in God, Wendl- Wendla B- Born- Died- Of... Anemia?!?"]]

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* WhamLine: The 2015 revival manages a very unique one. [[spoiler: Throughout the entire play, Wendla has been "speaking" through another girl who plays her audible voice as she signs her dialog. In the scene when she realizes that she got pregnant because she didn't know what sex was (or what it can lead to), she screams at her mother for not telling her. The wham comes with the fact that Wendla is so incensed that her "voice" goes quiet and it's actually the deaf actress speaking aloud. Though the line itself (My God! Why didn't you tell me everything?!) may be hard to understand if you are not used to hearing a deaf person speaking, the importance is conveyed by the fact that she ''is'' speaking aloud.]]

to:

* WhamLine: WhamLine:
**
The 2015 revival manages a very unique one. [[spoiler: Throughout the entire play, Wendla has been "speaking" through another girl who plays her audible voice as she signs her dialog. In the scene when she realizes that she got pregnant because she didn't know what sex was (or what it can lead to), she screams at her mother for not telling her. The wham comes with the fact that Wendla is so incensed that her "voice" goes quiet and it's actually the deaf actress speaking aloud. Though the line itself (My God! Why didn't you tell me everything?!) may be hard to understand if you are not used to hearing a deaf person speaking, the importance is conveyed by the fact that she ''is'' speaking aloud.]]]]
** [[spoiler: "Here rests in God, Wendl- Born- Died- Of... Anemia?!?"]]
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* Whamline: The 2015 revival manages a very unique one. [[spoiler: Throughout the entire play, Wendla has been "speaking" through another girl who plays her audible voice as she signs her dialog. In the scene when she realizes that she got pregnant because she didn't know what sex was (or what it can lead to), she screams at her mother for not telling her. The wham comes with the fact that Wendla is so incensed that her "voice" goes quiet and it's actually the deaf actress speaking aloud. Though the line itself (My God! Why didn't you tell me everything?!) may be hard to understand if you are not used to hearing a deaf person speaking, the importance is conveyed by the fact that she ''is'' speaking aloud.]]

to:

* Whamline: WhamLine: The 2015 revival manages a very unique one. [[spoiler: Throughout the entire play, Wendla has been "speaking" through another girl who plays her audible voice as she signs her dialog. In the scene when she realizes that she got pregnant because she didn't know what sex was (or what it can lead to), she screams at her mother for not telling her. The wham comes with the fact that Wendla is so incensed that her "voice" goes quiet and it's actually the deaf actress speaking aloud. Though the line itself (My God! Why didn't you tell me everything?!) may be hard to understand if you are not used to hearing a deaf person speaking, the importance is conveyed by the fact that she ''is'' speaking aloud.]]
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Added DiffLines:

* Whamline: The 2015 revival manages a very unique one. [[spoiler: Throughout the entire play, Wendla has been "speaking" through another girl who plays her audible voice as she signs her dialog. In the scene when she realizes that she got pregnant because she didn't know what sex was (or what it can lead to), she screams at her mother for not telling her. The wham comes with the fact that Wendla is so incensed that her "voice" goes quiet and it's actually the deaf actress speaking aloud. Though the line itself (My God! Why didn't you tell me everything?!) may be hard to understand if you are not used to hearing a deaf person speaking, the importance is conveyed by the fact that she ''is'' speaking aloud.]]
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* ClusterFBomb: [[CaptainObvious "Totally Fucked"]]
* CounterpointDuet: Moritz and Ilse's "Don't Do Sadness/Blue Wind".

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* ClusterFBomb: [[CaptainObvious "Totally Fucked"]]
Fucked"]].
* CounterpointDuet: Moritz and Ilse's "Don't Do Sadness/Blue Wind".Wind."



* GriefSong: "Left Behind".

to:

* GriefSong: "Left Behind".Behind."



* LoveHurts.

to:

* LoveHurts.LoveHurts



* SomewhereSong: "My Junk".

to:

* SomewhereSong: "My Junk".Junk."
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Properly resized the image.


[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/6a01240b840df7860e01240b9d33ea860e-500pi_6304.jpg]]

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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/6a01240b840df7860e01240b9d33ea860e-500pi_6304.jpg]]org/pmwiki/pub/images/rsz_springawakening.png]]
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** During the Ham4Ham performance of "Totally Fucked" with original cast member Jonathan Groff and revival cast members Andy Mientus and Krysta Rodriguez, who were brought in allegedly because Groff didn't want to curse in public in front of children, censored the word "fucked" by signing rather than singing it. Averted with them outright singing "You can kiss your sorry ass goodbye," later to the crowd's laughter.

to:

** During the Ham4Ham performance of "Totally Fucked" with Fucked", original cast member Jonathan Groff and revival cast members Andy Mientus and Krysta Rodriguez, who were brought in allegedly because Groff didn't want to curse in public in front of children, censored the word "fucked" by signing rather than singing it. Averted with them outright singing "You can kiss your sorry ass goodbye," later to the crowd's laughter.
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** During the Ham4Ham performance of "Totally Fucked" with original cast member Jonathan Groff and revival cast members Andy Mientus and Krysta Rodriguez, who were brought in allegedly because Groff didn't want to curse in public in front of children, censored the word "fucked" by signing rather than singing it. Averted with them outright singing "You can kiss your sorry ass goodbye," later to the crowd's laughter.

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Changed: 55

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''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' did in TheNineties. However, its closing date was January 19, 2009, after 888 shows; though it was revived in 2015.

to:

''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' did in TheNineties. However, its closing date was It closed January 19, 2009, after 888 shows; though it shows.

In 2015 the show
was revived when prominent deaf Theater Company ''Deaf West'' transferred their production to Broadway. This version, directed by Michael Arden, made several of the characters deaf and incorporated American Sign Language into the dialogue and choreography. This created an AlternateShowInterpretation (see YMMV). The production had several deaf performers and included Ali Stoker, the first person in 2015.
a wheelchair to perform on Broadway.
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** In the Off-Broadway version, eerie reprises "Mama Who Bore Me" and "Touch Me" were sung again as [[spoiler: Wendla's mom takes Wendla into the abortionist's house and as Melchior gets beaten up by the boys at reformatory.]]
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None


''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' did in TheNineties. However, its closing date was January 19, 2009, after 888 shows.

to:

''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' did in TheNineties. However, its closing date was January 19, 2009, after 888 shows.
shows; though it was revived in 2015.
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No trope potholes allowed in page quotes.


--'''Melchior.''' [[CoolPeopleRebelAgainstAuthority "All That's Known,"]] [[ADateWithRosiePalms "The Bitch of Living,"]] [[MeaningfulEcho "Those You've Known"]]

to:

--'''Melchior.''' [[CoolPeopleRebelAgainstAuthority "All That's Known,"]] [[ADateWithRosiePalms Known," "The Bitch of Living,"]] [[MeaningfulEcho Living," "Those You've Known"]]
Known"
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* DoubleEntendre: The song "My Junk" sounds like a rather sweet innocent bouncy song about two teenagers falling in love, even though others don't think they're cool... that is until [[spoiler: you find out that the song is actually just about the joys of masturbation.]]

to:

* DoubleEntendre: The song "My Junk" sounds like a rather sweet innocent bouncy song about two teenagers falling in love, even though others don't think they're cool... that is until [[spoiler: you find out that the song is actually just also about the joys of masturbation.]]
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* [[spoiler: TeenPregnancy]]: Wendla.
* TrailBalloonQuestion: Moritz tries to ask his father what would happen, "hypothetically speaking," if he failed his exams. His father immediately sees through it.

to:

* TeenPregnancy: [[spoiler: TeenPregnancy]]: Wendla.
Wendla.]]
* TrailBalloonQuestion: TrialBalloonQuestion: Moritz tries to ask his father what would happen, "hypothetically speaking," if he failed his exams. His father immediately sees through it.

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* AluminumChristmasTrees: In the original productions, the punk rock-esque hairstyles some of the boys sported are assumed by many to be a result of the show's AnachronismStew, but in fact, [[WordOfGod the director]] claims that they were inspired by some actual hairstyles in photos from the era.
** Those unfamiliar with the 19th century play the musical is based on [[AdaptationDisplacement (if they even know there is one)]] can be surprised to find that many scenes from the musical that seem to touch on modern controversial topics, such as one featuring a kiss between Hans and Ernst or Wendla's teenage pregnancy, were, in fact, in the original.



* {{Bowdlerise}}: When the cast performed a medley at the Tony Awards, several lyrics to "The Bitch of Living" were changed to please CBS. Including, among others, "nothing but your hand" to "getting what you can" and "breasts" to "chest". The company then [[LampshadeHanging lampshades]] the censorship in the "Totally Fucked" portion by [[FingerOnLips censoring themselves]] on the words "ass" and "fucked". ([[Theatre/ForbiddenBroadway "Totally Bleeped,"]] indeed.) When the show performed another medley on ''Good Morning America'', part of "Totally Fucked" was also performed, but this time with the phrase "totally fucked" changed to "totally stuck" and "kiss your sorry ass goodbye" as "kiss your sorry life goodbye".



* BuryYourGays: Subverted. Hänschen and Ernst don't appear again after their kiss, which is a pretty good fate, since saying the lives of the heterosexual characters (well, those who are left alive) suck would be an understatement..
* ByronicHero: Melchior Gabor is an intelligent, charming, enlightened youth who is ahead of his time and deeply troubled by his repressive society and his own developing urges as he comes of age.



* [[spoiler:DeathBySex]]
* [[spoiler:DeathByNewberyMedal: Or, in this case, by Tony Award.]]

to:

* [[spoiler:DeathBySex]]
DeathBySex
* [[spoiler:DeathByNewberyMedal: DeathByNewberyMedal: Or, in this case, by Tony Award.Award.
* DeliveryStork: Frau Bergmann is still trying to use this story with sixteen-year-old Wendla, who becomes frustrated and insists her mother finally explain to her what ''really'' happens. She doesn't, and [[TearJerker this ends very, VERY badly.
]]



* DoesNotLikeShoes: The character of Ilse spends the entire second act barefoot. The original music director for this show, Kimberly Grisby, also has a reputation for usually being barefoot — everywhere from conducting the show every night to on stage at award shows.



** Also, Ilse is seen carrying a plastic baby with her, Moritz and Ilse appear to have sex, The Song of Purple Summer is sung by the ensemble whilst wearing sauna-like towels, The Bitch of Living's Latin class' wooden chairs are instead neon-coloured cubes (of course) and Georg actually gets up close and personal with his piano teacher who, in this version, is portrayed by an elderly woman.

to:

** Also, Ilse is seen carrying a plastic baby with her, Moritz and Ilse appear to have sex, The Song of Purple Summer is sung by the ensemble whilst wearing sauna-like towels, The Bitch of Living's Latin class' wooden chairs are instead neon-coloured cubes (of course) and Georg actually gets up close and personal with his piano teacher who, in this version, is portrayed by an elderly woman.



** "Mirror-Blue Night" pretty much evokes a MindScrew reaction the first time you see it. The whole musical is not at all literal, and kinda makes you think on its themes.

to:

** "Mirror-Blue Night" pretty much evokes a MindScrew reaction the first time you see it. The whole musical is not at all literal, and kinda makes you think on its themes.themes.
* MinorCharacterMajorSong: Martha is a minor character whose only major song is "The Dark I Know Well," a duet with Ilse about their physically [[spoiler: and sexually]] {{Abusive Parent}}s. The actresses frequently [[TearJerker get thanked by fans who were also abuse victims]].



* MusicalWorldHypotheses: Mostly All in Their Heads for solo numbers, though group songs seem to make use of the Adaptation Hypothesis.



* TeensAreShort: The teenage characters are all supposed to be 13-15 years old, but in reality it's rarely feasible for actors near that age range to be hired, particularly with the amount of sexual content in the show. To disguise this they make sure the majority are short in comparison to the adult actors.
** Averted in Hungary; many of the actors playing teen boys were hired due to being long, lanky, and gawky-looking.



* TrailBalloonQuestion: Moritz tries to ask his father what would happen, "hypothetically speaking," if he failed his exams. His father immediately sees through it.



* YouAreNotAlone: "Those You've Known."

to:

* YouAreNotAlone: [[spoiler: Melchior discovered Wendla's grave (who had died from a botched abortion while Melchior was at reform school, because he got her pregnant and was framed for his best friend Moritz's suicide) and decides his life is no longer worth living. He is visited by Wendla and Moritz, and all three sing "Those You've Known."" Melchior ends the musical with renewed hope, since his loved ones are not as far as he once thought.]]
** [[spoiler: This is a much more upbeat ending than Wedekind's original play where Mortiz's ghost attempts to convince Melchior that death is better than his miserable life (subverting this trope). Melchior is rescued by The Masked Man (Wedekind's self-insert), who gives him hope for the future and chides the ghost.]]
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Dude, not funny.


In other words, HilarityEnsues. Many fans will admit the music is better than the story, as the exploration of teenage sexuality and uncertainty [[SeinfeldIsUnfunny might seem like old hat today]]. (Keep in mind, though, that the play was a groundbreaking example of modern drama and one of the first to address such issues.)

to:

In other words, HilarityEnsues. Many fans will admit the music is better than the story, as the exploration of teenage sexuality and uncertainty [[SeinfeldIsUnfunny might seem like old hat today]]. (Keep in mind, though, that the play was a groundbreaking example of modern drama and one of the first to address such issues.)
Is there an issue? Send a MessageReason:
None


* ActingForTwo: Well, a lot more than just two. The "Adult Woman" will play Melchior's mother, Wendla's mother, Fraulein Knuppeldik, Georg's piano teacher etc. "Adult Man" will play Hanschen's father, Moritz's father, Herr Knochenbruch, Melchior's father and the teacher of the boy's Latin class; Herr Sonnenstich.

to:

* ActingForTwo: Well, a lot more than just two. The "Adult Woman" will play Melchior's mother, Wendla's mother, Fraulein Knuppeldik, Georg's piano teacher etc. "Adult Man" will play Hanschen's father, Moritz's father, Herr Knochenbruch, Melchior's father and the teacher All of the boy's Latin class; Herr Sonnenstich.adults in the show are played by just two actors, The Adult Men and The Adult Women.
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Trivia


* ActingForTwo: Well, a lot more than just two. The "Adult Woman" will play Melchior's mother, Wendla's mother, Fraulein Knuppeldik, Georg's piano teacher etcetera. "Adult Man" will play Hanschen's father, Moritz's father, Herr Knochenbruch, Melchior's father and the teacher of the boy's Latin class; Herr Sonnenstich.

to:

* ActingForTwo: Well, a lot more than just two. The "Adult Woman" will play Melchior's mother, Wendla's mother, Fraulein Knuppeldik, Georg's piano teacher etcetera.etc. "Adult Man" will play Hanschen's father, Moritz's father, Herr Knochenbruch, Melchior's father and the teacher of the boy's Latin class; Herr Sonnenstich.



* DawsonCasting: A necessity, given the young age of the characters and the subject matter.
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->"''You watch me, Just watch me,''
->''I'm calling. I'm calling, and one day all will know.''"
->- Melchior. [[CoolPeopleRebelAgainstAuthority "All That's Known,"]] [[ADateWithRosiePalms "The Bitch of Living,"]] [[MeaningfulEcho "Those You've Known"]]

to:

->"''You watch me, Just watch me,''
->''I'm
me,''\\
''I'm
calling. I'm calling, and one day all will know.''"
->- Melchior.
''"\\
--'''Melchior.'''
[[CoolPeopleRebelAgainstAuthority "All That's Known,"]] [[ADateWithRosiePalms "The Bitch of Living,"]] [[MeaningfulEcho "Those You've Known"]]
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/6a01240b840df7860e01240b9d33ea860e-500pi_6304.jpg]]
[[caption-width-right:350:"It's the bitch of living, and sensing God is dead!"]]

->"''You watch me, Just watch me,''
->''I'm calling. I'm calling, and one day all will know.''"
->- Melchior. [[CoolPeopleRebelAgainstAuthority "All That's Known,"]] [[ADateWithRosiePalms "The Bitch of Living,"]] [[MeaningfulEcho "Those You've Known"]]

''Spring Awakening'' was originally a play written by Frank Wedekind in 1891, and the Broadway musical [[AllMusicalsAreAdaptations based on said play]] was written in the 21st century. The musical features music by Duncan Sheik and lyrics and book by Steven Sater. The original play was very controversial to audiences of that time period due to explicit sexual content, and didn't have its first production until 1906 in Germany. It wasn't introduced to the United States until 1917, when it premiered in New York City. It was nearly shut down due to it being a "pornographic work." The musical version premiered in New York off-Broadway in May of 2006. It then moved to Broadway in December 2006, and became a sensation much as ''{{RENT}}'' did in TheNineties. However, its closing date was January 19, 2009, after 888 shows.

The show revolves around a group of teenagers, fourteen in the play, of unspecified age in the musical, which is made confusing with the frequent usage of AgeInappropriateDress. Melchior is a rebellious bad boy and proud atheist who hates the authority figures in his life. Moritz is Melchior's nervous wreck of a friend, anxious about his school work and ashamed of his sexual feelings. Wendla is a naive but curious girl who develops feelings for Melchior.

Melchior and Wendla [[spoiler: have a sexual encounter (the consent of which is ambiguous), and Wendla becomes pregnant. Whoops.]] Moritz is disgusted with his sexual feelings, which distract him from his schoolwork, causing him [[spoiler: to fail school and disappoint his parents who he can't turn to. He ends up committing suicide. Wendla's mother takes her to have an abortion, which Wendla does not survive.]] Two characters, Hanschen and Ernst, discover their homosexuality with one another. And, to top it off, two female characters, Martha and Ilse, are sexually and physically abused by their fathers.

In other words, HilarityEnsues. Many fans will admit the music is better than the story, as the exploration of teenage sexuality and uncertainty [[SeinfeldIsUnfunny might seem like old hat today]]. (Keep in mind, though, that the play was a groundbreaking example of modern drama and one of the first to address such issues.)

Not to be confused with CatapultNightmare.

----
This show provides examples of:

* AdultsAreUseless: Almost everything any adult does is to the detriment of one of the teenagers. The only ones who may not qualify are the piano teacher and Hanschen's father.
* AbusiveParents: Martha's, Ilse's, and Moritz's.
* ActingForTwo: Well, a lot more than just two. The "Adult Woman" will play Melchior's mother, Wendla's mother, Fraulein Knuppeldik, Georg's piano teacher etcetera. "Adult Man" will play Hanschen's father, Moritz's father, Herr Knochenbruch, Melchior's father and the teacher of the boy's Latin class; Herr Sonnenstich.
* AgeAppropriateAngst
* AllGirlsWantBadBoys: Melchior's a good example to the girls.
** "Do you know what the whisper is? He doesn't believe in anything! Not in God. Not in Heaven. Not in a single thing in this world!" *All swoon*
* AllMenArePerverts: Or maybe it's just a teenage thing...
** [[AllWomenAreLustful The young ladies have plenty of perviness to go around.]]
* AnachronismStew: Though still set in 19th century Germany, the lyrics to the musical are in a very modern idiom.
** When a character takes out their microphone and sings, they are said to be in their own "Song World", not in 19th century Germany anymore but in a more modern world. Steven Sater uses this to explain the many topics in the show are still very much relevant to the youth of today: death, rape, sexuality, adolescent love, authority and places in society, hence why Hanschen references turning his stereo on in "My Junk," and the Workshop's version of "The Bitch of Living" mentioned wearing jeans, although the characters singing it where smartly buttoned into their stiff school uniforms.
* AnimeHair: Moritz.
* AntiHero: Melchior.
* BabiesMakeEverythingBetter: [[spoiler: Wendla]] believes this. Seems [[spoiler: Melchior did too]].
* BigNo: Melchior often does this (depending on who is playing him) when he [[spoiler: discovers Wendla's grave]].
** BigYes: Following "Totally Fucked", when Melchior is asked [[spoiler: if he wrote the essay believed to have pushed Moritz over the edge]].
* BiTheWay: Hanschen.
* BilingualBonus: Georg's busty piano teacher, Fraulein Grossebustenhalter, translates as Miss Over-the-Shoulder-boulder-holder.
* BlahBlahBlah: A lengthy section of "Totally Fucked."
* BreakTheCutie: Everyone, but especially Wendla and Moritz.
* ClusterFBomb: [[CaptainObvious "Totally Fucked"]]
* CounterpointDuet: Moritz and Ilse's "Don't Do Sadness/Blue Wind".
* DarkReprise: The penultimate song in the musical, "Those You've Known", which is a direct nod to Melchior's first song "All That's Known" at the very start of the musical. "Those You've Known" features reprises from "All That's Known" and "I Believe".
* ADateWithRosiePalms: Hanschen, accompanying the idea of ''murdering'' a girl, along with raping her. Yikes.
** The murder is kind of compulsory, though, given he's masturbating to a depiction of [[Theatre/{{Othello}} Desdemona]].
* DawsonCasting: A necessity, given the young age of the characters and the subject matter.
* [[spoiler:DeathBySex]]
* [[spoiler:DeathByNewberyMedal: Or, in this case, by Tony Award.]]
* DescentIntoDarknessSong: "I Believe" has its tone darken as [[spoiler: the two leads transition from kissing to ambiguously consensual sex.]]
* DoubleEntendre: The song "My Junk" sounds like a rather sweet innocent bouncy song about two teenagers falling in love, even though others don't think they're cool... that is until [[spoiler: you find out that the song is actually just about the joys of masturbation.]]
* DrivenToSuicide: [[spoiler: Moritz]]
* DrFeelgood: In the original play, this leads to [[spoiler: Wendla's death by abortion pills.]]
** In the musical, it's [[spoiler:an illegal abortion by a BackAlleyDoctor.]]
* DysfunctionJunction: Big time.
* TheFourLoves: Martha, perhaps? She is shown to have a crush on Moritz, as mentioned during the start of the musical (as well in the original play), despite the rest of her friends going completely goo-goo over the radical that is Melchior Gabor.
* GhostSong: "Those You've Known", in which [[spoiler: Wendla and Moritz appear to Melchior as spirits, to reassure him.]]
** In the stage play (and heard from the musical's Original Workshop recordings), [[spoiler: it's just Moritz, and the scene is decidedly far creepier as he actually tries to beckon to Melchior to join him in the afterlife... then the Masked Stranger appears...]]
*** Sater and Sheik composed two songs for the graveyard scenes before "Those You've Known". Their titles were "Clouds Will Drift Away" and "Blue-Mirror Night (Reprise)"
* GriefSong: "Left Behind".
* IAmSong: "All That's Known."
* InnocenceLost: Martha.
* IntercourseWithYou: "Touch Me."
* IrrelevantActOpener: The cut song, "There Once Was a Pirate", it only seen performed in the Off-Broadway run.
* IWantSong: "Mama Who Bore Me" and "Mama Who Bore Me (Reprise)".
** "All That's Known", again. And "Touch Me" is most ''definitely'' about wanting sex.
* LyricalDissonance: At least half of the musical, including "The Bitch of Living" and "Totally Fucked."
** "The Dark I Know Well" is an example of literal musical dissonance--the chorus is similar to many love songs, but it's sung very angrily and the main guitar riff is the prime example of a ScareChord. ...Because it's about ParentalIncest.
* LoveHurts.
* ManicPixieDreamGirl: It looks like Ilse is going to play this role to Moritz--a free-spirited runaway and artist's model who doesn't let life get her down--[[spoiler: but it doesn't exactly work out.]] Her part in ''The Dark I Know Well'', and the nonchalance with which she accounts being threatened and harassed by her lovers in some versions, suggest she's a bit of a BrokenBird as well.
* MissConception
* MindScrew: Budapest's version of said musical garnered a collective "what the fuck?!" from fans with their extreme and rather unnecessary alteration to the blocking/choreography/stage design that already existed. One rather creepy example is the new design of "The Dark I Know Well", leading to a very disturbing scene that is usually left to the audience's imagination.
** Also, Ilse is seen carrying a plastic baby with her, Moritz and Ilse appear to have sex, The Song of Purple Summer is sung by the ensemble whilst wearing sauna-like towels, The Bitch of Living's Latin class' wooden chairs are instead neon-coloured cubes (of course) and Georg actually gets up close and personal with his piano teacher who, in this version, is portrayed by an elderly woman.
** [[ArsonMurderAndJaywalking And their microphones are taped to their foreheads.]]
** They later totally reconfigured the production into appearing to be a free-form class exercise by a modern-day drama class, with the adults played by teens as well.
** "Mirror-Blue Night" pretty much evokes a MindScrew reaction the first time you see it. The whole musical is not at all literal, and kinda makes you think on its themes.
* MrFanservice: Well, since this ''is'' an angsty rock musical marketed to teens, and the majority of the cast was under twenty-five (not including the Adult Man and Woman) the males are particularly popular amongst the female fans, although Moritz and Melchior divided most of the fandom into two separate camps.
** The original Hungarian production had Szilveszter Szabo as the Adult Man. Yes, they made him look apparently as creepy as they possibly could, but he's Mr. Fanservice enough [[http://veerlebub.tripod.com/sitebuildercontent/sitebuilderpictures/63Szilvester.jpg outside of this show]] that there were fangirls there [[JustHereForGodzilla just for him]], too.
* NotIfTheyEnjoyedItRationalization: [[spoiler:Wendla]], in the musical. See AntiHero above.
* OminousLatinChanting: At the beginning, background, and end of "All That's Known".
** This is a neat variation on the usual OminousLatinChanting: they're chanting a passage from ''Literature/TheAeneid'' as part of a Latin class.
* RapeAndRevenge: [[spoiler: Suggested as Martha's desire in one of the Vienna productions. During ''The Dark I Know Well'', Martha is shown literally overshadowed by the sinister silhouette of her father, finally seizing a pillow and stabbing it with a knife as Ilse helps her. The pillow begins to bleed. It's popular fanon that Martha actually manages this outside of the time frame of the play, mostly because she's left such a [[TheWoobie woobie]].]]
* SanitySlippageSong: "Don't Do Sadness".
* SayMyName: When [[spoiler: Wendla's mother drags her off to get a back-alley abortion, Wendla is confused and terrified, screaming "MAAMMAAAAAAAAAAA!" as she is dragged off]].
* SexyShirtSwitch: Ilse. In her [[spoiler: last]] scene with Moritz, she wears nothing but [[http://25.media.tumblr.com/tumblr_lca8he77s01qdw9t7o1_500.jpg a white shirt]].
* SomewhereSong: "My Junk".
* TheTalk: "In order for a woman to conceive a child... she must... love her husband, love him... as she can love only him! With her whole... heart! There, now you know everything."
** Which leads to the heartbreaking scene where [[spoiler: Wendla and her mother learn Wendla is pregnant, and Wendla doesn't understand how it could have happened as she isn't married. The worst thing is that this and only this seems to cause her mother distress even as she shrugs off all the blame.]]
* TeensAreMonsters, or, alternately, "Adults Suck and Then You ''Are'' One": The second Hungarian production played with this idea by putting the whole show in the FramingDevice of being an improvised dramatic exercise done by a modern high school drama class. The two adults are ''also'' played by teenagers, and within the dramatic frame they quickly begin to go out of their way to hurt, confuse, impede and generally screw with the characters who are actually supposed to ''be'' teens, just because they ''can'', and the other actors have to play along because these two are playing grown-ups and have to be listened to in-story no matter how malicious they get.
* [[spoiler: TeenPregnancy]]: Wendla.
* UnwantedHarem: Melchior, of course.
* WhatHappenedToTheMouse: [[spoiler: The gay couple]] Hanschen and Ernst. [[spoiler: Most fans agree it's for the best, given how the rest of the core cast ends up.]]
** MARTHA. What happens to her after "The Dark I Know Well," for God's sake?
*** She attends Moritz' funeral, for one thing.
* WiseBeyondTheirYears: Melchior. He got it out of books, but he must warn you: it made an atheist out of him.
* YouAreNotAlone: "Those You've Known."
* ZettaiRyouiki: Wendla wears these in some productions, and they're very prominently displayed on the musical's poster.
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