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* EarlyBirdCameo: Puss in Boots, the IconicSequelCharacter from the film series, is given a quick cameo during "Travel Song".

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* EarlyBirdCameo: Puss in Boots, the IconicSequelCharacter from the film series, is given a quick cameo during "Travel Song". That being said, there’s currently no Shrek 2 musical.
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They look similar, but are probably a separate character from Shrek 2's villain


** The Fairy Godmother uses her ''Shrek 2'' design despite being [[AdaptationalHeroism a heroic character]] here, which nonetheless doesn't discount a potential ''Shrek 2'' musical from showing her to be EvilAllAlong.

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* DoesThisRemindYouOfAnything: Dragon ranting about how princes are only interested in the more classically attractive Fiona and no one thinks that she might be waiting for someone too sounds an awful lot like a frustrated girl who doesn't fit the regular mold of beauty. The fact that she instantly falls in love with Donkey after he tells her Fiona isn't his type and he goes for big girls enhances the metaphor.

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* DoesThisRemindYouOfAnything: DoesThisRemindYouOfAnything:
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Dragon ranting about how princes are only interested in the more classically attractive Fiona and no one thinks that she might be waiting for someone too sounds an awful lot like a frustrated girl who doesn't fit the regular mold of beauty. The fact that she instantly falls in love with Donkey after he tells her Fiona isn't his type and he goes for big girls enhances the metaphor.
** "Freak Flag" has a bit of a "gay pride" element to it (possibly trans too, depending on how you interpret the Big Bad Wolf's character), especially with Pinocchio's closing message of "I'm wood, I'm good, ''get used to it!''"
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* BigBeautifulWoman: A plot point with Dragon, oddly enough--in both versions of her song ("Donkey Pot Pie" and "Forever"), she laments that she's always overlooked in favor of the more traditionally beautiful Fiona. Donkey tries to charm her into letting him go by revealing that he actually ''likes'' big ladies, which prompts Dragon to believe he's flirting with her and fall in love with him. In some productions, the point is emphasized by having Dragon be represented by an attractive plus-sized actress as well as a puppet.


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* HasAType: Donkey professes an interest in [[BigBeautifulWoman big beautiful women]] when trying to convince Dragon to let him go. [[InterspeciesRomance It works a little too well]].
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* IWantMyMommy: Darkly parodied with Dragon and Donkey before the song "Donkey Pot Pie":
-->'''Dragon:''' What's your name, pumpkin?\\
'''Donkey:''' Mommy!\\
'''Dragon:''' What a coincidence! (''referring to a skeleton in her lair'') That was ''his'' name too! And ''his!'' And ''his!'' And ''his!'' ''AND HIS!''


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* TermsOfEndangerment: Dragon does this with Donkey in the dialogue leading up to "Donkey Pot Pie", introducing herself by bellowing "Hello gorgeous!" and calling him by flirty pet names like "pumpkin" whilst threatening to eat him.
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* {{Adorkable}}: Shrek comes off as adorably awkward in "When Words Fail", when he's trying to think of the right way to confess his love to Fiona, continually [[OpenMouthInsertFoot making mistakes]], [[DiggingYourselfDeeper digging himself deeper]], and generally rambling during an attempted romantic monologue. As the title implies, this ends up PlayedForDrama as he initially worries that his awkwardness will prevent him from being able to get his point across.
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** It's a common gag for Lord Farquaad to give his white horse different names in every performance. During one show, he blatantly calls it "Reference to the [[{{WesternAnimation/Shrek2}} Second Movie]]".
** [[Disney/TheLionKing Giraffe and gazelle puppets]] make a brief appearance during "Travel Song", complete with a parody of the opening chant from "Circle of Life".

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** It's a common gag for Lord Farquaad to give his white horse different names in every performance. During one show, he blatantly calls it "Reference to the [[{{WesternAnimation/Shrek2}} [[WesternAnimation/Shrek2 Second Movie]]".
** [[Disney/TheLionKing [[WesternAnimation/TheLionKing1994 Giraffe and gazelle puppets]] make a brief appearance during "Travel Song", complete with a parody of the opening chant from "Circle of Life".



'''Gnome:''' Stop mailing all those sweet but slightly threatening fanletters to Disney/TheLittleMermaid?

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'''Gnome:''' Stop mailing all those sweet but slightly threatening fanletters to Disney/TheLittleMermaid?WesternAnimation/{{The Little Mermaid|1989}}?
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'''Farquaad's Father:''' ''Abandoned'' you?! You were twenty-eight! ''[[BasementDweller And living in my basement!]]''

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'''Farquaad's Father:''' '''Grumpy:''' ''Abandoned'' you?! You were twenty-eight! ''[[BasementDweller And living in my basement!]]''
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* {{Adorkable}}: Shrek comes off as adorably awkward in "When Words Fail", when he's trying to think of the right way to confess his love to Fiona, continually [[OpenMouthInsertFoot making mistakes]], [[DiggingYourselfDeeper digging himself deeper]], and generally rambling during an attempted romantic monologue. As the title implies, this ends up PlayedForDrama as he initially worries that his awkwardness will prevent him from being able to get his point across.
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* {{Gasshole}}: Shrek and Fiona have a farting and burping contest.
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* DemotedToExtra: Dragon's role in the musical had shifted quite a bit throughout the show's history. In the tryout version, her role was significantly [[AscendedExtra larger]] compared to the first film, due to her romance with Donkey being much more established and fleshed out. Once the show hit Broadway, however, the scenes that helped develop their relationship were cut, and Dragon's stage time was reduced to the "Donkey Pot Pie" number, the chase sequence, and the scene where she bursts into the chapel to eat Farquaad.[[note]]The Seattle tryout was able to give Dragon more stage time by personifying her through her actress, allowing the character to appear without the giant puppet head. This wasn't the case in the Broadway production.[[/note]] Afterwards, the character [[WhatHappenedToTheMouse disappears before the finale]]. The show's current script, however, gives her a much more sizable role (not to the extent of the Seattle tryout, but not nearly as small as the Broadway iteration's).
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* AdaptationDistillation: While the show is mainly based on the first film, it includes Shrek's backstory from the original William Steig book (his parents kicked him out of the house and sent him off on his own). Unlike the book, however, he was kicked out as a ''child'' rather than an adult.
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* SuddenlySpeaking: In the movie, Dragon is silent. In the musical adaptation, she even got a song.

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* SuddenlyVoiced: Dragon. She even got a song.
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** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended ''Theatre/AChorusLine'' in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus Line''. The Broadway version arguably kept this element in the choreography.

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** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended ''Theatre/AChorusLine'' reference in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus Line''. The Broadway version arguably kept this element in the choreography.
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** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended Theatre/AChorusLine in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus Line''. The Broadway version arguably kept this element in the choreography.

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** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended Theatre/AChorusLine ''Theatre/AChorusLine'' in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus Line''. The Broadway version arguably kept this element in the choreography.
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** In Seattle tryouts, "Story of My Life" was not included. Instead, there was a song which served as an extended Theatre/AChorusLine in which the fairy tale creatures "audition" before Farquaad, who is offstage beyond the fourth wall a la Zach in ''Chorus Line''. The Broadway version arguably kept this element in the choreography.
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* BSODSong: "Build a Wall" consists of Shrek planning to build a ten-foot wall to keep the world out after being convinced that Fiona and Donkey have betrayed him. While much of the song comes off more angry and sarcastic than depressed, the rage is at least partly Shrek's way of keeping his devastation under wraps.
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** In several of the YouTube clips of the show, Dragon's singing voice is fairly high and jazzy.

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** In several of the YouTube Website/YouTube clips of the show, Dragon's singing voice is fairly high and jazzy.
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* CastingGag: The casting of John Tartaglia, a famous Broadway puppeteer, as Pinocchio, a puppet.
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* AdaptationAmalgamation: Based on the first movie but starts the same as William Steig's original book, with Shrek's parents kicking him out of the house.
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* DoesThisRemindYouOfAnything: Dragon ranting about how princes are only interested in the more classically attractive Fiona and no one thinks that she might be waiting for someone too sounds an awful lot like a frustrated girl who doesn't fit the regular mold of beauty. The fact that she instantly falls in love with Donkey after he tells her Fiona isn't his type and he goes for big girls enhances the metaphor.
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* AgeProgressionSong: "I Know It's Today" serves as this, with the first verse sung by Young Fiona, the second sung by Teen Fiona, and the third sung by Adult Fiona.
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-->'''Farquaad:''' No father of mine would've abandoned me in the woods as a child!\\

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-->'''Farquaad:''' No father of mine would've Well, maybe if you hadn't abandoned me in the woods as a child!\\woods!\\
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** Farquad's short stature and FantasticRacism turns out to be because [[spoiler: he's actually [[SnowWhiteAndTheSevenDwarves Grumpy]]'s son.]]
** The Fairytale Creatures realize that their natural way of dealing with problems (wait until a hero solves it for them) won't work this time and that they need to stand up for themselves. More specifically, Pinnocio has to accept the fact that he's a wooden boy, and that he doesn't need to be a real boy in order to be said hero.

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** Farquad's Farquaad's short stature and FantasticRacism turns out to be because [[spoiler: he's actually [[SnowWhiteAndTheSevenDwarves Grumpy]]'s son.]]
** The Fairytale Creatures realize that their natural way of dealing with problems (wait until a hero solves it for them) won't work this time and that they need to stand up for themselves. More specifically, Pinnocio Pinocchio has to accept the fact that he's a wooden boy, and that he doesn't need to be a real boy in order to be said hero.
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** Farquad has ahades of this, but avoids fully committing to the trope. He gets distracted in the bath, calls his father "daddy" and is incredibly petty. His own description of his backstory (that he was kicked out as a child) and his father's version (that he was twenty eight) indicates he may have been a full-blown ManChild before becoming ruler of Duloc.

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** Farquad Farquaad has ahades shades of this, but avoids fully committing to the trope. He gets distracted in the bath, calls his father "daddy" and is incredibly petty. His own description of his backstory (that he was kicked out as a child) and his father's version (that he was twenty eight) indicates he may have been a full-blown ManChild before becoming ruler of Duloc.
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** At the end of the reprise for "What's Up, Duloc?", Lord Farquaad "levitates" to the top of his castle and imitates the iconic "Defying Gravity" riff from ''{{Theater/Wicked}}''. He even sings "nothing will bring me down" while the people below him reach out as if to grab him, just like in Wicked.

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** At the end of the reprise for "What's Up, Duloc?", Lord Farquaad "levitates" to the top of his castle and imitates the iconic "Defying Gravity" riff from ''{{Theater/Wicked}}''.''{{Theatre/Wicked}}''. He even sings "nothing will bring me down" while the people below him reach out as if to grab him, just like in Wicked.



** At the end of "Forever", Dragon holds a note and takes a deep breath before finishing the song, similar to the end of "And I'm Telling You I'm Not Going" from ''{{Theater/Dreamgirls}}''.
** In more recent productions of the show, there's a visual gag during "Freak Flag" where one of the fairy tale creatures [[http://www.cheaptheatretickets.com/wp-content/uploads/2012/02/Shrek-Freak-Flag.jpg waves a large flag in the background]], an obvious reference to ''[[{{Theater/LesMiserables}} Les Miserables]]''. The flag even sports a picture of Pinocchio drawn to look like Cosette.

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** At the end of "Forever", Dragon holds a note and takes a deep breath before finishing the song, similar to the end of "And I'm Telling You I'm Not Going" from ''{{Theater/Dreamgirls}}''.
''{{Theatre/Dreamgirls}}''.
** In more recent productions of the show, there's a visual gag during "Freak Flag" where one of the fairy tale creatures [[http://www.cheaptheatretickets.com/wp-content/uploads/2012/02/Shrek-Freak-Flag.jpg waves a large flag in the background]], an obvious reference to ''[[{{Theater/LesMiserables}} Les Miserables]]''.''Theatre/LesMiserables''. The flag even sports a picture of Pinocchio drawn to look like Cosette.

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