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Death By Sex is no longer a trope per this TRS thread Zero Context Examples and examples that do not fit existing tropes will be deleted.
Deleted line(s) 37 (click to see context) :
%% * DeathBySex: [[spoiler: Fosca's demise]] -- but then again, "to die loved is to have lived."
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Realized Fosca would be considered an antagonist
Deleted line(s) 45 (click to see context) :
* NoAntagonist: None of the characters are truly evil, and even their worst actions stem from deep love (Fosca's unwanted pursuit of Giorgio) or obligation (Clara's to her husband and son, the Colonel's to his cousin Fosca).
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* NoAntagonist: None of the characters are truly evil, and even their worst actions stem from deep love (Fosca's unwanted pursuit of Giorgio) or obligation (Clara's to her husband and son, the Colonel's to his cousin Fosca).
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Changed line(s) 21 (click to see context) from:
That isn't love."''
to:
That isn't love.love\\
And I've learned that from you."''
And I've learned that from you."''
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Changed line(s) 22,23 (click to see context) from:
-->-- "No One Has Ever Loved Me"
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-->-- '''Captain Giorgio Bachetti''', "No One Has Ever Loved Me"
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* MsFanservice: Clara is nude in bed at the beginning, and while the professionally shot version kept Marin Mazzie covered up, in all other performances she let everything show.
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ZCE cleanup, arguable example
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Changed line(s) 17,18 (click to see context) from:
* AbhorrentAdmirer: Fosca is a PlayedForDrama example.
* AllLoveIsUnrequited: The entire show, essentially.
* AllLoveIsUnrequited: The entire show, essentially.
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%% * AbhorrentAdmirer: Fosca is a PlayedForDrama example.
%% * AllLoveIsUnrequited: The entire show, essentially.
%% * AllLoveIsUnrequited: The entire show, essentially.
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* AnguishedDeclarationOfLove: "No One Has Ever Loved Me" and "Loving You".
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%% * AnguishedDeclarationOfLove: "No One Has Ever Loved Me" and "Loving You".
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* {{Bookworm}}: Both Fosca and Giorgio.
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%% * {{Bookworm}}: Both Fosca and Giorgio.
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* DeathBySex: [[spoiler: Fosca's demise]] -- but then again, "to die loved is to have lived."
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%% * DeathBySex: [[spoiler: Fosca's demise]] -- but then again, "to die loved is to have lived."
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* GossipyHens: Gossipy Soldiers.
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%% * GossipyHens: Gossipy Soldiers.
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* LoveHurts: And how!
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%% * LoveHurts: And how!
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* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at that point. Fosca recovers, her cousin discovers the letter, and he challenges Giorgio to a duel]].
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* {{Reconstruction}}: Of the archetypal love epic.
* SelfProclaimedLoveInterest: Fosca refers to Clara as her "rival", [[spoiler:which isn't far from the truth, eventually]].
* StalkerWithACrush: Fosca to Giorgio.
* SelfProclaimedLoveInterest: Fosca refers to Clara as her "rival", [[spoiler:which isn't far from the truth, eventually]].
* StalkerWithACrush: Fosca to Giorgio.
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%% * {{Reconstruction}}: Of the archetypal love epic.
%% * SelfProclaimedLoveInterest: Fosca refers to Clara as her "rival", [[spoiler:which isn't far from the truth, eventually]].
%% * StalkerWithACrush: Fosca to Giorgio.
%% * SelfProclaimedLoveInterest: Fosca refers to Clara as her "rival", [[spoiler:which isn't far from the truth, eventually]].
%% * StalkerWithACrush: Fosca to Giorgio.
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Changed line(s) 12,13 (click to see context) from:
''Passion'' is a 1994 musical with music and lyrics by Creator/StephenSondheim and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his colonel's homely, ailing cousin. It's noticeably even more serious than other Sondheim musicals -- the only humor comes in the Soldier's Gossip songs, and even those are fairly dark.
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''Passion'' is a 1994 musical with music and lyrics by Creator/StephenSondheim Music/StephenSondheim and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his colonel's homely, ailing cousin. It's noticeably even more serious than other Sondheim musicals -- the only humor comes in the Soldier's Gossip songs, and even those are fairly dark.
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from Stephen Sondheim
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* {{Reconstruction}}: Of the archetypal love epic.
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Changed line(s) 21 (click to see context) from:
* BettyAndVeronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
to:
* BettyAndVeronica: Played with, with Giorgio as Richie.Archie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
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Links. No spoiler tags allowed above the examples section.
Changed line(s) 10,13 (click to see context) from:
-->--'''[[spoiler:Giorgio]]''', "No One Has Ever Loved Me"
''Passion'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his colonel's homely, ailing cousin. It's noticeably even more serious than other Sondheim musicals -- the only humor comes in the Soldier's Gossip songs, and even those are fairly dark.
''Passion'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his colonel's homely, ailing cousin. It's noticeably even more serious than other Sondheim musicals -- the only humor comes in the Soldier's Gossip songs, and even those are fairly dark.
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''Passion'' is a 1994 musical with music and lyrics by
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* AllMusicalsAreAdaptations: It's based on the 1869 novel ''Fosca'' by Iginio Ugo Tarchetti, and the 1981 Ettore Scola film ''Passione d'Amore'', the latter of which inspired StephenSondheim to write the show.
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* AllMusicalsAreAdaptations: It's based on the 1869 novel ''Fosca'' by Iginio Ugo Tarchetti, and the 1981 Ettore Scola film ''Passione d'Amore'', the latter of which inspired StephenSondheim Sondheim to write the show.
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* [[GossipyHens Gossipy Soldiers]]
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* [[GossipyHens GossipyHens: Gossipy Soldiers]]Soldiers.
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* StalkerWithACrush: Fosca to Giorgio.
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* StalkerWithACrush: Fosca to Giorgio.
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http://static.tvtropes.org/pmwiki/pub/images/murphysonddiva300_7862.jpg
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* AbhorrentAdmirer: Fosca is a PlayedForDrama example.
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* StalkerWithACrush: Fosca to Giorgio.
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''Passion'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin. It's noticeably more serious and with less comedic moments than Sondheim's earlier musicals; the only humor is during the Soldier's Gossip songs, and even that is fairly dark.
to:
''Passion'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's colonel's homely, ailing cousin. It's noticeably even more serious and with less comedic moments than Sondheim's earlier musicals; other Sondheim musicals -- the only humor is during comes in the Soldier's Gossip songs, and even that is those are fairly dark.dark.
Changed line(s) 17 (click to see context) from:
* AllMusicalsAreAdaptations: It's based on the 1869 novel ''Fosca'' by Iginio Ugo Tarchetti, and the 1981 Ettore Scola film ''Passione d'Amore'', the latter of which is what inspired StephenSondheim to write the show.
to:
* AllMusicalsAreAdaptations: It's based on the 1869 novel ''Fosca'' by Iginio Ugo Tarchetti, and the 1981 Ettore Scola film ''Passione d'Amore'', the latter of which is what inspired StephenSondheim to write the show.
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* DarkReprise: Parts of "I Wish I Could Forget You", in which Fosca forces Giorgio to write a falsely loving letter to her [[spoiler:on her deathbed]] are repeated in the finale, when Giorgio is alone and [[spoiler:Fosca has died after their night together]].
* [[spoiler:DeathBySex]]: Fosca [[spoiler:dies after her and the Captain's first and only night together, knowing full well that she will as, "to die loved is to have lived."]]
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It was, in fact, the only epistolary musical ever written until the debut of the Literature/DaddyLongLegs musical in 2009.
* [[spoiler:DeathBySex]]: Fosca [[spoiler:dies after her and the Captain's first and only night together, knowing full well that she will as, "to die loved is to have lived."]]
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It was, in fact, the only epistolary musical ever written until the debut of the Literature/DaddyLongLegs musical in 2009.
to:
* DarkReprise: Parts of "I Wish I Could Forget You", in which Fosca forces Giorgio to write a falsely loving letter to her [[spoiler:on her deathbed]] her, are repeated in the finale, finale when Giorgio is alone and [[spoiler:Fosca has died is dead after their night together]].
*[[spoiler:DeathBySex]]: Fosca [[spoiler:dies after her and the Captain's first and only night together, knowing full well that she will as, DeathBySex: [[spoiler: Fosca's demise]] -- but then again, "to die loved is to have lived."]]
"
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It was, in fact, the only epistolary musical ever written until the debut of theLiterature/DaddyLongLegs ''Literature/DaddyLongLegs'' musical in 2009.
*
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It was, in fact, the only epistolary musical ever written until the debut of the
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* IAmNotPretty: Fosca, although it is revealed by the Colonel that she grew up thinking she was beautiful, until the death of her parents
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* IAmNotPretty: Fosca, although it is revealed by the Colonel that she grew up thinking she was ''was'' beautiful, until the death of her parentsparents.
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* LoveMakesYouCrazy: Upon [[spoiler:winning the duel with the Colonel]], Giorgio lets out a scream much like Fosca due to her "nervous disposition".
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at this point]]. [[spoiler: Fosca recovers, her cousin discovers the letter and challenges Giorgio to a duel]].
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at this point]]. [[spoiler: Fosca recovers, her cousin discovers the letter and challenges Giorgio to a duel]].
to:
* LoveMakesYouCrazy: Upon [[spoiler:winning the duel with the Colonel]], Giorgio lets out a scream much like Fosca Fosca's -- hers are due to her "nervous disposition".
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her atthis point]]. [[spoiler: that point. Fosca recovers, her cousin discovers the letter letter, and he challenges Giorgio to a duel]].
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at
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* SelfProclaimedLoveInterest: [[spoiler:Fosca refers to Clara]] as her "rival", [[spoiler:which isn't far from the truth eventually]].
to:
* SelfProclaimedLoveInterest: [[spoiler:Fosca Fosca refers to Clara]] Clara as her "rival", [[spoiler:which isn't far from the truth truth, eventually]].
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Changed line(s) 17 (click to see context) from:
* AllMusicalsAreAdaptations: It's based on the 1981 Ettore Scola film Passione d'Amore.
to:
* AllMusicalsAreAdaptations: It's based on the 1869 novel ''Fosca'' by Iginio Ugo Tarchetti, and the 1981 Ettore Scola film Passione d'Amore.''Passione d'Amore'', the latter of which is what inspired StephenSondheim to write the show.
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* {{Bookworm}}: Both Fosca and Georgio
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* {{Bookworm}}: Both Fosca and GeorgioGiorgio.
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* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It is, in fact, the only epistolary musical ever written.
to:
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It is, was, in fact, the only epistolary musical ever written.written until the debut of the Literature/DaddyLongLegs musical in 2009.
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* IAmNotPretty: Fosca, although it is revealed by the Colonel that she grew up thinking she was beautiful, until the death of her parents
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Changed line(s) 20 (click to see context) from:
* Bookworm: Both Fosca and Georgio
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* Bookworm: {{Bookworm}}: Both Fosca and Georgio
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Changed line(s) 22 (click to see context) from:
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point.
to:
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point. It is, in fact, the only epistolary musical ever written.
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->''"No one has ever loved me\\
As deeply as you.\\
No one has truly shown me\\
What love could be like until now:\\
Not pretty or safe or easy\\
But more than I ever knew.\\
Love within reason -\\
That isn't love."''
-->--'''[[spoiler:Giorgio]]''', "No One Has Ever Loved Me"
As deeply as you.\\
No one has truly shown me\\
What love could be like until now:\\
Not pretty or safe or easy\\
But more than I ever knew.\\
Love within reason -\\
That isn't love."''
-->--'''[[spoiler:Giorgio]]''', "No One Has Ever Loved Me"
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* HollywoodHomely: Fosca has been played by Donna Murphy, Patti LuPone and Judy Kuhn, who are hardly ugly or plain women.
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* HollywoodHomely: Fosca has been played by Donna Murphy, Patti LuPone and Judy Kuhn, who are hardly ugly or plain women.
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* BettyandVeronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
to:
* BettyandVeronica: BettyAndVeronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
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Changed line(s) 1 (click to see context) from:
''{{Passion}}'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin. It's noticeably more serious and with less comedic moments than Sondheim's earlier musicals; the only humor is during the Soldier's Gossip songs, and even that is fairly dark.
to:
''Passion'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin. It's noticeably more serious and with less comedic moments than Sondheim's earlier musicals; the only humor is during the Soldier's Gossip songs, and even that is fairly dark.
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* SelfProclaimedLoveInterest: [[spoiler:Fosca refers to Clara]] as her "rival", [[spoiler:which isn't far from the truth eventually]].
to:
* SelfProclaimedLoveInterest: [[spoiler:Fosca refers to Clara]] as her "rival", [[spoiler:which isn't far from the truth eventually]].
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Changed line(s) 14 (click to see context) from:
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at this point]]. [[spoiler: Fosca recovers and]] her cousin discovers the letter and challenges Giorgio to a duel]].
to:
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at this point]]. [[spoiler: Fosca recovers and]] recovers, her cousin discovers the letter and challenges Giorgio to a duel]].
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Changed line(s) 7 (click to see context) from:
* Betty and Veronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
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* Betty AnguishedDeclarationOfLove: "No One Has Ever Loved Me" and Veronica: "Loving You".
* BettyandVeronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does theopposite.opposite.
* DarkReprise: Parts of "I Wish I Could Forget You", in which Fosca forces Giorgio to write a falsely loving letter to her [[spoiler:on her deathbed]] are repeated in the finale, when Giorgio is alone and [[spoiler:Fosca has died after their night together]].
* [[spoiler:DeathBySex]]: Fosca [[spoiler:dies after her and the Captain's first and only night together, knowing full well that she will as, "to die loved is to have lived."]]
* BettyandVeronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the
* DarkReprise: Parts of "I Wish I Could Forget You", in which Fosca forces Giorgio to write a falsely loving letter to her [[spoiler:on her deathbed]] are repeated in the finale, when Giorgio is alone and [[spoiler:Fosca has died after their night together]].
* [[spoiler:DeathBySex]]: Fosca [[spoiler:dies after her and the Captain's first and only night together, knowing full well that she will as, "to die loved is to have lived."]]
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* LoveHurts: And how!
* LoveMakesYouCrazy: Upon [[spoiler:winning the duel with the Colonel]], Giorgio lets out a scream much like Fosca due to her "nervous disposition".
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at this point]]. [[spoiler: Fosca recovers and]] her cousin discovers the letter and challenges Giorgio to a duel]].
* NightmareSequence: In a fever dream towards the beginning of the second act, Giorgio dreams that Fosca is pulling him down into the grave with her, with "cold tentacles" embracing him.
* SelfProclaimedLoveInterest: [[spoiler:Fosca refers to Clara]] as her "rival", [[spoiler:which isn't far from the truth eventually]].
* LoveMakesYouCrazy: Upon [[spoiler:winning the duel with the Colonel]], Giorgio lets out a scream much like Fosca due to her "nervous disposition".
* MacGuffin: Arguably the letter Fosca dictates to Giorgio [[spoiler:on her deathbed]], which is very loving although [[spoiler:he does not believe he loves her at this point]]. [[spoiler: Fosca recovers and]] her cousin discovers the letter and challenges Giorgio to a duel]].
* NightmareSequence: In a fever dream towards the beginning of the second act, Giorgio dreams that Fosca is pulling him down into the grave with her, with "cold tentacles" embracing him.
* SelfProclaimedLoveInterest: [[spoiler:Fosca refers to Clara]] as her "rival", [[spoiler:which isn't far from the truth eventually]].
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Changed line(s) 1 (click to see context) from:
''{{Passion}}'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin. It's noticeably more serious than Sondheim's earlier musicals; the only humor is during the Soldier's Gossip songs, and even
to:
''{{Passion}}'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin. It's noticeably more serious and with less comedic moments than Sondheim's earlier musicals; the only humor is during the Soldier's Gossip songs, and eveneven that is fairly dark.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
''{{Passion}}'' is a 1994 musical with music and lyrics by {{Stephen Sondheim}} and book by James Lapine. Set in 19th century Italy, it concerns a young soldier named Giorgio and the changes in him brought about by the obsessive love of Fosca, his Colonel's homely, ailing cousin. It's noticeably more serious than Sondheim's earlier musicals; the only humor is during the Soldier's Gossip songs, and even
----
!!This musical provides examples of:
* AllLoveIsUnrequited: The entire show, essentially.
* AllMusicalsAreAdaptations: It's based on the 1981 Ettore Scola film Passione d'Amore.
* Betty and Veronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point.
----
!!This musical provides examples of:
* AllLoveIsUnrequited: The entire show, essentially.
* AllMusicalsAreAdaptations: It's based on the 1981 Ettore Scola film Passione d'Amore.
* Betty and Veronica: Played with, with Giorgio as Richie. When we first meet Fosca, she's the Veronica to Giorgio's lover Clara. But as the show progresses, Fosca becomes less "dangerous" and Clara becomes less reliable and sweet, and they eventually swap roles. Their attire reflects this change, Fosca's starting out dark and becoming light, while Clara's does the opposite.
* EpistolaryNovel: Or musical, rather. Much of the show is people reading (well, singing) letters to each other. There's the first letter, the second letter, the third letter, the fourth letter, the sunrise letter...you get the point.