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* BadGirlSong: "It's All the Same", and "Aldonza".

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* BadGirlSong: "It's All the Same", and "Aldonza"."Aldonza", although it's very much a [[DeconstructedTrope deconstruction]], as she [[BrokenBird greatly dislikes]] her status as the town prostitute but knows that she'll never be anything better and sings bitterly about her lot.



* DoesNotLikeMen: Aldonza, with good reason, as explained in the song "It's All the Same".

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* DoesNotLikeMen: Aldonza, with good reason, as explained in the song songs "It's All the Same".Same" and "Aldonza".
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* AdaptationDecay: ''Man of La Mancha'' is not an adaptation of ''Don Quixote'', but a work inspired from it. It is however common to find people who attribute the line "Too much sanity may be madness and maddest of all. To see life as it is, and not as it should be" to ''Don Quixote'', when it is actually original to the musical. Same with assuming that the original books cheer on Don Quixote and portray him as heroic for rejecting reality, or that the original Aldonza was as beautiful as Sophia Loren.
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The story is based on ''Literature/DonQuixote'', or more precisely, the man behind ''Don Quixote'', 16th-century Spanish author Creator/MiguelDeCervantes. Part of what makes the musical notable is its use of a FramingDevice, with the ShowWithinAShow providing the actual meat of the narrative.

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The story is based on ''Literature/DonQuixote'', or more precisely, the man behind ''Don Quixote'', the 16th-century Spanish author Creator/MiguelDeCervantes. Part of what makes the musical notable is its use of a FramingDevice, with the ShowWithinAShow providing the actual meat of the narrative.

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[[quoteright:280:https://static.tvtropes.org/pmwiki/pub/images/man_of_la_mancha.jpg]]

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[[quoteright:280:https://static.[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/man_of_la_mancha.jpg]]



A 1965 musical based on ''Literature/DonQuixote'', or more precisely, the man behind ''Don Quixote'', author Creator/MiguelDeCervantes. One day, he and his faithful manservant are unexpectedly arrested by UsefulNotes/TheSpanishInquisition. As they await trial, their fellow prisoners put them on trial. With all of his possessions on the line, De Cervantes decides to put on a show as his defense. Care to guess which one?

With a little imagination, the dismal dungeon is transformed to rolling hills, as Cervantes and his servant -- now none other than Don Quixote and Sancho Panza -- set out in search of grand adventures and other derring-do. As they play at their routine, [[PrisonerPerformance other prisoners take up roles suggested of them]]. In particular, the angry Aldonza, the [[ReallyGetsAround Miss Yo-Yo Knickers]] of the "town," attracts Quixote's interest, and he rechristens her Dulcinea, his noble lady, upon the spot. She is less than amused, but can't help but be intrigued by his idealism... Meanwhile, back at the homestead, the relatives of Alonso Quijana fret about how to save their reputation from the mad fool who's running around the country trying to joust windmills.

Part of what makes the musical noticeable is the use of the ShowWithinAShow being the actual meat of the play.

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A ''Man of La Mancha'' is a 1965 musical with book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion

The story is
based on ''Literature/DonQuixote'', or more precisely, the man behind ''Don Quixote'', 16th-century Spanish author Creator/MiguelDeCervantes. Part of what makes the musical notable is its use of a FramingDevice, with the ShowWithinAShow providing the actual meat of the narrative.

One day, he Cervantes and his faithful manservant are unexpectedly arrested by UsefulNotes/TheSpanishInquisition. UsefulNotes/TheSpanishInquisition and charged with foreclosing on a monastery. As they await trial, their fellow prisoners decide to put them on trial. mock "trial", with the stipulation that if found guilty Cervantes will have to give them the contents of a large trunk he has brought with him. With all of his possessions on the line, De Cervantes decides to put on a show as his defense. Care to guess which one?

With a little imagination, the dismal dungeon prison is transformed to into rolling hills, as Cervantes and his servant -- now none other than Don Quixote and Sancho Panza -- set out in search of grand adventures and other derring-do. As they play at their routine, [[PrisonerPerformance other their fellow prisoners take up various roles suggested of them]]. In particular, to them]].

Coming upon a dilapidated old inn which they mistake for a castle, Quixote and Sancho introduce themselves to the "lord" -- actually, the innkeeper. Soon
the angry serving wench Aldonza, the [[ReallyGetsAround Miss Yo-Yo Knickers]] of the "town," attracts Quixote's interest, and he rechristens her Dulcinea, his noble lady, upon the spot. She While she is less than amused, but she nonetheless can't help but be being intrigued by his idealism... idealism. Meanwhile, back at the homestead, the relatives of Alonso Quijana fret about how to save their reputation from the mad fool who's running around the country trying to joust windmills.

Part of what makes the musical noticeable is the use of the ShowWithinAShow being the actual meat of the play.
windmills.

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