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* EarlyInstallmentWeirdness: Some songs included in the Denver tryout were cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also a reprise of "Love Is An Open Door", which, since "Love is an Open Door" was the closest thing to a VillainSong, was something Kristen Anderson-Lopez didn't like. At her insistence, the finale song was changed to a reprise of "Let It Go".

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* EarlyInstallmentWeirdness: EarlyInstallmentWeirdness:
**
Some songs included in the Denver tryout were cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also a reprise of "Love Is An Open Door", which, since "Love is an Open Door" was the closest thing to a VillainSong, was something Kristen Anderson-Lopez didn't like. At her insistence, the finale song was changed to a reprise of "Let It Go".Go".
** In the Denver tryout, Grand Pabbie played a [[AscendedExtra much larger role]] as the narrator of the story. This concept was removed from the Broadway version, and he only shows up during the prologue, the Hidden Folk scene, and the finale.
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* TheFourthWallWillNotProtectYou: While escaping the castle after her powers are revealed, Elsa accidentally touches the side of the stage and manages to freeze ''the entire proscenium''.
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* CrossCastRole: While Olaf is male, female actress Ryann Redmond is his puppeteer and voice as of the February 2019 casting changes.

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* CrossCastRole: While Olaf is male, female actress Ryann Redmond is acted as his puppeteer and voice as of the on Broadway from February 2019 casting changes.changes until the close of the show.
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The trope is more for obvious lies, and she doesn't really have much reason to distrust him at these points.


* BlatantLies: [[spoiler:Hans always tells Elsa that he won't harm her if she surrenders, even after he sentences her to death and she escapes from the dungeon.]]
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--->'''Elsa:''' Father, you know what's best for me.\\

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--->'''Elsa:''' -->'''Elsa:''' Father, you know what's best for me.\\
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occurs on both songs


** "I Can't Lose You", the new song added to the touring production which replaces "For the First Time in Forever (Reprise)", begins with Elsa singing the bridge from the Demi Lovato version of "Let It Go": "Standing, frozen, in this life I've chosen...."

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** "I Can't Lose You", the new song added to the touring production which replaces "For the First Time in Forever (Reprise)", (Reprise)" and, its replacement in the touring production, "I Can't Lose You", begins with Elsa singing the bridge from the Demi Lovato version of "Let It Go": "Standing, frozen, in this life I've chosen...."
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* EarlyInstallmentWeirdness: Some songs were included in the Denver tryout, but cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also a reprise of "Love Is An Open Door", which, since "Love is an Open Door" was the closest thing to a VillainSong, was something Kristen Anderson-Lopez didn't like. At her insistence, the finale song was changed to a reprise of "Let It Go".

to:

* EarlyInstallmentWeirdness: Some songs were included in the Denver tryout, but tryout were cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also a reprise of "Love Is An Open Door", which, since "Love is an Open Door" was the closest thing to a VillainSong, was something Kristen Anderson-Lopez didn't like. At her insistence, the finale song was changed to a reprise of "Let It Go".



* IAmAMonster: In "[[ExactlyWhatItSaysOnTheTin Monster]]," Elsa's BsodSong, she asks herself if she really is a monster the people see in her. Her self-loathing, guilt, and fear lead her to wonder if she should die to end the winter she accidentally started.

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* IAmAMonster: In "[[ExactlyWhatItSaysOnTheTin Monster]]," Elsa's BsodSong, BSODSong, she asks herself if she really is a monster the people see in her. Her self-loathing, guilt, and fear lead her to wonder if she should die to end the winter she accidentally started.
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* NoOntologicalInertia: {{Discussed|Trope}}, and a source of dramatic tension. Neither Elsa nor Hans are certain whether killing Elsa will cancel the effects of her magic, or make it last forever.

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* NoOntologicalInertia: {{Discussed|Trope}}, and a source of dramatic tension. Neither Elsa nor Hans are certain whether killing Elsa will cancel the effects of her magic, or make it last forever.[[note]]''WesternAnimation/FrozenII'' establishes that the former is true.[[/note]]
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* EasterEgg: Hidden within the proscenium of the stage are [[https://www.youtube.com/watch?v=c_5PRXlqJf0 small carvings based on]] several famous Disney films, including ''Disney/{{Aladdin}}'', ''Disney/TheLittleMermaid'', and ''Disney/BeautyAndTheBeast'', and ''Disney/TheLionKing''.

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* EasterEgg: Hidden within the proscenium of the stage are [[https://www.youtube.com/watch?v=c_5PRXlqJf0 small carvings based on]] several famous Disney films, including ''Disney/{{Aladdin}}'', ''Disney/TheLittleMermaid'', ''WesternAnimation/{{Aladdin}}'', ''WesternAnimation/{{The Little Mermaid|1989}}'', and ''Disney/BeautyAndTheBeast'', ''WesternAnimation/BeautyAndTheBeast'', and ''Disney/TheLionKing''.''WesternAnimation/{{The Lion King|1994}}''.
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I am King Hans of Arendelle\\

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I am King Hans of Arendelle\\Arendelle
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Following the success of ''WesternAnimation/{{Frozen|2013}}'' on the big screen, a [[ScreenToStageAdaptation Broadway musical adaptation]] began development back in 2014, a mere year after the release of the original movie. With Jennifer Lee (script writer and co-director of the movie) returning to write the book and Kristen and Music/RobertLopez returning to pen 13 brand new songs, the show premiered in Denver for a 2017 preview run, and officially opened on Broadway on March 22, 2018.

to:

Following the success of ''WesternAnimation/{{Frozen|2013}}'' on the big screen, a [[ScreenToStageAdaptation Broadway musical adaptation]] began development back in 2014, a mere year after the release of the original movie. With Jennifer Lee (script writer and co-director of the movie) returning to write the book and Kristen and Music/RobertLopez returning to pen 13 brand new songs, the show premiered in Denver for a 2017 preview run, and officially opened on Broadway on March 22, 2018.
2018. Due to the UsefulNotes/CoronavirusDisease2019Pandemic, Disney suspended its performances because of Broadway's shutdown from COVID-19 and would not resume performances after the shutdown was lifted, effectively closing the musical on March 11, 2020.

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* RaceLift: Jelani Alladin, the first actor to play Kristoff, is African-American.

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* RaceLift: RaceLift:
**
Jelani Alladin, the first actor to play Kristoff, is African-American.


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** Ciara Renée, who's of African, Hispanic, and Native American descent, plays Elsa following Caissie Levy's departure.
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Added DiffLines:

* EasterEgg: Hidden within the proscenium of the stage are [[https://www.youtube.com/watch?v=c_5PRXlqJf0 small carvings based on]] several famous Disney films, including ''Disney/{{Aladdin}}'', ''Disney/TheLittleMermaid'', and ''Disney/BeautyAndTheBeast'', and ''Disney/TheLionKing''.

Added: 70

Changed: -1

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#"For the First Time in Forever" (reprise) – Anna and Elsa

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#"For the First Time in Forever" (reprise) – Anna and ElsaElsa*\\
*Replaced with “I Can’t Lose You" in all productions beginning in 2020
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Following the success of ''Disney/{{Frozen}}'' on the big screen, a [[ScreenToStageAdaptation Broadway musical adaptation]] began development back in 2014, a mere year after the release of the original movie. With Jennifer Lee (script writer and co-director of the movie) returning to write the book and Kristen and Music/RobertLopez returning to pen 13 brand new songs, the show premiered in Denver for a 2017 preview run, and officially opened on Broadway on March 22, 2018.

to:

Following the success of ''Disney/{{Frozen}}'' ''WesternAnimation/{{Frozen|2013}}'' on the big screen, a [[ScreenToStageAdaptation Broadway musical adaptation]] began development back in 2014, a mere year after the release of the original movie. With Jennifer Lee (script writer and co-director of the movie) returning to write the book and Kristen and Music/RobertLopez returning to pen 13 brand new songs, the show premiered in Denver for a 2017 preview run, and officially opened on Broadway on March 22, 2018.



** Sir Jorgen Bjorgen, Elsa's stuffed penguin toy from ''Disney/OlafsFrozenAdventure'', does make it into the musical as a prop in Anna's bedroom.

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** Sir Jorgen Bjorgen, Elsa's stuffed penguin toy from ''Disney/OlafsFrozenAdventure'', ''WesternAnimation/OlafsFrozenAdventure'', does make it into the musical as a prop in Anna's bedroom.
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** "I Can't Lose You", the new song added to the touring production which replaces "For the First Time in Forever (Reprise)", begins with Elsa singing the bridge from the Demi Lovato version of "Let It Go": "Standing, frozen, in this life I've chosen...."
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None

Added DiffLines:

* IAmAMonster: In "[[ExactlyWhatItSaysOnTheTin Monster]]," Elsa's BsodSong, she asks herself if she really is a monster the people see in her. Her self-loathing, guilt, and fear lead her to wonder if she should die to end the winter she accidentally started.
-->If I’m a monster, and it’s true\\
[[DrivenToSuicide There’s only one thing that’s left for me to do]]
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**He still gets a smaller DarkReprise at that moment:
--->'''Hans:''' Once I kill Elsa\\
And give you this ring\\
I am King Hans of Arendelle\\
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**In addition, the original Broadway standbys for Anna and Elsa, Aisha Jackson and Alyssa Fox, are black and Asian respectively.
**Their parents, Agnarr and Iduna, are usually played by a black and Asian actor as well.

Added: 133

Removed: 132

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* CrossCastRole: While Olaf is male, female actress Ryann Redmond is his puppeteer and voice as of the February 2019 casting changes.



* GenderBender: While Olaf is male, female actress Ryann Redmond is his puppeteer and voice as of the February 2019 casting changes.
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* {{Bowdlerise}}: The [[https://www.mtishows.com/disneys-frozen-jr Junior version]] of the show cuts out many of the more mature jokes, and retools "Hygge" so that there's no references to nudity or alcohol.

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* {{Bowdlerise}}: The [[https://www.mtishows.com/disneys-frozen-jr Junior version]] of the show cuts out many of the more mature jokes, and retools "Hygge" so that there's no references to nudity or alcohol.
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None

Added DiffLines:

* {{Bowdlerise}}: The [[https://www.mtishows.com/disneys-frozen-jr Junior version]] of the show cuts out many of the more mature jokes, and retools "Hygge" so that there's no references to nudity or alcohol.
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[[folder:Tracklist]]

'''Act I'''


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#"Vuelie" – Company
#"Let the Sun Shine On" – Young Anna, Young Elsa, King, Queen and Townspeople
#"A Little Bit of You" – Young Elsa and Young Anna
#"Hidden Folk" – Queen, Pabbie, Young Elsa, King and Company
#"Do You Want to Build a Snowman?" – Young Anna, Anna and Elsa
#"For the First Time in Forever" – Anna, Elsa and Townspeople
#"Hans of the Southern Isles" – Hans
#"Dangerous to Dream" – Elsa and Townspeople
#"Love Is an Open Door" – Anna and Hans
#Reindeer(s) Are Better Than People" – Kristoff
#"What Do You Know About Love?" – Anna and Kristoff
#"In Summer" – Olaf
#"Hans of the Southern Isles" (reprise) – Hans, Weselton and Townspeople
#"Let It Go" – Elsa

\\
'''Act II'''
----
#"Hygge" – Oaken, Kristoff, Anna, Olaf, Family and Friends
#"For the First Time in Forever" (reprise) – Anna and Elsa
#"Dangerous to Dream" (reprise) – Elsa
#"Fixer Upper" – Bulda, Pabbie, Olaf and Hidden Folk
#"Kristoff Lullaby" – Kristoff
#"Monster" – Elsa, Hans and Men
#"Hans of the Southern Isles" (reprise 2) – Hans and Anna
#"True Love" – Anna
#"Colder by the Minute" – Anna, Kristoff, Elsa, Hans and Townspeople
#"Finale" – Company

[[/folder]]


----
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--> '''Queen Iduna:''' Elsa, no! What did we say?\\
'''Elsa:''' Magic must stay secret.\\

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--> '''Queen Iduna:''' '''Iduna:''' Elsa, no! What did we say?\\
'''Elsa:''' Magic "Magic must stay secret.\\"\\



'''Iduna & Elsa:''' [[SayMyName ANNA!]]

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'''Iduna '''Iduna, Elsa & Elsa:''' Agnarr:''' [[SayMyName ANNA!]]



* ShoutOut: The Pixar Ball is part of Olaf's body.

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* ShoutOut: The When young Elsa and Anna build Olaf with their toys in "A Little Bit of You", the Pixar Ball ball is part of Olaf's body. his body.
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** The wolf chase has been cut out entirely, and replaced with a new duet for Anna and Kristoff. The part where she keeps him from falling off the sled is kept.

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** The wolf chase has been cut out entirely, and replaced with a new duet for Anna and Kristoff. The part where she keeps him from falling off the sled is kept.changed to them keeping each other from falling off a bridge.



** The trolls are now human (or at least human''oid'') characters. Additionally, they arrived to the royal family rather than the royal family coming to them. Consequently, Kristoff's MinorKidroduction is cut due to being a unnecessary detail that would interrupt the flow of the story.

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** The trolls are now human (or at least human''oid'') characters. Additionally, they arrived come to the royal family rather than the royal family coming to them. Consequently, Kristoff's MinorKidroduction is cut due to being a an unnecessary detail that would interrupt the flow of the story.

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** Sir Jorgen Bjorgen, Elsa's stuffed penguin toy from ''Disney/OlafsFrozenAdventure'', does make it into the musical.

to:

** Sir Jorgen Bjorgen, Elsa's stuffed penguin toy from ''Disney/OlafsFrozenAdventure'', does make it into the musical.musical as a prop in Anna's bedroom.



* PragmaticAdaptation: As mentioned above, a few elements of the film have been reimagined to better suit the stage musical.

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* PragmaticAdaptation: As mentioned above, Quite a few elements of the film have been reimagined to better suit the stage musical.



** The wolf chase has been cut out entirely, and replaced with a new duet for Anna and Kristoff.

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** The wolf chase has been cut out entirely, and replaced with a new duet for Anna and Kristoff. The part where she keeps him from falling off the sled is kept.


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***"Let It Go"'s melody is lowered a half-step in key, so it's sung with the same key as Demi Lovato's pop cover from the end credits of the movie, for the sake of making it easier for actresses to hit the notes.
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General similarities between characters played by the same actress falls under Typecasting. An Actor Allussion is a type of deliberate Shout Out put in specifically for the sake of referencing the actor's previous work.


* ActorAllusion: Much like Idina Menzel, Caissie Levy had previously portrayed Elphaba in ''Theatre/{{Wicked}}'' before portraying Elsa. Both Elphaba and Elsa are powerful witches who initially attempt to suppress their power before embracing it.
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* ActorAllusion: Much like Idina Menzel, Caissie Levy had previously portrayed Elphaba in ''Theatre/{{Wicked}}'' before portraying Elsa. Both Elphaba and Elsa are powerful witches who initially attempt to suppress their power before embracing it.



* AdaptationalEarlyAppearance: Anna meets Kristoff and Olaf ''before'' she gets to Wandering Oaken's Trading Post & Sauna, rather than meeting Kristoff at Oaken's, and them encountering Olaf en route from Oaken's to Elsa's ice palace.

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* AdaptationalEarlyAppearance: Anna meets Kristoff and Olaf ''before'' she gets to Wandering Oaken's Trading Post & Sauna, rather than meeting Sauna. This is a deviation from the movie, where Anna meets Kristoff at Oaken's, and them encountering they fight off wolves, then encounter Olaf en route from Oaken's to Elsa's ice palace.
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* EarlyInstallmentWeirdness: Some songs were included in the Denver tryout, but cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also based around "Love Is An Open Door" instead of "Let It Go", which was probably for the best since "Love is an Open Door" was the closest thing to a VillainSong.
* GettingCrapPastTheRadar: "Love is an Open Door" is much raunchier than in the movie, with Anna's desires for true love being sexed up. Anna runs her hands over Hans’s chest, Hans grabs Anna’s butt, there’s some panting, there’s a very cute dance break where he has her leg up by her face in a split, and then she somehow ends up on the ground beneath him… and then as the song ends, he buries his face in her chest and then they proceed to make out for at LEAST 30 seconds as all the coronation-goers filter back in.

to:

* EarlyInstallmentWeirdness: Some songs were included in the Denver tryout, but cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also based around a reprise of "Love Is An Open Door" instead of "Let It Go", which was probably for the best Door", which, since "Love is an Open Door" was the closest thing to a VillainSong.
VillainSong, was something Kristen Anderson-Lopez didn't like. At her insistence, the finale song was changed to a reprise of "Let It Go".
* GettingCrapPastTheRadar: "Love is an Open Door" is much raunchier than in the movie, with Anna's desires for true love being sexed up. Anna runs her hands over Hans’s chest, Hans grabs Anna’s butt, there’s some panting, there’s a very cute dance break where he has her leg up by her face in a split, and then she somehow ends up on the ground beneath him… and then as the song ends, he buries his face in her chest and then they proceed to make out for at LEAST 30 seconds as all the coronation-goers filter back in.
Is there an issue? Send a MessageReason:
None


* EarlyInstallmentWeirdness: Some songs were included in the Denver tryout, but cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also based around "Love Is An Open Door" instead of "Let It Go".
* GettingCrapPastTheRadar: "Love is an Open Door" is much raunchier than in the movie. Anna runs her hands over Hans’s chest, Hans grabs Anna’s butt, there’s some panting, there’s a very cute dance break where he has her leg up by her face in a split and she’s like “ow ow ow ow ow” and then she somehow ends up on the ground beneath him… and then as the song ends, he buries his face in her chest and then they proceed to make out for at LEAST 30 seconds as all the coronation-goers filter back in.

to:

* EarlyInstallmentWeirdness: Some songs were included in the Denver tryout, but cut before the transfer to Broadway. A second, openly villainous reprise of "Hans of the Southern Isles" was cut before opening on Broadway, as was Olaf's new song "When Everything Falls Apart". The finale song was also based around "Love Is An Open Door" instead of "Let It Go".
Go", which was probably for the best since "Love is an Open Door" was the closest thing to a VillainSong.
* GettingCrapPastTheRadar: "Love is an Open Door" is much raunchier than in the movie. movie, with Anna's desires for true love being sexed up. Anna runs her hands over Hans’s chest, Hans grabs Anna’s butt, there’s some panting, there’s a very cute dance break where he has her leg up by her face in a split and she’s like “ow ow ow ow ow” split, and then she somehow ends up on the ground beneath him… and then as the song ends, he buries his face in her chest and then they proceed to make out for at LEAST 30 seconds as all the coronation-goers filter back in.

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