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* OnlyFriend: By the end of the film, Hoke is this to Daisy.
-->'''Daisy:''' ''(possessively)'' Hoke came to see ''me'', not ''you''!

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Removed: 105

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-->'''Boolie:''' "Goodbyeeee...!"
-->''*car drives away*''
-->'''Boolie:''' "Good luuuck...!"
-->'''Boolie:''' ''*silently*'' "Good ''God''."

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-->'''Boolie:''' "Goodbyeeee...!"
-->''*car
Good-bye! ''(car drives away*''
-->'''Boolie:''' "Good luuuck...!"
-->'''Boolie:''' ''*silently*'' "Good
away)'' Good luck! ''(under his breath)'' Good ''God''."
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-->'''Hoke:''' ''(on Rebecca Sand)'' Lord have mercy, look at that. Ain't she got a lot of hair? How she get it so shiny?\\
'''Idella:''' Washes it in mayonnaise.\\
'''Hoke:''' Go on away from here, Idella!\\
'''Idella:''' Yes, she did. I read it in ''Life'' magazine.
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* HenpeckedHusband: Daisy certainly thinks Boolie is one, and is annoyed to no end that he would celebrate Christmas because of his wife, and is angry that he can't attend his uncle's 90th birthday because of her.
* IJustWantToBeNormal: Daisy, in her own eyes, is a retired schoolteacher, and would very much would like to be treated as such. Having a ''chauffeur'' is too ostentatious.


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* NiceGuy: Boolie. When his wife berates a young maid for making a minor error, he chuckles and privately tells her not to worry, saying "It's not ''quite'' the end of the world."
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* WhatTheHellHero: Hoke unloads on Daisy for her assuming he wouldn't want to attend Martin Luther King, Jr.'s speech in person as her attendee, leading him to angrily mutter that things haven't changed ''that'' much.
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* TimeSkip: As the play and film took place over a couple decades, this happened quite often. The film ends in the early 70's, as evidenced by a jogger and an early 70's car passing by.

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* TimeSkip: As the play and film took place over a couple decades, this happened quite often. The episode of ''The Edge of Night'' Hoke and Idella watch aired on May 1, 1961, marking [[spoiler:the day of Idella's death]]. The film ends in the early 70's, as evidenced by a jogger and an early 70's car passing by.
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* ShoutOut: The TV show Hoke and Idella watch [[spoiler:just before she dies]] is the LongRunner ''Series/TheEdgeOfNight''.
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* NotSoDifferent: When Daisy is puzzled as to why ''anyone'' would bomb her temple, Hoke sighs and says it's always the ''same'' people. He goes on to describe a lynching he'd observed. Daisy, disturbed, asks him why he told that story, then unsuccessfully insists those two incidents have nothing in common.
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* SlaveToPR: Boolie implies to his mother that he actually would like to go hear Martin Luther King speak, but admits that he's too afraid of the backlash from his many racist customers (who already look down on him for being Jewish) if they find out he did so.
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This whole paragraph is actually pretty ridiculous - the play and both films were both massive critical and commercial successes, and the fact that a few people who make their careers on looking for things to call racist criticized it does not mean it's not remembered well - if it weren't, it wouldn't keep getting re-releases


This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of Creator/MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (both films being about race relations, but from ''very'' different perspectives). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn". In reality, the film had more in common with ''Theatre/OnGoldenPond'', another film about a couple dealing with their sunset years.
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* AdultFear: For Daisy and Hoke late in the film when her mind "takes a turn" on her. Hoke is watching his friend slowly dipping into dementia.
-->'''Daisy:''' ''(panicked)'' The children will be so disappointed if I don’t give them their homework back.
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This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of Creator/MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (both films being about race relations, but from ''very'' different perspectives). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn".

to:

This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of Creator/MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (both films being about race relations, but from ''very'' different perspectives). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn".
Burn". In reality, the film had more in common with ''Theatre/OnGoldenPond'', another film about a couple dealing with their sunset years.
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''Driving Miss Daisy'' is a 1987 play by Alfred Uhry, later adapted for the screen by its playwright and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture UsefulNotes/AcademyAward winner. The film also made Creator/JessicaTandy, age 80, the oldest winner of the Best Actress Oscar.

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''Driving Miss Daisy'' is a UsefulNotes/PulitzerPrize winning 1987 play by Alfred Uhry, later adapted for the screen by its playwright and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture UsefulNotes/AcademyAward winner. The film also made Creator/JessicaTandy, age 80, the oldest winner of the Best Actress Oscar.
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''Driving Miss Daisy'' is a 1987 play by Alfred Uhry, later adapted for the screen by its playwright and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture UsefulNotes/AcademyAward winner. The film also made Jessica Tandy, age 80, the oldest winner of the Best Actress Oscar.

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''Driving Miss Daisy'' is a 1987 play by Alfred Uhry, later adapted for the screen by its playwright and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture UsefulNotes/AcademyAward winner. The film also made Jessica Tandy, Creator/JessicaTandy, age 80, the oldest winner of the Best Actress Oscar.
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Really?


This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of Creator/MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (although [[MisaimedFandom it isn't, and was never intended to be, about race relations]], unlike the latter film). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn".

to:

This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of Creator/MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (although [[MisaimedFandom it isn't, and was never intended to be, (both films being about race relations]], unlike the latter film).relations, but from ''very'' different perspectives). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn".
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* CatchPhrase: Daisy's "Highway robbery!"
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* TimeSkip: As the play and film took place over a couple decades, this happened quite often.

to:

* TimeSkip: As the play and film took place over a couple decades, this happened quite often. The film ends in the early 70's, as evidenced by a jogger and an early 70's car passing by.
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* SecretlyWealthy: Miss Daisy wishes and tries to act like this, she does not succeed.

to:

* SecretlyWealthy: Miss Daisy wishes and tries to act like this, she does not succeed. To be fair, ''she'' is not rich, her ''son'' is, and she doesn't want nor need his money.

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Removed: 160

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* EthnicMenialLabor: Idella and Hoke.

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* EthnicMenialLabor: Idella and Hoke.Hoke, being a maid and a chauffeur.



* GreedyJew: {{Lampshaded}} by Daisy as she hates being reminded how wealthy she is by anyone.
** Her real issue is that her ''son'' is wealthy, and by extension, so is she.

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* GreedyJew: {{Lampshaded}} by Daisy as she hates being reminded how wealthy she is by anyone.
** Her
anyone, however, her real issue is that her ''son'' is wealthy, and by extension, so is she.



* SanitySlippage: Poor Daisy.

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* SanitySlippage: Poor Daisy.Daisy, when she starts to suffer from dementia.



* ScrewPolitenessImASenior Miss Daisy, and to some extent also Hoke. Surprisingly enough, Miss Daisy is ''not'' overtly racist nor is her son. She does still despise Hoke at the beginning, for patronizing her. To her son too.
** She doesn't like Hoke ''because'' Boolie hired him. She's fiercely independent.

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* ScrewPolitenessImASenior Miss Daisy, and to some extent also Hoke. Surprisingly enough, Miss Daisy is ''not'' overtly racist nor is her son. She does still son but she did despise Hoke at the beginning, for patronizing her. To her son too.
** She doesn't like Hoke
(to her son, too) and especially ''because'' Boolie hired him. She's him, as she's fiercely independent.
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* MinimalistCast: The play only has three characters seen on stage -- Miss Daisy, Hoke, and Booley. The film obviously subverts this.

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* MinimalistCast: The play only has three characters seen on stage -- Miss Daisy, Hoke, and Booley.Boolie. The film obviously subverts this.
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It was revived on Broadway in 2010 with Creator/JamesEarlJones as Hoke and Creator/VanessaRedgrave as Miss Daisy. When the production transferred to Australia, Creator/AngleaLansbury took on the role of Miss Daisy and it was later filmed for PBS' headline arts program ''Great Performances''.

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It was revived on Broadway in 2010 with Creator/JamesEarlJones as Hoke and Creator/VanessaRedgrave as Miss Daisy. When the production transferred to Australia, Creator/AngleaLansbury Creator/AngelaLansbury took on the role of Miss Daisy and it was later filmed for PBS' headline arts program ''Great Performances''.
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* MinimalistCast: The play only has three characters seen on stage -- Miss Daisy, Hoke, and Booley. The film obviously subverts this.
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Recently revived on Broadway with Creator/JamesEarlJones and Creator/AngelaLansbury.

to:

Recently It was revived on Broadway in 2010 with Creator/JamesEarlJones as Hoke and Creator/AngelaLansbury.
Creator/VanessaRedgrave as Miss Daisy. When the production transferred to Australia, Creator/AngleaLansbury took on the role of Miss Daisy and it was later filmed for PBS' headline arts program ''Great Performances''.
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''Driving Miss Daisy'' is a 1987 play by Alfred Uhry, later adapted for the screen by its playwright and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture Academy Award winner. The film also made Jessica Tandy, age 80, the oldest winner of the Best Actress Oscar.

to:

''Driving Miss Daisy'' is a 1987 play by Alfred Uhry, later adapted for the screen by its playwright and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture Academy Award UsefulNotes/AcademyAward winner. The film also made Jessica Tandy, age 80, the oldest winner of the Best Actress Oscar.
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Recently revived on Broadway with JamesEarlJones and AngelaLansbury.

to:

Recently revived on Broadway with JamesEarlJones Creator/JamesEarlJones and AngelaLansbury.
Creator/AngelaLansbury.
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needs citation


* {{Flanderization}}: Not the movie itself, but you can bet that when someone parodies this movie, it will be a ShallowParody with Hoke done in such over-the-top minstrel style that it goes from just bad parody to UnfortunateImplications.

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* {{Flanderization}}: Not the movie itself, but you can bet that when someone parodies this movie, it will be a ShallowParody with Hoke done in such an over-the-top minstrel style that it goes from just bad parody to UnfortunateImplications.style.
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This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (although [[MisaimedFandom it isn't, and was never intended to be, about race relations]], unlike the latter film). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn".

to:

This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of MorganFreeman Creator/MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (although [[MisaimedFandom it isn't, and was never intended to be, about race relations]], unlike the latter film). And sometimes for being called "bullshit" in Music/PublicEnemy's "Burn Hollywood Burn".
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->'''Daisy Werthan''': "Hoke?"\\
'''Hoke Colburn''': "Yes'm?"\\
'''Daisy Werthan''': [[CrowningMomentOfHeartwarming "You're my best friend."]]\\
'''Hoke Colburn''': "Oh, go on Miss Daisy..."\\
'''Daisy Werthan''': "No, really. You are... you are."\\
'''Hoke Colburn''': "Yes'm."

The 1987 Pulitzer-Prize winner for Drama, ''Driving Miss Daisy'' was later adapted for the screen, by its playwright Alfred Uhry and director Bruce Beresford, into 1989's Best Picture Academy Award winner. The film also made Jessica Tandy, age 80, the oldest winner of the Best Actress Oscar.

to:

->'''Daisy Werthan''': "Hoke?"\\
Werthan:''' Hoke?\\
'''Hoke Colburn''': "Yes'm?"\\
Colburn:''' Yes'm?\\
'''Daisy Werthan''': [[CrowningMomentOfHeartwarming "You're Werthan:''' You're my best friend."]]\\
\\
'''Hoke Colburn''': "Oh, Colburn:''' Oh, go on Miss Daisy..."\\
\\
'''Daisy Werthan''': "No, Werthan:''' No, really. You are... you are."\\
\\
'''Hoke Colburn''': "Yes'm."

The 1987 Pulitzer-Prize winner for Drama,
Colburn:''' Yes'm.

''Driving Miss Daisy'' was is a 1987 play by Alfred Uhry, later adapted for the screen, screen by its playwright Alfred Uhry and director Bruce Beresford, into a 1989 comedy-drama film and 1989's Best Picture Academy Award winner. The film also made Jessica Tandy, age 80, the oldest winner of the Best Actress Oscar.



This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (although [[MisaimedFandom it isn't, and was never intended to be, about race relations]], unlike the latter film). And sometimes for being called "bullshit" in PublicEnemy's "Burn Hollywood Burn".

to:

This movie is not exceptionally well remembered today. Indeed, lots of people only know about it due to being one of the earlier lead roles of MorganFreeman and for the controversy of it winning when ''Film/DoTheRightThing'' wasn't even nominated (although [[MisaimedFandom it isn't, and was never intended to be, about race relations]], unlike the latter film). And sometimes for being called "bullshit" in PublicEnemy's Music/PublicEnemy's "Burn Hollywood Burn".



* {{Callback}}: In the beginning of the film Hoke describes how there's a nice patch of dirt in the backyard that he could turn into a vegetable garden, Daisy refuses and demands that he stop messing with her things. Near the end of the film (15-20 years later) they're seen working on a beautiful vegetable garden in her backyard.

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* {{Callback}}: CallBack: In the beginning of the film Hoke describes how there's a nice patch of dirt in the backyard that he could turn into a vegetable garden, Daisy refuses and demands that he stop messing with her things. Near the end of the film (15-20 years later) they're seen working on a beautiful vegetable garden in her backyard.
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* CivilRightsMovement: Discussed between Daisy and her son; later Daisy goes to watch [[BadassPreacher Martin Luther King]] give a speech.
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* UsefulNotes/AmericanAccents: Dan Aykroyd puts on an atrocious Southern accent as Boolie.

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* UsefulNotes/AmericanAccents: Dan Aykroyd puts on an atrocious Southern accent as Boolie.

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