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In 1975, Alan Ayckbourn and Andrew Lloyd Webber produced a musical, ''Jeeves,'', based on the works of Creator/PGWodehouse about [[Literature/JeevesAndWooster the eponymous valet and his hapless master Bertie Wooster]], that only ran for about a month and stands as Lloyd Webber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Lloyd Webber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.

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In 1975, Alan Ayckbourn Creator/AlanAyckbourn and Andrew Lloyd Webber produced a musical, ''Jeeves,'', based on the works of Creator/PGWodehouse about [[Literature/JeevesAndWooster the eponymous valet and his hapless master Bertie Wooster]], that only ran for about a month and stands as Lloyd Webber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Lloyd Webber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.
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In 1975, Alan Ayckbourn and Andrew Lloyd Weber produced a musical, ''Jeeves,'', based on the works of Creator/PGWodehouse about [[Literature/JeevesAndWooster the eponymous valet and his hapless master Bertie Wooster]], that only ran for about a month and stands as Weber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Weber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.

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In 1975, Alan Ayckbourn and Andrew Lloyd Weber Webber produced a musical, ''Jeeves,'', based on the works of Creator/PGWodehouse about [[Literature/JeevesAndWooster the eponymous valet and his hapless master Bertie Wooster]], that only ran for about a month and stands as Weber's Lloyd Webber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Weber Lloyd Webber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.
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* NiceGuy: Harold "Stinker" Pinker, the only person in the show except Bertie and Jeeves who plays himself in the show rather than take on another role, is without a doubt the friendliest and most amiable person on the stage.
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* OohMeAccentsSlipping: The largely American cast of the 2001 movie do a decent job of imitating RP English accents... ''except'' John Scherer as Bertie, whose accent isn't totally convincing. Or even remotely convincing.

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* OohMeAccentsSlipping: The largely American cast of the 2001 movie do a reasonably decent job of imitating RP English accents... ''except'' John Scherer as Bertie, whose accent isn't totally convincing. Or even remotely convincing.
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In 1975, Alan Ayckbourn and Andrew Lloyd Weber produced a musical, ''Jeeves,'', based on the works of P.G. Wodehouse about the eponymous valet and his hapless master Bertie Wooster, that only ran for about a month and stands as Weber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Weber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.

to:

In 1975, Alan Ayckbourn and Andrew Lloyd Weber produced a musical, ''Jeeves,'', based on the works of P.G. Wodehouse Creator/PGWodehouse about [[Literature/JeevesAndWooster the eponymous valet and his hapless master Bertie Wooster, Wooster]], that only ran for about a month and stands as Weber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Weber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.
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* OohMeAccentsSlipping: The largely American cast of the 2001 movie do a decent job of imitating RP English accents... ''except'' John Scherer as Bertie, whose accent isn't totally convincing.

to:

* OohMeAccentsSlipping: The largely American cast of the 2001 movie do a decent job of imitating RP English accents... ''except'' John Scherer as Bertie, whose accent isn't totally convincing. Or even remotely convincing.
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his act.
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An American production of the play was filmed in 2001 and released on region 2 DVD, starring MartinJarvis as Jeeves.

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An American production of the play was filmed in 2001 and released on region 2 DVD, starring MartinJarvis Creator/MartinJarvis as Jeeves.
Jeeves and John Scherer as Bertie Wooster.

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* MeanCharacterNiceActor: In-universe example, as most of the characters are played by the church's staff, who are on the whole far more amiable and reasonable than the people they're portraying (even though some of them occasionally get a little carried away with their roles). Special mention must go to Sir Watkyn-Basset, who is played by the amiable Bernard "Bumpy" Baisley. Early in the show, Bertie even breaks character a couple of times to comment on this and praise his portrayal... whereupon Bumpy also breaks character to humbly thank him before continuing his act.

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* MeanCharacterNiceActor: In-universe example, as most of the characters are played by the church's staff, who are on the whole far more amiable and reasonable than the people they're portraying (even though some of them occasionally get a little carried away with their roles). Special mention must go to Sir Watkyn-Basset, who is played by the amiable Bernard "Bumpy" Baisley. Early in the show, Bertie even breaks character a couple of times to comment on this and praise his portrayal... whereupon Bumpy also breaks character to humbly thank him before continuing his act.


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* MeanCharacterNiceActor: In-universe example, as most of the characters are played by the church's staff, who are on the whole far more amiable and reasonable than the people they're portraying (even though some of them occasionally get a little carried away with their roles). Special mention must go to Sir Watkyn-Basset, who is played by the amiable Bernard "Bumpy" Baisley. Early in the show, Bertie even breaks character a couple of times to comment on this and praise his portrayal... whereupon Bumpy also breaks character to humbly thank him before continuing to bluster on as Sir Watkyn-Basset.
* OohMeAccentsSlipping: The largely American cast of the 2001 movie do a decent job of imitating RP English accents... ''except'' John Scherer as Bertie, whose accent isn't totally convincing.


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* AdaptationPersonalityChange: The characters are ''mostly'' like you remember them from the books, though there are some notable changes, sometimes via CharacterExaggeration -- in addition to Jeeves being an AdaptationalJerkass, Bertie's reluctance to get married (in the books generally brought on by the fact that the women who fall for him tend to be terrible people) has been exaggerated to the point where he's openly against the idea of romance, and even at one point tells Gussie he's never been in love and considers that "on the whole, I'm very lucky." Bingo Little might be the character that's changed the most; his book counterpart was always InLoveWithLove and prone to melodrama, but here he's re-imagined as not only a DramaQueen prone to extreme emotional outbursts, but also ''extremely'' socially awkward, to the point where ''Gussie Fink-Nottle'' comes across as the more suave and confident of the two.
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* {{Adorkable}}: Harold "Stinker" Pinker, the only character other than Bertie and Jeeves who portrays himself in the impromptu show. Like in the books, he's a well-meaning [[TheKlutz Klutz]], but here he also has a bit of a surprisingly endearing awkwardness to him, as it's pretty clear he's not prepared for any of this. Already before the show starts, he bungles the opening speech while accidentally breaking a chair.

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* DeadpanSnarker: Jeeves himself, to an extent Wodehouse would probably not have countenanced. Jeeves makes several quips to the audience at Bertie's expense, which Wodehouse would ''never'' have had him do.

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* AdaptationalJerkass: Compared to his classic portrayal, Jeeves is notably pettier and more willing to undermine or outright humiliate Bertie for his own benefit (or just for petty revenge). Wodehouse's Jeeves might be all too willing to let his master suffer a few knocks if it suited his plans, but he never deliberately set out to make things worse for him, or outright mock him like he does in this musical.
* {{Adorkable}}: Harold "Stinker" Pinker, the only character other than Bertie and Jeeves who portrays himself in the impromptu show. Like in the books, he's a well-meaning [[TheKlutz Klutz]], but here he also has a bit of a surprisingly endearing awkwardness to him, as it's pretty clear he's not prepared for any of this. Already before the show starts, he bungles the opening speech while accidentally breaking a chair.
* DeadpanSnarker: Jeeves himself, and as part of being an AdaptationalJerkass it's to an extent Wodehouse would probably not have countenanced. Jeeves makes several quips to the audience at Bertie's expense, which Wodehouse would ''never'' have had him do.do.
* MeanCharacterNiceActor: In-universe example, as most of the characters are played by the church's staff, who are on the whole far more amiable and reasonable than the people they're portraying (even though some of them occasionally get a little carried away with their roles). Special mention must go to Sir Watkyn-Basset, who is played by the amiable Bernard "Bumpy" Baisley. Early in the show, Bertie even breaks character a couple of times to comment on this and praise his portrayal... whereupon Bumpy also breaks character to humbly thank him before continuing his act.


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* WhatTheHellHero: The song "What Have You Got To Say, Jeeves?" is a very passionate instance of this trope, as Bertie's finally had enough and calls Jeeves out on how unhelpful he's being.

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* LetsPutOnAShow: Possibly one of the most literal invocations of the trope. Bertie has no choice but to put on a show—or, more accurately, take part in the show Jeeves is putting on. He does this more by ''improv role-playing himself'' than by intentionally reproducing what he actually did at the time, because his memory is terrible.

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* LetsPutOnAShow: Possibly one of the most literal invocations of the trope. Bertie has no choice but to put on a show—or, more accurately, take part in the show Jeeves is putting on. He does this more by ''improv role-playing himself'' than by intentionally reproducing what he actually did at the time, because his memory is terrible.terrible.
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* DeadpanSnarker: Jeeves himself, to an extent Wodehouse would probably not have countenanced. Jeeves makes several quips to the audience at Bertie's expense, which Wodehouse would ''never'' have had him do.
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* LampshadeHanging: At one point Bertie remarks on how complicated the story has gotten, and Jeeves replies that they've actually simplified it considerably. This is true, both in regard to the play's earlier incarnation and to the Wodehouse book it's based on—they cut out many characters and an entire subplot to fit it into just two hours.
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* LetsPutOnAShow: Possibly one of the most literal invocations of the trope. Bertie has no choice but to put on a show—or, more accurately, take part in the show Jeeves is putting on. He does this more by ''role-playing himself'' than by intentionally reproducing what he actually did at the time, because his memory is terrible.

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* LetsPutOnAShow: Possibly one of the most literal invocations of the trope. Bertie has no choice but to put on a show—or, more accurately, take part in the show Jeeves is putting on. He does this more by ''role-playing ''improv role-playing himself'' than by intentionally reproducing what he actually did at the time, because his memory is terrible.
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!!Tropes Include:Include:

* LetsPutOnAShow: Possibly one of the most literal invocations of the trope. Bertie has no choice but to put on a show—or, more accurately, take part in the show Jeeves is putting on. He does this more by ''role-playing himself'' than by intentionally reproducing what he actually did at the time, because his memory is terrible.
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The play finds Bertie Wooster ostensibly giving a banjo concert at a church fundraiser—but he gets to the point of launching into song when it turns out someone has stolen his banjo and replaced it with a frying pan. Faced with having to entertain the audience for two hours before a replacement can arrive, Wooster has no choice but to [[LetsPutOnAShow put on a show]] by reminiscing about one of his adventures—with the able assistance of stage manager Jeeves, who remembers those events much better than he does and has roped the church's staff into taking on the roles of Bertie's acquaintances as they play out the events that transpired.

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The play finds Bertie Wooster ostensibly giving a banjo concert at a church fundraiser—but he gets to the point of launching into song when it turns out someone has stolen his banjo and replaced it with a frying pan. Faced with having to entertain the audience for two hours before a replacement banjo can arrive, Wooster has no choice but to [[LetsPutOnAShow put on a show]] by reminiscing about one of his adventures—with the able assistance of stage manager Jeeves, who remembers those events much better than he does and has roped the church's staff into taking on the roles of Bertie's acquaintances as they play out the events that transpired.
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In 1975, Alan Ayckbourn and Andrew Lloyd Weber produced a musical, ''Jeeves,'', based on the works of P.G. Wodehouse about the eponymous valet and his hapless master Bertie Wooster, that only ran for about a month and stands as Weber's one and only flop. Its central point of failure was that it was about four hours long and much too complicated. In 1996, Ayckbourn and Weber revisited the play, pared it down considerably, wrote mostly new music for it, and retitled it ''By Jeeves.'' In its new, simpler incarnation, ''By Jeeves'' was considerably more successful.

The play finds Bertie Wooster ostensibly giving a banjo concert at a church fundraiser—but he gets to the point of launching into song when it turns out someone has stolen his banjo and replaced it with a frying pan. Faced with having to entertain the audience for two hours before a replacement can arrive, Wooster has no choice but to [[LetsPutOnAShow put on a show]] by reminiscing about one of his adventures—with the able assistance of stage manager Jeeves, who remembers those events much better than he does and has roped the church's staff into taking on the roles of Bertie's acquaintances as they play out the events that transpired.

An American production of the play was filmed in 2001 and released on region 2 DVD, starring MartinJarvis as Jeeves.

!!Tropes Include:

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