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* AdaptationalSecrecyDowngrade: In the opera, Maddalena is absolutely shocked when Gérard spells it out that he is her StalkerWithACrush and has been since he was a servant at her parents' household. In the photo novel, Maddalena is very much aware of his desire for her even before the Revolution unfolds: she senses him getting more touchy-feely with her than it's appropriate (both for a servant towards a lady in the 18th century and for a man towards a girl who clearly shows he makes her uncomfortable).
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* ShipTease: Some stagings include flirting between the Incroyable and Bersi. Whether either of them is trying to [[HoneyTrap seduce the other to get them to lower their guard]], the Incroyable is doing it as part of his FauxAffablyEvil nature, or there is some [[FoeRomanceSubtext genuine attraction]] can be interpreted differently by different directors and performers.
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* ShipTease: Some stagings include flirting between the Incroyable and Bersi. Whether either of them is trying to [[HoneyTrap seduce the other to get them to lower their guard]], the Incroyable is doing it as part of his FauxAffablyEvil nature, or there is some [[FoeRomanceSubtext genuine attraction]] attraction between the two]] (or there is some combination of the above options) can be interpreted differently by different directors and performers.
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Added DiffLines:
* ShipTease: Some stagings include flirting between the Incroyable and Bersi. Whether either of them is trying to [[HoneyTrap seduce the other to get them to lower their guard]], the Incroyable is doing it as part of his FauxAffablyEvil nature, or there is some [[FoeRomanceSubtext genuine attraction]] can be interpreted differently by different directors and performers.
