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Changed line(s) 18 (click to see context) from:
* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another, complete with MeaningfulName s.
to:
* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another, complete with MeaningfulName s.{{Meaningful Name}}s.
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No trope links in the page quote
Changed line(s) 4 (click to see context) from:
->''"In 1947, when Creator/MarlonBrando appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' [kids today] ''to realize that there was ever a time when a man was nothing but [[StandardFiftiesFather a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]]."''
to:
->''"In 1947, when Creator/MarlonBrando appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' [kids today] ''to realize that there was ever a time when a man was nothing but [[StandardFiftiesFather a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]].hat."''
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Changed line(s) 13,15 (click to see context) from:
Throughout the play we start getting glimpses that Blanche ''is'' hiding something, and when her secrets are revealed, things get worse. ''Really'' worse.
Note: The title of the movie refers to old buses for public transit, streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran on. And one of the streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," "A Streetcar Named 42nd Street," or, definitely, "A Tram in New Orleans."
Note: The title of the movie refers to old buses for public transit, streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran on. And one of the streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," "A Streetcar Named 42nd Street," or, definitely, "A Tram in New Orleans."
to:
Throughout the play we start getting glimpses that Blanche ''is'' hiding something, and when her secrets are revealed, things get worse. ''Really'' ''Much'' worse.
Note: The title of the movie refers to old buses used for public transit, streetcars, what we now call "light rail" or "trams." They were usually named for the street they ranon. And on, and one of the New Orleans' streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," "A Streetcar Named 42nd Street," or, definitely, "A Tram in New Orleans."
Note: The title of the movie refers to old buses used for public transit, streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran
Changed line(s) 22 (click to see context) from:
* AuthorAppeal: An entire paragraph devoted to Stanley's handsome looks, great physique and animalistic drive? Tick. Young gay man struggling with his sexual identity in a repressive society that maligned any sign of cultural or sexual diversity to the point where it was taboo? Tick. [[spoiler:Young woman with mental illness issues who finally had to go to a mental institution? Tick.]] So we've got wish fulfillment, personal projection, and taking inspiration direct from your family. Yep, it's a Tennessee Williams play, all right.
to:
* AuthorAppeal: An entire paragraph devoted to Stanley's handsome looks, great physique and animalistic drive? Tick. Young gay man struggling with his sexual identity in a repressive society that maligned any sign of cultural or sexual diversity to the point where it was taboo? Tick. [[spoiler:Young woman with mental illness issues who finally had to go to a mental institution? Tick.]] So we've got wish fulfillment, personal projection, and taking inspiration direct directly from your family. Yep, it's a Tennessee Williams play, all right.
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* BigWordShout: STELLAAAAAAAAAAAAAAA!
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* BigWordShout: STELLAAAAAAAAAAAAAAA!''STELLAAAAAAAAAAAAAAA!''
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* CloudCuckoolander: Blanche. She prefers the world of her own creation, where she still is a chaste lady of refinement and she still can win the favors of men like Shep Huntleigh (whom we never meet [[spoiler:and might not exist]]). This is highlighted when Stanley is revealing her falsehoods to Stella and Blanche is singing in the bath: "Say, its only a paper moon/Sailing over a cardboard sea/But it wouldn't be make-believe/If you believed in me." [[spoiler:Unfortunately, by the end of the play this make-believe world is the only world she can stand to live in.]]
to:
* CloudCuckoolander: Blanche. She prefers the world of her own creation, where she still is a chaste lady of refinement and she still can win the favors of men like Shep Huntleigh (whom we never meet [[spoiler:and might not exist]]). This is highlighted when Stanley is revealing her falsehoods to Stella and Blanche is singing in the bath: "Say, its it's only a paper moon/Sailing over a cardboard sea/But it wouldn't be make-believe/If you believed in me." [[spoiler:Unfortunately, by the end of the play this make-believe world is the only world she can stand to live in.]]
Changed line(s) 37 (click to see context) from:
* DreamMelody: The Varsouviana, which plays whenever Blanche is lost in her dream world.
to:
* DreamMelody: The Varsouviana, which plays whenever Blanche is lost in her dream trauma world.
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* DoubleStandardRapeFemaleOnMale: [[spoiler:Blanche is reprimanded and punished for her fling with her underage student(s),]] but doesn't serve a proper legal punishment.
to:
* DoubleStandardRapeFemaleOnMale: [[spoiler:Blanche is reprimanded and punished fired for her fling with her underage student(s),]] but doesn't serve a proper legal punishment.
Changed line(s) 47 (click to see context) from:
* TheGhost: Shep, a former suitor of Blanche. She talks about him a lot, but we never meet him. [[spoiler:He may not exist.]]
to:
* TheGhost: Shep, a former suitor of Blanche. She talks about him a lot, but we never meet him. [[spoiler:He him [[spoiler:and he may not even exist.]]
Changed line(s) 61 (click to see context) from:
** Stanley is TheChessmaster of this trope. While he is an overall aggressor both drunk and sober, much of what he says about Blanche is the truth which makes tearing her up more painful to watch.
to:
** Stanley is TheChessmaster of this trope. While he is an overall aggressor both drunk and sober, much of what he says about Blanche is the truth true, which makes tearing her up more painful to watch.
Changed line(s) 65,66 (click to see context) from:
* KickTheDog: Stanley enjoys revealing Blanche's DarkSecret (and in the process ruining her relationship with her sister and his friend) ''way too much'', and adds insult to injury every chance he gets. [[spoiler: Then he rapes her.]]
* ManipulativeBitch: Stanley ([[JerkassHasAPoint probably correctly]]) guesses that Blanche plays up her delicate nerves around Stella so she'll wait on her hand-and-foot; all she has to do is act upset and her sister will let her do whatever she wants (stay indefinitely, take long baths, redecorate the house, etc) and get her whatever she wants (like lemon cokes and alcohol). Blanche almost ''certainly'' manipulates men she fancies, and not for noble reasons.
* ManipulativeBitch: Stanley ([[JerkassHasAPoint probably correctly]]) guesses that Blanche plays up her delicate nerves around Stella so she'll wait on her hand-and-foot; all she has to do is act upset and her sister will let her do whatever she wants (stay indefinitely, take long baths, redecorate the house, etc) and get her whatever she wants (like lemon cokes and alcohol). Blanche almost ''certainly'' manipulates men she fancies, and not for noble reasons.
to:
* KickTheDog: Stanley enjoys revealing Blanche's DarkSecret (and in the process ruining her relationship relationships with her sister and his friend) ''way too much'', and adds insult to injury every chance he gets. [[spoiler: Then he rapes her.]]
* ManipulativeBitch: Stanley ([[JerkassHasAPoint probably correctly]]) guesses that Blanche plays up her delicate nerves around Stella so she'll wait on her hand-and-foot; all she has to do is act upset and her sister will let her do whatever she wants (stay indefinitely, take long baths, redecorate the house,etc) etc.) and get her whatever she wants (like lemon cokes and alcohol). Blanche almost ''certainly'' manipulates men she fancies, and not for noble reasons.
* ManipulativeBitch: Stanley ([[JerkassHasAPoint probably correctly]]) guesses that Blanche plays up her delicate nerves around Stella so she'll wait on her hand-and-foot; all she has to do is act upset and her sister will let her do whatever she wants (stay indefinitely, take long baths, redecorate the house,
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Changed line(s) 18 (click to see context) from:
* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another, complete with MeaningfulNames.
to:
* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another, complete with MeaningfulNames.MeaningfulName s.
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Changed line(s) 18 (click to see context) from:
* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another.
to:
* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another.another, complete with MeaningfulNames.
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Changed line(s) 20,21 (click to see context) from:
%% * TheAlcoholic: Blanche, though she'll deny it.
%% * AllGirlsWantBadBoys: Stella, [[spoiler:to the point where she denies that Stanley's rape of Blanche ever happened]].
%% * AllGirlsWantBadBoys: Stella, [[spoiler:to the point where she denies that Stanley's rape of Blanche ever happened]].
to:
%%
* AllGirlsWantBadBoys: Stella, who stays with her husband despite his bad behavior, [[spoiler:to the point where she denies that
Changed line(s) 37,38 (click to see context) from:
%% * DreamMelody: The Varsouviana.
%% * DomesticAbuse: Stella explains away everything.
%% * DomesticAbuse: Stella explains away everything.
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%%
* DomesticAbuse: Stanley beats Stella
Changed line(s) 47 (click to see context) from:
%% * TheGhost: Shep. [[spoiler:He may not exist.]]
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%% * HotForStudent: [[spoiler:Blanche, in the backstory. He reminded her of Allen.]]
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%% * InterplayOfSexAndViolence: Stella and Stanley's relationship.
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Changed line(s) 60 (click to see context) from:
* JerkassHasAPoint: Stanley is TheChessmaster of this trope. While he is an overall aggressor both drunk and sober, much of what he says about Blanche is the truth which makes tearing her up more painful to watch.
to:
* JerkassHasAPoint: JerkassHasAPoint:
** Stanley is TheChessmaster of this trope. While he is an overall aggressor both drunk and sober, much of what he says about Blanche is the truth which makes tearing her up more painful towatch.watch.
** Say what you want about Blanche, she is absolutely correct that Stanley is a terrible husband. When she flat-out calls Stella crazy for going back, it's hard to disagree.
** Stanley is TheChessmaster of this trope. While he is an overall aggressor both drunk and sober, much of what he says about Blanche is the truth which makes tearing her up more painful to
** Say what you want about Blanche, she is absolutely correct that Stanley is a terrible husband. When she flat-out calls Stella crazy for going back, it's hard to disagree.
* MsFanservice: Some productions have Stella as this. Creator/VanessaKirby in the 2014 National Theatre production spends much of her stagetime in skimpy clothes, and has about as close to an explicit sex/masturbation scene as the production probably could've gotten away with.
Changed line(s) 85 (click to see context) from:
* OnlySaneWoman: Blanche is the only character sufficiently horrified and disgusted by how Stanley beats Stella.
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* OnlySaneWoman: Despite ''not'' being sane in most respects, Blanche is the only character sufficiently horrified and disgusted by how Stanley beats Stella.
Added DiffLines:
* SettingUpdate: The 2014 National Theatre production moved the action up to UsefulNotes/TheNewTens.
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Pollack is a real slur against a real race.
Changed line(s) 82 (click to see context) from:
* ObfuscatingStupidity: Stanley is smarter than he lets on. He knows the laws of New Orleans like the back of his hand. Rather than simply accept Blanche into his home he does a background check, uncovering her sexual history in the process. He even manages to have Stella wrapped around his little finger and fools Blanche into thinking he is a common ape. He later reveals everything he knows about her before the [[spoiler:rape scene.]] To add insult to injury, he violently corrects Blanche verbally when she called him a [[FantasticRacism "Pollack"]] one too many times.
to:
* ObfuscatingStupidity: Stanley is smarter than he lets on. He knows the laws of New Orleans like the back of his hand. Rather than simply accept Blanche into his home he does a background check, uncovering her sexual history in the process. He even manages to have Stella wrapped around his little finger and fools Blanche into thinking he is a common ape. He later reveals everything he knows about her before the [[spoiler:rape scene.]] To add insult to injury, he violently corrects Blanche verbally when she called him a [[FantasticRacism "Pollack"]] "Pollack" one too many times.
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Changed line(s) 4 (click to see context) from:
->''"In 1947, when Creator/MarlonBrando appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' {{kids today}} ''to realize that there was ever a time when a man was nothing but [[StandardFiftiesFather a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]]."''
to:
->''"In 1947, when Creator/MarlonBrando appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' {{kids today}} [kids today] ''to realize that there was ever a time when a man was nothing but [[StandardFiftiesFather a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]]."''
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Changed line(s) 4 (click to see context) from:
->''"In 1947, when Creator/MarlonBrando appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' [kids today] ''to realize that there was ever a time when a man was nothing but [[StandardFiftiesFather a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]]."''
to:
->''"In 1947, when Creator/MarlonBrando appeared on stage in a torn, sweaty T-shirt, there was an earthquake; and the male as sex object is still at our culture's center stage. In the age of Calvin Klein steaming hunks, it must be hard for'' [kids today] {{kids today}} ''to realize that there was ever a time when a man was nothing but [[StandardFiftiesFather a suit of clothes, a shirt and tie, shined leather shoes, and a gray, felt hat]]."''
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* AdaptationalAlternateEnding: The 1951 film [[spoiler:implies that Stella has finally had it with Stanley, and that she and the baby are leaving him. Whether it'll stick or she'll end up going back eventually is another question...]]
Changed line(s) 54 (click to see context) from:
%% * InLoveWithYourCarnage: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her. [[spoiler: Not enough to side with her sister after Stanley rapes her in the play, [[DownerEnding unfortunately]]. [[RevisedEnding In the movie, however...]]]]
to:
%% * InLoveWithYourCarnage: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her. [[spoiler: Not enough to side with her sister after Stanley rapes her in the play, [[DownerEnding unfortunately]]. [[RevisedEnding [[AdaptationalAlternateEnding In the movie, however...]]]]
Deleted line(s) 91 (click to see context) :
* RevisedEnding: The 1951 film [[spoiler:implies that Stella has finally had it with Stanley, and that she and the baby are leaving him. Whether it'll stick or she'll end up going back eventually is another question...]]
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ZCE cleanup, removed unfitting example
Changed line(s) 19,20 (click to see context) from:
* TheAlcoholic: Blanche, though she'll deny it.
* AllGirlsWantBadBoys: Stella, [[spoiler:to the point where she denies that Stanley's rape of Blanche ever happened]].
* AllGirlsWantBadBoys: Stella, [[spoiler:to the point where she denies that Stanley's rape of Blanche ever happened]].
to:
%% * TheAlcoholic: Blanche, though she'll deny it.
%% * AllGirlsWantBadBoys: Stella, [[spoiler:to the point where she denies that Stanley's rape of Blanche ever happened]].
%% * AllGirlsWantBadBoys: Stella, [[spoiler:to the point where she denies that Stanley's rape of Blanche ever happened]].
Changed line(s) 26,27 (click to see context) from:
* BreakTheCutie: Despite her many flaws, Blanche has had a rough time.
* ChristmasCake: Blanche is terrified of being this.
* ChristmasCake: Blanche is terrified of being this.
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Changed line(s) 37,38 (click to see context) from:
* DreamMelody: The Varsouviana.
* DomesticAbuse: Stella explains away everything.
* DomesticAbuse: Stella explains away everything.
to:
%% * DreamMelody: The Varsouviana.
%% * DomesticAbuse: Stella explains away everything.
%% * DomesticAbuse: Stella explains away everything.
Changed line(s) 43 (click to see context) from:
* {{Ephebophile}}: [[spoiler:Blanche. This is why she was fired.]]
to:
%% * {{Ephebophile}}: [[spoiler:Blanche. This is why she was fired.]]
Changed line(s) 46,47 (click to see context) from:
* FreakOut: The permanent kind.
* TheGhost: Shep. [[spoiler:He may not exist.]]
* TheGhost: Shep. [[spoiler:He may not exist.]]
to:
%% * FreakOut: The permanent kind.
%% * TheGhost: Shep. [[spoiler:He may not exist.]]
%% * TheGhost: Shep. [[spoiler:He may not exist.]]
Changed line(s) 49 (click to see context) from:
* HappilyMarried: Stella insists she and Stanley are this. Blanche (and the audience) beg to differ.
to:
%% * HappilyMarried: Stella insists she and Stanley are this. Blanche (and the audience) beg to differ.
Changed line(s) 51,56 (click to see context) from:
* HeroicBSOD: Literally! The lighting changes, the music swells, [[spoiler:and Stanley carries Blanche off to the bedroom]].
* HotForStudent: [[spoiler:Blanche, in the backstory. He reminded her of Allen.]]
* HookerWithAHeartOfGold: Blanche, though the play and movie subvert it by having Blanche compare her time as a hooker to being a tarantula, preying on the flesh of men. She was being sarcastic, because she was angry at Mitch.
* TheIngenue: How Blanche tries to present herself.
* InLoveWithYourCarnage: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her. [[spoiler: Not enough to side with her sister after Stanley rapes her in the play, [[DownerEnding unfortunately]]. [[RevisedEnding In the movie, however...]]]]
* InterplayOfSexAndViolence: Stella and Stanley's relationship.
* HotForStudent: [[spoiler:Blanche, in the backstory. He reminded her of Allen.]]
* HookerWithAHeartOfGold: Blanche, though the play and movie subvert it by having Blanche compare her time as a hooker to being a tarantula, preying on the flesh of men. She was being sarcastic, because she was angry at Mitch.
* TheIngenue: How Blanche tries to present herself.
* InLoveWithYourCarnage: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her. [[spoiler: Not enough to side with her sister after Stanley rapes her in the play, [[DownerEnding unfortunately]]. [[RevisedEnding In the movie, however...]]]]
* InterplayOfSexAndViolence: Stella and Stanley's relationship.
to:
%% * HeroicBSOD: Literally! The lighting changes, the music swells, [[spoiler:and Stanley carries Blanche off to the bedroom]].
%% * HotForStudent: [[spoiler:Blanche, in the backstory. He reminded her of Allen.]]
%% * HookerWithAHeartOfGold: Blanche, though the play and movie subvert it by having Blanche compare her time as a hooker to being a tarantula, preying on the flesh of men. She was being sarcastic, because she was angry at Mitch.
%% * TheIngenue: How Blanche tries to present herself.
%% * InLoveWithYourCarnage: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her. [[spoiler: Not enough to side with her sister after Stanley rapes her in the play, [[DownerEnding unfortunately]]. [[RevisedEnding In the movie, however...]]]]
%% * InterplayOfSexAndViolence: Stella and Stanley's relationship.
%% * HotForStudent: [[spoiler:Blanche, in the backstory. He reminded her of Allen.]]
%% * HookerWithAHeartOfGold: Blanche, though the play and movie subvert it by having Blanche compare her time as a hooker to being a tarantula, preying on the flesh of men. She was being sarcastic, because she was angry at Mitch.
%% * TheIngenue: How Blanche tries to present herself.
%% * InLoveWithYourCarnage: The reason Stella doesn't leave Stanley, though violence toward other people crosses the line for her. [[spoiler: Not enough to side with her sister after Stanley rapes her in the play, [[DownerEnding unfortunately]]. [[RevisedEnding In the movie, however...]]]]
%% * InterplayOfSexAndViolence: Stella and Stanley's relationship.
Changed line(s) 59 (click to see context) from:
* {{Jerkass}}: Stanley fits the bill; he's definitely worse than a Jerkass by the end of the play.
to:
%% * {{Jerkass}}: Stanley fits the bill; he's definitely worse than a Jerkass by the end of the play.
Changed line(s) 81 (click to see context) from:
* ANounReferredToAsX: ''A Streetcar Named Desire''
to:
* ANounReferredToAsX: ''A Streetcar Named Desire''Desire''.
Changed line(s) 88,89 (click to see context) from:
* RapeLeadsToInsanity: [[spoiler:Blanche after Stanley rapes her (though she was pretty unstable already)]].
* ReallyGetsAround: [[spoiler:Blanche, that's why she lost her job.]]
* ReallyGetsAround: [[spoiler:Blanche, that's why she lost her job.]]
to:
%% * RapeLeadsToInsanity: [[spoiler:Blanche after Stanley rapes her (though she was pretty unstable already)]].
%% * ReallyGetsAround: [[spoiler:Blanche, that's why she lost her job.]]
%% * ReallyGetsAround: [[spoiler:Blanche, that's why she lost her job.]]
Changed line(s) 91 (click to see context) from:
* TheReveal: Oh, so many. Interestingly, few -- if any -- of them serve as a climax: rather, they are used to both forward the plot and build up to the actual climax.
to:
%% * TheReveal: Oh, so many. Interestingly, few -- if any -- of them serve as a climax: rather, they are used to both forward the plot and build up to the actual climax.
Changed line(s) 93 (click to see context) from:
* SayMyName: If you got two guesses, you'll only have one.
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%% * SayMyName: If you got two guesses, you'll only have one.
Changed line(s) 95,96 (click to see context) from:
* SensitiveGuyAndManlyMan: Mitch and Stanley.
* {{Sexophone}}: The scene of the film where Stella walks down the stairs. The music was changed by the censors, but the the scene with the original music is available on the DVD.
* {{Sexophone}}: The scene of the film where Stella walks down the stairs. The music was changed by the censors, but the the scene with the original music is available on the DVD.
to:
%% * SensitiveGuyAndManlyMan: Mitch and Stanley.
%% * {{Sexophone}}: The scene of the film where Stella walks down the stairs. The music was changed by the censors, but the the scene with the original music is available on the DVD.
%% * {{Sexophone}}: The scene of the film where Stella walks down the stairs. The music was changed by the censors, but the the scene with the original music is available on the DVD.
Changed line(s) 100 (click to see context) from:
* SouthernBelle: Blanche is a SouthernBelle in the 20th century, a fading relic of a bygone age.
to:
%% * SouthernBelle: Blanche is a SouthernBelle in the 20th century, a fading relic of a bygone age.
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I feel that saying that the play's name isn't at all about desire the emotion is a little of a misreading of the play.
Changed line(s) 15 (click to see context) from:
Note: The title of the movie has nothing to do with human emotion. Back before there were buses for public transit, there were streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran on. And one of the streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," "A Streetcar Named 42nd Street," or, definitely, "A Tram in New Orleans."
to:
Note: The title of the movie has nothing refers to do with human emotion. Back before there were old buses for public transit, there were streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran on. And one of the streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," "A Streetcar Named 42nd Street," or, definitely, "A Tram in New Orleans."
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Changed line(s) 70 (click to see context) from:
-->'''Stanley''' ''[drunk]'': And when he gets home he'll deposit [the five dollar bills] one by one in a piggy bank his mother gave him for Christmas.
to:
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Changed line(s) 5,6 (click to see context) from:
-->--'''Creator/GoreVidal'''
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Changed line(s) 9,10 (click to see context) from:
Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many other adaptations, including a 1995 MadeForTVMovie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera, and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
to:
Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - -- Marlon Brando as Stanley Kowalski - -- was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many other adaptations, including a 1995 MadeForTVMovie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera, and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
Changed line(s) 33 (click to see context) from:
** Another example is Williams' direction for Stella's kimono in the Act 4, Scene 1 - it should be bright blue, a departure from her usual color scheme. This is just after ''[[EveryoneCanSeeIt that]]'' scene, which implies that Stanley and Stella have just had sex.
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** Another example is Williams' direction for Stella's kimono in the Act 4, Scene 1 - -- it should be bright blue, a departure from her usual color scheme. This is just after ''[[EveryoneCanSeeIt that]]'' scene, which implies that Stanley and Stella have just had sex.
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** Blanche [=DuBois=] means "white of the woods" in French - a dreamlike and old-world scene.
** Belle Reve is French, too - for "beautiful dream." Also, Belle is feminine whereas Rêve is masculine (it should be "Beau Rêve").
** Belle Reve is French, too - for "beautiful dream." Also, Belle is feminine whereas Rêve is masculine (it should be "Beau Rêve").
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** Blanche [=DuBois=] means "white of the woods" in French - -- a dreamlike and old-world scene.
** Belle Reve is French, too- -- for "beautiful dream." Also, Belle is feminine whereas Rêve is masculine (it should be "Beau Rêve").
** Belle Reve is French, too
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-->'''Blanche''': Yes, I flirted with your husband, Stella! ''[...]'' He's just not the sort that goes for jasmine perfume!
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--> '''Stanley:''' [[PunctuatedForEmphasis I! AM NOT!! A POLLACK!!!]] People from Poland are Poles, not Pollacks!! But what I am is 100% American, born and raised in the greatest country on Earth and proud as hell of it, so don't ever call me a Pollack.
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* TheReveal: Oh, so many. Interestingly, few - if any - of them serve as a climax: rather, they are used to both forward the plot and build up to the actual climax.
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* TheReveal: Oh, so many. Interestingly, few - -- if any - -- of them serve as a climax: rather, they are used to both forward the plot and build up to the actual climax.
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* SoundtrackDissonance: The Varsouviana is a happy, upbeat polka tune. It is Blanche's "crazy music" and plays whenever she is losing it and[[=/=]]or her [[spoiler:husband's suicide comes up]].
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* SoundtrackDissonance: The Varsouviana is a happy, upbeat polka tune. It is Blanche's "crazy music" and plays whenever she is losing it and[[=/=]]or and[=/=]or her [[spoiler:husband's suicide comes up]].
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-->JUST CUT THE REBOP!
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* ActorAllusion: Creator/VivienLeigh's playing a {{Deconstruction}} of the SouthernBelle archetype [[Film/GoneWithTheWind again]], but this time taking the "mentally broken" route rather than the "just plain nasty" route. In a way, Blanche and Scarlett could be seen as {{Foil}}s to one another.
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SOME punishment is not an aversion of statutory rape double standards.
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* DoubleStandardRapeFemaleOnMale: Averted. While she doesn't go to jail, [[spoiler:Blanche is reprimanded and punished for her fling with her underage student(s).]]
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* DoubleStandardRapeFemaleOnMale: Averted. While she doesn't go to jail, [[spoiler:Blanche is reprimanded and punished for her fling with her underage student(s).]]student(s),]] but doesn't serve a proper legal punishment.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a PulitzerPrize-winning 1947 play about a hundred different things: reality versus the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a PulitzerPrize-winning UsefulNotes/PulitzerPrize-winning 1947 play about a hundred different things: reality versus the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc.
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Note: The title of the movie has nothing to do with human emotion. Back before there were buses for public transit, there were streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran on. And one of the streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," or "A Streetcar Named 42nd Street."
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Note: The title of the movie has nothing to do with human emotion. Back before there were buses for public transit, there were streetcars, what we now call "light rail" or "trams." They were usually named for the street they ran on. And one of the streetcars ran along a street in New Orleans named "Desire." It probably sounds more exciting than "A Streetcar Named Broadway," or "A Streetcar Named 42nd Street."Street," or, definitely, "A Tram in New Orleans."
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* DoubleStandardRapeFemaleOnMale: Averted. While she doesn't go to jail, Blanche is reprimanded and punished for her fling with her underage student.
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* DoubleStandardRapeFemaleOnMale: Averted. While she doesn't go to jail, Blanche [[spoiler:Blanche is reprimanded and punished for her fling with her underage student.student(s).]]
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Wrong wick; that's a JFF game. Everyone Can See It is the trope.
Changed line(s) 32 (click to see context) from:
** Another example is Williams' direction for Stella's kimono in the Act 4, Scene 1 - it should be bright blue, a departure from her usual color scheme. This is just after ''[[EverybodyKnowsThat that]]'' scene, which implies that Stanley and Stella have just had sex.
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** Another example is Williams' direction for Stella's kimono in the Act 4, Scene 1 - it should be bright blue, a departure from her usual color scheme. This is just after ''[[EverybodyKnowsThat ''[[EveryoneCanSeeIt that]]'' scene, which implies that Stanley and Stella have just had sex.
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* OnlyKnownByTheirNickname: Mitch's real name, Harold, only comes up once in the entire play.
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* EverybodyHasStandards: While Pablo and Steve have no problems being friends with JerkAss Stanley, they do express disgust with some of his more heinous actions, such as hitting Stella or [[spoiler: having Blanche sent away to the insane asylum without any warning or notice.]] [[ApatheticCitizens However, it's never enough for them to break off their friendship with Stan.]]
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* TokenMinority: Pablo Gonzalez is the only non-white member of Stanley's poker group. He also gets by far the least development of the four, only appearing in group scenes to pad out the cast.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a PulitzerPrize-winning 1947 play about a hundred different things: reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a PulitzerPrize-winning 1947 play about a hundred different things: reality vs. versus the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many other adaptations, including a 1995 MadeForTVMovie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera, and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
to:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a PulitzerPrize-winning 1947 play about a hundred different things. Reality things: reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc.
Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many other adaptations, including a 1995 MadeForTVMovie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera, and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many other adaptations, including a 1995 MadeForTVMovie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera, and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, purity, etc. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations other adaptations, including a made for TV movie 1995 MadeForTVMovie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera opera, and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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None
Changed line(s) 7,8 (click to see context) from:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, and purity.purity, etc. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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Changed line(s) 7,8 (click to see context) from:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things: reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
to:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things: reality things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
Is there an issue? Send a MessageReason:
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Changed line(s) 7,8 (click to see context) from:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
to:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality things: reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances, and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
Is there an issue? Send a MessageReason:
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, insanity, abuse, violence, appearances and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old U.S. versus the new, social class, insanity, abuse, violence, appearances appearances, and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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The plot revolves around Blanche [=DuBois=] - a beauty in her youth who has now begun to fade - coming to stay with her pregnant sister Stella in New Orleans. Blanche has lost the women's ancestral home, Belle Reve, due to the financial strain of caring for their dying relatives, and has quit her job as a school teacher due to her nerves. Blanche meets Stella's husband Stanley and the two develop an almost instant disliking. Blanche finds Stanley vulgar and common, while Stanley hates Blanche's continual snobbery, despite the fact she is now just as poor as them. He is also suspicious of his sister-in-law, thinking that Blanche may have cheated Stella out of her share of the inheritance.
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The plot revolves around Blanche [=DuBois=] - -- a beauty in her youth who has now begun to fade - -- coming to stay with her pregnant sister Stella in New Orleans. Blanche has lost the women's ancestral home, Belle Reve, due to the financial strain of caring for their dying relatives, and has quit her job as a school teacher due to her nerves. Blanche meets Stella's husband Stanley and the two develop an almost instant disliking. Blanche finds Stanley vulgar and common, while Stanley hates Blanche's continual snobbery, despite the fact she is now just as poor as them. He is also suspicious of his sister-in-law, thinking that Blanche may have cheated Stella out of her share of the inheritance.
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old US vs. the new, insanity, abuse, violence, appearances and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.
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Creator/TennesseeWilliams' ''A Streetcar Named Desire'' is a 1947 play about a hundred different things. Reality vs. the imaginary, the old US vs. U.S. versus the new, insanity, abuse, violence, appearances and purity. Most people are familiar with the 1951 movie directed by Creator/EliaKazan and starring Creator/VivienLeigh, Creator/MarlonBrando, and Kim Hunter, which was of course Oscar-tacular.[[note]]Although the best remembered performance - Marlon Brando as Stanley Kowalski - was passed over on Oscar night in favour of Creator/HumphreyBogart in ''Film/TheAfricanQueen''.[[/note]] But there have been many adaptations including a made for TV movie starring Creator/AlecBaldwin and Creator/JessicaLange, an opera and even a ballet. Stuffed full of imagery and complex characters, it may be considered Williams' best known work, and the character of Blanche has been considered the most difficult female role in all of English literature.