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* The scene where the mothers are cheerfully getting dressed after being selected. Then the children are lured out presumably to be thrown in the gas chambers onto trucks. As the children gleefully wave good-bye to their parents, a rampage of parents heads howling and running toward the trucks.

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* The scene where the mothers are cheerfully getting dressed after being selected. Then the children are lured out onto trucks presumably to be thrown in sent to either the gas chambers onto trucks. or to the killing fields. As the children gleefully wave good-bye to their parents, a rampage of parents heads howling and running toward the trucks.trucks in a desperate attempt to save them, [[SoundtrackDissonance all while "Mamatschi" plays over the loudspeakers]].
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Let's just come out and say it: ''the whole movie'' is a TearJerker, and is considered one of the biggest TearJerker Films in Cinematic History. There's a reason why it won the [[UsefulNotes/AcademyAwardForBestPicture Oscar for Best Picture]].

to:

Let's just come out and say it: ''the whole movie'' is a TearJerker, and is considered one of the biggest TearJerker Films in Cinematic History. There's a reason why it won the [[UsefulNotes/AcademyAwardForBestPicture [[MediaNotes/AcademyAwardForBestPicture Oscar for Best Picture]].
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correcting a faulty URL


** [[https://www.youtube/watch?v=WP8bpvb0Llk The most powerful scene in the movie]].

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** [[https://www.youtube/watch?v=WP8bpvb0Llk youtube.com/watch?v=WP8bpvb0Llk The most powerful scene in the movie]].
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** [[http://youtu.be/WP8bpvb0Llk The most powerful scene in the movie]].

to:

** [[http://youtu.be/WP8bpvb0Llk [[https://www.youtube/watch?v=WP8bpvb0Llk The most powerful scene in the movie]].



* The entire scene of the Plaszow Ghetto being liquidated. The entire scene is chaotic, filled with the Nazis going into homes and either looting homes or massacring Jews en masse. The residents of the ghetto are terrified and doing everything they can to hide and/or survive.

to:

* The entire scene of the Plaszow PÅ‚aszów Ghetto being liquidated. The entire scene is chaotic, filled with the Nazis going into homes and either looting homes or massacring Jews en masse. The residents of the ghetto are terrified and doing everything they can to hide and/or survive.



** One scene has a man beg for the soldiers to help his wife, who is non-respondent. A Nazi tells the man to let go of his wife, and when he doesn't calmly puts a bullet in the woman's head before telling the man to get in line. What's worse is that this could have been a [[Main/MercyKill mercy]] so that the man would have a chance to live.

to:

** One scene has a man beg for the soldiers to help his wife, who is non-respondent. A Nazi tells the man to let go of his wife, and when he doesn't calmly puts a bullet in the woman's head before telling the man to get in line. What's worse is that this could have been a [[Main/MercyKill [[MercyKill mercy]] so that the man would have a chance to live.



--> '''Schindler's mistress:''' (''on the verge of crying'') Oh, please, let's go. Let's go, please.

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--> '''Schindler's --->'''Schindler's mistress:''' (''on the verge of crying'') Oh, please, let's go. Let's go, please.



* Stern and Schindler finally sharing a drink just after they've learnt that all the PÅ‚aszow inmates, including Stern, are to be sent to Auschwitz and almost certain death.
-->'''Oskar''': Someday... this is all going to end, you know. I was going to say "we'll have a drink then".\\
'''Itzhak''' ''(with tears in his eyes)'': I think I'd better have it now.

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* Stern and Schindler finally sharing a drink just after they've learnt that all the PÅ‚aszow PÅ‚aszów inmates, including Stern, are to be sent to Auschwitz and almost certain death.
-->'''Oskar''': -->'''Oskar:''' Someday... this is all going to end, you know. I was going to say "we'll have a drink then".\\
'''Itzhak''' '''Itzhak:''' ''(with tears in his eyes)'': eyes)'' I think I'd better have it now.



* The horrifying scene where human corpses are cremated at the Hujova Gorka in Plaszow, and Schindler, shocked, wipes the ashes off the wheel of his car as if they were falling snow. One of the SS men makes scary faces at the Jews carrying the corpses to the fire and laughs.

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* The horrifying scene where human corpses are cremated at the Hujova Gorka in Plaszow, PÅ‚aszów, and Schindler, shocked, wipes the ashes off the wheel of his car as if they were falling snow. One of the SS men makes scary faces at the Jews carrying the corpses to the fire and laughs.
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Let's just come out and say it: ''the whole movie'' is a TearJerker. There's a reason why it won the [[UsefulNotes/AcademyAwardForBestPicture Oscar for Best Picture]].

to:

Let's just come out and say it: ''the whole movie'' is a TearJerker.TearJerker, and is considered one of the biggest TearJerker Films in Cinematic History. There's a reason why it won the [[UsefulNotes/AcademyAwardForBestPicture Oscar for Best Picture]].
Is there an issue? Send a MessageReason:
None


Let's say it. The WHOLE MOVIE is a Tearjerker. There's a reason why it won the Best Picture [[UsefulNotes/AcademyAward Oscar]].

to:

Let's just come out and say it. The WHOLE MOVIE it: ''the whole movie'' is a Tearjerker. TearJerker. There's a reason why it won the [[UsefulNotes/AcademyAwardForBestPicture Oscar for Best Picture [[UsefulNotes/AcademyAward Oscar]].Picture]].



* The scene that sets the tone for the rest of the film is the death of the one armed gentleman. Shortly after a scene where he praises Schindler and promises to work his hardest, he is taken aside while shovelling snow by the guards, all while blithely exclaiming "I work for Oskar Schindler!" before being shot. After that, we see Schindler, who had harshly criticized Stern for hiring him and demanded never to be put in such a position again, angrily demanding compensation and insisting that the man was an essential worker: "[[MeaningfulEcho Quite skilled]]."

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* The scene that sets the tone for the rest of the film is the death of the one armed one-armed gentleman. Shortly after a scene where he praises Schindler and promises to work his hardest, he is taken aside while shovelling snow by the guards, all while blithely exclaiming "I work for Oskar Schindler!" before being shot. After that, we see Schindler, who had harshly criticized Stern for hiring him and demanded never to be put in such a position again, angrily demanding compensation and insisting that the man was an essential worker: "[[MeaningfulEcho Quite skilled]]."
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--> '''Schindler's mistress:''' (''on the verge of crying'') Oh, please, let's go.

to:

--> '''Schindler's mistress:''' (''on the verge of crying'') Oh, please, let's go. Let's go, please.
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No meta moment, see this query.



!!Meta
* Producer Branko Lustig's [[http://youtu.be/1HKTYYX50hQ?t=3m13s speech]] after winning the Best Picture Oscar also counts as this. [[RealitySubtext He is a survivor of Auschwitz]].
* The title theme by Music/JohnWilliams; the violin almost sounds like it's ''sobbing,'' wailing out its grief and pain at so much loss. The orchestra was led by famed Jewish violinist Itzhak Perlman, who considered it the greatest honor of his career.

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** Rather than be brutally shot to death, many hospital patients are given poison to drink by the nurses to make their deaths more peaceful.

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** Rather than be brutally shot to death, many bedridden hospital patients are given poison to drink by the nurses to make their deaths more peaceful.



* During the liquidation scene, a doctor and nurse are seen euthanizing their bedridden patients so they won't be brutally killed by the Nazis.
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* The entire scene of the Plaszow Ghetto being liquidated. The entire scene is chaotic, filled with the Nazis going into homes and either looting homes or massacring Jews en masse. The residents of the ghetto are terrified and doing everything they can to hide and/or survive.
** Rather than be brutally shot to death, many hospital patients are given poison to drink by the nurses to make their deaths more peaceful.
** One scene has a man beg for the soldiers to help his wife, who is non-respondent. A Nazi tells the man to let go of his wife, and when he doesn't calmly puts a bullet in the woman's head before telling the man to get in line. What's worse is that this could have been a [[Main/MercyKill mercy]] so that the man would have a chance to live.
** The whole scene is so devastating that Schindler's mistress, who is watching the entire ordeal from a hill and is not indicated to have any initial distaste for the Nazi regime's policies, can barely look at it.
--> '''Schindler's mistress:''' (''on the verge of crying'') Oh, please, let's go.
** To add to this, the Nazis return at night to finish off any Jews who survived the first slaughter by hiding. The night is filled with dozens of Jews being found out and massacred just as they thought it was safe to come out. Their corpses make a large pile in the streets, which highlights the true loss of life and how casual it is achieved by the Nazi exterminators.
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* The ending scene at Schindler's Grave, with all the real survivors respectfully placing stones at it.

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* The ending scene at Schindler's Grave, grave, with all the real survivors respectfully placing stones at it.



* The scene where Stern tells Schindler that he's broke. This man did so much to save all those people and what does he get out of it? He was rich and now he has nothing.
* The epilogue stating that the Schindler Jews and their descendants outnumber the Jewish population of Poland... drive home the scale of the tragedy, why don't you?
* Two Nazi soldiers were holding a boy by his arms and another soldier shot the boy. And the scene where parents got to see their children being carried off for medical exams...

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* The scene where Stern tells Schindler that he's broke. This man did so much to save all those people and what does he get out of it? He was rich and now he has nothing.
people, bankrupting himself for their sake.
* The epilogue stating that the Schindler Jews and their descendants outnumber the Jewish population of Poland... Poland, serving to drive home the scale of the tragedy, why don't you?
tragedy even more.
* Two Nazi soldiers were holding a boy by his arms and another soldier shot the boy. And the scene where parents got to see their children being carried off for medical exams...exams.



* The fact that, baring some ArtisticLicense, everything depicted in the movie ''actually happened.''

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* The fact that, baring barring some ArtisticLicense, everything depicted in the movie ''actually happened.''
'' Some events were even worse in real life.
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* The little girl in the red coat. She walks past death, vaguely aware of the violence around her. To make matters worse, when Schindler sees the little girl take refuge (unnoticed) in an abandoned place, Schindler leaves, thinking she'll be all right. Then he discovers her in the cremating scene.

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* The little girl in the red coat. [[note]]She's unnamed in the movie, but the source book reveals that she was Genia Gittel Chill, referred to as "Red Genia" by the author.[[/note]] She walks past death, vaguely aware of the violence around her. To make matters worse, when Schindler sees the little girl take refuge (unnoticed) in an abandoned place, Schindler leaves, thinking she'll be all right. Then he discovers her in the cremating scene.
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* The little girl in the red coat. She walks past death, vaguely aware of the violence around her. To make matters worse, when Schindler sees the little girl take refuge (unnoticed) in an abandoned place, Schindler leaves implying to himself "she's all right." Then he discovers that she joins the cremating scene.

to:

* The little girl in the red coat. She walks past death, vaguely aware of the violence around her. To make matters worse, when Schindler sees the little girl take refuge (unnoticed) in an abandoned place, Schindler leaves implying to himself "she's leaves, thinking she'll be all right." right. Then he discovers that she joins her in the cremating scene.



* During the scene where the children get taken away onto the trucks, there were other kids either running away, or hiding from the guards. One boy tries to find a hiding spot, but every place he looks is already occupied by one or two other kids. This eventually leads him to hide down a latrine, completely filled with crap. But the real kicker here? It was yet another occupied spot by two other kids.

to:

* During the scene where the children get taken away onto the trucks, there were other kids some either running away, ran away or hiding hid from the guards. One boy tries to find a hiding spot, but every place he looks is already occupied by one or two other kids. This eventually leads him to hide down a latrine, completely filled with crap. But the The real kicker here? kicker? It was yet another already occupied spot by two other kids.



* The epilogue stating that the Schindler Jews and their descendants outnumber the Jewish population of Poland...drive home the scale of the tragedy, why don't you?

to:

* The epilogue stating that the Schindler Jews and their descendants outnumber the Jewish population of Poland... drive home the scale of the tragedy, why don't you?
Is there an issue? Send a MessageReason:
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-->'''Oskar:''' This pin... two people. This is gold; two more people. He would've given me two for it. At least one, he would've given me one. One more person. A person, Stern. For this.

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-->'''Oskar:''' This pin... two people. This is gold; two more people. He would've given me two for it. At least one, he would've given me one.one, one more. One more person. A person, Stern. For this.
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** One brief yet gut-wrenching part comes just before Schindler's breakdown. Right after he says, "I could have got more out," Itzhak slowly shakes his head, with a sad expression on his face. He ''knows'' what's about to happen.

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** One brief yet gut-wrenching part comes just before Schindler's breakdown. Right after he says, "I "[[IShouldHaveBeenBetter I could have got more out," out]]," Itzhak slowly shakes his head, with a sad expression on his face. He ''knows'' what's about to happen.
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** The last part of Oskar's line is muttered. It sounds very much like Schindler is saying "what person was that" instead of "a person, Stern, for this." Coupled with his staring into space, imagine the eyes and faces of every Jew he saw in the camps are now flashing through his head when he sees that he truly could have saved at least one more person. What person would he choose? ''How'' could he have chosen?

to:

** The last part of Oskar's line is muttered. It sounds very much like Schindler is saying "what person was that" or "that person is dead" instead of "a person, Stern, for this." Coupled with his staring into space, imagine the eyes and faces of every Jew he saw in the camps are now flashing through his head when he sees that he truly could have saved at least one more person. What person would he choose? ''How'' could he have chosen?
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* The silent disbelief of a jeweler when he's suddenly given an entire pouch of golden teeth and dentistry fillings to assess as if it was just another tranch of precious metal.

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* After Schindler manages to get Stern off the train and save him from being sent to a camp, we see all the suitcases that were taken from the Jewish people, supposedly to be sent on at a later date, and instead being opened and the belongings being confiscated. There are mountains of spectacles, shoes, children's toys; shelves full of candlesticks and menorahs that are likely going to be melted down; boxes full of photographs and watches. The material possessions of the Jewish people are being disassembled, just as their rightful owners will be. Even worse, the people doing the sorting are also Jewish, obviously forced into this dire job. It all culminates with the silent disbelief of a jeweler when he's suddenly given an entire pouch of golden teeth and dentistry fillings to assess assess, as if it was just another tranch of precious metal.
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* Most tragic of all, everything depicted in the movie ''actually happened.''

to:

* Most tragic of all, The fact that, baring some ArtisticLicense, everything depicted in the movie ''actually happened.''
Is there an issue? Send a MessageReason:
Different scene.


* During the scene where the children get taken away onto the trucks, there were other kids either running away, or hiding from the guards. One boy tries to find a hiding spot, but every place he looks is already occupied by one or two other kids. This eventually leads him to hide down a latrine, completely filled with crap. But the real kicker here? It was yet another occupied spot by two other kids. Ultimately leading to the harshest BrickJoke in movie history: the Nazis find and shoot them all, including the three children in the latrine.

to:

* During the scene where the children get taken away onto the trucks, there were other kids either running away, or hiding from the guards. One boy tries to find a hiding spot, but every place he looks is already occupied by one or two other kids. This eventually leads him to hide down a latrine, completely filled with crap. But the real kicker here? It was yet another occupied spot by two other kids. Ultimately leading to the harshest BrickJoke in movie history: the Nazis find and shoot them all, including the three children in the latrine.
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*** Even more powerful in German, which would have been spoken between Schindler and the workers in real life. [[https://www.youtube.com/watch?v=JR_jjD-ILws Ready your tissues, all.]]

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Stripping spoiler tags. And there are a surprisingly large number of duplicate entries on this page.


'''Moments pages are Administrivia/SpoilersOff. Administrivia/YouHaveBeenWarned.'''



* During the scene where the children get taken away onto the trucks, there were other kids either running away, or hiding from the guards. One boy tries to find a hiding spot, but every place he looks is already occupied by one or two other kids. This eventually leads him to hide down [[spoiler:a latrine, completely filled with crap]]. But the real kicker here? [[spoiler: It was yet another occupied spot by two other kids.]]
** Don't forget the harshest BrickJoke in movie history: [[spoiler: the Nazis find and shoot them all, including the three children in the latrine.]]

to:

* During the scene where the children get taken away onto the trucks, there were other kids either running away, or hiding from the guards. One boy tries to find a hiding spot, but every place he looks is already occupied by one or two other kids. This eventually leads him to hide down [[spoiler:a a latrine, completely filled with crap]]. crap. But the real kicker here? [[spoiler: It was yet another occupied spot by two other kids.]]
** Don't forget
kids. Ultimately leading to the harshest BrickJoke in movie history: [[spoiler: the Nazis find and shoot them all, including the three children in the latrine.]]



* The girl in the red coat [[spoiler: being carried off in a cart full of corpses]].
* The biography of Oskar Schindler made me cry more than the movie...
--->'''Schindler:''' I could have gotten more...
* The end of the movie where some of the ''actual'' people, or members of their family, Schindler was able to save file past his ''actual'' grave to give their respects. It would be over the top melodrama if it just weren't so damn painful to know that these are real, flesh and blood people, people with friends and family, none of whom would be there except for Oskar.
* And then when it tells you that the Schindler Jews and their descendants outnumber the Jewish population of Poland...drive home the scale of the tragedy, why don't you?
* Two Nazi soldiers were holding a boy by his arms [[spoiler:and another soldier shot the boy. And the scene where parents got to see their children being carried off for medical exams...]]
* A scene in the beginning shows a man with one arm missing coming up to thank Schindler for letting him work in the factory. He seems so pleased because he feels a sense of importance, a purpose even though he has only one arm. However, in a later scene, when the Nazi's stop the ghetto members from going to work to shovel the snow from the street. This moment isn't necessarily significant until [[spoiler: you realize that the Nazis are trying to weed out the people who are physically infirm. The one armed man from earlier is then taken, while he tries to defend that he's important to the factory so that they won't shoot him]].

to:

* The girl in the red coat [[spoiler: being carried off in a cart full of corpses]].
* The biography of Oskar Schindler made me cry more than the movie...
--->'''Schindler:''' I could have gotten more...
* The end of the movie where some of the ''actual'' people, or members of their family, Schindler was able to save file past his ''actual'' grave to give their respects. It would be over the top melodrama if it just weren't so damn painful to know that these are real, flesh and blood people, people with friends and family, none of whom would be there except for Oskar.
* And then when it tells you
epilogue stating that the Schindler Jews and their descendants outnumber the Jewish population of Poland...drive home the scale of the tragedy, why don't you?
* Two Nazi soldiers were holding a boy by his arms [[spoiler:and and another soldier shot the boy. And the scene where parents got to see their children being carried off for medical exams...]]
* A scene in the beginning shows a man with one arm missing coming up to thank Schindler for letting him work in the factory. He seems so pleased because he feels a sense of importance, a purpose even though he has only one arm. However, in a later scene, when the Nazi's stop the ghetto members from going to work to shovel the snow from the street. This moment isn't necessarily significant until [[spoiler: you realize that the Nazis are trying to weed out the people who are physically infirm. The one armed man from earlier is then taken, while he tries to defend that he's important to the factory so that they won't shoot him]].



* The title theme by Music/JohnWilliams; the violin almost sounds like it's ''sobbing,'' wailing out its grief and pain at so much loss.
** The orchestra was led by famed Jewish violist Itzhak Perlman, who considered it the greatest honor of his career.

to:

* The title theme by Music/JohnWilliams; the violin almost sounds like it's ''sobbing,'' wailing out its grief and pain at so much loss.
**
loss. The orchestra was led by famed Jewish violist violinist Itzhak Perlman, who considered it the greatest honor of his career.

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