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** Joe Russo revealed in an Empire podcast episode that the scene where Thanos sits talking on a stump while Tony, Steve and Thor approach is an homage to ''Film/OnceUponATimeInTheWest''.
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Changed line(s) 111 (click to see context) from:
** Thanos's flagship Sanctuary II looks quite a bit like a [[Series/BattlestarGalatica2003 Cylon basestar]].
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** Thanos's flagship Sanctuary II looks quite a bit like a [[Series/BattlestarGalatica2003 [[Series/BattlestarGalactica2003 Cylon basestar]].
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** Thanos's flagship Sanctuary II looks quite a bit like a [[Series/BattlestarGalatica2003 Cylon basestar]].
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*** Also, when Bill Foster is working in the lab and sees a bunch of ants, he shouts "It's them!".
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** In the 1992 Oakland prologue, James, [[spoiler:Zuri's undercover persona]], describes the Dora Milaje as looking like Grace Jones.
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** In the 1992 Oakland prologue, James, [[spoiler:Zuri's undercover persona]], describes the Dora Milaje as looking like Grace Jones.Creator/GraceJones.
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** When Okoye complains about her wig, Nakia tells her to not worry and to whip it back and forth like the Willow Smith novelty song “Whip My Hair.”
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** The climactic CarChase through the streets of San Francisco can be seen as one to TropeCodifier ''Film/{{Bullitt}}'', especially Luis's SloMoBigAir jump. It does verge into AffectionateParody territory.
** The name of the Wombats' security company, X-CON, is an obvious play on the ''VideoGame/XCom'' video game series. Their logo even resembles the tile for the 2012 ''VideoGame/XCOMEnemyUnknown'' expansion "Enemy Within".
** The name of the Wombats' security company, X-CON, is an obvious play on the ''VideoGame/XCom'' video game series. Their logo even resembles the tile for the 2012 ''VideoGame/XCOMEnemyUnknown'' expansion "Enemy Within".
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** The name of the Wombats' security company, X-CON, is an obvious play on the ''VideoGame/XCom'' video game series. Their logo even resembles the tile for the 2012 ''VideoGame/XCOMEnemyUnknown'' expansion "Enemy Within".
** While miniaturized inside a car, Scott gets a scare from a gigantic eye peering at him through the window -- in fact a mere pigeon. The setup makes it a clear shout-out to the iconic scene from ''Film/JurassicPark''.
** The climactic CarChase through the streets of San Francisco can be seen as one to TropeCodifier ''Film/{{Bullitt}}'', especially Luis's SloMoBigAir jump. It does verge into AffectionateParody territory.
** While miniaturized inside a car, Scott gets a scare from a gigantic eye peering at him through the window -- in fact a mere pigeon. The setup makes it a clear shout-out to the iconic scene from ''Film/JurassicPark''.
** The climactic CarChase through the streets of San Francisco can be seen as one to TropeCodifier ''Film/{{Bullitt}}'', especially Luis's SloMoBigAir jump. It does verge into AffectionateParody territory.
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** Korg mentions killing three vampires, which is likely a reference to another {{Creator/Taika Waititi}} film, {{Film/What We Do in the Shadows}}.
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** Drax states that The Guardians are a family and [[WesternAnimation/LiloAndStitch leave no one behind]]
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Changed line(s) 127,128 (click to see context) from:
** The cast mentions multiple TimeTravel works while planning the Time Heist, including ''Film/BackToTheFuture'', ''Franchise/StarTrek'', ''Film/BillAndTedsExcellentAdventure'', ''Film/TheTerminator'', ''Film/{{Timecop}}'', ''Literature/AWrinkleInTime'' (specifically the sequel books, but that's not mentioned), ''Film/SomewhereInTime'', ''Series/QuantumLeap'', ''Film/TimeBandits'', ''Film/HotTubTimeMachine'' and ''Film/DieHard'', only for Scott to remember that the last one isn't actually a time-travel movie.
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from ''Film/BackToTheFuturePartII'': both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffin}}s, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from ''Film/BackToTheFuturePartII'': both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffin}}s, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
to:
** The cast mentions multiple TimeTravel works while planning the Time Heist, including ''Film/BackToTheFuture'', ''Franchise/StarTrek'', ''Film/BillAndTedsExcellentAdventure'', ''Film/TheTerminator'', ''Film/{{Timecop}}'', ''Literature/AWrinkleInTime'' (specifically the sequel books, but that's not mentioned), ''Film/SomewhereInTime'', ''Series/QuantumLeap'', ''Film/TimeBandits'', ''Film/HotTubTimeMachine'' and ''Film/DieHard'', only for Scott to remember that the last one isn't actually a time-travel movie.
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from ''Film/BackToTheFuturePartII'': both films revolve around the heroes [[BackToTheEarlyInstallment having to go back to events and locations from the past that are connected tothem, them]], to retrieve one or more {{MacGuffin}}s, [[NeverTheSelvesShallMeet encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, parents]], in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from ''Film/BackToTheFuturePartII'': both films revolve around the heroes [[BackToTheEarlyInstallment having to go back to events and locations from the past that are connected to
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Two seperate swords.
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** When people are trying to pull out Mjölnir from the boulder, it is reminiscent of Excalibur from the [[Myth/KingArthur Arthurian Romances]].
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** When people are trying to pull out Mjölnir from the boulder, it is reminiscent of Excalibur the Sword in the Stone from the [[Myth/KingArthur Arthurian Romances]].
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Changed line(s) 136,141 (click to see context) from:
* ''Film/SpiderManFarFromHome:''
** Nick Fury quotes ''Theatre/HenryIV'' to Peter Parker: "Uneasy lies the head that wears the crown." He then adds that Peter may not get that reference since it isn't from ''Franchise/StarWars''.
** Peter [[PopCulturalOsmosisFailure confuses]] Music/{{ACDC}} with Music/LedZeppelin.
** Peter's teachers, Harrington and Dell, argue about whether the monsters combining into one even nastier monster is more like ''Franchise/PowerRangers'' or ''Anime/{{Voltron}}''.
** In the mid-credits stinger, [[spoiler:the MCU version of J. Jonah Jameson is introduced, and he is clearly a NoCelebritiesWereHarmed version of Alex Jones -- a loud, under-informed internet pundit.]]
** Nick Fury quotes ''Theatre/HenryIV'' to Peter Parker: "Uneasy lies the head that wears the crown." He then adds that Peter may not get that reference since it isn't from ''Franchise/StarWars''.
** Peter [[PopCulturalOsmosisFailure confuses]] Music/{{ACDC}} with Music/LedZeppelin.
** Peter's teachers, Harrington and Dell, argue about whether the monsters combining into one even nastier monster is more like ''Franchise/PowerRangers'' or ''Anime/{{Voltron}}''.
** In the mid-credits stinger, [[spoiler:the MCU version of J. Jonah Jameson is introduced, and he is clearly a NoCelebritiesWereHarmed version of Alex Jones -- a loud, under-informed internet pundit.]]
to:
** Nick Fury quotes ''Theatre/HenryIV'' to Peter Parker: "Uneasy lies the head that wears the crown." He then adds that Peter may not get that reference since it isn't from ''Franchise/StarWars''.
** Peter [[PopCulturalOsmosisFailure confuses]] Music/{{ACDC}} with Music/LedZeppelin.
** Peter's teachers, Harrington and Dell, argue about whether the monsters combining into one even nastier monster is more like ''Franchise/PowerRangers'' or ''Anime/{{Voltron}}''.
** In the mid-credits stinger, [[spoiler:the MCU version of J. Jonah Jameson is introduced, and he is clearly a NoCelebritiesWereHarmed version of Alex Jones -- a loud, under-informed internet pundit.]]
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** In an interview with [=SModcast=], writers Markus and [=McFeely=] revealed that the credits with the signatures of the original five Avengers is a shout-out to the credits of ''Film/StarTrekVITheUndiscoveredCountry''.
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** The animation of the Leviathan about to devour Rocket right before getting turned to dust by Tony's snap [[https://www.reddit.com/r/marvelstudios/comments/dt0zad/did_anyone_else_catch_this_visual_reference_to/ looks exactly like]] the animation of the holographic ''Jaws'' advertisement attacking Marty in ''Film/BackToTheFuturePartII''.
** In an interview with [=SModcast=], writers Markus and [=McFeely=] revealed that the credits with the signatures of the original five Avengers is a shout-out to the credits of ''Film/StarTrekVITheUndiscoveredCountry''.
** In an interview with [=SModcast=], writers Markus and [=McFeely=] revealed that the credits with the signatures of the original five Avengers is a shout-out to the credits of ''Film/StarTrekVITheUndiscoveredCountry''.
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*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from ''Film/BackToTheFuturePartII'': both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
to:
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from ''Film/BackToTheFuturePartII'': both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, {{MacGuffin}}s, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
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*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from Film/BackToTheFuturePartII: both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
to:
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from Film/BackToTheFuturePartII: ''Film/BackToTheFuturePartII'': both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
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Changed line(s) 127 (click to see context) from:
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from [[Film/BackToTheFuturePartII]]: both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
to:
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from [[Film/BackToTheFuturePartII]]: Film/BackToTheFuturePartII: both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
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*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from [[Film/BackToTheFuturePartII Part II]]: both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, in order to thwart a BadFuture caused by said MacGuffin(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
to:
*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from [[Film/BackToTheFuturePartII Part II]]: [[Film/BackToTheFuturePartII]]: both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, encountering and avoiding their past selves or (in Thor and Tony's cases) their parents, in order to thwart a BadFuture caused by said MacGuffin(s) {{MacGuffin}}(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
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*** Furthermore, whilst the movie goes to great lengths to lampshade that time travel does not work in the same way, the plot of the movie (particularly during the second act) borrows elements liberally from [[Film/BackToTheFuturePartII Part II]]: both films revolve around the heroes having to go back to events and locations from the past that are connected to them, to retrieve one or more {{MacGuffins}}, in order to thwart a BadFuture caused by said MacGuffin(s) falling into the hands of the BigBad, and a younger iteration of said BigBad acting as a SpannerInTheWorks in the finale.
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** Beside the [=YouTube=] video of Spider-Man Peter is watching in class are thumbnails and links to videos from Waverly Films, the NYU filmmaking group director Jon Watts is a part of, and a video from WebVideo/{{alantutorial}}.
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If the Bhagavad Gita one counts then so should this one.
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** The Russos are known fans of anime, and Thanos receiving the Soul Stone is a faithful recreation of [[Anime/{{Berserk}} Griffith during the Eclipse]]. Like Griffith, he sacrifices his loved one for power before sitting up in a shallow lake of water with the stone in his palm as a reddish solar eclipse shines in the backdrop.
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** Soundtrack-wise, two of the tracks on the Recording Sessions are titled [[Theater/{{Hamilton}} "You Gotta Get Your Right Hand Man Back" and "You Are the Worst, Burr"]].
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** Soundtrack-wise, two of the tracks on the Recording Sessions are titled [[Theater/{{Hamilton}} [[Theatre/{{Hamilton}} "You Gotta Get Your Right Hand Man Back" and "You Are the Worst, Burr"]].
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** Soundtrack-wise, two of the tracks on the Recording Sessions are titled [[Theater/{{Hamilton}} "You Gotta Get Your Right Hand Man Back" and "You Are the Worst, Burr"]].
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** ''ShoutOut/IronMan''
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** ''ShoutOut/IronMan''''ShoutOut/IronMan1''
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Deleted line(s) 14 (click to see context) :
** ''ShoutOut/IronManFilms''
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** Peter calls the Vulture [[Series/SesameStreet "Big Bird]]".
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** Peter calls the Vulture [[Series/SesameStreet "Big "[[Series/SesameStreet Big Bird]]".
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** [[TheNicknamer Tony]] cheekily compares Nebula to a "Blue Meanie" from Music/TheBeatles Animated Movie ''WesternAnimation/YellowSubmarine'' in his recorded will to Pepper. In the French version, he calls her [[Franchise/TheSmurfs the Smurfette]] instead. He referred to Ant-Man as ''Literature/Thumbelina'' and ''Film/StuartLittle''. He also snarkily calls Thor (after five years of letting himself go and drinking like crazy) "[[Film/TheBigLebowski Lebowski]]" and refers to Rocket as "[[Franchise/RatchetAndClank Ratchet]]".
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** [[TheNicknamer Tony]] cheekily compares Nebula to a "Blue Meanie" from Music/TheBeatles Animated Movie ''WesternAnimation/YellowSubmarine'' in his recorded will to Pepper. In the French version, he calls her [[Franchise/TheSmurfs the Smurfette]] instead. He referred to Ant-Man as ''Literature/Thumbelina'' and ''Film/StuartLittle''. He also snarkily calls Thor (after five years of letting himself go and drinking like crazy) "[[Film/TheBigLebowski Lebowski]]" and refers to Rocket as "[[Franchise/RatchetAndClank Ratchet]]".Lebowski]]".
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** The grand plan to jump back in time and snatch the Infinity Stones is referred to as a "[[https://tvtropes.org/pmwiki/pmwiki.php/Recap/DoctorWhoS34E5TimeHeist Time Heist]]".
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** The grand plan to jump back in time and snatch the Infinity Stones is referred to as a "[[https://tvtropes.org/pmwiki/pmwiki.php/Recap/DoctorWhoS34E5TimeHeist "[[Recap/DoctorWhoS34E5TimeHeist Time Heist]]".
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Thor never reached for Mjolnir before going to Cap. He picked it up from the ground "manually".
Deleted line(s) 125 (click to see context) :
** Mjolnir slowly shuddering in the dirt before flying past Thor and [[WhamShot into Cap's hand]] is framed, timed, and shot almost identically to the climax of ''Film/TheForceAwakens'', where the exact same thing happens with Luke Skywalker's lightsaber between Rey and Kylo Ren.