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[[caption-width-right:328:From left to right: Beatriz "Betty" Pinzón, Armando Mendoza, Marcela Valencia, Hugo Lombardi, Patricia Fernández, and Nicolás Mora.]]
->"Mi belleza es natural"
-->-- Betty.
->"Mi belleza es natural"
-->-- Betty.
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Changed line(s) 36,37 (click to see context) from:
* BettyAndVeronica: As a classic Telenovela, this show loves this trope.
* The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
* The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
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* BettyAndVeronica: As a classic Telenovela, this show loves this trope.
*trope:
** The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
*
** The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
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Extend the description.
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* PlatonicLifePartners: Betty and Nicolás.
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* PlatonicLifePartners: Betty and Nicolás. Two very good friends since university who trust each other, have many intimate talks and support each other with their problems. But they never feel romantic attraction for each other, and they even often make fun of the idea. In fact they usually talk in Betty's own room, and even the overprotective Don Hermes doesn't feel so worried. In the end Nícolas, is more like a brother to Betty.
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%%* MultiNationalShows
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* AbortedArc: Inés's incredibly emotionally charged subplot with her husband Rafael gets left in the dust without much of an explanation, as does Sofía's. They both probably had to be ignored or cut short for time issues.
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* AbortedArc: Inés's incredibly emotionally charged subplot with her husband Rafael gets left in the dust without much of an explanation, as does Sofía's.Sofía's side plot with her ex-husband and his younger girlfriend. They both probably had to be ignored or cut short for time issues.
Changed line(s) 36,37 (click to see context) from:
* BettyAndVeronica: As a classic Telenovela, this show loves this trope. The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
%%** Also there's Efrain's Archie to Sofia's Betty and Jenny's Veronica, Sofia loses.
%%** Also there's Efrain's Archie to Sofia's Betty and Jenny's Veronica, Sofia loses.
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* BettyAndVeronica: As a classic Telenovela, this show loves this trope. trope.
* The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
%%** Also there's ** Sofia is the Betty for her ex-husband Efrain's Archie to Sofia's Betty Archie, whom she still loves and Jenny's has a few tender moments with. However, Efrain is completely enamored with Jenny, the Veronica, a younger woman who is far more attractive than Sofia. While it initially seems like Jenny is only with Efrain for his money, they stay together after he loses his job and Jenny has to work to support them both, making Sofia loses.the loser of this triangle.
* The love triangle between Betty, Armando and Marcela is the most prominent example but is also very interesting. From Betty's point of view she is obviously the Betty (Sweet, shy and [[HollywoodHomely not quite attractive]] as the stunning Marcela) while Marcela is more of TheVamp, more outspoken and jealous, putting her into Veronica's territory, however from Marcela's perspective, she is Betty, as she knew Armando from early childhood and has supported him from the begining, contrasting with Betty who is a new comer, exotic and different. Betty later becomes the Archie to Armando's Veronica and Michel's Betty. Let's not forget that Armando was the center of another triangle, or more like a square, between Marcela's Veronica and her two Bettys, Betty and Alejandra. The resolution made Armando stay with Betty.
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%% * MeaningfulName: several.
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%%* UnluckyChildhoodFriend: Marcela. See SmallNameBigEgo (which she is definitely not).
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Overprotective Dad has been disambiguated
* BoyfriendBlockingDad: Hermes Pinzón, Betty's father. He seems to notice all the awkwardness and ugliness of his daughter, but still insists on advising her against men with "bad intentions" and drives away any prospective son-in-law. Given what happened the one time his daughter ''did'' had a boyfriend, you couldn't blame him.
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* OverprotectiveDad: Hermes Pinzón, Betty's father. He seems to notice all the awkwardness and ugliness of his daughter, but still insists on advising her against men with "bad intentions" and drives away any prospective son-in-law. Given what happened the one time his daughter ''did'' had a boyfriend, you couldn't blame him.
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%% * WeddingEnhancedFertility: At the end of the series, because of our main protagonists.
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Merged tropes
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* BreakfastClub: The secretaries of the company, dubbed "The Ugly Squad" by Hugo Lombardi, because none of them have perfect, supermodel looks. Besides Betty, they are an elderly lady, an angry WomanScorned in her forties, an ''angrier'' ChristmasCake over 6 feet tall, a [[TokenBlackFriend dark skinned woman who likes to play tarot]], the attractive but short (and [[TheDitz ditzy]]) company receptionist, and the fat BigEater gossiper who, ironically, is the only happily married one, and the best adjusted of all the group.
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* BreakfastClub: The secretaries of the company, dubbed "The Ugly Squad" by Hugo Lombardi, because none of them have perfect, supermodel looks. Besides Betty, they are an elderly lady, an angry WomanScorned in her forties, an ''angrier'' ChristmasCake OldMaid over 6 feet tall, a [[TokenBlackFriend dark skinned woman who likes to play read tarot]], the attractive but short (and [[TheDitz ditzy]]) company receptionist, and the fat BigEater gossiper who, ironically, is the only happily married one, and the best adjusted of all the group.
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Literally: "I'm Betty, The Ugly One" (1999-2001). Probably the most famous Hispanic SoapOpera in the world, it is a {{Dramedy}} that also [[SubvertedTrope subverts]] the [[BeautyEqualsGoodness paradigm of the beautiful heroine]] by instead starring an ugly one. In Hispanic countries, everybody and their cat has watched it (the Mexican adaptation's finale ''was actually a real parade!'').
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Literally: "I'm Betty, The Ugly One" (1999-2001). Probably the most famous Hispanic SoapOpera in the world, it is a {{Dramedy}} that also [[SubvertedTrope subverts]] the [[BeautyEqualsGoodness paradigm of the beautiful heroine]] by instead starring an ugly one. In Hispanic countries, everybody and their cat has watched it (the Mexican adaptation's finale ''was actually a real parade!'').
parade!''). Unsurprisingly [[MultiNationalShows it got many]] {{Foreign Remake}}s like ''Series/UglyBetty'' and ''Series/BelaAFeia''.
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Changed line(s) 50 (click to see context) from:
** ''"El diablo es puerco"'' ("The Devil is a pig"), a phrase always spoken by Betty's father, Don Hermes. Particular because it hits the nail while really saying nonsense.
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** ''"El diablo es puerco"'' ("The Devil is a pig"), pig" but more accurately translated as "The devil plays dirty"), a phrase always spoken by Betty's father, Don Hermes. Particular because it hits the nail while really saying nonsense.
