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* LargeHam: Robert Greene, particularly in episode 3, ''The Apparel Proclaims the Man''

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* LargeHam: Robert Greene, particularly in episode 3, ''The Apparel Proclaims the Man''Man''.
* MagnificentBastard: Kit, in "Beware My Sting!" Robert Greene wants to prevent Will's new play ''The Taming of the Shrew'' from ever reaching the stage, so he points out to Will that Queen Elizabeth will surely regard a play in which a spirited young woman is tamed and humbled by a man as an insult to herself. Will has an OhCrap moment and decides that the play can't go on: Greene is delighted. Then, Kit (in his capacity as government spy) points out to Greene that it's far more serious than that: the play is potentially treasonous. Greene is even more delighted, and shows the play to Elizabeth. However, she thinks it's a hilarious masterpiece. To the horror of Greene, it gets produced and is a huge hit. Kit points out to Will and his family that Elizabeth doesn't actually care about women in general, only herself in particular, and would certainly have revelled in the story of one uppity woman getting put in her place.
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* SequelGap: Two years between "A Crow Christmas Carol" and "Tomorrow and Tomorrow and Tomorrow: A Lockdown Christmas 1603", though in-story it's [[TimeSkip seven years]].
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* CastingGag: Creator/KennethBranagh, the foremost Shakesperean actor of his generation, guest stars as an uncultured seasonal performer who disgusts the Bard himself.

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* CastingGag: Creator/KennethBranagh, one of the foremost Shakesperean actor Shakespearean actors of his generation, guest stars as an uncultured seasonal performer who disgusts the Bard himself.
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** "What Bloody Man is This?" takes a very dim view of Scottish nationalism and Scottish nationalists habit of constantly bringing up centuries-old incidents that have no bearing on current events.
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* ComedicWorkSeriousScene: This is a comedy about Creator/WilliamShakespeare. Will's rants about travelling home from London are a regular feature. Then, in one episode, he stomps in as usual and his exasperated rant is met by stony silence. It takes him a minute to register the change in tone. And then he finds out that his young son Hamnet died while he was away. It's not PlayedForLaughs.
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* DownerEnding: “Go On, and I Will Follow" (and by extension series 3 as a whole) ends with Will [[spoiler:failing to win in any of the categories at the award ceremony he attends]] and then arriving home only to find out that [[spoiler:his son has died of plague, the remaining moments of the episode play out in a sombre tone with Will admitting that he has lost his faith in God and the customary fireside comedic exchange between Shakespeare and his wife being replaced by a mournful voiceover monologue about grief.]]

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* OOCIsSeriousBusiness: Episodes end with Will and Anne sitting by the fire, or in bed, talking about what's happened in that episode. In the season 3 finale, [[spoiler: following Hamnet's death]], they say nothing at all.

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* OOCIsSeriousBusiness: OOCIsSeriousBusiness:
** Susanna is a BrattyTeenageDaughter and DramaQueen. However, when she realizes her father considers her a shrew and believes no one will marry her if she isn't "tamed," her following rant makes it clear this isn't just her being too sensitive; she's genuinely ''hurt''. Will then realizes he went too far and seeks to make it up to her.
**
Episodes end with Will and Anne sitting by the fire, or in bed, talking about what's happened in that episode. In the season 3 finale, [[spoiler: following Hamnet's death]], they say nothing at all.
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-->"I've profited from it enough. We've all healed a little, which I believe is what the stranger hoped when he told me it. Besides, if I'm honest, it's not really me. There's not enough baffling characters and bewildering subplots for my tastes, and frankly I find the complete absence of any crossdressing very disappointing. So I think I'll leave it. Perhaps in some other age, another great English writer -- though not as great as me, obviously -- will be searching for a Christmas story and the stranger will visit him. Let that future writer have it, from me, as a Christmas gift."

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-->"I've profited from it enough. We've all healed a little, which I believe is what the stranger hoped when he told me it. Besides, if I'm honest, it's not really me. There's not enough baffling characters and bewildering subplots for my tastes, and frankly I find the complete absence of any crossdressing very disappointing. So I think I'll leave it. Perhaps in some other age, [[Creator/CharlesDickens another great English writer writer]] -- though not as great as me, obviously -- will be searching for a Christmas story and the stranger will visit him. Let that future writer have it, from me, as a Christmas gift."
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** "What Bloody Man is This?" takes a very dim view of Scottish nationalism and Scottish nationalists habit of constantly bringing up centuries-old incidents that have no bearing on current events.[[note]]Real-life Scottish nationalists tend not to do this; it’s an example of Elton letting his politics show again.[[/note]]

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** "What Bloody Man is This?" takes a very dim view of Scottish nationalism and Scottish nationalists habit of constantly bringing up centuries-old incidents that have no bearing on current events.[[note]]Real-life Scottish nationalists tend not to do this; it’s an example of Elton letting his politics show again.[[/note]]

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* OddCouple: Confident, charismatic, unquenchably cheerful, outgoing Kit Marlowe is best friends with anxious, irritable, self-absorbed worry-wart Will Shakespeare

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* OddCouple: Confident, charismatic, unquenchably cheerful, outgoing Kit Marlowe is best friends with anxious, irritable, self-absorbed worry-wart Will ShakespeareShakespeare.
* OOCIsSeriousBusiness: Episodes end with Will and Anne sitting by the fire, or in bed, talking about what's happened in that episode. In the season 3 finale, [[spoiler: following Hamnet's death]], they say nothing at all.
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** Brilliantly done in the season 3 finale "Go On and I Will Follow", where everyone thinks that Will's new play "Hamlet" is a hilarious comedy about a useless college student who can't get his act together, because Will clearly hasn't brought the tragedy into it yet. [[spoiler: By the end of the episode, Hamnet has died and the implication is that Will's grief will turn the play into what it eventually became.]]

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** Brilliantly done in the season 3 finale "Go On and I Will Follow", where everyone thinks that Will's new play "Hamlet" ''Theatre/{{Hamlet}}'' is a hilarious comedy about a useless college student who can't get his act together, because Will clearly hasn't brought the tragedy into it yet. [[spoiler: By the end of the episode, Hamnet has died and the implication is that Will's grief will turn the play into what it eventually became.]]
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** Brilliantly done in the season 3 finale "Go On and I Will Follow", where everyone thinks that Will's new play "Hamlet" is a hilarious comedy about a useless college student who can't get his act together, because Will clearly hasn't brought the tragedy into it yet. [[spoiler: By the end of the episode, Hamnet has died and the implication is that Will's grief will turn the play into what it eventually became.]]
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* SmallNameBigEgo: Invoked with Will. While he ''is'' a highly intelligent man and a legitimately great storyteller, it's pretty clear that his extremely high thoughts about himself aren't quite justified.

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* SmallNameBigEgo: Invoked with Will. Will and played with. While he ''is'' he's a highly intelligent man and a legitimately great storyteller, it's pretty clear nobody else in the show believes that his extremely high thoughts about grandiose opinion of himself aren't quite (i.e. that he's the greatest poet who ever lived) is justified. However, he ''is'' William freakin' Shakespeare, so…
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* OddCouple: Confident, charismatic, unquenchably cheerful, outgoing Kit Marlowe is best friends with anxious, irritable, self-absorbed worry-wart Will Shakespeare
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** Kit Marlowe is a dashing scoundrel, a shameless womaniser who is happy to abuse his friendship with Will to get his name on plays he had not written a word of. However when it comes to genuinely ruinous situations Will faces he is happy to step in, sometimes at the risk of his own reputation.

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** Kit Marlowe is a dashing scoundrel, a shameless womaniser who is happy to abuse his friendship with Will to get his name on plays he had not written a word of. However However, he's always in a good mood, and when it comes to Will being in a genuinely ruinous situations Will faces he is he's happy to step in, sometimes even at the risk of his own reputation.
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* TruthInTelevision: Emilia Lanier, Will's "Dark Lady", is depicted as an astute critic of poetry. The real Emilia Lanier was the first woman in English literature to present herself as a professional poet: she published her collection ''Salve Deus Rex Judaeorum'' in 1611. Her work still shows up in anthologies.
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* BaitAndSwitch: The show does this with the Earl of Southampton, who Will is depicted as having rather more than just a crush on. The audience is led to believe that this will probably be all one way, and that Southampton will regard Will as an AbhorrentAdmirer--but then Southampton turns out to be a fairly realistic version of a CampGay man who's highly annoyed that Will is married, refers to Anne as Will's "beard", and tells him to come back when he's properly embraced his sexuality.
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* RippedFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic.

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* RippedFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic. For example, when Kate goes to the window to bang a cooking pot in tribute to the "corpse collectors", and Will comments that everyone used to do that enthusiastically but now it feels a bit forced, this is a reference to the way some people in the UK during the lockdown would clap at their open windows every evening at 8pm, as a thank-you to NHS workers, until they stopped bothering to.

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* RippedFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic.



* RippedFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic.
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* NotEvenBotheringWithTheAccent: When Kenneth Branagh in the Christmas special plays Will's non-supernatural neighbour on the coach, he uses the Northern Irish accent that he grew up with.
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** In the season 3 finale:
--->'''Susanna''': Dad...[[spoiler: Hamnet's dead.]]
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** Marlowe's claim that he's actually a spy for Lord Walsingham is a clear reference to modern historical novels' obsession with making every character in the Elizabethan era a spy for the state, and Marlowe in particular.

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** Marlowe's claim that he's actually a spy for Lord Walsingham is a clear reference to modern historical novels' obsession with making every character in the Elizabethan era a spy for the state, and Marlowe in particular. [[note]]In Marlowe's case this may actually have been TruthInTelevision, but the evidence isn't absolutely conclusive.[[/note]]
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* SelfDeprecation: The Thomas Morley episode has a lot of fun mocking musical theatre in general and jukebox musicals in particular. The show's writer Ben Elton wrote the book for one of the most commercially successful and critically despised jukebox musicals of all time, ''Theatre/WeWillRockYou''.
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** Events in Will's life being events that resemble events in a play that he's working on, where he's got stuck with the plot but has failed to spot that life is offering him a solution until he says it out loud.
--->'''Will''': ...Hang on. Hang the ''futtock'' on!
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* CurseOfTheAncients: Everyone uses these, with ordinary rude words being disguised as archaic versions of themselves so that the character can swear without technically swearing. Frequently this is done simply by sticking '-ington' on the end of an existing word (e.g. 'arsington', 'turdington') but there's also 'bolingbrokes', invariably used to mean 'testicles', and 'futtock', which is always used in the place of 'fuck'.
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* {{Crossover}}: Of the single character sort. Judge "Robert Roberts" ("Call me Bob") is strongly implied to be Kate from ''Series/Blackadder II'', being played by the same actor, Gabrielle Glaister, and still disguising herself as a man in order to find work. She's gone up in the world, now being a judge.

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* {{Crossover}}: Of the single character sort. Judge "Robert Roberts" ("Call me Bob") is strongly implied to be Kate from ''Series/Blackadder ''Blackadder II'', being played by the same actor, Gabrielle Glaister, and still disguising herself as a man in order to find work. She's gone up in the world, now being a judge.
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* {{Crossover}}: Of the single character sort. Judge "Robert Roberts" ("Call me Bob") is strongly implied to be Kate from ''Series/Blackadder II'', being played by the same actor, Gabrielle Glaister, and still disguising herself as a man in order to find work. She's gone up in the world, now being a judge.
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* TornFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic.

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* TornFromTheHeadlines: RippedFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic.
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** Marlowe's claim that he's actually a spy for Lord Walsingham, is a clear reference to modern historical novels obsession with making every character in the Elizabethan era a spy for the state.

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** Marlowe's claim that he's actually a spy for Lord Walsingham, Walsingham is a clear reference to modern historical novels novels' obsession with making every character in the Elizabethan era a spy for the state.state, and Marlowe in particular.

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