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* SequelGap: Two years between "A Crow Christmas Carol" and "Tomorrow and Tomorrow and Tomorrow: A Lockdown Christmas 1603", though in-story it's [[TimeSkip seven years]].


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* TimeSkip: Series 3 having ended in Christmas 1596 (with Will still grieving for his son Hamnet), the next installment is set at Christmas 1603, with the deaths of Will's father John[[1601]] and Elizabeth I[[note]]Earlier that year, but with old style dates it was New Year's Eve 1602.[[/note]] mentioned in dialogue.


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* TornFromTheHeadlines: The 2020 Christmas special is nominally about the plague in 1603, but only as the analogy for the Coronavirus pandemic.
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* BottleEpisode: The 2020 Christmas special, set during a plague lockdown in 1603 England, is a two-hander between Will and Kate (barring one or two voice-only cameos), taking place in a single room in real time.
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The show ran for three series and two Christmas specials before transferring to the West End for a stage play which continued the story from where the television series left off, but was one of many casualties of the COVID-19 pandemic and closed after a month. The show latterly returned to TV for a 2020 Christmas special.

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The show ran for three series and two Christmas specials before transferring to the West End for a stage play which continued the story from where the television series left off, but was one of many casualties of the COVID-19 pandemic and closed after a month. The show latterly returned to TV for a 2020 Christmas special.
special inspired by said pandemic, with Will and Kate in lockdown in the plague-ridden London of 1603.
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Much of the humour comes from characters expressing ideas that are relevant to the 21st century - either condemning them, such as the idea Oxford and Cambridge universities provide all the men in positions of power[[note]]because everybody knows women can't do any jobs, like acting or looking after money [[/note]], or saying ItWillNeverCatchOn.

As it is a Creator/BenElton, expect lots or references to his favourite {{BritCom}}s.

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Much of the humour comes from characters expressing ideas that are relevant to the 21st century - either condemning them, such as the idea Oxford and Cambridge universities provide all the men in positions of power[[note]]because everybody knows women can't do any jobs, like acting or looking after money [[/note]], or saying ItWillNeverCatchOn.

ItWillNeverCatchOn. As it is a by Creator/BenElton, expect lots or references to his favourite {{BritCom}}s.
{{BritCom}}s.

The show ran for three series and two Christmas specials before transferring to the West End for a stage play which continued the story from where the television series left off, but was one of many casualties of the COVID-19 pandemic and closed after a month. The show latterly returned to TV for a 2020 Christmas special.
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*** Also another one in the season 3 finale, when Will references "the Bishop of Bath and Wells", a one-shot villain from the series, during one of his diatribes about transport.
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in one episode several characters think Hamlet's a comedy

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* Narmtastic: How most of the people interpret Shakespeare's synopsis of Hamlet.
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** Wills constant complaining about the "coaches" bears no relation to the transport system of the Elizabethan Era and everything to do with the state of Modern Britain's Railway network.

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** Wills Will's constant complaining about the "coaches" bears no relation to the transport system of the Elizabethan Era and everything to do with the state of Modern modern Britain's Railway railway network.



** Marlowe's claim that he's actually a spy for Lord Walsingham, is a clear reference to modern historicals obsession with making every character in the Elizabethan era a spy for the state.

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** Marlowe's claim that he's actually a spy for Lord Walsingham, is a clear reference to modern historicals historical novels obsession with making every character in the Elizabethan era a spy for the state.

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* ItWillNeverCatchOn: Many jokes involve the characters discussing topics that would seem mundane to the TV audience and declaring that nothing of the sort will ever happen.

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* ItWillNeverCatchOn: ItWillNeverCatchOn:
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Many jokes involve the characters discussing topics that would seem mundane to the TV audience and declaring that nothing of the sort will ever happen.happen.
** Subverted at the end of the YetAnotherChristmasCarol shenanigans in the second Christmas episode; Will notes that he's decided not to write up the events partly because it's not really his kind of story, but also because he hopes that in the future [[Creator/CharlesDickens another writer]] might have something similar happen to him and write it down for themselves: "Let that future writer have it, from me, as a Christmas gift."
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** Marlowe's claim that he's actually a spy for Lord Walsingham, is a clear reference to modern historicals obsession with making every character in the Elizabethan era a spy for the state.
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** Wills constant complaining about the "coaches" bears no relation to the transport system of the Elizabethan Era and everything to do with the state of Modern Britain's Railway network.
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''Upstart Crow'' is a British SitCom that started broadcasting on 9 May 2016 as part of the BBC's 'Shakespeare 400' celebration. Written by Creator/BenElton, and incorporating his typical snark at the British Establishment, and starring Creator/{{David Mitchell|Actor}} as William Shakespeare, trying to make his name as a playwright in Elizabethan England.

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''Upstart Crow'' is a British SitCom that started broadcasting on 9 May 2016 as part of the BBC's 'Shakespeare 400' celebration. Written by Creator/BenElton, and incorporating his typical snark at the British Establishment, and starring Creator/{{David Mitchell|Actor}} as William Shakespeare, Creator/WilliamShakespeare, trying to make his name as a playwright in Elizabethan England.



*** [[spoiler: He ends up giving the play to Creator/ChristopherMarlowe to pass off as his own. It turns out it was Theatre/TheJewOfMalta.]]

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*** [[spoiler: He ends up giving the play to Creator/ChristopherMarlowe to pass off as his own. It turns out it was Theatre/TheJewOfMalta.''Theatre/TheJewOfMalta''.]]



* DropInCharacter: Kit Marlowe, introduced in the series by strolling into Will's London lodgings with a "Morning, all! Let myself in! Kind of go where I please, it's just easier!"

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* DropInCharacter: [[Creator/ChristopherMarlowe Kit Marlowe, Marlowe]], introduced in the series by strolling into Will's London lodgings with a "Morning, all! Let myself in! Kind of go where I please, it's just easier!"
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* TheGhost: Queen Elizabeth I is mentioned constantly (often by her sobriquet 'Gloriana') and has a large indirect influence on the plot but has yet to appear onscreen. She finally appears in the Christmas special, played by Creator/EmmaThompson. (And is involved in a subplot taken from ''Film/LoveActually''.)

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* TheGhost: Queen Elizabeth I UsefulNotes/ElizabethI is mentioned constantly (often by her sobriquet 'Gloriana') and has a large indirect influence on the plot but has yet to appear onscreen. She finally appears in the Christmas special, played by Creator/EmmaThompson. (And is involved in a subplot taken from ''Film/LoveActually''.)



* YetAnotherChristmasCarol: The second Christmas special, for once a WholePlotReference to Creator/CharlesDickens rather than Shakespeare. While journeying home from London, Will meets (or dreams that he meets) a stranger who tells him the story. Inspired by the tale's massage of redemption, and hoping to get his family to focus on something other than [[spoiler:Hamnet's death]] he resolves to make this Christmas a time for good deeds and spreading love. Together with his family, friends and acting troupe, he stages a version of the story for Robert Greene in the hopes of redeeming him. [[spoiler: Greene sees through the ruse, but just as he's about to call everyone's bluff, the stranger who told the tale appears to him, revealing himself to be the ''actual'' Ghost of Christmas Yet To Come and showing Greene true visions.]] In the end, Will decides not to write the story down.

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* YetAnotherChristmasCarol: The second Christmas special, for once a WholePlotReference to Creator/CharlesDickens rather than Shakespeare. While journeying home from London, Will meets (or dreams that he meets) a stranger who tells him the story. Inspired by the tale's massage message of redemption, and hoping to get his family to focus on something other than [[spoiler:Hamnet's death]] he resolves to make this Christmas a time for good deeds and spreading love. Together with his family, friends and acting troupe, he stages a version of the story for Robert Greene in the hopes of redeeming him. [[spoiler: Greene sees through the ruse, but just as he's about to call everyone's bluff, the stranger who told the tale appears to him, revealing himself to be the ''actual'' Ghost of Christmas Yet To Come and showing Greene true visions.]] In the end, Will decides not to write the story down.
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* FanService: maybe not deliberate, but admirers of a more mature woman certainly are rewarded by the LizaTarbuck's costume empasises her cleavage.

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* FanService: maybe not deliberate, but admirers of a more mature woman certainly are rewarded by the LizaTarbuck's Creator/LizaTarbuck's costume empasises her cleavage.



** Wolf Hall is a clear parody of Mark Rylance and his performance in the series WolfHall. The series parodies Rylance Anti-Stratfordian beliefs with Greene convincing Hall that Shakespeare didn't write his plays. Privately Greene remarks that "Just because an actor can look intelligent, and act intelligent does not mean he IS intelligent!"

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** Wolf Hall is a clear parody of Mark Rylance and his performance in the series WolfHall.''Series/WolfHall''. The series parodies Rylance Anti-Stratfordian beliefs with Greene convincing Hall that Shakespeare didn't write his plays. Privately Greene remarks that "Just because an actor can look intelligent, and act intelligent does not mean he IS intelligent!"
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* BelligerentSexualTension: In Series three, Will ''thinks'' the constant bickering between Kit and Kate is a result of this. Turns out they're just ''really'' annoyed with each other.

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* BelligerentSexualTension: In Series three, 3, Will ''thinks'' the constant bickering between Kit and Kate is a result of this.this, especially since he remembers their brief romance from Series 2. Turns out they're just ''really'' annoyed with each other.
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* BelligerentSexualTension: In Series three, Will ''thinks'' the constant bickering between Kit and Kate is a result of this. Turns out they're just ''really'' annoyed with each other.
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* GladIThoughtOfIt: Will gets more and more unashamed about this as the series goes on; whenever someone comes up with a good idea for his plays he'll immediately claim that he was ''just'' about to say that very same thing. By the third series he's at the point where he'll ask for details of what he was about to say while at the same time praising his own brilliance.


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* SmallNameBigEgo: Invoked with Will. While he ''is'' a highly intelligent man and a legitimately great storyteller, it's pretty clear that his extremely high thoughts about himself aren't quite justified.
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* WhamLine: Kit has taken John, Will's father out drinking for the night, to get him out the way during one of Greene's plots, and pretended to be great mates with him. The next morning, John comes down thinking him and Kit are real friends. Kit gives the 'I know thee not old man' speech from Henry IV part 2, making it clear exactly what he thinks of John, absolutely crushing him. Tim Downie, who plays Kit, absolutely nails the speech, and all of a sudden the comedy is punctured, with John visibly destroyed in front of his whole family.

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* WhamLine: Kit has taken John, Will's father out drinking for the night, to get him out the way during one of Greene's plots, and pretended to be great mates with him. The next morning, John comes down thinking him he and Kit are real friends. Kit gives the 'I know thee not old man' speech from Henry IV part 2, making it clear exactly what he thinks of John, absolutely crushing him. Tim Downie, who plays Kit, absolutely nails the speech, and all of a sudden the comedy is punctured, with John visibly destroyed in front of his whole family.

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* NoCelebritiesWereHarmed: Will Kemp is a clear parody of Creator/RickyGervais, especially Gervais's portrayal of [[Series/TheOfficeUK David Brent]] and Gervais's outspoken dislike of the traditional multi-cam SitCom.

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* NoCelebritiesWereHarmed: NoCelebritiesWereHarmed:
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Will Kemp is a clear parody of Creator/RickyGervais, especially Gervais's portrayal of [[Series/TheOfficeUK David Brent]] and Gervais's outspoken dislike of the traditional multi-cam SitCom.SitCom.
** Wolf Hall is a clear parody of Mark Rylance and his performance in the series WolfHall. The series parodies Rylance Anti-Stratfordian beliefs with Greene convincing Hall that Shakespeare didn't write his plays. Privately Greene remarks that "Just because an actor can look intelligent, and act intelligent does not mean he IS intelligent!"
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* {{Catchphrase}}: Will’s "It’s what I do!", uttered whenever anyone reproaches him for speaking too obscurely.
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* BadBadActing: Kate does this after Will’s play about Queen Elizabeth has disappeared [[spoiler: because she gave it to Kit in return for the chance to act.]] She holds up her hands stiffly, cries "Oh no! Oh no! Woe!" and then backs out of the room with a mumbled "Bye."
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* BlatantLies: Will is ''not'' bald. He just has a very big brain, tall face, etc.

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* BlatantLies: Will is ''not'' bald. He just has a very big brain, tall face, low eyebrows, etc.
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* AmbiguouslyGay: Condell is a little camp and Kemp claims that Condell has rendezvous with men behind the theater but nothing is confirmed.
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* CastingGag: Creator/KennethBranagh, the foremost Shakesperean actor of his generation, guest stars as an uncultured seasonal performer who disgusts the Bard himself.
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** One of the more sincere explorations of this is when Will writes [[Theatre/TheTamingOfTheShrew]] to the disgust of most of the women in his life. Kate is utterly disgusted by the infamous final monologue. Will himself seems to recognize the play's faults when [[ParodyRetcon he suddenly claims that he was being ironic.]] Kate and many of the women act as AudienceSurrogate in emphasizing that Shakespeare's play is FairForItsDay especially compared to other works. Anne also remarks that it's not too offensive as she regarded it as a farce.

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** One of the more sincere explorations of this is when Will writes [[Theatre/TheTamingOfTheShrew]] ''Theatre/TheTamingOfTheShrew'' to the disgust of most of the women in his life. Kate is utterly disgusted by the infamous final monologue. Will himself seems to recognize the play's faults when [[ParodyRetcon he suddenly claims that he was being ironic.]] Kate and many of the women act as AudienceSurrogate in emphasizing that Shakespeare's play is FairForItsDay especially compared to other works. Anne also remarks that it's not too offensive as she regarded it as a farce.
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** One of the more sincere explorations of this is when Will writes [[TheTamingOfTheShrew]] to the disgust of most of the women in his life. Kate is utterly disgusted by the infamous final monologue. Will himself seems to recognize the play's faults when [[ParodyRetcon he suddenly claims that he was being ironic.]] Kate and many of the women act as AudienceSurrogate in emphasizing that Shakespeare's play is FairForItsDay especially compared to other works. Anne also remarks that it's not too offensive as she regarded it as a farce.

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** One of the more sincere explorations of this is when Will writes [[TheTamingOfTheShrew]] [[Theatre/TheTamingOfTheShrew]] to the disgust of most of the women in his life. Kate is utterly disgusted by the infamous final monologue. Will himself seems to recognize the play's faults when [[ParodyRetcon he suddenly claims that he was being ironic.]] Kate and many of the women act as AudienceSurrogate in emphasizing that Shakespeare's play is FairForItsDay especially compared to other works. Anne also remarks that it's not too offensive as she regarded it as a farce.
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** One of the more sincere explorations of this is when Will writes [[TheTamingOfTheShrew]] to the disgust of most of the women in his life. Kate is utterly disgusted by the infamous final monologue. Will himself seems to recognize the play's faults when [[ParodyRetcon he suddenly claims that he was being ironic.]] Kate and many of the women act as AudienceSurrogate in emphasizing that Shakespeare's play is FairForItsDay especially compared to other works. Anne also remarks that it's not too offensive as she regarded it as a farce.
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** "What Bloody Man is This?" takes a very dim view of Scottish nationalism and Scottish nationalists habit of constantly bringing up centuries-old incidents that have no bearing on current events.

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** "What Bloody Man is This?" takes a very dim view of Scottish nationalism and Scottish nationalists habit of constantly bringing up centuries-old incidents that have no bearing on current events.[[note]]Real-life Scottish nationalists tend not to do this; it’s an example of Elton letting his politics show again.[[/note]]
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* RageAgainstTheHeavens: Narrowly averted - Will seems on the verge of this at the end of series 3 [[spoiler: after Hamnet's death, but forces himself to stop in order to comfort Anne.]]
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* ActuallyPrettyFunny: Bottom is usually distinctly unimpressed by Will's attempts at humour, finding his jokes overly wordy and contrived, but has to admit that a few of them really are genuinely hilarious. Such as the [[IBangedYourMom "Villain, I have DONE thy mother."]] line from Theatre/TitusAndronicus.

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