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* ViewersAreMorons: In two different scenes, Junior and Butchie are shown personally accompanying hitmen during assassinations. There is no reason for those senior bosses to be physically present at a crime scene, as it negates the point of having a hierarchy, making them also accessories to murder. The real purpose of their presence is to remind the audience who sanctioned the hit
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** Even more than AJ, Tony has big dreams for his daughter Meadow. In talks with Dr. Melfi, he often expresses his wish that she'd be a doctor, maybe even a pediatrician, something far removed from his own life of violence and crime.

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** Even more than AJ, Tony has big dreams for his daughter Meadow. In talks with Dr. Melfi, he often expresses his wish that she'd be a doctor, maybe even a pediatrician, something far removed from his own life of violence and crime. Unfortunately for him, Meadow wants to be a mob lawyer.
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* HomophobicHateCrime: The murder of Vito Spatafore by Phil Leotardo and his men was motivated by Leotardo's homophobia and the homophobic culture of the Sicilian mafia in general. This one's especially wrenching because of the cold-blooded way the whacking is carried out and the look on poor Vito's face when he realizes that he is going to die.

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* HomophobicHateCrime: The murder of Vito Spatafore by Phil Leotardo and his men was motivated by Leotardo's homophobia and the homophobic culture of the Sicilian mafia in general. This one's especially wrenching because of the cold-blooded way the whacking is carried out and the look on poor Vito's face when he realizes that he is going to die. The Sopranos were also seriously contemplating murdering Vito (who was one of their captains) for his transgressions, but Tony was hesitant to do so [[PragmaticVillainy because Vito was a good earner]]. He eventually relents because Phil kept pressing the issue and reluctantly puts a hit out on Vito. Phil's men just beat them to the punch, although Tony and his men would not have gone the extra mile of torturing Vito and desecrating his body. This murder deepens the wedge between the Lupertazzis and the Sopranos because killing a made guy of another Family without an ok from the Boss is a big no-no.

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* ConflictBall: Tony's gambling addiction in Season 6B. While he was gambling before that point, it wasn't shown nor implied to be this bad until then, and he effectively gets over it once the mob war with the Lupertazzis goes in full swing.


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* ConflictBall: Tony's gambling addiction in Season 6B. While he was gambling before that point, it wasn't shown nor implied to be this bad or destructive until then, and he effectively gets over it once the mob war with the Lupertazzis goes in full swing.
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* ConflictBall: Tony's gambling addiction in Season 6B. While he was gambling before that point, it wasn't shown nor implied to be this bad until then, and he effectively gets over it once the mob war with the Lupertazzis goes in full swing.
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* CastFullOfCrazy: Pretty much inevitable for a mafia show. Special emphasis on Ralph, Ritchie, and Phil.

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Moving around examples that have since become green links.


* AgeGapRomance

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* AssholeVictim: "College", has a rather famous invoked example. It was the first episode in the series' run that actually showed Tony Soprano committing a murder on-screen; before it, he had always left the dirty work to his underlings. Being an early episode, though, network executives at HBO still had their doubts about whether or not the show could sustain an audience in the long-term, and they argued that viewers would drop out in droves if they had to see the show's protagonist remorselessly killing an FBI informant without consequences. First, they tried to convince David Chase to write an alternate version with Tony letting the informant live, or just having Christopher kill him instead. When that didn't work, Chase compromised by agreeing to make the guy as unsympathetic as possible, writing in additional scenes where he's seen peddling drugs to local teenagers.

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* AssholeVictim: AssholeVictim:
**
"College", has a rather famous invoked example. It was the first episode in the series' run that actually showed Tony Soprano committing a murder on-screen; before it, he had always left the dirty work to his underlings. Being an early episode, though, network executives at HBO still had their doubts about whether or not the show could sustain an audience in the long-term, and they argued that viewers would drop out in droves if they had to see the show's protagonist remorselessly killing an FBI informant without consequences. First, they tried to convince David Chase to write an alternate version with Tony letting the informant live, or just having Christopher kill him instead. When that didn't work, Chase compromised by agreeing to make the guy as unsympathetic as possible, writing in additional scenes where he's seen peddling drugs to local teenagers.teenagers.
** Towards the end of Season 4, Paulie suffocates an elderly woman to death while trying to steal her money. However, she was a snobby bitch who was mean to Paulie's mother for picayune reasons, and Paulie (at first) had no intentions of killing her. No one even rose an eyebrow after she died.



** All of the capos and bosses in the mob are either capable fighters and killers, or they used to be in their younger days before they rose so high that they no longer need to get their hands dirty.



* AuthorityEqualsAsskicking: All of the capos and bosses in the mob are either capable fighters and killers, or they used to be in their younger days before they rose so high that they no longer need to get their hands dirty.



* EndOfAnEra: The series takes place in the waning days of the Mafia. Various Mafiosi lament that things used to be different back in the mob's heyday.

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* EndOfAnEra: The series takes place in the waning days of the Mafia. Various Mafiosi lament that things used to be different back in the mob's heyday. Even Tony comments on the changing times:
-->''"But lately, I'm getting the feeling I came in at the end. The best is over."''



* ForWantOfANail: Ralphie's cruel joke about Ginny Sacrimoni resulted in a lot of headaches for everyone. A war nearly started when John found out, and Ralphie, Paulie, and even John himself came very close to being killed over the fallout.



* KickTheSonOfABitch: Towards the end of Season 4, Paulie suffocates an elderly woman to death while trying to steal her money. However, she was a snobby bitch who was mean to Paulie's mother for picayune reasons, and Paulie (at first) had no intentions of killing her. [[AssholeVictim No one even rose an eyebrow after she died]].


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* UnwittingInstigatorOfDoom: Ralphie's cruel joke about Ginny Sacrimoni resulted in a lot of headaches for everyone. A war nearly started when John found out, and Ralphie, Paulie, and even John himself came very close to being killed over the fallout.
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* {{Implausible Deniability}}: This describes the Mafia code of silence, or ''omerta'', in which members of the mob not only deny their involvement with it, but also argue that it doesn't even exist in the first place, in spite of evidence to the contrary. Tony first demonstrates this in "College", where, when Meadow presses him about his mafia connections, tries to argue he's not involved, and that there is no mafia, before admitting that, yes, he is involved in ''some'' illegal activities.
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The show had a significant impact on the American television industry. It is commonly credited with ushering in the (current) [[https://en.wikipedia.org/wiki/Golden_Age_of_Television_(2000s%E2%80%93present) Golden Age of Television]], is considered one of the most influential artistic works of the 2000s, and served as a turning point for the legitimization of serial television as an art form on the same level as feature films, literature, and theater. [[FollowTheLeader In the show's wake]], TV entered an age of complex, no-handholding storytelling centered around morally dark protagonists; examples include ''Series/{{Breaking Bad}}'', ''Series/{{Mad Men}}'' and ''Series/{{Boardwalk Empire}}'', all of which were directly inspired by ''The Sopranos'', with the latter two programs having showrunners that also worked on ''The Sopranos''. The series helped establish HBO as producers of critically acclaimed and commercially successful original television series, and became the first cable program to be both nominated for and win an UsefulNotes/EmmyAward.

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The show had a significant impact on the American television industry. It is commonly credited with ushering in the (current) [[https://en.wikipedia.org/wiki/Golden_Age_of_Television_(2000s%E2%80%93present) Golden Age of Television]], is considered one of the most influential artistic works of the 2000s, and served as a turning point for the legitimization of serial television as an art form on the same level as feature films, literature, and theater. [[FollowTheLeader In the show's wake]], TV entered an age of complex, no-handholding storytelling centered around morally dark protagonists; examples include ''Series/{{Breaking Bad}}'', ''Series/{{Mad Men}}'' and ''Series/{{Boardwalk Empire}}'', all of which were directly inspired by ''The Sopranos'', with the latter two programs having showrunners that also worked on ''The Sopranos''. The series helped establish HBO as producers of critically acclaimed and commercially successful original television series, and became the first cable program to be both nominated for and win an UsefulNotes/EmmyAward.
MediaNotes/EmmyAward.



* PacManFever: "Meadowlands" has Tony coming in to find A.J. playing ''VideoGame/MarioKart64'' and then joins him in the race. We get the correct sounds, there is a cartridge in the UsefulNotes/Nintendo64 and they consistently stay on the same track (Luigi Circuit); A.J. does a bit of button-mashing, but not too egregious. A.J. does mention to Tony that he should "watch out for the ghosts" and, while ghosts are one of the weaker items (and a non-avoidable one), they do at least exist in the game. To really nitpick, they complete all three laps of Luigi Circuit in some 20 seconds (though the time shown on the screen shows a more realistic 2 minutes 27 seconds)! All in all a pretty faithful representation of ''Mario Kart'' on TV. Oh, did I mention that Tony holds the N64 controller one-handed, using the central grip, only moving the analog stick?

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* PacManFever: "Meadowlands" has Tony coming in to find A.J. playing ''VideoGame/MarioKart64'' and then joins him in the race. We get the correct sounds, there is a cartridge in the UsefulNotes/Nintendo64 Platform/Nintendo64 and they consistently stay on the same track (Luigi Circuit); A.J. does a bit of button-mashing, but not too egregious. A.J. does mention to Tony that he should "watch out for the ghosts" and, while ghosts are one of the weaker items (and a non-avoidable one), they do at least exist in the game. To really nitpick, they complete all three laps of Luigi Circuit in some 20 seconds (though the time shown on the screen shows a more realistic 2 minutes 27 seconds)! All in all a pretty faithful representation of ''Mario Kart'' on TV. Oh, did I mention that Tony holds the N64 controller one-handed, using the central grip, only moving the analog stick?



** When J.T. attempts to pawn his UsefulNotes/EmmyAward in order to pay Chris what he owes him, the dealer only offers him $15. "Maybe if it was an Oscar, you know, an UsefulNotes/AcademyAward... but TV?"

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** When J.T. attempts to pawn his UsefulNotes/EmmyAward MediaNotes/EmmyAward in order to pay Chris what he owes him, the dealer only offers him $15. "Maybe if it was an Oscar, you know, an UsefulNotes/AcademyAward...MediaNotes/AcademyAward... but TV?"
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* AllPsychologyIsFreudian: Played with. Tony Soprano cites UsefulNotes/SigmundFreud (whom he learned about in his "semester and a half" of college) to explain to Melfi that he understands therapy "as a concept", but the show deals with psychology a lot, and it really isn't here. Often called the most accurate fictional depiction of what ''actually'' happens in therapy. Tony however is diagnosed with a compelling FreudianExcuse and Freud coined the UsefulNotes/OedipusComplex, one of the {{Freudian Excuse}}s mentioned often by Melfi despite Tony's repulsion. Ultimately subverted since at the end of the series, [[spoiler:Melfi decides that FreudianExcuseIsNoExcuse and fires Tony, deeming him to be an irredeemable sociopath.]]

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* AllPsychologyIsFreudian: Played with. Tony Soprano cites UsefulNotes/SigmundFreud (whom he learned about in his "semester and a half" of college) to explain to Melfi that he understands therapy "as a concept", but in the show deals with psychology a lot, and show's subsequent explorations of psychology, it really isn't here.there. Often called the most accurate fictional depiction of what ''actually'' happens in therapy. Tony however is is, however, diagnosed with a compelling FreudianExcuse and Freud coined Melfi often brings up the UsefulNotes/OedipusComplex, one UsefulNotes/OedipusComplex (one of the {{Freudian Excuse}}s mentioned often by Melfi specific FreudianExcuses that Freud identified) despite Tony's repulsion. Ultimately subverted since at the end of the series, [[spoiler:Melfi decides that FreudianExcuseIsNoExcuse and fires Tony, deeming him to be an irredeemable sociopath.]]
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* DarkLordOnLifeSupport: Jackie "The Chemo-sabe" Aprile Sr.is a realistic example, until the cancer finally kills him.

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* DarkLordOnLifeSupport: Jackie "The Chemo-sabe" Aprile Sr.is a realistic example, until the cancer finally kills him. Later, Johnny Sack becomes this as well, also due to cancer.
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Spelling/grammar fix(es)


* AllPsychologyIsFreudian: Played with. Tony Soprano cites UsefulNotes/SigmundFreud (whom he learned about in his "semester and a half" of college) to explain to Melfi that he understands therapy "as a concept", but the show deals with psychology a lot, and it really isn't here. Often called the most accurate fictional depiction of what ''actually'' happens in therapy. Tony however is diagnosed with a compelling FreudianExcuse and Freud coined the UsefulNotes/OedipusComplex, one of the {{Freudian Excuse}}s mentioned often by Melfi despite Tony's repulsion. Ultimately subverted since at the end of hte series, [[spoiler:Melfi decides that FreudianExcuseIsNoExcuse and fires Tony, deeming him to be an irredeemable sociopath.]]

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* AllPsychologyIsFreudian: Played with. Tony Soprano cites UsefulNotes/SigmundFreud (whom he learned about in his "semester and a half" of college) to explain to Melfi that he understands therapy "as a concept", but the show deals with psychology a lot, and it really isn't here. Often called the most accurate fictional depiction of what ''actually'' happens in therapy. Tony however is diagnosed with a compelling FreudianExcuse and Freud coined the UsefulNotes/OedipusComplex, one of the {{Freudian Excuse}}s mentioned often by Melfi despite Tony's repulsion. Ultimately subverted since at the end of hte the series, [[spoiler:Melfi decides that FreudianExcuseIsNoExcuse and fires Tony, deeming him to be an irredeemable sociopath.]]
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* AllPsychologyIsFreudian: Played with. Tony Soprano cites UsefulNotes/SigmundFreud (whom he learned about in his "semester and a half" of college) to explain to Melfi that he understands therapy "as a concept", but the show deals with psychology a lot, and it really isn't here. Often called the most accurate fictional depiction of what ''actually'' happens in therapy. Tony however is diagnosed with a compelling FreudianExcuse and Freud coined the UsefulNotes/OedipusComplex, one of the {{Freudian Excuse}}s mentioned often by Melfi despite Tony's repulsion.

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* AllPsychologyIsFreudian: Played with. Tony Soprano cites UsefulNotes/SigmundFreud (whom he learned about in his "semester and a half" of college) to explain to Melfi that he understands therapy "as a concept", but the show deals with psychology a lot, and it really isn't here. Often called the most accurate fictional depiction of what ''actually'' happens in therapy. Tony however is diagnosed with a compelling FreudianExcuse and Freud coined the UsefulNotes/OedipusComplex, one of the {{Freudian Excuse}}s mentioned often by Melfi despite Tony's repulsion. Ultimately subverted since at the end of hte series, [[spoiler:Melfi decides that FreudianExcuseIsNoExcuse and fires Tony, deeming him to be an irredeemable sociopath.]]

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* DatingWhatDaddyHates: Tony gets very angry when his daughter dates a boy who is half African American and half Jewish.

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* DatingWhatDaddyHates: Tony gets very angry when his daughter dates a boy who is half African American and half Jewish. Downplayed with AJ, who dates a Puerto-Rican/Dominican girl ten years his senior (and mother to another man's child to boot), [[DoubleStandard as Tony is much more forgiving]] of his ''son'' dating outside their race.
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* MoreHateableMinorVillain: The show presents us with a relatively unusual and peculiar example in the particularly minor antagonists Jesus Rossi from "[[Recap/TheSopranosS3E4EmployeeOfTheMonth Employee of the Month]]" and coach Don Hauser, as both are not even in TheMafia; however, they compensate by being particularly despicable rapists with no redeeming traits. It's telling that in a series where even the most brutal mobsters of the show were humanized to a degree, [[RapeIsASpecialKindOfEvil rape is depicted as the lowest of the low]], a crime none of the main cast (not even ''the most despicable members'' of the [=DiMeo=] Crime Family) committed throughout the series.

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* MoreHateableMinorVillain: The show presents us with a relatively unusual and peculiar example in the particularly minor antagonists Both Jesus Rossi from "[[Recap/TheSopranosS3E4EmployeeOfTheMonth Employee of the Month]]" and coach Don Hauser, Hauser are the most blatant examples of this trope, as both are not even in TheMafia; however, they compensate by being particularly despicable rapists with no redeeming traits. It's telling that in a series where even the most brutal mobsters of the show were humanized to a degree, [[RapeIsASpecialKindOfEvil rape is depicted as the lowest of the low]], a crime none of the main cast (not even ''the most despicable members'' of the [=DiMeo=] Crime Family) committed throughout the series.

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Trope was cut/disambiguated due to cleanup


* BleachedUnderpants: The creators made sure to be prepared to bleach their own underpants for syndication. They would frequently record alternate versions of scenes where a nude character (often the strippers in the club) would be in bikinis or lingerie, and occasionally a scene would be recorded with softer dialogue to avoid Hong Kong Dub later.


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* SelfCensoredRelease: The creators made sure to be prepared to bleach their own underpants for syndication. They would frequently record alternate versions of scenes where a nude character (often the strippers in the club) would be in bikinis or lingerie, and occasionally a scene would be recorded with softer dialogue to avoid Hong Kong Dub later.
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* MoreHateableMinorVillain: The show presents us with a relatively unusual and peculiar example in the particularly minor antagonists Jesus Rossi from "[[Recap/TheSopranosS3E4EmployeeOfTheMonth Employee of the Month]]" and coach Don Hauser, as both are not even in TheMafia; however, they compensate by being particularly despicable rapists with no redeeming traits. It's telling that in a series where even the most brutal mobsters of the show were humanized to a degree, [[RapeIsASpecialKindOfEvil rape is depicted as the lowest of the low]], a crime none of the main cast (not even ''the most despicable members'' of the [=DiMeo=] Crime Family) committed throughout the series.
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Trope was cut/disambiguated due to cleanup


* CoolGuns: Tony Soprano uses a Beretta Cheetah 85 BB on several occasions in The Sopranos, befitting his Italian heritage.
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** "Series/EverybodyLovesRaymond" can be heard on the TV in Adriana and Christopher's apartment in a few episodes. David Proval appears in several episodes as a native Italian character similar in tone to Richie Aprile.
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** Paulie and his cronies pointlessly bully Christopher and disrespect his daughter. In turn, the evoked sympathy is lost when Chris [[spoiler: kills Dolan, his sponsor and [[HeKnowsTooMuch only friend]]]] as a consequence of said disrespect.

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** Paulie and his cronies pointlessly bully Christopher and disrespect his daughter. In turn, the evoked sympathy is lost when Chris [[spoiler: kills Dolan, his sponsor and [[HeKnowsTooMuch only friend]]]] as a consequence of said his disrespect.
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* TheStoic: This is what Tony would like to be and sometimes laments that Americans - including himself - have gone soft, always whining, complaining, and dominated by their emotions. His role model is Creator/GaryCooper; the strong, silent type.

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* TheStoic: This is what Tony would like to be and sometimes laments that Americans - including himself - have gone soft, always whining, complaining, and dominated by their emotions. His role model is Creator/GaryCooper; the strong, silent type.type, but Tony repeatedly proves himself to be neither, easily losing his temper.
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** Tony is a fanboy of ''Creator/GaryCooper'', "The strong, silent type". Tony seems to blur the lines between reality and fiction with ''Film/HighNoon'' and the film appears in his dreams. Funnily enough, he also loves its SpiritualAntithesis ''Film/RioBravo'', especially the song "[[https://www.youtube.com/watch?v=v2ssbgThljU My rifle, my pony and me]]."

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** Tony is a fanboy of revers ''Creator/GaryCooper'', "The strong, silent type". Tony seems to blur the lines between reality and fiction with ''Film/HighNoon'' and the film appears in his dreams. Funnily enough, he also loves its SpiritualAntithesis ''Film/RioBravo'', especially the song "[[https://www.youtube.com/watch?v=v2ssbgThljU My rifle, my pony and me]]."

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* {{Bathos}}: Nearly all the characters are horrible people doing horrible things and caught in bleak and violent situations, which only gets worse as the series progresses, but it's kept from getting too grim by continuous comedic moments, silly juxtapositions, and lots of fast-paced witty dialogue. For example, Tony's realization that his friend Big Pussy has turned government informant comes from a fever dream where Pussy is a talking fish (who makes a "sleeping with the fishes" joke to boot).



* BeingEvilSucks: Though the series has a DoNotDoThisCoolThing element, it does also show the Mafia to be an insecure life of murder, violence, threats, paranoia, betrayal, and relentless police investigations, that often ends in a sudden and violent death. It is suggested, particularly by Dr. Melfi, that Tony's business is actually the cause of his health problems.

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* BeingEvilSucks: Though the series has a DoNotDoThisCoolThing element, it does also show the Mafia to be an insecure life of murder, violence, threats, paranoia, betrayal, and relentless police investigations, that often ends in a sudden and violent death.death (Tony himself says the only outcomes for a guy like him is an early grave or ending up in the can). It is suggested, particularly by Dr. Melfi, that Tony's business is actually the cause of his health problems.
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Trope was cut/disambiguated due to cleanup


* KavorkaMan: Despite being a criminal prone to violent outbursts and not being particularly attractive in terms of appearance (he's middle-aged, balding, and noticeably overweight), Tony finds himself in relationships with several women throughout the show in addition to his wife, Carmela. EvilIsSexy and AllGirlsWantBadBoys working in his favor, no doubt. As does [[SleepingWithTheBoss wanting to get ahead at the Bing.]]

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* KavorkaMan: Despite being a criminal prone to violent outbursts and not being particularly attractive in terms of appearance (he's middle-aged, balding, and noticeably overweight), Tony finds himself in relationships with several women throughout the show in addition to his wife, Carmela. EvilIsSexy and AllGirlsWantBadBoys working in his favor, no doubt. As does [[SleepingWithTheBoss wanting to get ahead at the Bing.]]
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** [[spoiler:Paulie and Patsy are the only ones not shown to have anything bad happen to them immediately, so [[KarmaHoudini make of it what you will]].]]

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** [[spoiler:Paulie and Patsy are the only ones not shown to have anything bad happen to them immediately, so [[KarmaHoudini make of it what you will]]. Of course, with Carlo becoming a federal witness and the [=DiMeo=] family near the point of collapse, they're probably going to have to tighten their belt in the near future at the very least even if Carlo doesn't directly implicate them.]]

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