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* LongList: Zheglov listing [[IHAveManyNames all the aliases]] of Man'ka "The Bond":
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* LongList: Zheglov listing [[IHAveManyNames [[IHaveManyNames all the aliases]] of Man'ka "The Bond":
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* LongList: Zheglov listing [[IHAveMAnyNames all the aliases]] of Man'ka "The Bond":
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* LongList: Zheglov listing [[IHAveMAnyNames [[IHAveManyNames all the aliases]] of Man'ka "The Bond":
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* BigGuy: Ivan Pasyuk
* BittersweetEnding: The book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, forcing him to choose between [[spoiler: Varya and Levchenko. Govorukhin had chosen Varya to survive]].
* BittersweetEnding: The book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, forcing him to choose between [[spoiler: Varya and Levchenko. Govorukhin had chosen Varya to survive]].
to:
* BittersweetEnding: The book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, forcing him to choose between
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* CrimeReconstruction: subverted. [[spoiler: Sharapov convinces the bad guys that Fox can be rescued while he reconstructs a crime "on location". This is in fact a part of a desperate BatmanGambit on his part.]]
to:
* CrimeReconstruction: subverted. [[spoiler: Sharapov [[spoiler:Sharapov convinces the bad guys that Fox can be rescued while he reconstructs a crime "on location". This is in fact a part of a desperate BatmanGambit on his part.]] ]]
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* DaChief: Superintendent Svirskiy.
* DiabolusExMachina: [[spoiler: Varya's death in the original novel comes out of nowhere.]] The only foreshadowing we get is Sharapov noting that nobody displays any triumph from successfully catching the gang.
* EvilCripple: Hunchback.
* FountainOfExpies: Zheglov, who inspired any number of copy-cat "breaking the law to uphold the law" fictional cops, particularly after the USSR collapsed.
* DiabolusExMachina: [[spoiler: Varya's death in the original novel comes out of nowhere.]] The only foreshadowing we get is Sharapov noting that nobody displays any triumph from successfully catching the gang.
* EvilCripple: Hunchback.
* FountainOfExpies: Zheglov, who inspired any number of copy-cat "breaking the law to uphold the law" fictional cops, particularly after the USSR collapsed.
to:
* DiabolusExMachina:
* FountainOfExpies: Zheglov, who inspired any number of copy-cat "breaking the law to uphold the law" fictional cops, particularly after the USSR collapsed.
Changed line(s) 32,33 (click to see context) from:
* TheHero: clean-cut Sharapov fits the bill.
* ICallItVera: TheAllegedCar "Ferdinand", so called due to looking bit like the likewise named German vehicles.
* ICallItVera: TheAllegedCar "Ferdinand", so called due to looking bit like the likewise named German vehicles.
to:
* TheHero: clean-cut Clean-cut Sharapov fits the bill.
* ICallItVera: TheAllegedCar "Ferdinand", so called due to looking bit like the likewise named German vehicles.
* ICallItVera: TheAllegedCar "Ferdinand", so called due to looking bit like the likewise named German vehicles.
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* IneffectualSympatheticVillain: Blotter (Promokashka)
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* SacrificialLamb: Vasya Vekshin.
* ShakespearianActors: Hamlet as Zheglov.
* SlidingScaleOfIdealismVersusCynicism: The main theme of the film. Sharapov represents Idealism, Zheglov pepresents Cynicism. The highest point of antagonism is a scene with [[FiveFingerDiscount petty thief]] Kirpich (the Brick) [[spoiler: framed by Zheglov for the sake of information about Fox]]. While juxtaposed, neither of the attitudes is shown to be better than the other.
* SoftGlass: Averted completely. Fox, cornered by the police, uses a waitress as a battering ram \ shield to jump out the restaurant window. This injures or possibly even kills her, since she's left lying on the street as the chase scene begins. When Sharapov follows the villain into the street, the remaining glass cuts him up badly, leaving him with scars that last till the end of the series.
* ShakespearianActors: Hamlet as Zheglov.
* SlidingScaleOfIdealismVersusCynicism: The main theme of the film. Sharapov represents Idealism, Zheglov pepresents Cynicism. The highest point of antagonism is a scene with [[FiveFingerDiscount petty thief]] Kirpich (the Brick) [[spoiler: framed by Zheglov for the sake of information about Fox]]. While juxtaposed, neither of the attitudes is shown to be better than the other.
* SoftGlass: Averted completely. Fox, cornered by the police, uses a waitress as a battering ram \ shield to jump out the restaurant window. This injures or possibly even kills her, since she's left lying on the street as the chase scene begins. When Sharapov follows the villain into the street, the remaining glass cuts him up badly, leaving him with scars that last till the end of the series.
to:
* SlidingScaleOfIdealismVersusCynicism: The main theme of the film. Sharapov represents Idealism, Zheglov pepresents Cynicism. The highest point of antagonism is a scene with [[FiveFingerDiscount petty thief]] Kirpich (the Brick)
* SoftGlass: Averted completely. Fox, cornered by the police, uses a waitress as a battering ram
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* SparedByTheAdaptation: Varya
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Trope was cut/disambiguated due to cleanup
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* GutturalGrowler: Zheglov
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* GutFeeling: Per a later interview with the actor playing Fox, he wasn't quite sure what would prompt his character to suspect a police ambush at the restraunt. The director suggested he merely squint his eyes and look around - all the necessary information was conveyed in a single closeup.
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* BigBad: The leader of the Black Cat gang is a man known as the "Hunchback", a ruthless criminal who isn't above ordering murders and will even join the others in their crimes directly if need be.
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* NiceHat: Zheglov's.
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* SacrificialLion: Vasya Vekshin.
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* SacrificialLion: SacrificialLamb: Vasya Vekshin.
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* SoftGlass: Averted completely. Fox, cornered by the police, uses a waitress as a battering ram \ shield to jump out the restaurant window. This injures or possibly even kills her, since she's left lying on the street as the chase scene begins. When Sharapov follows the villain into the street, the remaining glass cuts him up badly, leaving him with scars that last till the end of the series.
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* DiabolusExMachina: [[spoiler: Varya's death in the original novel comes out of nowhere.]] The only foreshadowing we get is Sharapov noting that nobody displays any triumph from successfully catching the gang.
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* Fountain of Expies: Zheglov, who inspired any number of copy-cat "breaking the law to uphold the law" fictional cops, particularly after the USSR collapsed.
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* Fountain of Expies: FountainOfExpies: Zheglov, who inspired any number of copy-cat "breaking the law to uphold the law" fictional cops, particularly after the USSR collapsed.
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* ToBeLawfulOrGood: A memorable scene has Zheglov and Sharapov argue whether planting the wallet on The Brick - [[FramingTheGuiltyParty who DID steal it, but managed to drop it as he was getting caught]] - was the right thing to do. Notably, neither the book, nor the series end with a conclusive answer.
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* BadGuysPlayPool
to:
* BadGuysPlayPoolBadGuysPlayPool: Some bad guys are mentioned as billiard players, but the most significant example is Val'ka the Smoked (a thief), who plays billiards with Gleb Zheglov (a cop). Also, with GrayingMorality of the series, Zheglov himself can be considered as an example.
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** Once he realizes the band is about to be arrested and there's no way out, Promokashka grows downright hysterical. The actor played up the desperate manic energy to such an extent that the real police officers acting as extras in the scene decided to forcefully restrain him.
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Trivia links? On my main page? It's more likely than you think.
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* AdaptationalWimp: Sharapov in the movie. First of all, unfortunate casting forced upon the director means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's badass credentials - specifically, war flashbacks and his sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
to:
* AdaptationalWimp: Sharapov in the movie. First of all, unfortunate casting forced upon the director means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's badass credentials - -- specifically, war flashbacks and his sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
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* LargeHam: Gleb Zheglov performed by Music/VladimirVysotsky - in awesome way.
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* LargeHam: Gleb Zheglov performed by Music/VladimirVysotsky - in awesome way.-- awesomely.
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Trivia links? On my main page? It's more likely than you think.
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* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's badass credentials - specifically, war flashbacks and his sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
to:
* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] director means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's badass credentials - specifically, war flashbacks and his sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
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* AtTheOperaTonight: In the third episode, Zheglov and Sharapov go to a performance of ''Theatre/SwanLake'' in order to catch with the goods Pen-Master and his accomplice. Sharapov regrets that he has to watch the criminals instead of enjoying the ballet, but Zheglov doesn't care about the performance at all.
to:
* AtTheOperaTonight: In the third episode, Zheglov and Sharapov go to a performance of ''Theatre/SwanLake'' in order to catch with the goods Pen-Master and his accomplice. accomplice with the goods. Sharapov regrets is unhappy that he has to watch the criminals instead of enjoying the ballet, but Zheglov doesn't care about the performance at all.
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* AtTheOperaTonight: In the third episode, Zheglov and Sharapov go to a performance of ''Theatre/SwanLake'' in order to catch with the goods Pen-Master and his accomplice. Sharapov regrets that he has to watch the criminals instead of enjoying the ballet, but Zheglov doesn't care about the performance at all.
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* NeverGoingBackToJail: Levchenko. TruthInTelevision, as prisons in 1940's USSR were a very bad place for a criminal who cooperated with the authorities by enlisting in the army.
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* NeverGoingBackToJail: NeverGoingBackToPrison: Levchenko. TruthInTelevision, as prisons in 1940's USSR were a very bad place for a criminal who cooperated with the authorities by enlisting in the army.
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* NeverGoingBackToJail: Levchenko. TruthInTelevision, as prisons in 1940's USSR were a very bad place for a criminal who cooperated with the authorities by enlisting in the army.
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* NobleBigotWithABadge: Zheglov. He's genuinely fights and despices crime in every way, but he's prejudiced as hell, not above planting the evidence (though only in the case of a known career thief), and more than a little bit trigger-happy. It is implied that he's simply TheSociopath who has [[SociopathicHero chosen an occupation where he can do most good and least harm]].
to:
* NobleBigotWithABadge: Zheglov. He's genuinely fights and despices despise crime in every way, but he's prejudiced as hell, not above planting the evidence (though only in the case of a known career thief), and more than a little bit trigger-happy. It is implied that he's simply TheSociopath who has [[SociopathicHero chosen an occupation where he can do most good and least harm]].
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* Fountain of Expies: Zheglov, who inspired any number of copy-cat "breaking the law to uphold the law" fictional cops, particularly after the USSR collapsed.
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* ICallItVera: TheAllegedCar "Ferdinand", so called due to looking bit like the likewise named German vehicles.
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* TheInfiltration: Sharapov is forced to undergo a far more in-depth infiltration than initially planned, after being kidnapped by the criminals for questioning.
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No longer to be used as a trope.
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* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's BadAss credentials - specifically, war flashbacks and his sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
to:
* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's BadAss badass credentials - specifically, war flashbacks and his sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
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Changed line(s) 10 (click to see context) from:
* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's Badass credentials - war flashbacks and his fight against the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
to:
* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's Badass BadAss credentials - specifically, war flashbacks and his fight against sparring with the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
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* AdaptationalWimp: Sharapov in the movie. First of all, [[ExecutiveMeddling unfortunate casting forced upon the director]] means that his actor pales in comparison to the charismatic Vysotsky. Secondly, most book scenes showing off Sharapov's Badass credentials - war flashbacks and his fight against the department's martial arts instructor - are excised from the movie. As a result, Sharapov's status as a NaiveNewcomer comes to define him.
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Has nothing to do with familiarity with in-universe fiction.
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* NobleBigotWithABadge: Zheglov. He's genuinely fights and despices crime in every way, but he's prejudiced as hell, not above planting the evidence (though only in the case of a known career thief), and more than a little bit trigger-happy. It is implied that he's simply TheSociopath who is GenreSavvy about it, and has [[SociopathicHero chosen an occupation where he can do most good and least harm]].
to:
* NobleBigotWithABadge: Zheglov. He's genuinely fights and despices crime in every way, but he's prejudiced as hell, not above planting the evidence (though only in the case of a known career thief), and more than a little bit trigger-happy. It is implied that he's simply TheSociopath who is GenreSavvy about it, and has [[SociopathicHero chosen an occupation where he can do most good and least harm]].
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Updated definitions of anti-hero
Changed line(s) 11 (click to see context) from:
* AntiHero: Gleb Zheglov is a Type III, with elements of Type IV: his goals are genuinely noble, but he is quite trigger-happy and readily plants evidence. In the book the main events are (almost) the same, but the nuances are quite different. At the end Sharapov realizes that Zheglov is [[spoiler:Type V: he simply likes to kill, noble goals notwithstanding]]. There's a possibility that Sharapov was mistaken, of course.
to:
* AntiHero: Gleb Zheglov is a Type III, with elements of Type IV: PragmaticHero, uncomfortably close to UnscrupulousHero: his goals are genuinely noble, but he is quite trigger-happy and readily plants evidence. In the book the main events are (almost) almost the same, but the nuances are quite different. At the end different, and Sharapov realizes concludes that Zheglov is [[spoiler:Type V: he simply [[spoiler:simply likes to kill, noble goals notwithstanding]]. There's notwithstanding, making him a possibility that NominalHero]]. Of course, Sharapov was mistaken, of course.can be mistaken.
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* BittersweetEnding (the book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, so Govorukhin had to choose between [[spoiler: Varya and Levchenko. Govorukhin had chosen Varya to survive]]).
to:
* BittersweetEnding (the BittersweetEnding: The book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, so Govorukhin had forcing him to choose between [[spoiler: Varya and Levchenko. Govorukhin had chosen Varya to survive]]).survive]].
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* BlackMarketProduce: In autumn of 1945 there's no famine, but food is being rationed, and anything above the set limits costs a lot. The Black Cat gang rob stores and then sell food through an accomplice in a cafeteria. The scene in their hideout is a feast honest people cannot afford, with fresh cucumbers and tomatoes.
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Badass is no longer a trope.
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* {{Badass}}: Gleb Zheglov again.
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* MustStateIfYoureACop: Sharapov, an undercover MUR agent, faces this question when he tries to infiltrate a gang. He answers: "Do I have to provide a document from the Militsia that states I'm not in it"?
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Moving to proper namespace.
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A detective novel, the Wainer brothers' ''The Age of Charity'', written in 1975, became basis for this 5-part 1979 miniseries, ''The Meeting Place Cannot Be Changed''. In a case of AdaptationDisplacement, the popularity of the film has eclipsed that of the book.
Both tell the story of a young and idealistic army officer Vladimir Sharapov, who retires from the Soviet Army after WWII ends and is assigned for duty to Moscow Criminal Police (МУР in Russian). There he comes under the command of Gleb Zheglov, an experienced, brilliant, and no-nonsense police officer, who becomes a BigBrotherMentor to Sharapov. They investigate several murder cases connected to the activities of the infamous Black Cat gang (loosely based on a real gang or group of gangs operating in post-WWII Moscow).
The film was directed by Stanislav Govorukhin and soon hit the most-beloved-films Top-10 in Soviet Union. An urban legend claims that there were no crimes committed during the time the series was first shown -- all the criminals were at home, watching the television. Nowadays, it is still popular and considered to be a [[CultClassic TV classic]]. The TV format is five hour long series (common for TV series in Soviet Union).
----
!!Tropes:
* AffablyEvil: Val'ka the Smoked is quite friendly towards Zheglov.
* AntiHero: Gleb Zheglov is a Type III, with elements of Type IV: his goals are genuinely noble, but he is quite trigger-happy and readily plants evidence. In the book the main events are (almost) the same, but the nuances are quite different. At the end Sharapov realizes that Zheglov is [[spoiler:Type V: he simply likes to kill, noble goals notwithstanding]]. There's a possibility that Sharapov was mistaken, of course.
* {{Badass}}: Gleb Zheglov again.
* BadGuysPlayPool
* BigGuy: Ivan Pasyuk
* BittersweetEnding (the book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, so Govorukhin had to choose between [[spoiler: Varya and Levchenko. Govorukhin had chosen Varya to survive]]).
* ByTheBookCop: Vladimir Sharapov, which is what first brings him into conflict with Zheglov.
* CallingCard: the Black Cat gang leave a cat drawing or an actual cat at the scene of the crime.
* TheCharmer: Zheglov uses guile to get what he needs from witnesses, criminals and coworkers. However, he also has the ability to switch from friendly to ruthless in a very short time.
* CrimeReconstruction: subverted. [[spoiler: Sharapov convinces the bad guys that Fox can be rescued while he reconstructs a crime "on location". This is in fact a part of a desperate BatmanGambit on his part.]]
* CunningLikeAFox: Fox, a member of the Black Cat gang.
* DaChief: Superintendent Svirskiy.
* EvilCripple: Hunchback.
* FramingTheGuiltyParty: Zheglov plants evidence to extract information from a known petty thief named Brick.
* GoodCopBadCop: The suspect points out that he's familiar with the trope from literature, as well as the psychological reasons this works in real life even if the suspect is familiar with it. As expected, it does work, after a fashion -- possibly because the Good Cop ''does'' like the suspect and the Bad Cop ''does'' loathe him.
* GutturalGrowler: Zheglov
* HamToHamCombat: Most of the interrogation scenes. Zheglov vs. Pen-Master, Zheglov vs. Val'ka the Smoked, Zheglov vs. Kostya the Brick Saprykin...
* TheHero: clean-cut Sharapov fits the bill.
* IDidWhatIHadToDo: Zheglov's modus operandi.
* IneffectualSympatheticVillain: Blotter (Promokashka)
* {{Jerkass}}: A several criminals, especially Kostya "The Brick" Saprykin.
* LargeHam: Gleb Zheglov performed by Music/VladimirVysotsky - in awesome way.
* LongList: Zheglov listing [[IHAveMAnyNames all the aliases]] of Man'ka "The Bond":
-->'''Zheglov:''' OK, check these out... Laricheva Manya... a.k.a. Anna Fedorenko... a.k.a. Ella Katzenellebogen... a.k.a. Lydmila Ogurenkova... a.k.a... a.k.a. Izolda Men'shova,.. a.k.a. Valentina Paneyat...
* TheMunchausen: Grisha "Six To Nine". Zheglov even calls him "a grandson to Baron Von Munchausen".
* NaiveNewcomer: Vladimir Sharapov, former infantery scout, in the role of a cop.
* NiceHat: Zheglov's.
* NobleBigotWithABadge: Zheglov. He's genuinely fights and despices crime in every way, but he's prejudiced as hell, not above planting the evidence (though only in the case of a known career thief), and more than a little bit trigger-happy. It is implied that he's simply TheSociopath who is GenreSavvy about it, and has [[SociopathicHero chosen an occupation where he can do most good and least harm]].
* PunctuatedForEmphasis: "Criminal! Is! To! Be! Jailed!"
* QuoteMine: During investigation a caught criminal is asked to write three short fragments by hand, ostensibly in order to get a sample of his hadwriting. Two of the three are from real books. But the third, when read by itself, sounds like a thinly-veiled recommendation letter--which later gets used to gain trust of the criminal's gang.
* SacrificialLion: Vasya Vekshin.
* ShakespearianActors: Hamlet as Zheglov.
* SlidingScaleOfIdealismVersusCynicism: The main theme of the film. Sharapov represents Idealism, Zheglov pepresents Cynicism. The highest point of antagonism is a scene with [[FiveFingerDiscount petty thief]] Kirpich (the Brick) [[spoiler: framed by Zheglov for the sake of information about Fox]]. While juxtaposed, neither of the attitudes is shown to be better than the other.
* SmugSnake: "The Brick" in the scene with evidence planting gloats at the fact that he refused to lift the wallet (that Zheglov just put into his pocket) he just tried to steal form a woman on the tram:
-->'''"The Brick":''' (''lisping'') You haff ''no'' methothh againtht Kothtya Thaprykin!
%%* SoftGlass: Averted. See trope page for details.
* SparedByTheAdaptation: Varya
* StreetUrchin: Zheglov was this, as revealed when he offhandedly drops a few lines on his backstory.
* SuicideByCop: A variation. Levchenko, a member of the Black Cat gang, doesn't actively want to die--but he ''really'' doesn't want to go back to prison, and is ready to risk almost certain death by cops' bullets to avoid it.
* TrainEscape: Interestingly, the guys being chased don't know it, and only use the Train Escape as a habitual precaution.
* VeryLooselyBasedOnATrueStory: Wainer brothers used several RealLife cases in the MUR's eventful '45 summer[[note]]Which Arkady found in the department's archive [[WriteWhatYouKnow during his service there]].[[/note]] as a basis of their book, though they took a lot of liberties writing them into the plot.
* VillainousBreakdown: When Fox realises that Sharapov had tricked him into writing a letter to the Black Cat gang, he suddenly loses his self-confidence.
----
Both tell the story of a young and idealistic army officer Vladimir Sharapov, who retires from the Soviet Army after WWII ends and is assigned for duty to Moscow Criminal Police (МУР in Russian). There he comes under the command of Gleb Zheglov, an experienced, brilliant, and no-nonsense police officer, who becomes a BigBrotherMentor to Sharapov. They investigate several murder cases connected to the activities of the infamous Black Cat gang (loosely based on a real gang or group of gangs operating in post-WWII Moscow).
The film was directed by Stanislav Govorukhin and soon hit the most-beloved-films Top-10 in Soviet Union. An urban legend claims that there were no crimes committed during the time the series was first shown -- all the criminals were at home, watching the television. Nowadays, it is still popular and considered to be a [[CultClassic TV classic]]. The TV format is five hour long series (common for TV series in Soviet Union).
----
!!Tropes:
* AffablyEvil: Val'ka the Smoked is quite friendly towards Zheglov.
* AntiHero: Gleb Zheglov is a Type III, with elements of Type IV: his goals are genuinely noble, but he is quite trigger-happy and readily plants evidence. In the book the main events are (almost) the same, but the nuances are quite different. At the end Sharapov realizes that Zheglov is [[spoiler:Type V: he simply likes to kill, noble goals notwithstanding]]. There's a possibility that Sharapov was mistaken, of course.
* {{Badass}}: Gleb Zheglov again.
* BadGuysPlayPool
* BigGuy: Ivan Pasyuk
* BittersweetEnding (the book ends tragically, but TV bosses told Govorukhin that the audience cannot stand two tragic deaths in a row, so Govorukhin had to choose between [[spoiler: Varya and Levchenko. Govorukhin had chosen Varya to survive]]).
* ByTheBookCop: Vladimir Sharapov, which is what first brings him into conflict with Zheglov.
* CallingCard: the Black Cat gang leave a cat drawing or an actual cat at the scene of the crime.
* TheCharmer: Zheglov uses guile to get what he needs from witnesses, criminals and coworkers. However, he also has the ability to switch from friendly to ruthless in a very short time.
* CrimeReconstruction: subverted. [[spoiler: Sharapov convinces the bad guys that Fox can be rescued while he reconstructs a crime "on location". This is in fact a part of a desperate BatmanGambit on his part.]]
* CunningLikeAFox: Fox, a member of the Black Cat gang.
* DaChief: Superintendent Svirskiy.
* EvilCripple: Hunchback.
* FramingTheGuiltyParty: Zheglov plants evidence to extract information from a known petty thief named Brick.
* GoodCopBadCop: The suspect points out that he's familiar with the trope from literature, as well as the psychological reasons this works in real life even if the suspect is familiar with it. As expected, it does work, after a fashion -- possibly because the Good Cop ''does'' like the suspect and the Bad Cop ''does'' loathe him.
* GutturalGrowler: Zheglov
* HamToHamCombat: Most of the interrogation scenes. Zheglov vs. Pen-Master, Zheglov vs. Val'ka the Smoked, Zheglov vs. Kostya the Brick Saprykin...
* TheHero: clean-cut Sharapov fits the bill.
* IDidWhatIHadToDo: Zheglov's modus operandi.
* IneffectualSympatheticVillain: Blotter (Promokashka)
* {{Jerkass}}: A several criminals, especially Kostya "The Brick" Saprykin.
* LargeHam: Gleb Zheglov performed by Music/VladimirVysotsky - in awesome way.
* LongList: Zheglov listing [[IHAveMAnyNames all the aliases]] of Man'ka "The Bond":
-->'''Zheglov:''' OK, check these out... Laricheva Manya... a.k.a. Anna Fedorenko... a.k.a. Ella Katzenellebogen... a.k.a. Lydmila Ogurenkova... a.k.a... a.k.a. Izolda Men'shova,.. a.k.a. Valentina Paneyat...
* TheMunchausen: Grisha "Six To Nine". Zheglov even calls him "a grandson to Baron Von Munchausen".
* NaiveNewcomer: Vladimir Sharapov, former infantery scout, in the role of a cop.
* NiceHat: Zheglov's.
* NobleBigotWithABadge: Zheglov. He's genuinely fights and despices crime in every way, but he's prejudiced as hell, not above planting the evidence (though only in the case of a known career thief), and more than a little bit trigger-happy. It is implied that he's simply TheSociopath who is GenreSavvy about it, and has [[SociopathicHero chosen an occupation where he can do most good and least harm]].
* PunctuatedForEmphasis: "Criminal! Is! To! Be! Jailed!"
* QuoteMine: During investigation a caught criminal is asked to write three short fragments by hand, ostensibly in order to get a sample of his hadwriting. Two of the three are from real books. But the third, when read by itself, sounds like a thinly-veiled recommendation letter--which later gets used to gain trust of the criminal's gang.
* SacrificialLion: Vasya Vekshin.
* ShakespearianActors: Hamlet as Zheglov.
* SlidingScaleOfIdealismVersusCynicism: The main theme of the film. Sharapov represents Idealism, Zheglov pepresents Cynicism. The highest point of antagonism is a scene with [[FiveFingerDiscount petty thief]] Kirpich (the Brick) [[spoiler: framed by Zheglov for the sake of information about Fox]]. While juxtaposed, neither of the attitudes is shown to be better than the other.
* SmugSnake: "The Brick" in the scene with evidence planting gloats at the fact that he refused to lift the wallet (that Zheglov just put into his pocket) he just tried to steal form a woman on the tram:
-->'''"The Brick":''' (''lisping'') You haff ''no'' methothh againtht Kothtya Thaprykin!
%%* SoftGlass: Averted. See trope page for details.
* SparedByTheAdaptation: Varya
* StreetUrchin: Zheglov was this, as revealed when he offhandedly drops a few lines on his backstory.
* SuicideByCop: A variation. Levchenko, a member of the Black Cat gang, doesn't actively want to die--but he ''really'' doesn't want to go back to prison, and is ready to risk almost certain death by cops' bullets to avoid it.
* TrainEscape: Interestingly, the guys being chased don't know it, and only use the Train Escape as a habitual precaution.
* VeryLooselyBasedOnATrueStory: Wainer brothers used several RealLife cases in the MUR's eventful '45 summer[[note]]Which Arkady found in the department's archive [[WriteWhatYouKnow during his service there]].[[/note]] as a basis of their book, though they took a lot of liberties writing them into the plot.
* VillainousBreakdown: When Fox realises that Sharapov had tricked him into writing a letter to the Black Cat gang, he suddenly loses his self-confidence.
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