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Changed line(s) 80 (click to see context) from:
* SoundtrackDissonance: Aside from opening fast-paced tune all the other tracks are made almost entirely from single electronic cues, ambient sounds and [[DroneOfDread drones of dread]]. It [[Administrivia/TropesAreTools fits as may situations]] as [[ZigZaggingTrope it doesn't]]. This gets especially jarring in Season 2, which is [[ActionisedSequel much more action-packed]] and could really benefit from more fitting soundtrack.
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* SoundtrackDissonance: Aside from opening fast-paced tune all the other tracks are made almost entirely from single electronic cues, ambient sounds and [[DroneOfDread drones of dread]]. It [[Administrivia/TropesAreTools fits as may situations]] as [[ZigZaggingTrope it doesn't]]. This gets especially jarring in Season 2, which is [[ActionisedSequel [[ActionizedSequel much more action-packed]] and could really benefit from more fitting soundtrack.
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* ActionisedSequel: Series 1 has two parallel worlds, has an {{Anvilicious}} message about science and freedom, and is relatively slow paced: it takes Paul 13 episodes to go back to his world. Series 2, on the other hand, tones down its preaching considerably (the message is still there, though), features six parallel worlds and has an average of one dimension shift every episode.
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* ActionisedSequel: ActionizedSequel: Series 1 has two parallel worlds, has an {{Anvilicious}} message about science and freedom, and is relatively slow paced: it takes Paul 13 episodes to go back to his world. Series 2, on the other hand, tones down its preaching considerably (the message is still there, though), features six parallel worlds and has an average of one dimension shift every episode.
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* GreatEscape: Escape from labour camp in the Spellbinders' world includes: [[ActionisedSequel use of confusion, stealing weapons and aerial chase]].
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* GreatEscape: Escape from labour camp in the Spellbinders' world includes: [[ActionisedSequel [[ActionizedSequel use of confusion, stealing weapons and aerial chase]].
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Changed line(s) 14,15 (click to see context) from:
Paul returned at the end of the first season, but brought Rianna, a peasant girl from the other world who had helped him, with him and she soon became lost in modern Sydney in a FishOutOfWater scenario. Meanwhile, the antagonist Spellbinder Ashka was able to follow them...
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Paul returned at the end of the first season, but brought Rianna, Riana, a peasant girl from the other world who had helped him, with him and she soon became lost in modern Sydney in a FishOutOfWater scenario. Meanwhile, the antagonist Spellbinder Ashka was able to follow them...
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Trope was cut/disambiguated due to cleanup
Changed line(s) 301 (click to see context) from:
* PuppetKing: Ashka is made a general of the army of the Dragon Lord. Said army is nothing more than statues of soldiers. And she [[KickTheSonOfABitch has to clean them]].
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* PuppetKing: Ashka is made a general of the army of the Dragon Lord. Said army is nothing more than statues of soldiers. And she [[KickTheSonOfABitch has to clean them]].them.
