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[[caption-width-right:350:''Holy tropes-on-this-very-wiki!'']]

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[[caption-width-right:350:''Holy tropes-on-this-very-wiki!'']]
tropes-on-this-very-wiki, Batman!'']]
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* BallisticDiscount: In "The Great Train Robbery," Shame goes into a gun shop and asks to see a pistol that's on display. While the clerk is telling Shame how much it costs, Shame loads the gun and instructs the clerk to "stick 'em up." The clerk complies, commenting "I had a funny feeling you were gonna say that."
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YMMV


* BrokenAesop: Batman explaining to students that nothing in life is free. This, coming from the guy who inherited his parents' fortune.
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** An inverted example: in the second Shame storyline, Hermione Baddeley doesn't try too hard to cover up her English accent while portraying (presumably American) Frontier Fanny. Meanwhile, Creator/BarryDennen plays a Mexican ''bandito'' whose whole character is one big {{Brownface}} joke, down to the English accent and his initials spelling out "FRED."

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** An inverted example: in the second Shame storyline, Hermione Baddeley Creator/HermioneBaddeley doesn't try too hard to cover up her English accent while portraying (presumably American) Frontier Fanny. Meanwhile, Creator/BarryDennen plays a Mexican ''bandito'' whose whole character is one big {{Brownface}} joke, down to the English accent and his initials spelling out "FRED."
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dewicked Belly Dancer


* BellyDancer
** Marsha, Queen of Diamonds (played by Creator/CarolynJones) performs an Arabic dance to keep the Gotham City treasury guards occupied in "Penguin's Disastrous End."
** A belly dancer (famed dancer Little Egypt credited as Herself) is part of the Penguin's mayoral campaign show in "Hizzoner the Penguin."
** The episode guest starring Music/{{Liberace}} features a trio of female henchmen who on one occasion wear harem girl dancing outfits.
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Cut per-thread.


->''[[https://youtu.be/vRic84u4aPs?si=Nk2ISrJwzxzDMjG0 duhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduhduh]]''
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With its intentionally absurd writing (particularly Batman's array of Bat-Gadgets, which seemed large enough to cater for [[CrazyPrepared any given situation]] -- the legendary Shark-Repellent Batspray comes to mind) and low budget, this was more like a televised {{pantomime}}/vaudeville/burlesque than anything resembling portrayals of superheroes in modern day media. The series managed to become something of a cultural icon, but it is also partly responsible for the general public's dim view of comic book writing and comics in general today, as even [[UsefulNotes/TheSilverAgeOfComicBooks at the time]] comic book writing was taken far more seriously.

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With its intentionally absurd writing (particularly Batman's array of Bat-Gadgets, which seemed large enough to cater for [[CrazyPrepared any given situation]] -- the legendary Shark-Repellent Batspray comes to mind) and low budget, this was more like a televised {{pantomime}}/vaudeville/burlesque than anything resembling portrayals of superheroes in modern day media. The series managed to become something of a cultural icon, but it is also partly responsible for the general public's dim view of comic book writing and comics in general today, as even [[UsefulNotes/TheSilverAgeOfComicBooks [[MediaNotes/TheSilverAgeOfComicBooks at the time]] comic book writing was taken far more seriously.



If you want Batman played DarkerAndEdgier than [[FanNickname the Bright Knight]], see Creator/TimBurton's [[Film/Batman1989 1989 film]] (and [[Film/BatmanReturns its 1992 sequel]]), ''WesternAnimation/BatmanTheAnimatedSeries'', Creator/ChristopherNolan's ''Film/TheDarkKnightTrilogy'', the ''Franchise/DCExtendedUniverse'', and Creator/MattReeves' ''Film/{{The Batman|2022}}''. For a more modern take on Batman that retains UsefulNotes/{{the Silver Age|of Comic Books}} fun-factor[=/=]{{Camp}} absurdity combo of the series, see Creator/JoelSchumacher's ''Film/BatmanForever''. For Silver Age fun-factor with more tasteful {{Camp}} absurdity, see ''WesternAnimation/BatmanTheBraveAndTheBold''. For a DarkerAndEdgier take nonetheless heavy on {{Camp}}, see ''ComicBook/AllStarBatmanAndRobinTheBoyWonder''. And for camp absurdity minus the Silver Age fun-factor, see Schumacher's ''Film/BatmanAndRobin''.

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If you want Batman played DarkerAndEdgier than [[FanNickname the Bright Knight]], see Creator/TimBurton's [[Film/Batman1989 1989 film]] (and [[Film/BatmanReturns its 1992 sequel]]), ''WesternAnimation/BatmanTheAnimatedSeries'', Creator/ChristopherNolan's ''Film/TheDarkKnightTrilogy'', the ''Franchise/DCExtendedUniverse'', and Creator/MattReeves' ''Film/{{The Batman|2022}}''. For a more modern take on Batman that retains UsefulNotes/{{the MediaNotes/{{the Silver Age|of Comic Books}} fun-factor[=/=]{{Camp}} absurdity combo of the series, see Creator/JoelSchumacher's ''Film/BatmanForever''. For Silver Age fun-factor with more tasteful {{Camp}} absurdity, see ''WesternAnimation/BatmanTheBraveAndTheBold''. For a DarkerAndEdgier take nonetheless heavy on {{Camp}}, see ''ComicBook/AllStarBatmanAndRobinTheBoyWonder''. And for camp absurdity minus the Silver Age fun-factor, see Schumacher's ''Film/BatmanAndRobin''.



* DatingCatwoman: Only fitting considering Catwoman was played by Julie Newmar. Meow, indeed. Compared to other takes on the Bat-mythos, it's actually kind of subverted, or at least one-sided. Newmar's Catwoman is colder and crueler than just about any other incarnation of the character (a holdover from UsefulNotes/TheSilverAgeOfComicBooks, where the UsefulNotes/ComicsCode forbade villains to look too sympathetic), and regularly arranges violent deathtraps for the man she supposedly loves. When she does show attraction to Batman, it's more the StalkerWithACrush kind (in one episode her deathtrap-du-jour is designed to more or less ''lobotomize'' Batman, with the implication that she plans to keep him as a sex slave afterwards). This disappears entirely once Eartha Kitt steps into Catwoman's boots.

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* DatingCatwoman: Only fitting considering Catwoman was played by Julie Newmar. Meow, indeed. Compared to other takes on the Bat-mythos, it's actually kind of subverted, or at least one-sided. Newmar's Catwoman is colder and crueler than just about any other incarnation of the character (a holdover from UsefulNotes/TheSilverAgeOfComicBooks, MediaNotes/TheSilverAgeOfComicBooks, where the UsefulNotes/ComicsCode MediaNotes/TheComicsCode forbade villains to look too sympathetic), and regularly arranges violent deathtraps for the man she supposedly loves. When she does show attraction to Batman, it's more the StalkerWithACrush kind (in one episode her deathtrap-du-jour is designed to more or less ''lobotomize'' Batman, with the implication that she plans to keep him as a sex slave afterwards). This disappears entirely once Eartha Kitt steps into Catwoman's boots.



* LighterAndSofter: As well as brighter and more colorful. The {{irony}} is that, given the [[UsefulNotes/TheSilverAgeOfComicBooks state of the comics at the time of the TV series]], this was a very accurate adaptation, or even DarkerAndEdgier.[[note]]For example, the second episode has a character die by ''falling into a nuclear reactor'', a more gruesome end than anything that would've been depicted in the comics at the time.[[/note]] It was only in later adaptations that Batman would be SeriousBusiness.

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* LighterAndSofter: As well as brighter and more colorful. The {{irony}} is that, given the [[UsefulNotes/TheSilverAgeOfComicBooks [[MediaNotes/TheSilverAgeOfComicBooks state of the comics at the time of the TV series]], this was a very accurate adaptation, or even DarkerAndEdgier.[[note]]For example, the second episode has a character die by ''falling into a nuclear reactor'', a more gruesome end than anything that would've been depicted in the comics at the time.[[/note]] It was only in later adaptations that Batman would be SeriousBusiness.
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''Batman'' is the {{camp}}y, colorful, comedic adaptation of the titular comic book character, produced for [[Creator/AmericanBroadcastingCompany ABC]] from [[TheSixties 1966 to 1968]]. It featured Franchise/{{Batman}} (Creator/AdamWest) and ComicBook/{{Robin}} (Creator/BurtWard) as they foiled a variety of daffy and innocuous criminals via detective work and slow fist-fights which were [[HitFlash punctuated]] by large comic-style [[WrittenSoundEffect POW!s, BAFF!s and ZONK!s]].

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''Batman'' is the {{camp}}y, colorful, comedic adaptation of the titular comic book character, produced for [[Creator/AmericanBroadcastingCompany ABC]] from [[TheSixties 1966 to 1968]]. It featured Franchise/{{Batman}} ComicBook/{{Batman}} (Creator/AdamWest) and ComicBook/{{Robin}} (Creator/BurtWard) as they foiled a variety of daffy and innocuous criminals via detective work and slow fist-fights which were [[HitFlash punctuated]] by large comic-style [[WrittenSoundEffect POW!s, BAFF!s and ZONK!s]].

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