History Recap / TheNostalgiaCriticS7E7

* TheLastOfTheseIsNotLikeTheOthers: The Critic remarks how Threshold Entertainment outsourced the animation for the climactic food fight to Creator/{{Pixar}}, Creator/DreamWorksAnimation, and Creator/BlueSkyStudios. Pixar and [=DreamWorks=] both had a dismissive attitude toward it given (among other things) the bad animation they provided, but Blue Sky seemed more receptive and asked to turn the movie into a franchise.

* TheLastOfTheseIsNotLikeTheOthers: The Critic remarks how Threshold Entertainment outsourced the animation for the climactic food fight to Creator/{{Pixar}}, Creator/DreamWorks, and Creator/BlueSkyStudios. Pixar and [=DreamWorks=] both had a dismissive attitude toward it given (among other things) the bad animation they provided, but Blue Sky seemed more receptive and asked to turn the movie into a franchise.
* {{Mooning}}: When the Critic claims that Creator/DreamWorks was outsourced with animating the big fight scene in the climax, he jokes that they deliberately sent bad animation, enclosed with a picture of three men flashing their asses on the camera, with the faces of Creator/StevenSpielberg, [[UsefulNotes/NoteworthyDisneyStaff Jeffrey Katzenberg]] and David Geffen photoshopped onto their heads, as well as Katzenberg [[FlippingTheBird giving the finger]].

** When he gets to Creator/BlueSkyStudios, another studio he claims was outsourced with animating the climactic foodfight scene (besides Creator/{{Pixar}} and Creator/DreamWorks), the Critic claims that not only were they ''sincere'' in output, but even asked if they can turn it into a terrible franchise, before telling the viewer not to be too surprised should a crossover between ''Foodfight!'', ''WesternAnimation/IceAge'' and ''WesternAnimation/{{Rio}}'' actually happen.

* DarthWiki/SoBadItsHorrible: Critic's In-Universe opinion of the film, considering it the worst animated movie ever.

* ArtisticLicenseBiology: The Critic really is not too pleased to find out that with the bit character of Fat Cat Burglar, they couldn't tell a rat (the character) apart from a cat, pointing out that someone who would fail at a Fisher Price toy like a Spin-'N-Say shouldn't be given $65 million to make a movie.

* {{Fetish}}: The Critic is convinced that the film was meant to indulge the director's fetishes, especially through Lady X.
-->'''Critic (as Lady X)''': [[ItMakesSenseInContext Launch out of my vag!]] There's enough fetish fuel in this movie for '''everybody'''!

* NamesTheSame[[invoked]]: In addition to being flabbergasted over the producers apparently not being able to tell the difference between a rat and a cat, the Critic also is displeased that they stole the name "Fat Cat" [[WesternAnimation/ChipNDaleRescueRangers from Disney]].

* UncannyValley: InUniverse, this is how the Critic sees most scenes in the film. After the initial scenes of Mr. Clipboard, the review cuts to a skit in which Doug dons a wig and adapts Mr. Clipboard's awkward walk, flailing arms and disturbing facial expressions, then approaches Tamara and tries to sell her "Evil Poison Bites Death" (provides your business with the wholesome, attractive image of Satan's anus that it so desperately needs) to demonstrate just why you would run away from him if you met him for real. She knees him in the crotch twice.

* PrecisionFStrike: The Critic's joke about Creator/{{Pixar}} sending terrible animation below their standards when they got outsourced with work on the climactic foodfight scene also has a letter from Creator/JohnLasseter that simply reads "Go fuck yourself!".