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History Recap / PushingDaisiesS2E2CircusCircus

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avoiding repetition


* NarrativeProfanityFilter: As Ned tells Emerson what the manager's assistant said about Nikki, flames from the circus act make a lot of noise. After that's done, we get this exchange:
-->'''Emerson''': I've never heard you use ''those'' words.\\
'''Ned''': I'm just repeating what she told me.
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Added DiffLines:

* NarrativeProfanityFilter: As Ned tells Emerson what the manager's assistant said about Nikki, flames from the circus act make a lot of noise. After that's done, we get this exchange:
-->'''Emerson''': I've never heard you use ''those'' words.\\
'''Ned''': I'm just repeating what she told me.
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None

Added DiffLines:

* ClownCar: When the police pull the clown car from the lake and start extracting the dead occupants, they.. just.. keep.. coming..
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* AllThereInTheManual: The French acrobat is never referred to by name in the episode, but in the script and press materials, he was called Pierre.
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* CircusEpisode
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* SoundEffectBleep

to:

* SoundEffectBleepSoundEffectBleep / NarrativeProfanityFilter: As Ned is telling Emerson what he learned from Miss De Jong, we see flames shoot out in front of them from a flamethrower act; when the flames disappear, Ned has just finished telling his story, and a bemused Emerson responds, "I've never heard ''you'' use ''those'' words before."

Added: 297

Changed: 1

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* ButtMonkey: Von Dimas, a volunteer at the circus the night Nikki disappeared. They stripped him to his underwear, had the rest of the audience throw chocolate pies at him, and then gave him a "shower" (it involves a horse named Peppers and lots of chocolate diuretic).



* InnocuouslyImportantEpisode: Some viewers disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season: the corrosive effect of secrets; something new beginning as necessarily implying something else ending; stasis as the opposite of life/death/rebirth; the impossibility of simply picking up a relationship where it was left off; one's persona or public self versus one's True Self; a parent's inability to recognize his or her child.

to:

* InnocuouslyImportantEpisode: Some viewers disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season: the corrosive effect of secrets; something new beginning as necessarily implying something else ending; stasis as the opposite of life/death/rebirth; the impossibility of simply picking up a relationship where it was left off; one's persona or public self versus one's True Self; a parent's inability to recognize his or her child. child.
* NoIndoorVoice: Von Dimas.
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* BawdySong: A limerick: There was a young man named von Dinas...
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* ButterflyOfDeathAndRebirth: The kindergardeners, in a subtle use of this trope.

to:

* ButterflyOfDeathAndRebirth: The kindergardeners, in In a subtle use of this trope.trope, the kindergarteners wear butterfly wings.
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* RetroactiveRecognition: Hayley [=McFarland=] as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].

to:

* RetroactiveRecognition: Hayley [=McFarland=] as Nikki Heaps, who would go on to become [[LieToMe [[Series/LieToMe Emily Lightman]].
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* [[Main/{{ptitlexc2j6p5n}} I'll Never Tell You What I'm Telling You]]: Chuck slyly gets more information from Nikki's best friend than the friend had planned on revealing.

to:

* [[Main/{{ptitlexc2j6p5n}} I'll Never Tell You What I'm Telling You]]: IllNeverTellYouWhatImTellingYou: Chuck slyly gets more information from Nikki's best friend than the friend had planned on revealing.
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* OverlyLongGag: The clown car scene
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->'''Chuck:''' Je peux parler avec Nikki une minute? (Can I speak to Nikki for a minute?)
->'''Acrobat:''' ''Une'' minute! (''One'' minute!)

to:

->'''Chuck:''' -->'''Chuck:''' Je peux parler avec Nikki une minute? (Can I speak to Nikki for a minute?)
->'''Acrobat:''' -->'''Acrobat:''' ''Une'' minute! (''One'' minute!)
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->'''Chuck:''' Je peux parler a Nikki une minute? (Can I speak to Nikki for a minute?)

to:

->'''Chuck:''' Je peux parler a avec Nikki une minute? (Can I speak to Nikki for a minute?)

Added: 136

Changed: 388

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* BilingualDialogue: {{Omniglot}} Chuck speaks a line of French to the acrobat. (She asks him if she can speak to Nikki for a moment.)

to:

* BilingualDialogue: {{Omniglot}} Chuck speaks a line of French to the acrobat. (She asks him if she can acrobat.
->'''Chuck:''' Je peux parler a Nikki une minute? (Can I
speak to Nikki for a moment.)minute?)
->'''Acrobat:''' ''Une'' minute! (''One'' minute!)



* InnocuouslyImportantEpisode: Some viewers disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season.

to:

* InnocuouslyImportantEpisode: Some viewers disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season.season: the corrosive effect of secrets; something new beginning as necessarily implying something else ending; stasis as the opposite of life/death/rebirth; the impossibility of simply picking up a relationship where it was left off; one's persona or public self versus one's True Self; a parent's inability to recognize his or her child.
Camacan MOD

Changed: 68

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Midnight On The Firing Line was renamed Innocuously Important Episode.


* MidnightOnTheFiringLine: Most of the fandom disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season.

to:

* MidnightOnTheFiringLine: Most of the fandom InnocuouslyImportantEpisode: Some viewers disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season.
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None


* RetroactiveRecognition: Hayley [[-McFarland-]] as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].

to:

* RetroactiveRecognition: Hayley [[-McFarland-]] [=McFarland=] as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].
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None


* RetroactiveRecognition: Hayley [-McFarland-] as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].

to:

* RetroactiveRecognition: Hayley [-McFarland-] [[-McFarland-]] as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].
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None


* RetroactiveRecognition: Hayley {{McFarland}} as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].

to:

* RetroactiveRecognition: Hayley {{McFarland}} [-McFarland-] as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].
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None


* RetroactiveRecognition: Hayley McFarland as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].

to:

* RetroactiveRecognition: Hayley McFarland {{McFarland}} as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].
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None

Added DiffLines:

* RetroactiveRecognition: Hayley McFarland as Nikki Heaps, who would go on to become [[LieToMe Emily Lightman]].

Added: 170

Changed: 28

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* EnemyMime: Averted; Chuck likes mimes.

to:

* EnemyMime: Averted; Chuck likes mimes.''likes'' mimes, though Emerson doesn't.


Added DiffLines:

* MidnightOnTheFiringLine: Most of the fandom disliked this episode at first, but there is no episode more crucial to setting up the arcs and themes of the second season.

Added: 172

Changed: 8

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* [[Main/{{ptitlexc2j6p5n}} I'll Never Tell You What I'm Telling You]]: Chuck slyly gets more information from Nikki's best friend than the friend had planned on revealing.



* ThereAreTwoTypesOfPeopleInTheWorld

to:

* ThereAreTwoTypesOfPeopleInTheWorldThereAreTwoKindsOfPeopleInTheWorld
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* CurseCutShort



* EnemyMime: Averted; Chuck likes mimes.



* SoundEffectBleep

to:

* SoundEffectBleepSoundEffectBleep
* ThereAreTwoTypesOfPeopleInTheWorld
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Ned and Chuck now live in separate but adjoining apartments. Chuck revels in her newfound independence--it's the first time she's lived alone--but Ned is still hurt by her apparent rejection.

to:

Ned and Chuck now live in separate but adjoining apartments. Chuck revels in her newfound independence--it's the first time she's lived alone--but Ned Ned, though he tries to hide it, is still hurt by her apparent rejection.
miserable.



At the circus, the trio meets a snooty FrenchJerk acrobat and interrogates the manager, who says he doesn't remember Nikki but who is clearly lying. And it's not just Nikki who's missing--so are all the clowns.

The clown car (with clowns) turns up in a nearby lake.
They eventually discover that Nikki and the manager were in cahoots to scuttle the clowns' attempts to unionize.

to:

At the circus, the trio meets a snooty FrenchJerk acrobat and interrogates the manager, who says he doesn't remember Nikki but who is clearly lying. And it's not just Nikki who's missing--so are all ''all'' the clowns.

The clown car (with clowns) turns up in a nearby lake.
lake, without Nikki. The detectives wonder just how radical her new beginning was intended to be: is she still essentially the same person, or has she really discarded all the trappings of her past and made a fresh start? The question is also applicable to Emerson's search for his daughter as well as to Ned and Chuck's relationship.

They eventually discover that Nikki and the manager were in cahoots to scuttle the clowns' attempts to unionize.



* ButterflyOfDeathAndRebirth: Arguably, the kindergardeners.

to:

* ButterflyOfDeathAndRebirth: Arguably, the kindergardeners.The kindergardeners, in a subtle use of this trope.
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None


* ButterflyOfLifeAndDeath: Arguably, the kindergardeners.

to:

* ButterflyOfLifeAndDeath: ButterflyOfDeathAndRebirth: Arguably, the kindergardeners.



* ImprobableAimingSkills

to:

* ImprobableAimingSkillsImprobableAimingSkills: Ned, at the circus.

Added: 69

Changed: 7

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'''Emerson:''' Have you ''seen'' the special lockup they keep for cocky young acrobats? Because ''I'' haven't.

to:

'''Emerson:''' -->'''Emerson:''' Have you ''seen'' the special lockup they keep for cocky young acrobats? Because ''I'' haven't.



* BindleStick: used by runaway Ned

to:

* BindleStick: used Used by runaway NedNed.
* ButterflyOfLifeAndDeath: Arguably, the kindergardeners.



* FrenchJerk



* TheRunaway: Ned as a child, Nikki Heaps

to:

* TheRunaway: Ned as a child, Nikki HeapsHeaps.

Added: 246

Changed: 432

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At the circus, the trio meets a snooty FrenchJerk clown and interrogates the manager, who says he doesn't remember Nikki but who is clearly lying.

to:

At the circus, the trio meets a snooty FrenchJerk clown acrobat and interrogates the manager, who says he doesn't remember Nikki but who is clearly lying.
lying. And it's not just Nikki who's missing--so are all the clowns.

The clown car (with clowns) turns up in a nearby lake.
They eventually discover that Nikki and the manager were in cahoots to scuttle the clowns' attempts to unionize.



*Main/AppealToObscurity
*Main/BoardingSchool
*Main/BindleStick - used by runaway Ned
*Main/TheRunaway - Nikki Heaps
---
<<|Recap/PushingDaisies|>>

to:

*Main/AppealToObscurity
*Main/BoardingSchool
*Main/BindleStick -
*AppealToObscurity
'''Emerson:''' Have you ''seen'' the special lockup they keep for cocky young acrobats? Because ''I'' haven't.
*BilingualDialogue: {{Omniglot}} Chuck speaks a line of French to the acrobat. (She asks him if she can speak to Nikki for a moment.)
*BoardingSchool
*BindleStick:
used by runaway Ned
*Main/TheRunaway - *CymbalBangingMonkey
*ImprobableAimingSkills
*TheRunaway: Ned as a child,
Nikki Heaps
---
<<|Recap/PushingDaisies|>>
*SoundEffectBleep

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