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Don runs into Midge, who is now married. Sadly, she and her husband are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a full page ad in the ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff are impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.

to:

Don runs into Midge, who is now married. Sadly, she and her husband are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a full page ad in the ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff are impressed, the partners are horrified, [[ScrewThisImOuttaHere Cooper quits, quits]], and Ted Chaough is thrilled.



Sally has been spending time with Glenn, with the two bonding over being children of divorce. However, Betty finds out and decides that, after almost two years of camping out in Don's house, it's finally time to move!



But they're not out of the woods yet.

to:

But they're not out of the woods yet.
yet, and the episode ends as Sterling Cooper Draper Pryce begins a mass layoff.
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To keep the company afloat, the partners have to put up a huge amount of collateral ($400,000, in the neighborhood of $3 million today) for a loan. Pete doesn't have that kind of money, and when he applies for a loan himself, Trudy think's he's looking for a house in the suburbs. When he explains himself, she forbids him from giving them anything. This mysteriously turns out not to be a problem, as Lane reveals that Don paid for him as payback for keeping is identity safe.

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To keep the company afloat, the partners have to put up a huge amount of collateral ($400,000, in the neighborhood of $3 $3.7 million today) in the early 2020s) for a loan. Pete doesn't have that kind of money, and when he applies for a loan himself, Trudy think's he's looking for a house in the suburbs. When he explains himself, she forbids him from giving them anything. This mysteriously turns out not to be a problem, as Lane reveals that Don paid for him as payback for keeping is identity safe.

Changed: 20

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Don runs into Midge, who is now married. Sadly they are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a full page ad in the ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff are impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.

to:

Don runs into Midge, who is now married. Sadly they Sadly, she and her husband are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a full page ad in the ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff are impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.
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Don has a meeting with Heinz' vinegar and beans representative (a lead he got from Faye in [[{{Recap/MadMenS4E11ChineseWall}} Chinese Wall]]) who is open to ideas but afraid that Don's agency won't be around much longer.

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Don has a meeting with Heinz' Heinz's vinegar and beans representative (a lead he got from Faye in [[{{Recap/MadMenS4E11ChineseWall}} Chinese Wall]]) who is open to ideas but afraid that Don's agency won't be around much longer.
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** Also, when Don asks Peggy what she thought of his ad, Peggy replies, "[[Recap/MadMenS3E1PublicRelations I thought you didn't go for those types of shenanigans]].", [[ActuallyPrettyFunny which Don chuckles at]].

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** Also, when Don asks Peggy what she thought of his ad, Peggy replies, "[[Recap/MadMenS3E1PublicRelations "[[Recap/MadMenS4E1PublicRelations I thought you didn't go for those types of shenanigans]].", [[ActuallyPrettyFunny which Don chuckles at]].
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** Also, when Don asks Peggy what she thought of his ad, Peggy replies, "[[Recap/MadMenS3E1PublicRelations I thought you didn't go for those types of shenanigans]].", [[ActuallyPrettyFunny which Don chuckles at]].
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* CompletelyMissingThePoint: With regards to Don's advert.

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* CompletelyMissingThePoint: ComicallyMissingThePoint: With regards to Don's advert.

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--> So as of today, Sterling Cooper Draper Pryce will no longer take tobacco accounts. We know it’s going to be hard. If you’re interested in cigarette work, here’s a list of agencies that do it well: BBDO, Leo Burnett, McCann Erickson, Cutler Gleason & Chaough, and Benton & Bowles.

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--> So as of today, Sterling Cooper Draper Pryce will no longer take tobacco accounts. We know it’s going to be hard. If you’re interested in cigarette work, here’s a list of agencies that do it well: BBDO, Leo Burnett, McCann [=McCann=] Erickson, Cutler Gleason & Chaough, and Benton & Bowles.

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* TakeThat: To the tobacco industry, courtesy of ''that'' ad.
--> '''Don:''' For over 25 years we devoted ourselves to peddling a product for which good work is irrelevant, because people can't stop themselves from buying it. A product that never improves, that causes illness, and makes people unhappy.

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* TakeThat: To the tobacco industry, courtesy of ''that'' ad.
Don's ad, entitled "Why I'm Quitting Tobacco".
--> '''Don:''' Recently my advertising agency ended a long relationship with Lucky Strike cigarettes, and I’m relieved.
-->
For over 25 years we devoted ourselves to peddling a product for which good work is irrelevant, because people can't can’t stop themselves from buying it. A product that never improves, that causes illness, and makes people unhappy. But there was money in it. A lot of money. In fact, our entire business depended on it. We knew it wasn’t good for us, but we couldn’t stop.
--> And then, when Lucky Strike moved their business elsewhere, I realized, here was my chance to be someone who could sleep at night, because I know what I’m selling doesn’t kill my customers.
--> So as of today, Sterling Cooper Draper Pryce will no longer take tobacco accounts. We know it’s going to be hard. If you’re interested in cigarette work, here’s a list of agencies that do it well: BBDO, Leo Burnett, McCann Erickson, Cutler Gleason & Chaough, and Benton & Bowles.
--> As for us, we welcome all other business because we’re certain that our best work is still ahead of us.
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* TakeThat: To the tobacco industry, courtesy of ''that'' ad.
--> '''Don:''' For over 25 years we devoted ourselves to peddling a product for which good work is irrelevant, because people can't stop themselves from buying it. A product that never improves, that causes illness, and makes people unhappy.
* VoiceoverLetter: We hear Don reading ''that'' ad out loud.
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''Great, Don saved the company. Now let's get rid of half of it.''

to:

''Great, ->''Great, Don saved the company. Now let's get rid of half of it.''

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->''"Great, Don saved the company. Now let's get rid of half of it."''

to:

->''"Great, ''Great, Don saved the company. Now let's get rid of half of it."''
''


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* MeanBoss: Roger, with one of his best lines (and that's up against some pretty stiff competition):
--> Well, I've got to go learn a load of people's names before I fire them.
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* ShoutOut: Apparently, Midge thought her husband looked like Creator/DylanThomas when they met.

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to:

* WhatTheHellHero: This is how the other partners react to Don's ad in the ''New York Times'', which was done without their knowledge.

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Changed to Historical Domain Character; Real Life Writes The Plot is when circumstances alter the plot of an episode


* HistoricalDomainCharacter: Among the people who have been trying to call Don is Emerson Foote -- a real-life ad man who quit [=McCann=] Ericson in 1965 because he didn't want to represent the tobacco industry any more.



* RealLifeWritesThePlot: Among the people who have been trying to call Don is Emerson Foote -- a real-life ad man who quit [=McCann=] Ericson in 1965 because he didn't want to represent the tobacco industry any more.

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* DeadpanSnarker: A good one from Stan, after speculation about redundancies is interrupted by Bert telling the employees that he's leaving.
-->'''Stan:''' I didn't think they'd start with him.


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* GallowsHumor: Stan's reaction to Bert interrupting the employees' speculation about redundancies with the news that he's leaving.
-->'''Stan:''' I didn't think they'd start with him.

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Don runs into Midge, who is now married. Sadly they are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a full page ad in the ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff ar impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.

to:

Don runs into Midge, who is now married. Sadly they are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a full page ad in the ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff ar are impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.



* PutOnABus: Danny is one of the employees fired by Don at the end of the episode.

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* PutOnABus: Danny is TheBusCameBack: Midge, who engineers a seemingly chance meeting with Don. She and her husband are heroin addicts. Don buys one of the employees fired by Don at the end her paintings out of the episode.pity, and it inspires him to write ''that'' advert.



* DrosteImage: Discussed by Sally, who describes the image of a woman holding a butter box on the Land O'Lakes butter packaging.

to:

* DrosteImage: Discussed by Sally, who describes the image of a woman holding a butter box (which depicts a woman holding a butter box, etc) on the Land O'Lakes butter packaging.packaging.
* FriendshipMoment: After finding out that Don has paid Pete's share of the collateral, Pete raises his mug in a toast to Don, who acknowledges the gesture with a nod.


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* PutOnABus: Danny is one of the employees fired by Don at the end of the episode.
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* CompletelyMissingThePoint

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* CompletelyMissingThePointCompletelyMissingThePoint: With regards to Don's advert.

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* CallBack
-->'''Peggy:''' [[{{Recap/MadMenS3E11TheGypsyAndTheHobo}} If this was a dog food, we'd change our name.]]

to:

* CallBack
PutOnABus: Danny is one of the employees fired by Don at the end of the episode.
* CallBack: To [[Recap/MadMenS3E11TheGypsyAndTheHobo "The Gypsy and the Hobo"]]:
-->'''Peggy:''' [[{{Recap/MadMenS3E11TheGypsyAndTheHobo}} If this was a dog food, we'd change our name.]]



* ScrewThisImOutOfHere: Cooper quits the firm after Don takes out a full page ad in the ''New York Times'' without consulting the other partners.

to:

* DeadpanSnarker: A good one from Stan, after speculation about redundancies is interrupted by Bert telling the employees that he's leaving.
-->'''Stan:''' I didn't think they'd start with him.
* DrosteImage: Discussed by Sally, who describes the image of a woman holding a butter box on the Land O'Lakes butter packaging.
* PrankCall: Ted pulls one of these on Don, pretending to be UsefulNotes/RobertFKennedy.
* RealLifeWritesThePlot: Among the people who have been trying to call Don is Emerson Foote -- a real-life ad man who quit [=McCann=] Ericson in 1965 because he didn't want to represent the tobacco industry any more.
* ScrewThisImOutOfHere: Bert Cooper quits the firm after Don takes out a full page ad in the ''New York Times'' without consulting the other partners. partners.
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Don runs into Midge, who is now married. Sadly they are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a ''full page ad in the New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff is impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.

to:

Don runs into Midge, who is now married. Sadly they are both junkies, and she was looking for him to buy one of her paintings. When he asks her why she doesn't quit, she says [[CaptainObvious it's heroin and she just can't stop]]. He buys a painting and, on the verge of discarding it, he's inspired. After consulting no one, he takes out a ''full full page ad in the New ''New York Times'' turning the agency's failure into a principled stance against the tobacco industry. The staff is ar impressed, the partners are horrified, Cooper quits, and Ted Chaough is thrilled.



* ScrewThisImOutOfHere: Cooper quits the firm after Don takes out a ''full page ad in the New York Times'' without consulting the other partners.

to:

* ScrewThisImOutOfHere: Cooper quits the firm after Don takes out a ''full full page ad in the New ''New York Times'' without consulting the other partners.
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* ScrewThisImOutOfHere: Cooper quits the firm after Don takes out a ''full page ad in the New York Times'' without consulting the other partners.
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* CrowningMomentOfFunny
-->'''Harry:''' They're gonna fire everybody. Or worse, make ''me'' fire everybody.
-->'''Cooper:''' It's been a pleasure working with you all, I wish you the best of luck.
-->'''Stan:''' I didn't think they'd start with ''him.''
* FridgeHorror: Pete says Central Park was good enough for him growing up. Now imagine a teenaged girl running around Upper Manhattan in the late '70s-early '80s.
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Dr. Atherton sets the agency up with Phillip Morris, who's developing a new brand of cigarettes[[hottip:*:Though not mentioned by name onscreen, he's referring to Virginia Slims]]. Since [=SCDP=] has a longstanding history with tobacco, it's seen to be their best bet. As it turns out, Phillip Morris was just using them as leverage to get a better deal with Leo Burnett.

to:

Dr. Atherton sets the agency up with Phillip Morris, who's developing a new brand of cigarettes[[hottip:*:Though cigarettes[[note]]Though not mentioned by name onscreen, he's referring to Virginia Slims]].Slims[[/note]]. Since [=SCDP=] has a longstanding history with tobacco, it's seen to be their best bet. As it turns out, Phillip Morris was just using them as leverage to get a better deal with Leo Burnett.

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