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Peggy is becoming more successful at work, with her ideas for Belle Jolie a hit with the clients. However, her relationship with Pete gets more complicated -- they have sex on the couch in his office, but he acts very coldly towards her when everyone goes to a bar to celebrate her copywriting success. Bert gives Don a $2,500 bonus and urges him to read ''Atlas Shrugged''. Away from the office, Don spends the evening smoking pot with Midge and her beatnik friends; the antagonism between them and the smartly-dressed ad man is mutual. A childhood encounter with a hobo who briefly stayed at his father's farm when he was a young boy (the events of which confirmed to the young Dick what he already suspected, that his father was a dishonest man) is told in flashbacks. Sal, meanwhile, goes to dinner with Elliott, one of the executives from Belle Jolie. They get on well and Elliott invites Sal back to his room; Sal, though, is afraid to follow through on his attraction to men.
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Peggy is becoming more successful at work, with her ideas for Belle Jolie a hit with the clients. However, her relationship with Pete gets more complicated -- they have sex on the couch in his office, but he acts very coldly towards her when everyone goes to a bar to celebrate her copywriting success. Bert gives Don a $2,500 bonus and urges him to read ''Atlas Shrugged''. Away from the office, Don spends the evening smoking pot with Midge and her scruffy beatnik friends; the antagonism between them and the smartly-dressed ad man is mutual. A childhood encounter with a hobo who briefly stayed at his father's farm when he was a young boy (the events of which confirmed to the young Dick what he already suspected, that his father was a dishonest man) is told in flashbacks. Sal, meanwhile, goes to dinner with Elliott, one of the executives from Belle Jolie. They get on well and Elliott invites Sal back to his room; Sal, though, is afraid to follow through on his attraction to men.
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[This description was copied in violation of our Administrivia/{{Plagiarism}} policy. Please replace it with original writing.]
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* TheReasonYouSuckSpeech: Don and Midge's friends go back and forth snarking at each other. He tells them to make something of themselves, and they chide him for selling lies for a living. Don gets the final word when he leaves Midge's apartment.
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* TheReasonYouSuckSpeech: Don and Midge's friends go back and forth snarking at each other. He tells them to make something of themselves, and they chide him for wearing a suit and selling lies for a living. Don gets the final word when he leaves Midge's apartment.apartment when the police raid the building.
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* ShoutOut: Cooper notes his love for Ayn Rand's ''Literature/AtlasShrugged''.
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* ShoutOut: Cooper notes his love for Ayn Rand's ''Literature/AtlasShrugged''. Over at Midge's apartment, Don and the beatniks listen to Music/MilesDavis's ''Music/SketchesOfSpain'' LP.
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* TransparentCloset: Sal, upon being propositioned by Elliot. It's not so much that he ''denies'' being gay as much as realizes that it wouldn't be practical to endanger himself by acting upon their sexual tension.
-->'''Sal''': Elliot, I have thought about it. I know what I want. I know what I want to do.
-->'''Sal''': Elliot, I have thought about it. I know what I want. I know what I want to do.
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* TransparentCloset: Sal, upon being propositioned by Elliot.Elliott. It's not so much that he ''denies'' being gay as much as realizes that it wouldn't be practical to endanger himself by acting upon their sexual tension.
-->'''Sal''':Elliot, Elliott, I have thought about it. I know what I want. I know what I want to do.
-->'''Sal''':
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* YouHaveGotToBeKiddingMe: Sal is clearly hesitant to act upon an attraction to Elliot, and isn't given solace by the latter's nonchalance.
-->'''Elliot''': What are you afraid of?
-->'''Elliot''': What are you afraid of?
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* YouHaveGotToBeKiddingMe: Sal is clearly hesitant to act upon an attraction to Elliot, Elliott, and isn't given solace by the latter's nonchalance.
-->'''Elliot''': -->'''Elliott''': What are you afraid of?
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The description was plagiarized from the show's wiki
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Don is tormented as pieces of his secretive past begin to haunt him. Peggy's professional and personal life reaches new strides. Pete finally moves in to his new apartment. The office celebrates a co-workers success at P.J. Clarke's. Lois, a switchboard employee sets her sights on a fellow colleague. Salvatore Romano gets a little too close with a client from Belle Jolie.
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----
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Not So Different has been renamed, and it needs to be dewicked/moved
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* NotSoDifferent: Bert believes that he and Don share certain qualities with each other. Namely, that they are productive, reasonable, and completely self-interested and unsentimental.
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* NotSoDifferent: NotSoDifferentRemark: Bert believes that he and Don share certain qualities with each other. Namely, that they are productive, reasonable, and completely self-interested and unsentimental.
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Changed line(s) 1,3 (click to see context) from:
-> ''"The cops. You can't go out there."''
-> ''"'''You''' can't."''
-> ''"'''You''' can't."''
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-> ''"'''You''' can't."''
--> '''Beatnik:''' The cops! You can't go out there.
--> '''Don:''' ''You'' can't.
--> '''Don:''' ''You'' can't.
Changed line(s) 12 (click to see context) from:
* SlobsVersusSnobs: Don white collar presence is antagonized by Midge's beatnik friends. The condescension is mutual.
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* SlobsVersusSnobs: Don Don's white collar presence is antagonized by Midge's beatnik friends. The condescension is mutual.
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* ShoutOut: Cooper notes his love for Ayn Rand's ''AtlasShrugged''.
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* ShoutOut: Cooper notes his love for Ayn Rand's ''AtlasShrugged''.''Literature/AtlasShrugged''.
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-> ''"You can't."''
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-> ''"You ''"'''You''' can't."''
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Deleted line(s) 8,10 (click to see context) :
* MyGodAreYouSerious: Sal is clearly hesitant to act upon an attraction to Elliot, and isn't given solace by the latter's nonchalance.
-->'''Elliot''': What are you afraid of?
-->'''Sal''': Are you joking?
-->'''Elliot''': What are you afraid of?
-->'''Sal''': Are you joking?
* SlobsVersusSnobs: Don white collar presence is antagonized by Midge's beatnik friends. The condescension is mutual.
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-->'''Pete''': I don't like you like this.
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-->'''Pete''': I don't like you like this.this.
* YouHaveGotToBeKiddingMe: Sal is clearly hesitant to act upon an attraction to Elliot, and isn't given solace by the latter's nonchalance.
-->'''Elliot''': What are you afraid of?
-->'''Sal''': Are you joking?
* YouHaveGotToBeKiddingMe: Sal is clearly hesitant to act upon an attraction to Elliot, and isn't given solace by the latter's nonchalance.
-->'''Elliot''': What are you afraid of?
-->'''Sal''': Are you joking?
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None
Changed line(s) 8,9 (click to see context) from:
* DrivenToTears: Peggy, by Pete. She jovially asks him to dance with her during the office party, and his response is cold.
-->'''Pete''': I don't like you like this.
-->'''Pete''': I don't like you like this.
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* DrivenToTears: Peggy, MyGodAreYouSerious: Sal is clearly hesitant to act upon an attraction to Elliot, and isn't given solace by Pete. She jovially asks him to dance with her during the office party, and his response is cold.
-->'''Pete''': I don't likelatter's nonchalance.
-->'''Elliot''': What are youlike this. afraid of?
-->'''Sal''': Are you joking?
-->'''Pete''': I don't like
-->'''Elliot''': What are you
-->'''Sal''': Are you joking?
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* TroubledChildhoodFlashback: Don recalls the time that he had a conversation with a hobo that his parents briefly housed in their barn. In the flashback, he reveals himself to be the son of a whore.
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* TroubledChildhoodFlashback: TransparentCloset: Sal, upon being propositioned by Elliot. It's not so much that he ''denies'' being gay as much as realizes that it wouldn't be practical to endanger himself by acting upon their sexual tension.
-->'''Sal''': Elliot, I have thought about it. I know what I want. I know what I want to do.
* TroubledBackstoryFlashback: Don recalls the time that he had a conversation with a hobo that his parents briefly housed in their barn. In the flashback, he reveals himself to be the son of awhore.whore.
* TryingNotToCry: Peggy. She jovially asks Pete to dance with her during the office party, and his response is cold enough to invoke this.
-->'''Pete''': I don't like you like this.
-->'''Sal''': Elliot, I have thought about it. I know what I want. I know what I want to do.
* TroubledBackstoryFlashback: Don recalls the time that he had a conversation with a hobo that his parents briefly housed in their barn. In the flashback, he reveals himself to be the son of a
* TryingNotToCry: Peggy. She jovially asks Pete to dance with her during the office party, and his response is cold enough to invoke this.
-->'''Pete''': I don't like you like this.
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Added line(s) 3 (click to see context) :
-> ''"The cops. You can't go out there."''
-> ''"You can't."''
Don is tormented as pieces of his secretive past begin to haunt him. Peggy's professional and personal life reaches new strides. Pete finally moves in to his new apartment. The office celebrates a co-workers success at P.J. Clarke's. Lois, a switchboard employee sets her sights on a fellow colleague. Salvatore Romano gets a little too close with a client from Belle Jolie.
-> ''"You can't."''
Don is tormented as pieces of his secretive past begin to haunt him. Peggy's professional and personal life reaches new strides. Pete finally moves in to his new apartment. The office celebrates a co-workers success at P.J. Clarke's. Lois, a switchboard employee sets her sights on a fellow colleague. Salvatore Romano gets a little too close with a client from Belle Jolie.
Added line(s) 3 (click to see context) :
* ADayInTheLimelight: For Sal, whose homosexuality is touched on for the first time.
* DrivenToTears: Peggy, by Pete. She jovially asks him to dance with her during the office party, and his response is cold.
-->'''Pete''': I don't like you like this.
* DrivenToTears: Peggy, by Pete. She jovially asks him to dance with her during the office party, and his response is cold.
-->'''Pete''': I don't like you like this.
Changed line(s) 3 (click to see context) from:
* ShoutOut: Cooper notes his love for Ayn Rand's ''AtlasShrugged''.
to:
* PutOnABus: Midge, whom Don stops seeing after this.
* TheReasonYouSuckSpeech: Don and Midge's friends go back and forth snarking at each other. He tells them to make something of themselves, and they chide him for selling lies for a living. Don gets the final word when he leaves Midge's apartment.
* ShoutOut: Cooper notes his love for Ayn Rand's''AtlasShrugged''.''AtlasShrugged''.
* TroubledChildhoodFlashback: Don recalls the time that he had a conversation with a hobo that his parents briefly housed in their barn. In the flashback, he reveals himself to be the son of a whore.
* TheReasonYouSuckSpeech: Don and Midge's friends go back and forth snarking at each other. He tells them to make something of themselves, and they chide him for selling lies for a living. Don gets the final word when he leaves Midge's apartment.
* ShoutOut: Cooper notes his love for Ayn Rand's
* TroubledChildhoodFlashback: Don recalls the time that he had a conversation with a hobo that his parents briefly housed in their barn. In the flashback, he reveals himself to be the son of a whore.
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Added DiffLines:
!!This episode contains examples of:
* NotSoDifferent: Bert believes that he and Don share certain qualities with each other. Namely, that they are productive, reasonable, and completely self-interested and unsentimental.
* ShoutOut: Cooper notes his love for Ayn Rand's ''AtlasShrugged''.
* NotSoDifferent: Bert believes that he and Don share certain qualities with each other. Namely, that they are productive, reasonable, and completely self-interested and unsentimental.
* ShoutOut: Cooper notes his love for Ayn Rand's ''AtlasShrugged''.