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[[caption-width-right:350:It's a dark night indeed.]]
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** Her attacking and killing Richie before she's knocked off.
to:
** Her attacking and killing Richie before she's knocked off.off him.
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Changed line(s) 11 (click to see context) from:
* The "Feeding Time" scene where all the hookers reveal their vamp faces and attack the bar patrons can be jarring for those not expecting it. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"
to:
* The "Feeding Time" scene where all the hookers reveal their vamp faces {{Game Face}}s as vampires and attack the bar patrons can be jarring for those not expecting it. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"
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Changed line(s) 4,6 (click to see context) from:
* The first half of the film is arguably the most terrifying: it presents an entirely plausible scenario where a family is held hostage by a pair of desperate criminals, one of whom may well be serial rapist and murderer. By contrast, the second half is all action horror, and though it may be bloody and gruesome, it is practically a relief when compared to the tension of the first half.
* Pete Bottoms the liquor store clerk's fate: being held hostage while being forced to act as if nothing is happening, having someone shot in the head right in front of him, being shot for warning a cop when he wasn't even trying to do that, and then being burned alive along with his shop.
* Seth leaves Richard alone with hostage. Seth returns and witnesses result. It's made all the worse by the split-second flashes of the aftermath...
* Pete Bottoms the liquor store clerk's fate: being held hostage while being forced to act as if nothing is happening, having someone shot in the head right in front of him, being shot for warning a cop when he wasn't even trying to do that, and then being burned alive along with his shop.
* Seth leaves Richard alone with hostage. Seth returns and witnesses result. It's made all the worse by the split-second flashes of the aftermath...
to:
* The first half of the film is arguably the most terrifying: it presents an entirely plausible scenario where a family is held hostage by a pair of desperate criminals, one of whom may well be a serial rapist and murderer. By contrast, the second half is all action horror, and though it may be action/horror. Though bloody and gruesome, it is practically a relief when compared to the tension of the first half.
* The [[FromBadToWorse fate of PeteBottoms Bottoms, the liquor store clerk's fate: clerk]]: being held hostage while being forced to act as if nothing is happening, having someone shot in the head right in front of him, being shot for warning a cop when he wasn't even trying to do that, and then being burned alive along with his shop.
* Seth leaves Richard alone with a female hostage. Seth returns and witnesses the result. It's made all the worse by the split-second flashes of the aftermath...
* The [[FromBadToWorse fate of Pete
* Seth leaves Richard alone with a female hostage. Seth returns and witnesses the result. It's made all the worse by the split-second flashes of the aftermath...
Changed line(s) 12 (click to see context) from:
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene).
to:
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like serpentine look. Oddly, her look where starts with her haired head suggesting a cobra's with her hair merged with her skin till and then she shifts to a more streamlined baled headed bald-headed look (likely so Selma Salma could still move her head for the scene).
Changed line(s) 15 (click to see context) from:
** One of the hookers barring the door claiming "Dinner...is served" while her face turns more bat like.
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** One of the hookers barring the door claiming "Dinner...is served" while her face turns more bat like.bat-like.
Changed line(s) 18,20 (click to see context) from:
** Chet Pussy trying to eat Kate only to have a golden crucifixe necklace shoved into his mouth, causing him to convulse into smoke and green blood before exploding gore through both his eye sockets and dropping to the floor as a charred burnt skeletal corpse.
** The close up shots of the vampire's NightmareFace as they devour the patrons.
** And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
** The close up shots of the vampire's NightmareFace as they devour the patrons.
** And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
to:
** Chet Pussy trying to eat Kate only to have a golden crucifixe crucifix necklace shoved into his mouth, causing him to convulse into smoke and green blood before exploding expelling gore through both his eye sockets and dropping to the floor as a charred burnt skeletal corpse.
** Theclose up closeup shots of the vampire's vampires' NightmareFace as they devour the patrons.
** And finally Seth shooting at Santanico and [[NoSell her popping upunscathed unscathed]] and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing {{monologuing}} gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
** The
** And finally Seth shooting at Santanico and [[NoSell her popping up
Changed line(s) 22,26 (click to see context) from:
* Sex Machine likewise turning after he gets bitten in the arm. As seen from his perspective, it just kinda happens... He loses his hearing for a moment, a demonic voice tells him to kill the others, next thing he knows he has fangs and his hands turn into claws much to his horror. But what really makes this horrific is that for the moment it looks like he still has his sense of self there. But when it cuts away from him after his hide his hands behind his back and the scene focus on Frost. He suddenly rises behind him, completely vamped and bites him without warning and having no qualms with attacking his former allies. The same can be said of Frost who was only bitten for a moment, but gains his vamp face within minutes afterward.
* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. In the hypothetical real-life scenario obviously. It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when they are essentially trapped with them all in what's basically their nest.
** Makes you kinda dread what else the Titty Twister could be host to...
*** Well in the series, it's a prison for Demons, who the vampires were ''slaves'' to!
* The end shot, context: it zooms out showing that the bar itself is the top of an Aztec temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.
* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. In the hypothetical real-life scenario obviously. It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when they are essentially trapped with them all in what's basically their nest.
** Makes you kinda dread what else the Titty Twister could be host to...
*** Well in the series, it's a prison for Demons, who the vampires were ''slaves'' to!
* The end shot, context: it zooms out showing that the bar itself is the top of an Aztec temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.
to:
* Likewise, Sex Machine likewise turning after he gets bitten in the arm. As seen from his perspective, it just kinda happens... He loses his hearing for a moment, a demonic voice tells him to kill the others, next others. Next thing he knows he has fangs and his hands turn into claws much to his horror. But what horror. What really makes this horrific is that for the a moment it looks like he still has his sense of self there. But when it cuts away from him after his hide self. He hides his hands behind his back and the scene focus on Frost. He While Frost is still talking, Sex Machine suddenly rises behind him, completely vamped vamped, and bites him without warning and having no or any qualms with about attacking his former allies. ally. The same can be said of Frost Frost, who was only bitten for a moment, but gains his vamp face within minutes afterward.
*almost immediately.
%%* A bit ofFridge Horror. FridgeHorror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" cartoonish or down-right downright grotesque in design, it's actually really disturbing to think of them really existing. In the hypothetical real-life scenario obviously. It's easy to shrug off the make-up and vile creatures as just that that, but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when they are essentially trapped with them all in what's basically their nest.
** Makes * The whole experience of being trapped in a a nest of vampires makes you kinda dread what else the Titty Twister could be host to...
*** ** Well in the series, it's a prison for Demons, who to whom the vampires were ''slaves'' to!
''slaves''!
* The endshot, context: it shot zooms out showing to show that the bar itself is the top of an Aztec temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which trucks. It shows that the events of the night, night were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.
*
%%* A bit of
* The end
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Changed line(s) 12 (click to see context) from:
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. Razor Charlie and the other men's seemingly dead corpses suddenly reanimating back to life and roaring as hungry vampires. One of the hookers barring the door claiming "Dinner...is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
to:
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene).
** Her attacking and killing Richie before she's knockedoff. off.
** Razor Charlie and the other men's seemingly dead corpses suddenly reanimating back to life and roaring as hungryvampires. vampires.
** One of the hookers barring the door claiming "Dinner...is served" while her face turns more bat like.
** The band likewise turning vampiric and using ''human parts'' as their instruments as they play through thechaos. chaos.
** One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron aboveher, her and drinking the blood pouring from its mouth, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. unsettling.
** Chet Pussy trying to eat Kate only to have a golden crucifixe necklace shoved into his mouth, causing him to convulse into smoke and green blood before exploding gore through both his eye sockets and dropping to the floor as a charred burnt skeletal corpse.
** The close up shots of the vampire's NightmareFace as they devour the patrons.
** And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
** Her attacking and killing Richie before she's knocked
** Razor Charlie and the other men's seemingly dead corpses suddenly reanimating back to life and roaring as hungry
** One of the hookers barring the door claiming "Dinner...is served" while her face turns more bat like.
** The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the
** One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above
** Chet Pussy trying to eat Kate only to have a golden crucifixe necklace shoved into his mouth, causing him to convulse into smoke and green blood before exploding gore through both his eye sockets and dropping to the floor as a charred burnt skeletal corpse.
** The close up shots of the vampire's NightmareFace as they devour the patrons.
** And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
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Changed line(s) 12 (click to see context) from:
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
to:
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. Razor Charlie and the other men's seemingly dead corpses suddenly reanimating back to life and roaring as hungry vampires. One of the hookers barring the door claiming "Dinner "Dinner...is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monologuing gives Seth time to reload his gun and fire at the chandelier above them, dropping it on her.
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** "[[SchmuckBait Do you wanna come over on the bed and watch tv with me?]]". Richie telling the hostage to lay on the bed and watch cartoons with him looks innocent (at first, given his mental capacity). By the time Seth returns, she is already raped and murdered.
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** Very briefly when the Fullers are taken hostage we see Kate from [[ThroughTheEyesOfMadness Richie's perspective]], who uncharacteristically starts begging Richie to "eat my pussy." Just to drive the point home, the angle is intentionally shot distorted. If there were any doubts about how messed up in the head Richie is, this pretty much clinches it.
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Changed line(s) 16 (click to see context) from:
* The end shot, context: it zooms out showing that the bar itself is the top of a huge Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.
to:
* The end shot, context: it zooms out showing that the bar itself is the top of a huge Mesoamerican an Aztec temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.
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Changed line(s) 5 (click to see context) from:
* Petey Bottoms the liquor store clerk's fate: being held hostage while being forced to act as if nothing is happening, having someone shot in the head right in front of him, being shot for warning a cop when he wasn't even trying to do that, and then being burned alive along with his shop.
to:
* Petey Pete Bottoms the liquor store clerk's fate: being held hostage while being forced to act as if nothing is happening, having someone shot in the head right in front of him, being shot for warning a cop when he wasn't even trying to do that, and then being burned alive along with his shop.
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Changed line(s) 16 (click to see context) from:
* The end shot, context: it zooms out showing that the bar itself is the top of a huge Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.
to:
* The end shot, context: it zooms out showing that the bar itself is the top of a huge Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.alive.
----
----
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Changed line(s) 12 (click to see context) from:
* Sex Machine likewise turning after he gets bitten in the arm. As seen from his perspective, it just kinda happens.. He loses his hearing for a moment, a demonic voice tells him to kill the others, next thing he knows he has fangs and his hands turn into claws much to his horror. But what really makes this horrific is that for the moment it looks like he still has his sense of self there. But when it cuts away from him after his hide his hands behind his back and the scene focus on Frost. He suddenly rises behind him, completely vamped and bites him without warning and having no qualms with attacking his former allies. The same can be said of Frost who was only bitten for a moment, but gains his vamp face within minutes afterward.
to:
* Sex Machine likewise turning after he gets bitten in the arm. As seen from his perspective, it just kinda happens..happens... He loses his hearing for a moment, a demonic voice tells him to kill the others, next thing he knows he has fangs and his hands turn into claws much to his horror. But what really makes this horrific is that for the moment it looks like he still has his sense of self there. But when it cuts away from him after his hide his hands behind his back and the scene focus on Frost. He suddenly rises behind him, completely vamped and bites him without warning and having no qualms with attacking his former allies. The same can be said of Frost who was only bitten for a moment, but gains his vamp face within minutes afterward.
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Added line(s) 5 (click to see context) :
'''''Per site policy, Administrivia/SpoilersOff applies to all NightmareFuel pages, so all spoilers here are unmarked. Administrivia/YouHaveBeenWarned!'''''
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Changed line(s) 5 (click to see context) from:
** It gets worse in the show. In the film [[spoiler: Richie shoots the hostage, but there's a pillow over her head. In the series, he [[EyeScream cuts her eyes out]].]]
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** It gets worse in the show. In the film [[spoiler: Richie shoots the hostage, but there's a pillow over her head. In the series, he [[EyeScream cuts her eyes out]].]]
Changed line(s) 11 (click to see context) from:
* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. [[spoiler:In the hypothetical real-life scenario obviously.]] It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when they are essentially trapped with them all in what's basically their nest.
to:
* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. [[spoiler:In In the hypothetical real-life scenario obviously.]] obviously. It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when they are essentially trapped with them all in what's basically their nest.
Changed line(s) 13,14 (click to see context) from:
*** Well in the series [[spoiler: It's a prison for Demons, who the vampires were ''slaves'' to!]]
* The end shot, context: [[spoiler: it zooms out showing that the bar itself is the top of a huge Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.]]
* The end shot, context: [[spoiler: it zooms out showing that the bar itself is the top of a huge Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.]]
to:
*** Well in the series [[spoiler: It's series, it's a prison for Demons, who the vampires were ''slaves'' to!]]
to!
* The end shot, context:[[spoiler: it zooms out showing that the bar itself is the top of a huge Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that which shows that the events of the night, were just the last in a very '''very''' long line of nights just like it, only with no survivors, undead or alive.]]
* The end shot, context:
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Changed line(s) 4 (click to see context) from:
* Seth leaves Richard alone with hostage. Seth returns and witnesses result. It's made all the worse by the split-second flashes of what happened...
to:
* Seth leaves Richard alone with hostage. Seth returns and witnesses result. It's made all the worse by the split-second flashes of what happened...the aftermath...
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Changed line(s) 2 (click to see context) from:
* The first half of the film is arguably the most terrifying: it presents an entirely plausible scenario where a family is held hostage by a pair of desperate criminals, one of whom may well be serial rapist and murderer. By contrast, the second half is all action horror, and though it may be bloody and gruesome, it is practically a relief when compared to the tension and helplessness that the Fullers felt in the first half.
to:
* The first half of the film is arguably the most terrifying: it presents an entirely plausible scenario where a family is held hostage by a pair of desperate criminals, one of whom may well be serial rapist and murderer. By contrast, the second half is all action horror, and though it may be bloody and gruesome, it is practically a relief when compared to the tension and helplessness that the Fullers felt in of the first half.
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Changed line(s) 2 (click to see context) from:
* Petey Bottoms the liquor store clerk's fate, being held hostage, shot for warring a cop when he wasn't even trying to do that, being yelled about at how he's login to die throughout a shootout and then being burned alive.
to:
* The first half of the film is arguably the most terrifying: it presents an entirely plausible scenario where a family is held hostage by a pair of desperate criminals, one of whom may well be serial rapist and murderer. By contrast, the second half is all action horror, and though it may be bloody and gruesome, it is practically a relief when compared to the tension and helplessness that the Fullers felt in the first half.
* Petey Bottoms the liquor store clerk'sfate, fate: being held hostage, hostage while being forced to act as if nothing is happening, having someone shot in the head right in front of him, being shot for warring warning a cop when he wasn't even trying to do that, being yelled about at how he's login to die throughout a shootout and then being burned alive.alive along with his shop.
* Petey Bottoms the liquor store clerk's
Changed line(s) 6,7 (click to see context) from:
* The "Feeding Time" scene where all the hookers reveal their vamp faces and attack the bar patrons Essentially where the film shifts from a quirky caper flick to outright horror. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monolonging gives Seth time to reload his gun and fire at the chandler above them, dropping it on her.
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monolonging gives Seth time to reload his gun and fire at the chandler above them, dropping it on her.
to:
* The "Feeding Time" scene where all the hookers reveal their vamp faces and attack the bar patrons Essentially where the film shifts from a quirky caper flick to outright horror.can be jarring for those not expecting it. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily hermonolonging monologuing gives Seth time to reload his gun and fire at the chandler chandelier above them, dropping it on her.
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her
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* The end shot, context: [[spoiler: it zooms out showing that the bar itself is the top of a really huge mayan temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that shows that the events of the night, were just the last in a very '''very''' long line of night's just like it, only with no survivors,]] the most nightmarish part is the [[spoiler: sheer scale of the pile, hundreds, if not thousands, of truckers and the like, must have went "missing" since the bars creation.]]
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* The end shot, context: [[spoiler: it zooms out showing that the bar itself is the top of a really huge mayan Mesoamerican temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that shows that the events of the night, were just the last in a very '''very''' long line of night's nights just like it, only with no survivors,]] the most nightmarish part is the [[spoiler: sheer scale of the pile, hundreds, if not thousands, of truckers and the like, must have went "missing" since the bars creation.survivors, undead or alive.]]
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* Seth leaves Richard alone with hostage. Seth returns and witnesses result.
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* Seth leaves Richard alone with hostage. Seth returns and witnesses result. It's made all the worse by the split-second flashes of what happened...
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* Petey Bottoms the liquor store clerk's fate, being held hostage, shot for warring a cop when he wasn't even trying to do that, being yelled about at how he's login to die throughout a shootout and then being burned alive.
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** Makes you kinda dread what else the Titty Twister could be host to...
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** Makes you kinda dread what else the Titty Twister could be host to...to...
*** Well in the series [[spoiler: It's a prison for Demons, who the vampires were ''slaves'' to!]]
* The end shot, context: [[spoiler: it zooms out showing that the bar itself is the top of a really huge mayan temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that shows that the events of the night, were just the last in a very '''very''' long line of night's just like it, only with no survivors,]] the most nightmarish part is the [[spoiler: sheer scale of the pile, hundreds, if not thousands, of truckers and the like, must have went "missing" since the bars creation.]]
*** Well in the series [[spoiler: It's a prison for Demons, who the vampires were ''slaves'' to!]]
* The end shot, context: [[spoiler: it zooms out showing that the bar itself is the top of a really huge mayan temple embedded in a cliff, and it is absolutely ''covered'' in wrecks of trucks, that shows that the events of the night, were just the last in a very '''very''' long line of night's just like it, only with no survivors,]] the most nightmarish part is the [[spoiler: sheer scale of the pile, hundreds, if not thousands, of truckers and the like, must have went "missing" since the bars creation.]]
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Changed line(s) 5 (click to see context) from:
* The "Feeding Time" scene where all the hookers reveal their vamp faces and attack the bar patrons. Essentially where the film shifts from a quirky caper flick to outright horror. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"
to:
* The "Feeding Time" scene where all the hookers reveal their vamp faces and attack the bar patrons. patrons Essentially where the film shifts from a quirky caper flick to outright horror. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"this?!"
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monolonging gives Seth time to reload his gun and fire at the chandler above them, dropping it on her.
** Notable parts include: Santanico face morphing into a snake like look, the odd thing is that it seemed like they were going for a cobra like look where her haired merged with her skin till she shifts to a more streamlined baled headed look (likely so Selma could still move her head for the scene). Her attacking and killing Richie before she's knocked off. One of the hookers barring the door claiming "Dinner is served" while her face turns more bat like. The band likewise turning vampiric and using ''human parts'' as their instruments as they play through the chaos. One unfortunate patron getting his neck sliced open from his vampire hooker, one hooker behind a shadow screen holding the head of another patron above her, the hooker who tries to attack Frost that, unlike the others, doesn't go full bump face but the animated snake like eyes on her still make it unsettling. And finally Seth shooting at Santanico and her popping up unscathed and angry. She promptly knocks him to the floor and proclaims her as her new "dog" ending with the chilling line "Welcome to slavery". Luckily her monolonging gives Seth time to reload his gun and fire at the chandler above them, dropping it on her.
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* The "Feeding Time" scene where all the hookers reveal their vamp faces and attack the bar patrons. Essentially where the film shifts from a quirky caper flick to outright horror. A ''lot'' of movie goers certainly were not expecting this. One even outright asking "The hell kinda flick is this?!"
* Richie suddenly turning into a vampire on Seth after he genuinely expresses love for his brother. It's so sudden and the effects really help with the shock.
* Sex Machine likewise turning after he gets bitten in the arm. As seen from his perspective, it just kinda happens.. He loses his hearing for a moment, a demonic voice tells him to kill the others, next thing he knows he has fangs and his hands turn into claws much to his horror. But what really makes this horrific is that for the moment it looks like he still has his sense of self there. But when it cuts away from him after his hide his hands behind his back and the scene focus on Frost. He suddenly rises behind him, completely vamped and bites him without warning and having no qualms with attacking his former allies. The same can be said of Frost who was only bitten for a moment, but gains his vamp face within minutes afterward.
* Richie suddenly turning into a vampire on Seth after he genuinely expresses love for his brother. It's so sudden and the effects really help with the shock.
* Sex Machine likewise turning after he gets bitten in the arm. As seen from his perspective, it just kinda happens.. He loses his hearing for a moment, a demonic voice tells him to kill the others, next thing he knows he has fangs and his hands turn into claws much to his horror. But what really makes this horrific is that for the moment it looks like he still has his sense of self there. But when it cuts away from him after his hide his hands behind his back and the scene focus on Frost. He suddenly rises behind him, completely vamped and bites him without warning and having no qualms with attacking his former allies. The same can be said of Frost who was only bitten for a moment, but gains his vamp face within minutes afterward.
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* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. [[spoiler:In the hypothetical real-life scenario obviously.]] It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when thy are essentially trapped with them all in what's basically their nest.
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* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. [[spoiler:In the hypothetical real-life scenario obviously.]] It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when thy they are essentially trapped with them all in what's basically their nest.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/from_dusk_till_dawn_nightmare_fuel.jpg]]
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* When Kate Fuller says [[WhamLine "Richie, could you eat my pussy for me, please?"]]a disturbing realization is made. Before this point, one could've made an argument that Richie was simply being overly paranoid with the other people he's killed. But this scene up and reveals that his mind is able to hallucinate people saying things they actually aren't in reality. Meaning that he wasn't intentionally lying to Seth when he made those claims. [[FridgeHorror: Kind of makes you wonder if he even truly realizes he raped those women.]]
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* When Kate Fuller says [[WhamLine "Richie, could you eat my pussy for me, please?"]]a please?"]], a disturbing realization is made. Before this point, one could've made an argument that Richie was simply being overly paranoid with the other people he's killed. But this scene up and reveals that his mind is able to hallucinate people saying things they actually aren't in reality. Meaning that he wasn't intentionally lying to Seth when he made those claims. [[FridgeHorror: [[FridgeHorror Kind of makes you wonder if he even truly realizes he raped those women.]]
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* In the film [[spoiler: Richie shoots the hostage, but there's a pillow over her head. In the series, he [[EyeScream cuts her eyes out]].]]
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* When Kate Fuller says [[WhamLine "Richie, could you eat my pussy for me, please?"]]a disturbing realization is made. Before this point, one could've made an argument that Richie was simply being overly paranoid with the other people he's killed. But this scene up and reveals that his mind is able to hallucinate people saying things they actually aren't in reality. Meaning that he wasn't intentionally lying to Seth when he made those claims. [[FridgeHorror: Kind of makes you wonder if he even truly realizes he raped those women.]]
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** ItGotWorse: In the film [[spoiler: Richie shoots the hostage, but there's a pillow over her head. In the series, he [[EyeScream cuts her eyes out]].]]
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** ItGotWorse: In the film [[spoiler: Richie shoots the hostage, but there's a pillow over her head. In the series, he [[EyeScream cuts her eyes out]].]]
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* Seth leaves Richard alone with hostage. Seth returns and witnesses result.
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* Seth leaves Richard alone with hostage. Seth returns and witnesses result.result.
* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. [[spoiler:In the hypothetical real-life scenario obviously.]] It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when thy are essentially trapped with them all in what's basically their nest.
** Makes you kinda dread what else the Titty Twister could be host to...
* A bit of Fridge Horror. When you look back at all the vampires featured in the film-- especially the ones that are kind of "cartoon-ish" or down-right grotesque in design, it's actually really disturbing to think of them really existing. [[spoiler:In the hypothetical real-life scenario obviously.]] It's easy to shrug off the make-up and vile creatures as just that but say that really is [[WillingSuspensionOfDisbelief just what they look like]]. ''What they are''. ...It makes the predicament the characters face seem all the more dire. Especially when thy are essentially trapped with them all in what's basically their nest.
** Makes you kinda dread what else the Titty Twister could be host to...
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* Seth leaves Richard alone with hostage. Seth returns and witnesses result.