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* SharpDressedMen: Both men, as seen in the main image.
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* SharpDressedMen: SharpDressedMan: Both men, as seen in the main image.
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* SharpDressedMen: Both men, as seen in the main image.
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Changed line(s) 65 (click to see context) from:
* HiddenTrack: ''Pocket Universe'' includes the single remix of "To the Sea" as a twelfth track not listed on the packaging.
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* HiddenTrack: ''Pocket Universe'' includes the single remix of "To the Sea" as a twelfth track not listed on the packaging. It ''is'', however, given away on a shrinkwrap sticker.
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* PopStarComposer: The band provided the soundtrack for ''Film/NunsOnTheRun'', using rough cuts of the material from ''Flag''.
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* HiddenTrack: ''Pocket Universe'' includes the single remix of "To the Sea" as a twelfth track not listed on the packaging.
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** The single remix of "To the Sea" turns it from a TripHop song to a {{trance}} piece.
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** The lyrics to "Planet Dada" consist only of a TitleDrop, "electric," and "erotic," repeated in various different ways.
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* StockFootage: The music video for "Planet Dada" prominently recycles clips from the music video for "Do It" nearly a decade prior, albeit with a blue tint instead of a red one. This is contrasted with newly shot greenscreen footage of Dieter Meier singing the lyrics to "Planet Dada".
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** ''Baby'' features a cover photo of Boris Blank and Dieter Meier posing against an elaborate drawing by Ernst Gamper. While the cover used in most regions depicts the pair leaning down and staring into the camera, with Meier on the left and Blank on the right, the initial UK release features and alternate photo depicting Blank on the left, standing upright and crossing his arms, and Meier on the right, still leaning down. Later UK editions switch to the international cover.
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** ''Baby'' features a cover photo of Boris Blank and Dieter Meier posing against an elaborate drawing by Ernst Gamper. While the cover used in most regions depicts the pair leaning down and staring into the camera, with Meier on the left and Blank on the right, the initial UK release features and an alternate photo depicting Blank on the left, standing upright and crossing his arms, and Meier on the right, still leaning down. Later UK editions switch to the international cover.
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** ''Baby'' features a cover photo of Boris Blank and Dieter Meier posing against an elaborate drawing by Ernst Gamper. While the cover used in most regions depicts the pair leaning down and staring into the camera, with Meier on the left and Blank on the right, the initial UK release features and alternate photo depicting Blank on the left, standing upright and crossing his arms, and Meier on the right, still leaning down. Later UK editions switch to the international cover.
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** The single remix of "Jungle Bill" features the sound effect used when stomping on a Koopaling in ''VideoGame/SuperMarioWorld'', albeit pitched up. The single released just four months after the game came out in Europe.
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** The single video remix of "Jungle Bill" features the sound effect used when stomping on a Koopaling in ''VideoGame/SuperMarioWorld'', albeit pitched up. The single released just four months after the game came out in Europe.
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* SpeedyTechnoRemake: The [[https://www.youtube.com/watch?v=aSIZCHeUlqk&pp=ygURanVuZ2xlIGJpbGwgeWVsbG8%3D album version]] of "Jungle Bill" is a mix of {{funk}} and swing in their usual, layered, sample-heavy style. The [[https://www.youtube.com/watch?v=Mgm9nyGYRX0&pp=ygURanVuZ2xlIGJpbGwgeWVsbG8%3D single version]], meanwhile, substantially remixes it as a faster-paced {{trance}} piece.
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* SpeedyTechnoRemake: The [[https://www.youtube.com/watch?v=aSIZCHeUlqk&pp=ygURanVuZ2xlIGJpbGwgeWVsbG8%3D album version]] of "Jungle Bill" is a mix of {{funk}} and swing in their usual, layered, sample-heavy style. The [[https://www.youtube.com/watch?v=Mgm9nyGYRX0&pp=ygURanVuZ2xlIGJpbGwgeWVsbG8%3D single music video version]], meanwhile, substantially remixes it as a faster-paced {{trance}} piece.
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* ObsessionSong: "Oh Yeah". See "StandardSnippet."
* PiranhaProblem: Apparently, Manaus and The Amazonas are so infested by them that "Great Mission" has to mention them four times.
* PiranhaProblem: Apparently, Manaus and The Amazonas are so infested by them that "Great Mission" has to mention them four times.
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* ObsessionSong: While not overtly written as one, "Oh Yeah". See "StandardSnippet."
Yeah" became a StandardSnippet for decadent lust and avarice after its constant inclusion in film and TV soundtracks.
* PiranhaProblem: Apparently, Manaus andThe the Amazonas are so infested by them that "Great Mission" has to mention them four times.
* PiranhaProblem: Apparently, Manaus and
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* ShoutOut: The music video for "Pinball Cha-Cha" features figurines of Wimpy from ''ComicStrip/{{Popeye}}'' during the stop-motion sequences.
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* ShoutOut: ShoutOut:
** The music video for "Pinball Cha-Cha" features figurines of Wimpy from ''ComicStrip/{{Popeye}}'' during the stop-motionsequences.sequences.
** The single remix of "Jungle Bill" features the sound effect used when stomping on a Koopaling in ''VideoGame/SuperMarioWorld'', albeit pitched up. The single released just four months after the game came out in Europe.
** The music video for "Pinball Cha-Cha" features figurines of Wimpy from ''ComicStrip/{{Popeye}}'' during the stop-motion
** The single remix of "Jungle Bill" features the sound effect used when stomping on a Koopaling in ''VideoGame/SuperMarioWorld'', albeit pitched up. The single released just four months after the game came out in Europe.
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!!Members:
* Boris Blank: keyboards, sampling, percussion, backing vocals (1979–)
* Dieter Meier: vocals, lyrics (1979–)
* Carlos Perón: tapes (1979–1983)
* Boris Blank: keyboards, sampling, percussion, backing vocals (1979–)
* Dieter Meier: vocals, lyrics (1979–)
* Carlos Perón: tapes (1979–1983)
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* LimitedLyricsSong: While the band's songs usually lean towards wordiness, "Oh Yeah" is very sparse in the lyrical department, with the only distinct lines (other than the nonverbal mouth sounds) being a TitleDrop, "the moon, beautiful," "the sun, even more beautiful," "beautiful," and "such a good time, a really good time." According to Boris Blank, vocalist Dieter Meier was "very angry" when he was asked to only say "oh yeah" over and over again, and it wasn't until after the song was recorded that he came around to it.
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* LimitedLyricsSong: While the band's songs usually lean towards wordiness, there are some songs that break this convention:
** The lyrics for the album version of "Bostich" consist solely of one verse, which is repeated five times.
** "Oh Yeah" is very sparse in the lyrical department, with the only distinct lines (other than the nonverbal mouth sounds) being a TitleDrop, "the moon, beautiful," "the sun, even more beautiful," "beautiful," and "such a good time, a really good time." According to Boris Blank, vocalist Dieter Meier was "very angry" when he was asked to only say "oh yeah" over and over again, and it wasn't until after the song was recorded that he came around to it.
** The lyrics for the album version of "Bostich" consist solely of one verse, which is repeated five times.
** "Oh Yeah" is very sparse in the lyrical department, with the only distinct lines (other than the nonverbal mouth sounds) being a TitleDrop, "the moon, beautiful," "the sun, even more beautiful," "beautiful," and "such a good time, a really good time." According to Boris Blank, vocalist Dieter Meier was "very angry" when he was asked to only say "oh yeah" over and over again, and it wasn't until after the song was recorded that he came around to it.
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* RearrangeTheSong: As ''Touch Yello'' was made to commemorate the band's 30th anniversary, it includes a remix of "Bostich", a song from their debut album. The deluxe edition of the album also throws in a second remix of "Bostich" plus remixes of "The Race" and "Oh Yeah".
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* RearrangeTheSong: RearrangeTheSong:
** The single release of "Bostich" features a new arrangement with extra verses by Dieter Meier (since the original was just [[LimitedLyricsSong a single verse repeated ad infinitum]]). This rendition would be retroactively retitled "Bostich (N'est-ce Pas)" when it was included as a bonus track on the 2005 remaster of ''Solid Pleasure''.
** As ''Touch Yello'' was made to commemorate the band's 30th anniversary, it includes a remix of "Bostich", a song from their debut album. The deluxe edition of the album also throws in a second remix of "Bostich" plus remixes of "The Race" and "Oh Yeah".
** The single release of "Bostich" features a new arrangement with extra verses by Dieter Meier (since the original was just [[LimitedLyricsSong a single verse repeated ad infinitum]]). This rendition would be retroactively retitled "Bostich (N'est-ce Pas)" when it was included as a bonus track on the 2005 remaster of ''Solid Pleasure''.
** As ''Touch Yello'' was made to commemorate the band's 30th anniversary, it includes a remix of "Bostich", a song from their debut album. The deluxe edition of the album also throws in a second remix of "Bostich" plus remixes of "The Race" and "Oh Yeah".
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* IdiosyncraticCoverArt: The single releases of "Pinball Cha-Cha", "You Gotta Say Yes to Another Excess", "Pumping Velvet", "I Love You", "Lost Again", "Let Me Cry", "Goldrush", and "Base for Alec" reuse the band logo from the front cover for ''You Gotta Say Yes to Another Excess'', even though most of those singles came from other albums.
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* LimitedLyricsSong: While the band's songs usually lean towards wordiness, "Oh Yeah" is very sparse in the lyrical department, with the only distinct lines (other than the nonverbal mouth sounds) being a TitleDrop, "the moon, beautiful," "the sun, even more beautiful," "beautiful," and "such a good time, a really good time." According to Boris Blank, vocalist Dieter Meier was "very angry" when he was asked to only say "oh yeah" over and over again, and it wasn't until after the song was recorded that he came around to it.
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* {{Epiphora}}: "Oh Yeah" features a minor epiphora with the lines "such a '''good time''', a really '''good time'''."
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* {{Symploce}}: The [[LimitedLyricsSong minimalist lyrics]] of "Oh Yeah" contain a minor recurring symploce:
-->'''The''' moon, '''beautiful'''\\
'''The''' sun, even more '''beautiful'''
-->'''The''' moon, '''beautiful'''\\
'''The''' sun, even more '''beautiful'''
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* AlternateAlbumCover: The original release of the band's first GreatestHitsAlbum depicts headshots of Boris Blank and Dieter Meier. The 1995 reissue, done to promote ''Film/TheSantaClause1'' (which the band contributed a song for), adds an outer slipcase based on the film poster, though the original artwork is still present on the front of the jewel case's booklet.
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* AlternateAlbumCover: AlternateAlbumCover:
** The initial US release of ''Claro Que Si'' featured three different variations of the album art: one with the standard green backdrop, one with an orange backdrop, and one with a yellow backdrop. While most reissues worldwide stuck with the green cover, the orange one would briefly reemerge via a 2005 vinyl reissue in Germany.
** The original release of the band's first GreatestHitsAlbum depicts headshots of Boris Blank and Dieter Meier. The 1995 reissue, done to promote ''Film/TheSantaClause1'' (which the band contributed a song for), adds an outer slipcase based on the film poster, though the original artwork is still present on the front of the jewel case's booklet.
** The initial US release of ''Claro Que Si'' featured three different variations of the album art: one with the standard green backdrop, one with an orange backdrop, and one with a yellow backdrop. While most reissues worldwide stuck with the green cover, the orange one would briefly reemerge via a 2005 vinyl reissue in Germany.
** The original release of the band's first GreatestHitsAlbum depicts headshots of Boris Blank and Dieter Meier. The 1995 reissue, done to promote ''Film/TheSantaClause1'' (which the band contributed a song for), adds an outer slipcase based on the film poster, though the original artwork is still present on the front of the jewel case's booklet.
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Yello is a Swiss {{avant garde|Music}} ElectronicMusic duo comprised of Dieter Meier and Boris Blank. Their music is characterized by its heavy reliance on unusual samples backed by catchy rhythms and Meier's deep voice.
to:
Yello is a Swiss {{avant garde|Music}} ElectronicMusic duo (initially a trio before founding member Carlos Perón's departure) comprised of Dieter Meier and Boris Blank. Their music is characterized by its heavy reliance on unusual samples backed by catchy rhythms and Meier's deep voice.
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* EarlyInstallmentWeirdness: Yello's first three albums lean much more into the {{industrial}} sounds that influenced Boris Blank and Carlos Perón. While ''Stella'', the band's first album without Perón, still features a number of identifiably industrial songs, their subsequent output would lean further and further away from the genre in favor of other forms of electronic music.
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* VoiceClipSong: "Unbelievable", the band's theme song for ''Film/TheAdventuresOfFordFairlane'', chops and screws samples of Creator/AndrewDiceClay's dialogue as Ford Fairlane.
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* StepUpToTheMicrophone: "Blazing Saddles" sees Boris Blank sing lead vocals instead of Dieter Meier; the music video consequently inverts their typical RedOniBlueOni stage dynamic, with Blank being the song's vibrant showman and Meier being the stoic backing performer.
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* StepUpToTheMicrophone: "Swing" and "Blazing Saddles" sees see Boris Blank sing lead vocals instead of Dieter Meier; the music video for the latter consequently inverts their typical RedOniBlueOni stage dynamic, with Blank being the song's vibrant showman and Meier being the stoic backing performer.
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* AlternateAlbumCover: The original release of the band's first GreatestHitsAlbum depicts headshots of Boris Blank and Dieter Meier. The 1995 reissue, done to promote ''Film/TheSantaClause1'' (which the band contributed a song for), adds an outer slipcase based on the film poster, though the original artwork is still present on the front of the jewel case's booklet.
* FanDisservice: In the music video for "Squeeze Please", several sequences involve the female dancers having Dieter Meier's head pasted on them as a sight gag.
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* SignatureStyle: The band's music videos in the '80s and '90s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stock footage; in videos where rear projections aren't the main focus, the band would frequently find a way to slot them in anyway. In the 21st century, they traded out the rear projections for ChromaKey.
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* SignatureStyle: The band's music videos in the '80s and early '90s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stock footage; in videos where rear projections aren't the main focus, the band would frequently find a way to slot them in anyway. In Since the 21st century, they late '90s, they've traded out the rear projections for ChromaKey.ChromaKey and CGI.
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* StepUpToTheMicrophone: "Blazing Saddles" sees Boris Blank sing lead vocals instead of Dieter Meier; the music video consequently inverts their typical RedOniBlueOni stage dynamic, with Blank being the song's vibrant showman and Meier being the stoic backing performer.
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* ''1980-1985 The New Mix in One Go]]'' (1986)
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* ''1980-1985 The New Mix in One Go]]'' Go'' (1986)
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!! Discography:
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!!!Studio Albums:
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* ''[[RemixAlbum 1980-1985 The New Mix in One Go]]'' (1986)
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* ''[[RemixAlbum Bostich]]'' (1992)
* ''[[GreatestHitsAlbum Essential Yello]]'' (1992)
* ''[[GreatestHitsAlbum Essential Yello]]'' (1992)
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* ''[[RemixAlbum Hands On Yello]]'' (1995)
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* ''[[RemixAlbum Eccentrix Remixes]]'' (1999)
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* ''Progress and Perfection'' (2007)
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* ''[[GreatestHitsAlbum Yello by Yello]]'' (2010)
* ''The Key to Perfection'' (2012)
* ''The Key to Perfection'' (2012)
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* ''[[LiveAlbum Live in Berlin]]'' (2017)
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!!!{{Live Album}}s:
* ''Live in Berlin'' (2017)
!!!{{Remix Album}}s:
* ''1980-1985 The New Mix in One Go]]'' (1986)
* ''Bostich'' (1992)
* ''Hands On Yello'' (1995)
* '' Eccentrix Remixes'' (1999)
!!!Promotional albums:
* ''Progress and Perfection'' (2007)
* ''The Key to Perfection'' (2012)
!!!{{Greatest Hits Album}}s:
* ''Essential Yello'' (1992)
* ''Yello by Yello'' (2010)
* ''[=Yell40=] Years'' (2021)
* ''Live in Berlin'' (2017)
!!!{{Remix Album}}s:
* ''1980-1985 The New Mix in One Go]]'' (1986)
* ''Bostich'' (1992)
* ''Hands On Yello'' (1995)
* '' Eccentrix Remixes'' (1999)
!!!Promotional albums:
* ''Progress and Perfection'' (2007)
* ''The Key to Perfection'' (2012)
!!!{{Greatest Hits Album}}s:
* ''Essential Yello'' (1992)
* ''Yello by Yello'' (2010)
* ''[=Yell40=] Years'' (2021)
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* CoverVersion: The band released exactly one: a techno rendition of "Jingle Bells" for ''Film/TheSantaClause1'', featuring Dieter Meier performing a Christmas version of the voiceover from "Oh Yeah".
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* SpeedyTechnoRemake: The [[https://www.youtube.com/watch?v=aSIZCHeUlqk&pp=ygURanVuZ2xlIGJpbGwgeWVsbG8%3D album version]] of "Jungle Bill" is a mix of {{funk}} and swing in their usual, layered, sample-heavy style. The [[https://www.youtube.com/watch?v=Mgm9nyGYRX0&pp=ygURanVuZ2xlIGJpbGwgeWVsbG8%3D single version]], meanwhile, substantially remixes it as a faster-paced {{trance}} piece.
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* VideoFullOfFilmClips: The music video for "Jingle Bells" intercuts snippets from ''Film/TheSantaClause1'' with footage of Dieter Meier reciting the song's voiceover in a blue void. The only other original footage is a cameo from Creator/TimAllen depicting him in-character as Scott Calvin.
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* RearrangeTheSong: As ''Touch Yello'' was made to commemorate the band's 40th anniversary, it includes a remix of "Bostich", a song from their debut album. The deluxe edition of the album also throws in a second remix of "Bostich" plus remixes of "The Race" and "Oh Yeah".
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* RearrangeTheSong: As ''Touch Yello'' was made to commemorate the band's 40th 30th anniversary, it includes a remix of "Bostich", a song from their debut album. The deluxe edition of the album also throws in a second remix of "Bostich" plus remixes of "The Race" and "Oh Yeah".
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* RearrangeTheSong: As ''Touch Yello'' was made to commemorate the band's 40th anniversary, it includes a remix of "Bostich", a song from their debut album. The deluxe edition of the album also throws in a second remix of "Bostich" plus remixes of "The Race" and "Oh Yeah".
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* SignatureStyle: The band's music videos in the '80s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stock footage. In the 21st century, they traded out the rear projections for ChromaKey.
to:
* ShoutOut: The music video for "Pinball Cha-Cha" features figurines of Wimpy from ''ComicStrip/{{Popeye}}'' during the stop-motion sequences.
* SignatureStyle: The band's music videos in the '80s and '90s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stockfootage.footage; in videos where rear projections aren't the main focus, the band would frequently find a way to slot them in anyway. In the 21st century, they traded out the rear projections for ChromaKey.
* SignatureStyle: The band's music videos in the '80s and '90s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stock
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* WholePlotReference: "Pinball Cha-Cha" takes the plot of Music/TheWho's [[Music/{{Tommy}} "Pinball Wizard"]] and transplants it to Mexico.
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* TheComicallySerious: Yello's music videos frequently feature Boris Blank engaging in some of the most out-there dance moves and behaviors possible while maintaining his stoic and unamused demeanor.
* RedOniBlueOni: While both long-term members of Yello are steeped in Deutschosphere stoicism, their stage presence and public image are built on the contrast between Dieter Meier's dynamic eccentricity and Boris Blank's arthouse stuffiness, which he uses to come off as TheComicallySerious in the group's music videos.
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* {{Sampling}}: A significant part of their compositions are either samples of non-musical sounds re-arranged in musical/rhythmic ways (for example, "Koladi-Ola" is a sped-up sound effect from an animal sounds album of a lion roaring) or musical instruments which Boris Blank recorded himself and heavily re-engineered beyond recognition. Over the years of creating music, he's built up an original sample library of over 100,000 named and categorized sounds.
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* {{Sampling}}: A significant part of their compositions are either samples of non-musical sounds re-arranged in musical/rhythmic ways (for example, "Koladi-Ola" is a sped-up sound effect from an animal sounds album of a lion roaring) or musical instruments which Boris Blank recorded himself and heavily re-engineered beyond recognition. Over the years of creating music, he's built up an original sample library of over 100,000 named and categorized sounds.sounds thanks to his longtime fascination with ''musique concrète'' tape experiments.
* SignatureStyle: The band's music videos in the '80s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stock footage. In the 21st century, they traded out the rear projections for ChromaKey.
* SignatureStyle: The band's music videos in the '80s typically revolve around Dieter Meier and Boris Blank performing in front of a rear projection screen while awash in neon lighting, intercut with rapid-fire stop motion sequences and/or stock footage. In the 21st century, they traded out the rear projections for ChromaKey.
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* TechnicianVersusPerformer: Dieter's fun, quirky showmanship contrasted with Boris' art-house class and technical brilliance.