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Changed line(s) 62,63 (click to see context) from:
** "You Belong to Me" sounds a great deal like Music/TheRollingStones around the time of ''Music/{{Aftermath}}''. Also, the melody bears more than a passing resemblance to the Stones' "The Last Time".
** In the liner notes to the 2002 reissue, Elvis states that "This Year's Girl" was meant to be a less venomous rewrite of the Stones' "Stupid Girl", also from ''Music/{{Aftermath}}''.
** In the liner notes to the 2002 reissue, Elvis states that "This Year's Girl" was meant to be a less venomous rewrite of the Stones' "Stupid Girl", also from ''Music/{{Aftermath}}''.
to:
** "You Belong to Me" sounds a great deal like Music/TheRollingStones around the time of ''Music/{{Aftermath}}''.''Music/AftermathAlbum''. Also, the melody bears more than a passing resemblance to the Stones' "The Last Time".
** In the liner notes to the 2002 reissue, Elvis states that "This Year's Girl" was meant to be a less venomous rewrite of the Stones' "Stupid Girl", also from''Music/{{Aftermath}}''.''Music/AftermathAlbum''.
** In the liner notes to the 2002 reissue, Elvis states that "This Year's Girl" was meant to be a less venomous rewrite of the Stones' "Stupid Girl", also from
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:The original British cover, featuring a [[StylisticSuck deliberate printing mistake]]. This "mistake" was fixed on most subsequent pressings, but was restored on a 2006 Japanese CD and a 2015 vinyl reissue.]]
to:
[[caption-width-right:350:The original British cover, featuring a [[StylisticSuck deliberate printing mistake]]. This "mistake" was fixed on most subsequent pressings, but was restored on a 2006 Japanese CD and a 2015 vinyl reissue.]]
Changed line(s) 95 (click to see context) from:
* StylisticSuck: Early British pressings included a deliberately mispressed cover, in which the cover image is positioned so off-center that the first letters in "Elvis" and "This" are out-of-view while the color blocks[[note]]used in factories to test for ink deficiencies; most people recognize them as those weird colorful circles on food packaging[[/note]] are ''in''-view. Reissues "corrected" this error before it was restored in 2015; apparently no one got the memo that it was ''supposed'' to look like the printer fucked up.
to:
* StylisticSuck: Early British pressings included a deliberately mispressed cover, in which the cover image is positioned so off-center that the first letters in "Elvis" and "This" are out-of-view while the color blocks[[note]]used in factories to test for ink deficiencies; most people recognize them as those weird colorful circles on food packaging[[/note]] are ''in''-view. Reissues Nearly all reissues "corrected" this error before it was restored in 2015; apparently error; either no one got the memo that it was ''supposed'' to look like the printer fucked up.up, or [[ViewersAreMorons they feared audiences wouldn't get the joke]].\\
A few reissues did feature the original cover, misprinting and all, such as Japanese CD editions from 2003, 2006, and 2008, and US LP editions from 2010, 2015, and 2019. Also the 2007 Hip-O Records CD version is an odd compromise: It's a digipak featuring the "corrected" version of the UK cover art on the front, while the liner notes booklet combines the printing error with the alternate photo from the ''American'' cover art.
A few reissues did feature the original cover, misprinting and all, such as Japanese CD editions from 2003, 2006, and 2008, and US LP editions from 2010, 2015, and 2019. Also the 2007 Hip-O Records CD version is an odd compromise: It's a digipak featuring the "corrected" version of the UK cover art on the front, while the liner notes booklet combines the printing error with the alternate photo from the ''American'' cover art.
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Changed line(s) 97 (click to see context) from:
* TitledAfterTheSong: ''Series/BuffyTheVampireSlayer'' has a Faith-centric episode called "This Year's Girl".
to:
* TitledAfterTheSong: ''Series/BuffyTheVampireSlayer'' has a Faith-centric episode called "This "[[Recap/BuffyTheVampireSlayerS4E15ThisYearsGirl This Year's Girl".Girl]]".
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Changed line(s) 47,49 (click to see context) from:
-->''I wanna bite the hand that feeds me.''\\
''I wanna bite that hand so badly.''\\
''I want to make them wish they'd never seen me.''
''I wanna bite that hand so badly.''\\
''I want to make them wish they'd never seen me.''
to:
-->''I wanna bite the hand that feeds me.''\\
me''\\
''I wanna bite that hand sobadly.''\\
badly''\\
''I want to make them wish they'd never seenme.''me''
''I wanna bite that hand so
''I want to make them wish they'd never seen
Changed line(s) 51 (click to see context) from:
-->''On the beat, on the beat.\\
to:
-->''On the beat, on the beat.\\beat\\
Changed line(s) 54 (click to see context) from:
Though you never enjoy, such a pleasure to employ."''
to:
Though you never enjoy, such a pleasure to employ."''employ"''
Changed line(s) 79 (click to see context) from:
You better listen to the radio ...''
to:
You better listen to the radio ...''radio''
Changed line(s) 83 (click to see context) from:
Knowing you're with him is driving me crazy.\\
to:
Knowing you're with him is driving me crazy.\\crazy\\
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Changed line(s) 102,103 (click to see context) from:
* VariantCover: The British/European, American, and Scandinavian covers all have variations on three of the four cover/innersleeve photos. The front always has Elvis at the camera, the back always has Elvis and the Attractions posing in a UsefulNotes/NewYorkCity hotel room, and one side of the innersleeve always has a gloved hand holding a mini-TV whose screen shows an image from the group's ''Series/SaturdayNightLive'' appearance; however, all three images are slightly different on each release. Only the other innersleeve photo (mannequin body parts in front of a row of washing machines) is the same on each version.
* VisualPun: The front cover, which has Costello as a photographer, and the viewer as, well, this year's model.
* VisualPun: The front cover, which has Costello as a photographer, and the viewer as, well, this year's model.
to:
* VariantCover: The British/European, American, and Scandinavian covers all have variations on three of the four cover/innersleeve photos. The front always has Elvis at the camera, the back always has Elvis and the Attractions posing in a UsefulNotes/NewYorkCity hotel room, and one side of the innersleeve always has a gloved hand holding a mini-TV whose screen shows an image a shot from the group's ''Series/SaturdayNightLive'' appearance; however, all three images are slightly different on each release. Only the other innersleeve photo (mannequin body parts in front of a row of washing machines) is the same on each version.
* VisualPun: The front cover, which has Costello as aphotographer, photographer and the viewer as, well, this year's model.
* VisualPun: The front cover, which has Costello as a
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Changed line(s) 90 (click to see context) from:
* ShoutOut: he album is on both sides of this trope.
to:
* ShoutOut: he The album is on both sides of this trope.
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Changed line(s) 102 (click to see context) from:
* VariantCover: The British/European, American, and Scandinavian covers all have variations on three of the four cover/innersleeve photos. The front always has Elvis at the camera, the back always has Elvis and the Attractions posing in a UsefulNotes/NewYorkCity hotel room, and one side of the innersleeve always has a gloved hand holding a mini-TV whose screen shows an image from the group's ''Series/SaturdayNightLive'' appearance; however, all three images are slightly different on each release. Only the other innersleeve photo (a photo of mannequin body parts in front of a row of washing machines) is the same on each version.
to:
* VariantCover: The British/European, American, and Scandinavian covers all have variations on three of the four cover/innersleeve photos. The front always has Elvis at the camera, the back always has Elvis and the Attractions posing in a UsefulNotes/NewYorkCity hotel room, and one side of the innersleeve always has a gloved hand holding a mini-TV whose screen shows an image from the group's ''Series/SaturdayNightLive'' appearance; however, all three images are slightly different on each release. Only the other innersleeve photo (a photo of mannequin (mannequin body parts in front of a row of washing machines) is the same on each version.
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None
Added DiffLines:
* VariantCover: The British/European, American, and Scandinavian covers all have variations on three of the four cover/innersleeve photos. The front always has Elvis at the camera, the back always has Elvis and the Attractions posing in a UsefulNotes/NewYorkCity hotel room, and one side of the innersleeve always has a gloved hand holding a mini-TV whose screen shows an image from the group's ''Series/SaturdayNightLive'' appearance; however, all three images are slightly different on each release. Only the other innersleeve photo (a photo of mannequin body parts in front of a row of washing machines) is the same on each version.
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* BadassBoast: From the VillainProtagonist of "Hand in Hand", who is apparently some sort of crime boss.
-->''Don't you know I got the bully boys out\\
Changing someone's facial design\\
Sitting with my toy room lout\\
Polishing my precious china\\
Don't you know I'm an animal?\\
Don't you know I can't stand up steady?\\
But you can't show me any kind of hell that I don't know already''
-->''Don't you know I got the bully boys out\\
Changing someone's facial design\\
Sitting with my toy room lout\\
Polishing my precious china\\
Don't you know I'm an animal?\\
Don't you know I can't stand up steady?\\
But you can't show me any kind of hell that I don't know already''
Changed line(s) 43,46 (click to see context) from:
--> ''On the beat, on the beat.''\\
''Till a man comes along and he says,''\\
''"Have you been a good boy, never played with your toy?''\\
''Though you never enjoy, such a pleasure to employ."''
''Till a man comes along and he says,''\\
''"Have you been a good boy, never played with your toy?''\\
''Though you never enjoy, such a pleasure to employ."''
to:
''Till
Till a man comes along and he
''"Have
"Have you been a good boy, never played with your
''Though
Though you never enjoy, such a pleasure to employ."''
Changed line(s) 49,52 (click to see context) from:
-->''I don't like those other guys looking at your curves''\\
''I don't like you walking 'round with physical jerks''\\
''Everything they say and do is getting on my nerves''\\
''Soon they will be lucky to be picking up the perks.''
''I don't like you walking 'round with physical jerks''\\
''Everything they say and do is getting on my nerves''\\
''Soon they will be lucky to be picking up the perks.''
to:
-->''I don't like those other guys looking at your curves''\\
''Icurves\\
I don't like you walking 'round with physicaljerks''\\
''Everythingjerks\\
Everything they say and do is getting on mynerves''\\
''Soonnerves\\
Soon they will be lucky to be picking up theperks.''perks''
''I
I don't like you walking 'round with physical
''Everything
Everything they say and do is getting on my
''Soon
Soon they will be lucky to be picking up the
Changed line(s) 76,77 (click to see context) from:
Sometimes I phone you when I know you're not lonely,''\\
''But I always disconnect it in time.''
''But I always disconnect it in time.''
to:
Sometimes I phone you when I know you're not lonely,''\\
''Butlonely,\\
But I always disconnect it intime.''time''
''But
But I always disconnect it in
Changed line(s) 79,80 (click to see context) from:
-->''Lip service is all you'll ever get from me [3x]''\\
''But if you change your mind, you can send it in a letter to me''
''But if you change your mind, you can send it in a letter to me''
to:
-->''Lip service is all you'll ever get from me [3x]''\\
''But[3x]\\
But if you change your mind, you can send it in a letter to me''
''But
But if you change your mind, you can send it in a letter to me''
Changed line(s) 82 (click to see context) from:
* ShoutOut:
to:
* ShoutOut:ShoutOut: he album is on both sides of this trope.
Changed line(s) 91,93 (click to see context) from:
-->''No, don't ask me to apologize''\\
''I won't ask you to forgive me''\\
''If I'm gonna go down, you're gonna come with me.''
''I won't ask you to forgive me''\\
''If I'm gonna go down, you're gonna come with me.''
to:
-->''No, don't ask me to apologize''\\
''Iapologize\\
I won't ask you to forgiveme''\\
''Ifme\\
If I'm gonna go down, you're gonna come with me.''
''I
I won't ask you to forgive
''If
If I'm gonna go down, you're gonna come with me.''
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Changed line(s) 85 (click to see context) from:
** ''Series/BuffyTheVampireSlayer'' has a Faith-centric episode called "This Year's Girl".
to:
** ''Series/BuffyTheVampireSlayer'' ''WesternAnimation/{{Daria}}'' has a Faith-centric an episode called "This titled "[[Recap/DariaS1E06 This Year's Girl".Model]]".
Changed line(s) 89 (click to see context) from:
* TitledAfterTheSong: Besides the ''Series/BuffyTheVampireSlayer'' example above, ''WesternAnimation/{{Daria}}'' has an episode titled "This Year's Model".
to:
* TitledAfterTheSong: Besides the ''Series/BuffyTheVampireSlayer'' example above, ''WesternAnimation/{{Daria}}'' has an a Faith-centric episode titled called "This Year's Model".Girl".
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Changed line(s) 36 (click to see context) from:
* AccentUponTheWrongSyllable: From "The Beat": "I'd do anything to con-FUSE the enemy".
to:
* AccentUponTheWrongSyllable: From "The Beat": "I'd Beat":
-->''I'd do anything to con-FUSE theenemy".enemy.''
-->''I'd do anything to con-FUSE the
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Changed line(s) 32,33 (click to see context) from:
The original US release dropped "Chelsea" and "Night Rally" because Columbia Records, thought their lyrics were "too British". They were replaced by "Radio Radio", a song already (in)famous for getting Costello banned from ''Series/SaturdayNightLive''. Most CD releases include both songs, either on the primary disc or a bonus disc.
to:
The original US release dropped "Chelsea" and "Night Rally" because Columbia Records, executives thought their lyrics were "too British". They were replaced by "Radio Radio", a song already (in)famous for getting Costello banned from ''Series/SaturdayNightLive''. Most CD releases include both songs, either on the primary disc or a bonus disc.
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Changed line(s) 10,11 (click to see context) from:
''This Year's Model'' is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. It was originally released in March 1978 on Creator/RadarRecords in England and Creator/ColumbiaRecords in America. One of the towering documents of the early NewWaveMusic, ''TYM'' has been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
to:
''This Year's Model'' is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. It was originally released in March 1978 on Creator/RadarRecords in England and Creator/ColumbiaRecords in America. One of the towering documents of the early NewWaveMusic, ''TYM'' has been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
America.
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Changed line(s) 10,11 (click to see context) from:
''This Year's Model''is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. It was originally released in March 1978 on Creator/RadarRecords in England and Creator/ColumbiaRecords in America. One of the towering documents of the early NewWaveMusic, ''TYM'' has been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
to:
''This Year's Model''is Model'' is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. It was originally released in March 1978 on Creator/RadarRecords in England and Creator/ColumbiaRecords in America. One of the towering documents of the early NewWaveMusic, ''TYM'' has been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
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Changed line(s) 4 (click to see context) from:
->''"You say you're sorry for the things that you have done\\
to:
Changed line(s) 7 (click to see context) from:
Sometimes I almost feel just like a human being"''
to:
Sometimes I almost feel just like a human being"''being''
Changed line(s) 10,11 (click to see context) from:
''This Year's Model'', released in March 1978, is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. One of the towering documents of the early NewWaveMusic, it's been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
to:
''This Year's Model'', released in March 1978, is Model''is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. It was originally released in March 1978 on Creator/RadarRecords in England and Creator/ColumbiaRecords in America. One of the towering documents of the early NewWaveMusic, it's ''TYM'' has been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
Changed line(s) 32,33 (click to see context) from:
The original US release dropped "Chelsea" and "Night Rally" because Costello's American label, Creator/ColumbiaRecords, thought their lyrics were "too British". They were replaced by "Radio Radio", a song already (in)famous for getting Costello banned from ''Series/SaturdayNightLive''. Most CD releases include both songs, either on the primary disc or a bonus disc.
to:
The original US release dropped "Chelsea" and "Night Rally" because Costello's American label, Creator/ColumbiaRecords, Columbia Records, thought their lyrics were "too British". They were replaced by "Radio Radio", a song already (in)famous for getting Costello banned from ''Series/SaturdayNightLive''. Most CD releases include both songs, either on the primary disc or a bonus disc.
Changed line(s) 73,75 (click to see context) from:
-->''And I think about the way things used to be,''\\
''Knowing you're with him is driving me crazy.''\\
''Sometimes I phone you when I know you're not lonely,''\\
''Knowing you're with him is driving me crazy.''\\
''Sometimes I phone you when I know you're not lonely,''\\
to:
-->''And I think about the way things used to be,''\\
''Knowingbe,\\
Knowing you're with him is driving me crazy.''\\
''Sometimes\\
Sometimes I phone you when I know you're not lonely,''\\
''Knowing
Knowing you're with him is driving me crazy.
''Sometimes
Sometimes I phone you when I know you're not lonely,''\\
Added DiffLines:
* RhymingWithItself: The chorus of "Lip Service":
-->''Lip service is all you'll ever get from me [3x]''\\
''But if you change your mind, you can send it in a letter to me''
-->''Lip service is all you'll ever get from me [3x]''\\
''But if you change your mind, you can send it in a letter to me''
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:The original British cover, featuring a [[StylisticSuck deliberate printing mistake]]. This "mistake" was fixed on all subsequent pressings until it was finally restored on a 2015 reissue.]]
to:
[[caption-width-right:350:The original British cover, featuring a [[StylisticSuck deliberate printing mistake]]. This "mistake" was fixed on all most subsequent pressings until it pressings, but was finally restored on a 2006 Japanese CD and a 2015 vinyl reissue.]]
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Changed line(s) 58 (click to see context) from:
-->''I don't wanna kiss you, I don't wanna touch''
to:
-->''I don't wanna kiss you, I don't wanna touch''touch...''
Changed line(s) 65,66 (click to see context) from:
-->Radio is a sound salvation\\
''Radio is cleaning up the nation\\
''Radio is cleaning up the nation\\
to:
Changed line(s) 70,73 (click to see context) from:
You better listen to the radio ...\\
I wanna bite the hand that feeds me\\
I wanna bite that hand so badly\\
I wanna make them wish they'd never seen me''
I wanna bite the hand that feeds me\\
I wanna bite that hand so badly\\
I wanna make them wish they'd never seen me''
to:
You better listen to the radio ...\\
I wanna bite the hand that feeds me\\
I wanna bite that hand so badly\\
I wanna make them wish they'd never seen me''''
I wanna bite the hand that feeds me\\
I wanna bite that hand so badly\\
I wanna make them wish they'd never seen me''
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Changed line(s) 51 (click to see context) from:
''Soon the will be lucky to be picking up the perks.''
to:
''Soon the they will be lucky to be picking up the perks.''
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Added DiffLines:
* LyricalColdOpen: The album opens with Elvis Costello singing by himself at the start of "No Action".
-->''I don't wanna kiss you, I don't wanna touch''
-->''I don't wanna kiss you, I don't wanna touch''
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Changed line(s) 61 (click to see context) from:
* PunBasedTitle: The album was the next album after [[Music/MyAimIsTure the one released the previous year]], making it that year's model.
to:
* PunBasedTitle: The album was the next album after [[Music/MyAimIsTure [[Music/MyAimIsTrue the one released the previous year]], making it that year's model.
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Added DiffLines:
* PunBasedTitle: The album was the next album after [[Music/MyAimIsTure the one released the previous year]], making it that year's model.
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Changed line(s) 83 (click to see context) from:
* StylisticSuck: Early British pressings included a deliberately mispressed cover, in which the cover image is positioned so off-center that the first letters in "Elvis" and "This" are out-of-view while the color blocks[[note]]used in factories to test for ink deficiencies; most people recognize them as those weird colorful circles on food packaging[[/note]] are ''in''-view. Reissues corrected this error before it was restored in 2015; apparently no one got the memo that it was ''supposed'' to look like the printer fucked up.
to:
* StylisticSuck: Early British pressings included a deliberately mispressed cover, in which the cover image is positioned so off-center that the first letters in "Elvis" and "This" are out-of-view while the color blocks[[note]]used in factories to test for ink deficiencies; most people recognize them as those weird colorful circles on food packaging[[/note]] are ''in''-view. Reissues corrected "corrected" this error before it was restored in 2015; apparently no one got the memo that it was ''supposed'' to look like the printer fucked up.
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None
Changed line(s) 74 (click to see context) from:
''Knowing you with him is driving me crazy.''\\
to:
''Knowing you you're with him is driving me crazy.''\\
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None
Changed line(s) 87 (click to see context) from:
-->''"No, don't ask me to apologize''\\
to:
Changed line(s) 89 (click to see context) from:
''If I'm gonna go down, you're gonna come with me."''
to:
''If I'm gonna go down, you're gonna come with me."''''
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Changed line(s) 80 (click to see context) from:
** "The Beat" starts with the line "We're all going on a summer holiday", a possible reference to the Music/CliffRichard song and movie.
to:
** "The Beat" starts with the line "We're all going on a summer holiday", a possible reference to the Music/CliffRichard song and movie.movie ''Summer Holiday''.
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Changed line(s) 63 (click to see context) from:
Radio is cleaning up the nation\\
to:
Changed line(s) 70 (click to see context) from:
I wanna make them wish they'd never seen me
to:
I wanna make them wish they'd never seen meme''
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Changed line(s) 83 (click to see context) from:
* StylisticSuck: Early British pressings included a deliberately mispressed cover.
to:
* StylisticSuck: Early British pressings included a deliberately mispressed cover.cover, in which the cover image is positioned so off-center that the first letters in "Elvis" and "This" are out-of-view while the color blocks[[note]]used in factories to test for ink deficiencies; most people recognize them as those weird colorful circles on food packaging[[/note]] are ''in''-view. Reissues corrected this error before it was restored in 2015; apparently no one got the memo that it was ''supposed'' to look like the printer fucked up.
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Changed line(s) 52 (click to see context) from:
* InTheStyleOf: "You Belong to Me" sounds a great deal like Music/TheRollingStones around the time of ''Music/{{Aftermath}}''. Also, the melody bears more than a passing resemblance to the Stones' "The Last Time".
to:
* InTheStyleOf: InTheStyleOf:
** "You Belong to Me" sounds a great deal like Music/TheRollingStones around the time of ''Music/{{Aftermath}}''. Also, the melody bears more than a passing resemblance to the Stones' "The Last Time".
** "You Belong to Me" sounds a great deal like Music/TheRollingStones around the time of ''Music/{{Aftermath}}''. Also, the melody bears more than a passing resemblance to the Stones' "The Last Time".
Added DiffLines:
** "Pump It Up" is influenced by Music/BobDylan's "[[Music/BringingItAllBackHome Subterranean Homesick Blues]]", which in turn is derived from Music/ChuckBerry's "Too Much Monkey Business".
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Added DiffLines:
* RadioSong: "Radio Radio":
-->Radio is a sound salvation\\
Radio is cleaning up the nation\\
They say you better listen to the voice of reason\\
But they don't give you any choice 'cause they think that it's treason\\
So you had better do as you are told\\
You better listen to the radio ...\\
I wanna bite the hand that feeds me\\
I wanna bite that hand so badly\\
I wanna make them wish they'd never seen me
-->Radio is a sound salvation\\
Radio is cleaning up the nation\\
They say you better listen to the voice of reason\\
But they don't give you any choice 'cause they think that it's treason\\
So you had better do as you are told\\
You better listen to the radio ...\\
I wanna bite the hand that feeds me\\
I wanna bite that hand so badly\\
I wanna make them wish they'd never seen me
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don't link to disambiguation page!
Changed line(s) 10,11 (click to see context) from:
''This Year's Model'', released in March 1978, is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. One of the towering documents of the early NewWave, it's been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].
to:
''This Year's Model'', released in March 1978, is Music/ElvisCostello's second studio album. It is also his first with the Attractions, the crack backing band he'd recruited to tour with his previous album, ''Music/MyAimIsTrue''. One of the towering documents of the early NewWave, NewWaveMusic, it's been ranked at #98 in ''Magazine/RollingStone'' magazine's [[Music/RollingStone500GreatestAlbumsOfAllTime "The 500 Greatest Albums of All Time"]].