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Misuse. The trope refers to when pre-existing songs are reused as advertising jingles, not when albums reuse songs from earlier releases.


Musically, ''Thing-Fish'' is Zappa at his least inspired. Most of the album is cobbled together from instrumental tracks recycled from past Zappa songs, and some are [[RepurposedPopSong completely recycled earlier songs]] with new lyrics to fit whatever story the album has, sung by Ike Willis in his obnoxious Kingfish impression. The only stand-out track is the comedy novelty song "He's So Gay", which was often played at Zappa concerts.

to:

Musically, ''Thing-Fish'' is Zappa at his least inspired. Most of the album is cobbled together from instrumental tracks recycled from past Zappa songs, and some are [[RepurposedPopSong completely recycled earlier songs]] songs with new lyrics to fit whatever story the album has, sung by Ike Willis in his obnoxious Kingfish impression. The only stand-out track is the comedy novelty song "He's So Gay", which was often played at Zappa concerts.



* RepurposedPopSong:
** Several songs on this album are recycled from ''Music/ZootAllures'', ''Music/TinseltownRebellion'', ''Music/YouAreWhatYouIs'' and ''Music/ShipArrivingTooLateToSaveADrowningWitch''.
** The background music during "That Evil Prince" and "The White Boy Troubles" is a piece called "Amnerika" [[note]] Yes, spelled with a "n" in the middle [[/note]], which would only appear on a Zappa album in 1994: ''Music/CivilizationPhazeIII''.
Is there an issue? Send a MessageReason:
Discontinuity is now disambig.


Despite its BrokenBase and many fans [[{{Discontinuity}} not acknowledging its existence]], Zappa often called ''Thing-Fish'' "[[MagnumOpusDissonance one of his most essential albums]] because of its political message." Some very forgiving Zappa fans still like it as an underappreciated [[{{Satire}} satirical]] masterpiece.

to:

Despite its BrokenBase and many fans [[{{Discontinuity}} [[FanonDiscontinuity not acknowledging its existence]], Zappa often called ''Thing-Fish'' "[[MagnumOpusDissonance one of his most essential albums]] because of its political message." Some very forgiving Zappa fans still like it as an underappreciated [[{{Satire}} satirical]] masterpiece.
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A right-wing aristocratic theater critic [[UsefulNotes/ConspiracyTheories creates a disease to wipe out gay and black people]] and tests them on prisoners led by the titular character Thing-Fish; they are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians climb up the government's ranks. Meanwhile, the Mammy Nuns put on a [[ShowWithinAShow Broadway musical]] which is attended by Harry and Rhonda, a WhiteAngloSaxonProtestant couple that Thing-Fish eventually holds captive. The musical causes the pair to confront their pasts, which results in Harry coming out as gay and Rhonda (who is a blow-up doll brought to life) having sex with a briefcase out of sexual frustration.

to:

A right-wing aristocratic theater critic [[UsefulNotes/ConspiracyTheories creates a disease to wipe out gay and black people]] people and tests them on prisoners led by the titular character Thing-Fish; they are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians climb up the government's ranks. Meanwhile, the Mammy Nuns put on a [[ShowWithinAShow Broadway musical]] which is attended by Harry and Rhonda, a WhiteAngloSaxonProtestant couple that Thing-Fish eventually holds captive. The musical causes the pair to confront their pasts, which results in Harry coming out as gay and Rhonda (who is a blow-up doll brought to life) having sex with a briefcase out of sexual frustration.
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* {{Satire}}: The album is both a satirical parody about the UsefulNotes/ConspiracyTheory that AIDS was manufactured by the US government as well as Broadway musicals. The lifestyle of homosexuals is also spoofed in "He's So Gay".

to:

* {{Satire}}: The album is both a satirical parody about the UsefulNotes/ConspiracyTheory conspiracy theory that AIDS was manufactured by the US government as well as Broadway musicals. The lifestyle of homosexuals is also spoofed in "He's So Gay".
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** Kingfish says "one-Adam twelve", a reference to ''Series/AdamTwelve'', and "Book 'Em Dano", a reference to the catchphrase from ''Series/HawaiiFiveO''.

to:

** Kingfish says "one-Adam twelve", a reference to ''Series/AdamTwelve'', ''Series/Adam12'', and "Book 'Em Dano", a reference to the catchphrase from ''Series/HawaiiFiveO''.
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Added DiffLines:

* AssShove: Rhonda does this to herself with her fountain pen.
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Added DiffLines:

* PoliticallyIncorrectVillain: The Evil Prince engineered the disease that created the Mammy Nuns because he intended to wipe out gay men and black people.

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''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; the naïve but honest Amos, the arrogant, but lazy and gullible Andy, and the conniving Kingfish, all of whom spoke in a stereotypical "black" accent and exemplified various stereotypes of African Americans. A TV adaptation ran from 1951 to 1953, but hasn't been shown on TV since 1966 due to increased awareness of its anti-black overtones. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[UsefulNotes/ConspiracyTheories government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns." The resulting disease is interpreted by many as a "punishment of God," which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda (in reality a rubber sex doll brought to life) having sex with a briefcase out of sexual frustration.

A 21-page extract with photos appeared in the April issue of the pornographic magazine "Hustler", with the intent of staging the musical later, but this idea remained in DevelopmentHell until 2003, ten years after Zappa's death, when it was finally staged.

Out of all the albums Zappa released during TheEighties which got a negative reception by fans, ''Thing-Fish'' got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) it's generally considered to be his absolute worst album. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take seriously anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that ''Amos 'N' Andy'' hadn't been shown on American TV since the 1960's due to extremely dated Afro-American stereotypes, and that most other countries in the world [[NoExportForYou never saw this show at all,]] the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, some actually ''are'' earlier songs with lyrics modified to fit the story (or whatever story one can gather from the album) while Ike Willis sings over them in this obnoxious Kingfish imitation.

to:

''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 {{concept album}} by Music/FrankZappa, released in different formats, but always the same concept. It featured several Afro-American characters; the naïve but honest Amos, the arrogant, but lazy and gullible Andy, and the conniving Kingfish, all of whom spoke in a stereotypical "black" accent and exemplified various stereotypes of African Americans. 1984.

A TV adaptation ran from 1951 to 1953, but hasn't been shown on TV since 1966 due to increased awareness of its anti-black overtones. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing right-wing aristocratic theater critic [[UsefulNotes/ConspiracyTheories government biochemical warfare plan creates a disease to get rid of homosexuals wipe out gay and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" black people]] and tests them on prisoners led by the titular character Thing-Fish; they are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns." Nuns". The resulting disease is interpreted by many as a "punishment of God," God", which helps MoralGuardians and conservative Christians get more political power in climb up the elections and more influence in the government. government's ranks. Meanwhile, the mutated people Mammy Nuns put on a [[ShowWithinAShow Broadway musical, musical]] which is attended by Harry and Rhonda, a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory couple that Thing-Fish eventually leads to holds captive. The musical causes the pair being confronted with to confront their past, pasts, which results in Harry coming out of the closet as gay and Rhonda (in reality (who is a rubber sex blow-up doll brought to life) having sex with a briefcase out of sexual frustration.

A 21-page extract with photos appeared in the April issue Of all of the pornographic magazine "Hustler", with the intent of staging the musical later, but this idea remained in DevelopmentHell until 2003, ten years after Zappa's death, when it was finally staged.

Out of all the
albums Zappa released during TheEighties which got a negative reception by fans, from TheEighties, ''Thing-Fish'' got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) it's is generally considered to be his absolute worst album. worst. The plotline, as described above, is so far-fetched and pointless that the general message is ultimately gets lost and difficult to take seriously anymore. The seriously. Most of the comedy is mostly the OverlyLongGag that comes from Ike Wilis imitates the character Kingfish Willis' vocals as Thing-Fish, doing an impression of George "Kingfish" Stevens from the 1940s/1950s 1951-1953 sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that ''Amos 'N' 'n' Andy''.[[note]]Originally a 1928-1960 radio show, ''Amos 'n' Andy'' hadn't was a minstrel sitcom with three protagonists: the naïve but honest Amos; the arrogant, but lazy and gullible Andy; and the conniving Kingfish, all of whom were portrayed by white actors speaking in stereotypical dialects.[[/note]] ''Amos 'n' Andy'' has not been shown on in American TV since the 1960's TheSixties due to its [[ValuesDissonance extremely dated Afro-American stereotypes, dated]] anti-black overtones and that most other countries in the world has rarely been shown [[NoExportForYou never saw this show at all,]] outside the United States]], so the joke was totally completely lost on most audiences. Musically the album audiences.

Musically, ''Thing-Fish''
is also Zappa at his least inspired. Most of the album is cobbled together from instrumental tracks recycled from past Zappa songs, and some are [[RepurposedPopSong completely recycled earlier songs]] with new lyrics to fit whatever story the album has, sung by Ike Willis in his obnoxious Kingfish impression. The only stand-out track is the comedy novelty song "He's So Gay", which was often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier at Zappa albums, some actually ''are'' earlier songs with lyrics modified to fit the story (or whatever story one can gather from the album) while Ike Willis sings over them in this obnoxious Kingfish imitation.
concerts.
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--> ''We learned how to hide secret stuff, wrapped up in the middle of those severe terminal buns we wear! Little transmitters, HARRY, little receivers! Oh, don't pretend to be surprised, HARRY! We even had room left over in there for all of our most favorite little, embroidered, delicate, secretly feminine, child-like, helpless, pathetic, sentimental, totally useless, personal "girl-things" that smell like the stuff they put in the toilet paper.''

to:

--> ''We learned how to hide secret stuff, wrapped up in the middle of those severe terminal buns we wear! Little transmitters, HARRY, little receivers! Oh, don't pretend to be surprised, HARRY! We even had room left over in there for all of our most favorite little, embroidered, delicate, secretly feminine, child-like, helpless, pathetic, sentimental, totally useless, personal "girl-things" that smell like the stuff they put in the toilet paper.''''
* VillainSong: A proper villain song doesn't appear on the album proper, however The Evil Prince's section from The Torchum Never Stops would be expanded in a 1984 live performance in Vancouver into a full-on, stand-alone example of this trope titled "The Evil Prince".

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[[caption-width-right:350: ''This is a complete and utter disaster, Harry! A complete and utter disaster!'']]

-> ''I'll say it's disgusting, atrocious, and dull''

to:

[[caption-width-right:350: ''This [[caption-width-right:350:''"This is a complete and utter disaster, Harry! A complete and utter disaster!'']]

disaster!"'']]

-> ''I'll ''"I'll say it's disgusting, atrocious, and dull''



-> ''At a Tupper-Ware Party, so do be a smarty!''

-> '''The Torchum Never Stops'''

-> '' "Thing-Fish" is best summed up by the character Harry. When Rhonda asks him: "Is this entertainment? He replies: "This is a disaster, a complete and utter disaster." ''

-> '''Barry Miles''', quoted from "Zappa: A Biograpy", Grove Press, 2005, page 330.

to:

-> ''At a Tupper-Ware Party, so do be a smarty!''

-> '''The
smarty!"''
-->-- "'''The
Torchum Never Stops'''

Stops'''"

-> '' "Thing-Fish" ''"'Thing-Fish' is best summed up by the character Harry. When Rhonda asks him: "Is 'Is this entertainment? He entertainment?', he replies: "This 'This is a disaster, a complete and utter disaster." ''

->
'"''
-->--
'''Barry Miles''', quoted from "Zappa: ''Zappa: A Biograpy", Biograpy'', Grove Press, 2005, page 330.

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''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[UsefulNotes/ConspiracyTheories government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.

to:

''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; the naïve but honest Amos, Andy the arrogant, but lazy and Kingfish; who gullible Andy, and the conniving Kingfish, all of whom spoke in a stereotypical accent. "black" accent and exemplified various stereotypes of African Americans. A TV adaptation ran from 1951 to 1953. Since 1966 it 1953, but hasn't been shown on TV anymore since 1966 due to racial insensitivities.increased awareness of its anti-black overtones. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[UsefulNotes/ConspiracyTheories government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". Nuns." The resulting disease is interpreted by many as a "punishment of God", God," which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda (in reality a rubber sex doll brought to life) having sex with a briefcase out of sexual frustration.
frustration.



Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) it's generally considered to be his absolute worst album. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos 'N' Andy" hadn't been shown on American TV since the 1960s due to extremely dated Afro-American stereotypes and most other countries in the world never saw this show the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, while Ike Willis sings over them in this obnoxious Kingfish imitation.

Yet despite its BrokenBase and many fans [[{{Discontinuity}} not acknowledging its existence]] Zappa did often call it "one of his most [[MagnumOpusDissonance essential albums because of its political message."]]. Some very forgiving Zappa fans still like it as an underappreciated [[{{Satire}} satirical]] masterpiece.

'''Tracklist'''

to:

Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" fans, ''Thing-Fish'' got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) it's generally considered to be his absolute worst album. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious seriously anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos ''Amos 'N' Andy" Andy'' hadn't been shown on American TV since the 1960s 1960's due to extremely dated Afro-American stereotypes stereotypes, and that most other countries in the world [[NoExportForYou never saw this show at all,]] the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, some actually ''are'' earlier songs with lyrics modified to fit the story (or whatever story one can gather from the album) while Ike Willis sings over them in this obnoxious Kingfish imitation.imitation.

Despite its BrokenBase and many fans [[{{Discontinuity}} not acknowledging its existence]], Zappa often called ''Thing-Fish'' "[[MagnumOpusDissonance one of his most essential albums]] because of its political message." Some very forgiving Zappa fans still like it as an underappreciated [[{{Satire}} satirical]] masterpiece.


Yet despite its BrokenBase and many fans [[{{Discontinuity}} not acknowledging its existence]] Zappa did often call it "one of his most [[MagnumOpusDissonance essential albums because of its political message."]]. Some very forgiving Zappa fans still like it as an underappreciated [[{{Satire}} satirical]] masterpiece.

'''Tracklist'''
!!Tracklist
!!!LP One



!!!LP Two



!!!LP Three



'''Personnel'''

to:

'''Personnel'''[-CD reissues are across two discs; disc one contains sides 1-3, disc two contains sides 4-6-]

!!Personnel



* AlbumFiller: This record is padded out to a double album with a lot of songs that appeared earlier on other and better Zappa albums, with the only thing that makes them slightly different the vocal delivery and a few extra lines here and there.

to:

* AlbumFiller: This record is padded out to a double album with a lot of songs that appeared earlier on other and better Zappa albums, with the only thing that makes them slightly different the vocal delivery and a few extra lines here and there. there to fit the loosely constructed narrative.



** The original album has a [[ContentWarnings content parody]] sticker, referencing the PMRC' criticism of lyrics with questionable content around that time. It first appeared on ''Music/ThemOrUs'' (1984) and would reappear again on ''Music/FrankZappaMeetsTheMothersOfPrevention'' (1985).
--> ''WARNING/GUARANTEE: This album contains material which a truly free society would neither fear nor suppress. In some [[BeliefMakesYouStupid socially retarded areas, religious fanatics]] and [[CorruptPolitician ultra-conservative political organizations violate your First Ammendment Rights by attempting to censor rock & roll albums]]. We feel that this is un-Constitutional and [[MyCountryTisOfTheeThatISting un-American]]. As an alternative to these government-supported programs (designed to keep you docile and ignorant). Barking Pumpkin is pleased to provide stimulating digital audio entertainment for those of you who have outgrown the ordinary. The language and concepts contained herein are GUARANTEED NOT TO CAUSE ETERNAL TORMENT IN THE PLACE WHERE [[{{Satan}} THE GUY WITH THE HORNS AND POINTED STICK CONDUCTS HIS BUSINESS]]. This guarantee is as real as the threats of ther video fundamentalists who use attacks on rock music in their attempt to transform America into a nation of check-mailing nincompoops (in the name of Jesus Christ). If there is a hell, [[FireAndBrimstoneHell its fires]] wait for them, not us.''

to:

** The original album has a mock [[ContentWarnings content parody]] warning]] sticker, referencing and parodying the PMRC' PMRC's criticism of lyrics with questionable content around that time. It first appeared on ''Music/ThemOrUs'' (1984) and would reappear again on ''Music/FrankZappaMeetsTheMothersOfPrevention'' (1985).
--> ''WARNING/GUARANTEE: This album contains material which a truly free society would neither fear nor suppress. In some [[BeliefMakesYouStupid socially retarded areas, religious fanatics]] and [[CorruptPolitician ultra-conservative political organizations violate your First Ammendment Amendment Rights by attempting to censor rock & roll albums]]. We feel that this is un-Constitutional and [[MyCountryTisOfTheeThatISting un-American]]. As an alternative to these government-supported programs (designed to keep you docile and ignorant). Barking Pumpkin is pleased to provide stimulating digital audio entertainment for those of you who have outgrown the ordinary. The language and concepts contained herein are GUARANTEED NOT TO CAUSE ETERNAL TORMENT IN THE PLACE WHERE [[{{Satan}} THE GUY WITH THE HORNS AND POINTED STICK STICK]] CONDUCTS HIS BUSINESS]]. BUSINESS. This guarantee is as real as the threats of ther the video fundamentalists who use attacks on rock music in their attempt to transform America into a nation of check-mailing nincompoops (in the name of Jesus Christ). If there is a hell, [[FireAndBrimstoneHell its fires]] wait for them, not us.''



--> ''Now he talks like a Kingfish, from ''Amos 'N' Andy'' ''
** The mutations caused by the failed government plan bring the United Mutations concept from ''Music/AbsolutelyFree'' back in mind.

to:

--> ''Now he talks like a the Kingfish, from ''Amos 'N' Andy'' ''
** The mutations caused by the failed government plan bring the United Mutations concept from ''Music/AbsolutelyFree'' back in mind.



** Ike Willis imitates the voice of the character Kingfish from ''Radio/AmosNAndy''. This is also where the album title gets its name from. Another character, Sister Owl-Gonkwin-Jane Cow-Hoon, is based on the "Amos 'N' Andy" character Algonquin J. Calhoun. Willis has also explained in an interview that he based the accent on the writings of the Afro-American poet Paul Laurence Dunbar (1872-1906).

to:

** Ike Willis imitates the voice of the character Kingfish from ''Radio/AmosNAndy''. This ''Radio/AmosNAndy''; this is also where the album title gets its name from. Another character, Sister Owl-Gonkwin-Jane Cow-Hoon, is based on the "Amos 'N' Andy" character Algonquin J. Calhoun. Willis has also explained in an interview that he based the accent on the writings of the Afro-American poet Paul Laurence Dunbar (1872-1906).
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** In "Harry & Rhonda" Rhonda wonder "what happened to Broadway" and mentions it "used to be you could come to one of these things and the wind would be rushing down the plain". This is a reference to the TitleTrack of ''Theatre/{{Oklahoma}}'', which starts with the line "where the wind comes sweeping down the plain". The change in verb was probably done to avoid getting sued for copyright infringement. She also says there used to be "a fairy on a string", referencing ''Theatre/PeterPan'' where the title character was indeed also

to:

** In "Harry & Rhonda" Rhonda wonder "what happened to Broadway" and mentions it "used to be you could come to one of these things and the wind would be rushing down the plain". This is a reference to the TitleTrack of ''Theatre/{{Oklahoma}}'', which starts with the line "where the wind comes sweeping down the plain". The change in verb was probably done to avoid getting sued for copyright infringement. She also says there used to be "a fairy on a string", referencing ''Theatre/PeterPan'' ''Theatre/{{Peter Pan|1954}}'' where the title character was indeed also

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Not a trope


* ConspiracyTheory: The main plot is inspired by the conspiracy theory that AIDS was created with the intention of killing off blacks, homosexuals and drug addicts. In the early 1980s not much was known about this new deadly disease. As a result many people were frightened of this mysterious epidemic. Since the first victims that were widely reported were all either heroin users, homosexuals and Afro-Americans a lot of people initially thought that AIDS was only dangerous for these risk groups. As a result many governments were very late to react to and inform the public appropriately about the seriousness of this disease. Within this context is understandable where this conspiracy theory came from. After more information about the cause and nature of AIDS became available and the knowledge that people who weren't drug addicts, gay or black could also contract the disease this theory became far less believable.



* {{Satire}}: The album is both a satirical parody about the ConspiracyTheory that AIDS was manufactured by the US government as well as Broadway musicals. The lifestyle of homosexuals is also spoofed in "He's So Gay".

to:

* {{Satire}}: The album is both a satirical parody about the ConspiracyTheory UsefulNotes/ConspiracyTheory that AIDS was manufactured by the US government as well as Broadway musicals. The lifestyle of homosexuals is also spoofed in "He's So Gay".
Is there an issue? Send a MessageReason:
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''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.

to:

''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory [[UsefulNotes/ConspiracyTheories government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.

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* DistinctDoubleAlbum: Both the vinyl LP as the CD are a double album.

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* DistinctDoubleAlbum: Both the vinyl LP as the The CD are version is a double album.album, with the first act on disc one, and the second act on disc two. The original vinyl version, however, is a triple LP set with act one on sides one through four and act two on sides five and six.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''Thing-Fish''' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.

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'''Thing-Fish''' ''Thing-Fish'' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory government biochemical warfare plan to get rid of homosexuals and blacks to create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.



--> ''We learned how to hide secret stuff, wrapped up in the middle of those severe terminal buns we wear! Little transmitters, HARRY, little receivers! Oh, don't pretend to be surprised, HARRY! We even had room left over in there for all of our most favorite little, embroidered, delicate, secretly feminine, child-like, helpless, pathetic, sentimental, totally useless, personal "girl-things" that smell like the stuff they put in the toilet paper.''

to:

--> ''We learned how to hide secret stuff, wrapped up in the middle of those severe terminal buns we wear! Little transmitters, HARRY, little receivers! Oh, don't pretend to be surprised, HARRY! We even had room left over in there for all of our most favorite little, embroidered, delicate, secretly feminine, child-like, helpless, pathetic, sentimental, totally useless, personal "girl-things" that smell like the stuff they put in the toilet paper.'' ''
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TRS voted to axe Parvum Opus.


Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) [[ParvumOpus it's generally considered to be his absolute worst album]]. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos 'N' Andy" hadn't been shown on American TV since the 1960s due to extremely dated Afro-American stereotypes and most other countries in the world never saw this show the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, while Ike Willis sings over them in this obnoxious Kingfish imitation.

to:

Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) [[ParvumOpus it's generally considered to be his absolute worst album]].album. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos 'N' Andy" hadn't been shown on American TV since the 1960s due to extremely dated Afro-American stereotypes and most other countries in the world never saw this show the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, while Ike Willis sings over them in this obnoxious Kingfish imitation.
Is there an issue? Send a MessageReason:
None


Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) it's generally considered to be his absolute worst album. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos 'N' Andy" hadn't been shown on American TV since the 1960s due to extremely dated Afro-American stereotypes and most other countries in the world never saw this show the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, while Ike Willis sings over them in this obnoxious Kingfish imitation.

to:

Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) [[ParvumOpus it's generally considered to be his absolute worst album.album]]. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos 'N' Andy" hadn't been shown on American TV since the 1960s due to extremely dated Afro-American stereotypes and most other countries in the world never saw this show the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, while Ike Willis sings over them in this obnoxious Kingfish imitation.

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* AlbumTitleDrop: "The Mammy Nuns"
--> ''... and I is your host: the Thing-Fish!''



** The original album has a content parody sticker, referencing the PMRC' criticism of lyrics with questionable content around that time. It first appeared on ''Music/ThemOrUs'' (1984) and would reappear again on ''Music/FrankZappaMeetsTheMothersOfPrevention'' (1985).

to:

** The original album has a [[ContentWarnings content parody parody]] sticker, referencing the PMRC' criticism of lyrics with questionable content around that time. It first appeared on ''Music/ThemOrUs'' (1984) and would reappear again on ''Music/FrankZappaMeetsTheMothersOfPrevention'' (1985).



** "The Mammy Anthem" mentions the lines "Dominus Vobiscum et cum spiritu tuo", a Latin phrase used before in "St. Alphonso's Pancake Breakfast" from ''Music/{{Apostrophe}}''

to:

** "The Mammy Anthem" mentions the lines "Dominus Vobiscum et cum spiritu tuo", a Latin phrase used before in "St. Alphonso's Pancake Breakfast" from ''Music/{{Apostrophe}}''''Music/{{Apostrophe}} (1974)'' The phrase "Did ya get any on ya down there?" is a callback to "Did Ya Get Any On Ya?" from ''Music/WeaselsRippedMyFlesh'' (1970).
** The character Sister Potato-Head Bobby Brown is a callback to Potato-Head Bobby, who appeared earlier during "San Ber'dino" from ''Music/OneSizeFitsAll'' (1975) and "The Illinois Enema Bandit" from ''Music/ZappaInNewYork'' (1978) as well as "Bobby Brown Goes Down" from ''Music/SheikYerbouti'' (1979). Sister Anne De Devine is a pun on actor Andy Devine, who was namedropped earlier during "Andy" from ''Music/OneSizeFitsAll'' (1975). Sister Ob'Dewlla 'X' is a nod to Zappa's pseudonym when he played guitar on two pieces of George Duke's album "Feel" (1974).



** "You Are What You Is", "Mudd Club", "The Meek Shall Inherit Nothing" re-use the instrumental tracks from ''Music/YouAreWhatYouIs'' (1981).

to:

** In "The Torchum Never Stops" cologne is injected directly into the duodenum of the unsuspecting victim, a reference to "Duodenum" from ''Music/LumpyGravy'' (1968).
** "You Are What You Is", "Mudd Club", Club" and "The Meek Shall Inherit Nothing" re-use the instrumental tracks track from ''Music/YouAreWhatYouIs'' (1981).



** The character Opal, who appeared earlier during "Lonesome Cowboy Burt" from ''Film/TwoHundredMotels'' (1971) and "No Not Now" from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982) is re-used as a character on this album.

to:

** The character Opal, who appeared earlier during "Lonesome Cowboy Burt" from ''Film/TwoHundredMotels'' (1971) and "No Not Now" from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982) is re-used appears as a character on this album.



** Harry on this album is voiced by Terry Bozzio, who also voiced the teenager in "Teenage Wind" from ''Music/YouAreWhatYouIs'' (1981). Both characters are described as Music/TheGratefulDead fans.



** In "Harry-As-A-Boy" the women's liberation movement is mentioned again, who appeared earlier during "Bobby Brown Goes Down" in ''Music/SheikYerbouti'' (1979).



** "The Crab-Grass Baby" mentions an Oldsmobile, a car brand that was mentioned before in Zappa's songs. The line about "tear up the upholstery, rip the seats completely out" references to "Go Cry On Somebody Else's Shoulder" from ''Music/FreakOut'' (1966). The line about "going doody" was referenced before during "Disco Boy" from ''Music/ZootAllures'' (1976). The line "barf me out, gag me with a Volvo" is similar to "barf me out, gag me with a spoon" from "Valley Girl", from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982).

to:

** "The Crab-Grass Baby" mentions an Oldsmobile, a car brand that was mentioned before in Zappa's songs. The line about "tear up the upholstery, rip the seats completely out" references to "Go Cry On Somebody Else's Shoulder" Jim Motorhead Sherwood's speech about his car from ''Music/FreakOut'' (1966).''Music/LumpyGravy'' (1968). The line about "going doody" was referenced before during "Disco Boy" from ''Music/ZootAllures'' (1976). The line "barf me out, gag me with a Volvo" is similar to "barf me out, gag me with a spoon" from "Valley Girl", from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982).
** In "Briefcase Boogie" Rhonda sings a twisted version of "Jingle Bells" and mentions "oh, what fun it is to ride to Chicago every night, oh...". This would eventually become a song of its own, "Ride To Chicago", on "You Can't Do That On Stage Anymore, Volume 3".



** "Harry & Rhonda" mentions Woolite, a cleaning product.



** Ike Willis imitates the voice of the character Kingfish from ''Radio/AmosNAndy''. This is also where the album title gets its name from.
** During "You Are What You Is" and "The Meek Shall Inherit Nothing" Kingfish says "one-Adam twelve", a reference to ''Series/AdamTwelve'', and "Book 'Em Dano", a reference to the catchphrase from ''Series/HawaiiFiveO''.

to:

** Ike Willis imitates the voice of the character Kingfish from ''Radio/AmosNAndy''. This is also where the album title gets its name from.
from. Another character, Sister Owl-Gonkwin-Jane Cow-Hoon, is based on the "Amos 'N' Andy" character Algonquin J. Calhoun. Willis has also explained in an interview that he based the accent on the writings of the Afro-American poet Paul Laurence Dunbar (1872-1906).
** During "You Are What You Is" and "The Meek Shall Inherit Nothing" Sister Anne De Devine is a reference to cowboy actor Andy Devine, who was referenced before on ''Music/OneSizeFitsAll'' (1975).
**
Kingfish says "one-Adam twelve", a reference to ''Series/AdamTwelve'', and "Book 'Em Dano", a reference to the catchphrase from ''Series/HawaiiFiveO''.''Series/HawaiiFiveO''.
** In "Harry & Rhonda" Rhonda wonder "what happened to Broadway" and mentions it "used to be you could come to one of these things and the wind would be rushing down the plain". This is a reference to the TitleTrack of ''Theatre/{{Oklahoma}}'', which starts with the line "where the wind comes sweeping down the plain". The change in verb was probably done to avoid getting sued for copyright infringement. She also says there used to be "a fairy on a string", referencing ''Theatre/PeterPan'' where the title character was indeed also
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'''Thing-Fish''' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory government biochemical warfare plan to get rid of homosexuals and blacks to cry "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.

to:

'''Thing-Fish''' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory government biochemical warfare plan to get rid of homosexuals and blacks to cry create "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/f8e795f5006b321f583ef3a95a6d4a99.jpg]]
[[caption-width-right:350: ''This is a complete and utter disaster, Harry! A complete and utter disaster!'']]

-> ''I'll say it's disgusting, atrocious, and dull''
-> ''I'll say it makes boils inside of your skull''
-> ''I'll say it's the worst-of-the-worst of the year,''
-> ''No wind down the plain, and it's hard on your ear''
-> ''I'll say it's the work of an infantile mind''
-> ''I'll say that it's tasteless, and that you will find''
-> ''A better excuse to spend money or time''
-> ''At a Tupper-Ware Party, so do be a smarty!''

-> '''The Torchum Never Stops'''

-> '' "Thing-Fish" is best summed up by the character Harry. When Rhonda asks him: "Is this entertainment? He replies: "This is a disaster, a complete and utter disaster." ''

-> '''Barry Miles''', quoted from "Zappa: A Biograpy", Grove Press, 2005, page 330.

'''Thing-Fish''' is a 1984 album by Music/FrankZappa. It's a RockOpera based around the character Kingfish from the old radio and TV show ''Radio/AmosNAndy'' (1928-1960) [[note]] Originally a radio serial that aired from 1928 to 1960 in different formats, but always the same concept. It featured several Afro-American characters; Amos, Andy and Kingfish; who spoke in a stereotypical accent. A TV adaptation ran from 1951 to 1953. Since 1966 it hasn't been shown on TV anymore due to racial insensitivities. [[/note]], who is called "Thing-Fish" here. According to the plot Thing-Fish has been deformed by a right wing [[ConspiracyTheory government biochemical warfare plan to get rid of homosexuals and blacks to cry "divine retribution"]]. As a result all people "the government wants to get rid off" are mutated into potato-headed, duck-mouthed creatures called "Mammy Nuns". The resulting disease is interpreted by many as a "punishment of God", which helps MoralGuardians and conservative Christians get more political power in the elections and more influence in the government. Meanwhile, the mutated people put on a Broadway musical, attended by a WhiteAngloSaxonProtestant couple, Harry and Rhonda, who attend this play and are held captive by Thingfish. This StoryWithinAStory eventually leads to the pair being confronted with their past, which results in Harry coming out of the closet as gay and Rhonda having sex with a briefcase out of sexual frustration.

A 21-page extract with photos appeared in the April issue of the pornographic magazine "Hustler", with the intent of staging the musical later, but this idea remained in DevelopmentHell until 2003, ten years after Zappa's death, when it was finally staged.

Out of all the albums Zappa released during TheEighties which got a negative reception by fans "Thing-Fish" got the biggest backlash. Together with ''Music/TheManFromUtopia'' (1982) it's generally considered to be his absolute worst album. The plotline, as described above, is so far-fetched and pointless that the general message ultimately gets lost and difficult to take serious anymore. The comedy is mostly the OverlyLongGag that Ike Wilis imitates the character Kingfish from the 1940s/1950s sitcom ''Radio/AmosNAndy'' all throughout the album, even singing in this voice. Seeing that "Amos 'N' Andy" hadn't been shown on American TV since the 1960s due to extremely dated Afro-American stereotypes and most other countries in the world never saw this show the joke was totally lost on most audiences. Musically the album is also Zappa at his least inspired. The only stand-out track is "He's So Gay", often played during concerts, but in itself nothing more than a comedy novelty song. To make matters worse several songs are just the [[RepurposedPopSong recycled instrumental tracks]] from earlier Zappa albums, while Ike Willis sings over them in this obnoxious Kingfish imitation.

Yet despite its BrokenBase and many fans [[{{Discontinuity}} not acknowledging its existence]] Zappa did often call it "one of his most [[MagnumOpusDissonance essential albums because of its political message."]]. Some very forgiving Zappa fans still like it as an underappreciated [[{{Satire}} satirical]] masterpiece.

'''Tracklist'''

[[AC:Side One]]
# "Prologue" (2:56)
# "The Mammy Nuns" (3:50)
# "Harry & Rhonda" (3:56)
# "Galoot Up-Date" (5:29)

[[AC:Side Two]]
# "The Torchum Never Stops" (10:32)
# "That Evil Prince" (1:17)
# "You Are What You Is" (4:31)

[[AC:Side Three]]
# "Mudd Club" (3:17)
# "The Meek Shall Inherit Nothing" (3:14)
# "Clowns On Velvet" (1:38)
# "Harry-As-A-Boy" (2:51)
# "He's So Gay" (2:48)

[[AC:Side Four]]
# "The Massive Imrpove'lence" (5:07)
# "Artificial Rhonda" (3:30)
# "The Crab-Grass Baby" (3:48)
# "The White Boy Troubles" (3:35)

[[AC:Side Five]]
# "No Not Now" (5:50)
# "Briefcase Boogie" (4:10)
# "Brown Moses" (3:02)

[[AC:Side Six]]
# "Wistful Wit A Fist-Full" (3:53)
# "Drop Dead" (7:56)
# "Won Ton On" (4:20)

'''Personnel'''
* Music/FrankZappa: guitar, synclavier
* Music/SteveVai: guitar
* Ray White: guitar and voice of Owl-Gonkwin-Jane Cowhoon
* Tommy Mars: keyboards
* Chuck Wild: Broadway piano
* Arthur Barrow: bass
* Scott Thunes: bass
* Jay Anderson: string bass
* Ed Mann: percussion
* Chad Wackerman: drums
* Steve De Furia: synclavier programmer
* David Ocker: synclavier programmer
* Ike Willis: voice of Thing-Fish
* Terry Bozzio: voice of Harry
* Dale Bozzio: voice of Rhonda
* Napoleon Murphy Brock: voice of the Evil Prince
* Bob Harris: voice of Harry-as-a-boy
* Music/JohnnyGuitarWatson: voice of Brown Moses.

!! ''The Mammy Tropes''
* AlbumFiller: This record is padded out to a double album with a lot of songs that appeared earlier on other and better Zappa albums, with the only thing that makes them slightly different the vocal delivery and a few extra lines here and there.
* AlliterativeTitle: "'''D'''rop '''D'''ead" and "'''B'''riefcase '''B'''oogie".
* AllWomenAreLustful: Rhonda desperately tries to get Harry's sexual attention after he turns gay, but despite her attempts he is not interested and she eventually decides to have sex with a briefcase:
--> ''These are my tits, HARRY! I have tits! Look! Look at me! Look at my wonderful tits, you fucking wor-r-r-r-r-mmmmmmmm! I'm going to pretend I'm squirting them on you! Whoo! Wheeeee! Almost gotcha! (...) This is my pussy, HARRY! Look! See it? You know what I'm gonna do with it, you worm? I'm gonna make it fuck something! That's right! You won't get any of it, because you're disgusting! An' I don't need you, MR. FIRST-NIGHTER! My wonderful, wonderful pussy doesn't need you! I have my briefcase, HARRY! I'm going to fuck my briefcase! I'm going to... look! Look at this! I got it right over here! There! See it? My big, brown briefcase! My briefcase! It's big, HARRY! It's full of business papers, from my career! I'm gonna put my glasses on, HARRY! I'm gonna put my hair up in a bun! Then, I'm going fuck, fuck fuck! Ha-ha-ha-hahhhhh! Look! See me? See how I got my hair up? Whooo! I'm really doing it! Unngh! Unngh!''
* AmbiguouslyGay: Harry turns gay near the end of the album, as described in "He's So Gay". He also explains why:
--> ''It was pretty simple, really. I lost all desire for intercourse with females when they started carrying those briefcases and wearing suits 'n ties. Let's face it: that would be like fucking a slightly more voluptuous version of somebody's father! 'N I'm far too sensitive for such a traumatic experience!''
* AsTheGoodBookSays: "Brown Moses" where an Afro-American character compares himself to Moses.
* BiggerIsBetterInBed: Harry is quite impressed with the genitals of "The Crab-Grass Baby":
--> ''Look! Look! Look at the pecker on him, would ya?''
* CallBack and ContinuityNod:
** The original album has a content parody sticker, referencing the PMRC' criticism of lyrics with questionable content around that time. It first appeared on ''Music/ThemOrUs'' (1984) and would reappear again on ''Music/FrankZappaMeetsTheMothersOfPrevention'' (1985).
--> ''WARNING/GUARANTEE: This album contains material which a truly free society would neither fear nor suppress. In some [[BeliefMakesYouStupid socially retarded areas, religious fanatics]] and [[CorruptPolitician ultra-conservative political organizations violate your First Ammendment Rights by attempting to censor rock & roll albums]]. We feel that this is un-Constitutional and [[MyCountryTisOfTheeThatISting un-American]]. As an alternative to these government-supported programs (designed to keep you docile and ignorant). Barking Pumpkin is pleased to provide stimulating digital audio entertainment for those of you who have outgrown the ordinary. The language and concepts contained herein are GUARANTEED NOT TO CAUSE ETERNAL TORMENT IN THE PLACE WHERE [[{{Satan}} THE GUY WITH THE HORNS AND POINTED STICK CONDUCTS HIS BUSINESS]]. This guarantee is as real as the threats of ther video fundamentalists who use attacks on rock music in their attempt to transform America into a nation of check-mailing nincompoops (in the name of Jesus Christ). If there is a hell, [[FireAndBrimstoneHell its fires]] wait for them, not us.''
** Ike Willis imitates Kingfish from ''Radio/AmosNAndy'', a character Zappa referenced before during the TitleTrack from ''Music/YouAreWhatYouIs'' (1981). Willis would play the character again on "The Best Band You Never Heard In Your Life" (1988).
--> ''Now he talks like a Kingfish, from ''Amos 'N' Andy'' ''
** The mutations caused by the failed government plan bring the United Mutations concept from ''Music/AbsolutelyFree'' back in mind.
** "The Mammy Anthem" mentions the lines "Dominus Vobiscum et cum spiritu tuo", a Latin phrase used before in "St. Alphonso's Pancake Breakfast" from ''Music/{{Apostrophe}}''
** "The Torchum Never Stops" re-uses the instrumental track from ''Music/ZootAllures'' (1976). "Artificial Rhonda" re-uses the instrumental track from "Ms. Pinky".
** "You Are What You Is", "Mudd Club", "The Meek Shall Inherit Nothing" re-use the instrumental tracks from ''Music/YouAreWhatYouIs'' (1981).
** "No Not Now" from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982) appears twice on this album. Once under its original name, second as "Won Ton On" (which is the same track played backwards). "No Not Now" also mentions a "hobby horse", which appeared before during "Mudd Clubb" from ''Music/YouAreWhatYouIs'' (1981). "Won Ton On" mentions "whyn'tcha go on 'n' cornhole ya' some evil prince". Cornholes were described earlier during "Broken Hearts Are For Assholes" from ''Music/SheikYerbouti'' (1979). The song also mentions the line "not the stuff that freckles lets out", which was used before during "Dong Work For Yuda" on ''Music/JoesGarage'' (1979).
** Potato-Headed Bobby appeared before on "San Ber'dino" in ''Music/OneSizeFitsAll'' (1976).
** The character Opal, who appeared earlier during "Lonesome Cowboy Burt" from ''Film/TwoHundredMotels'' (1971) and "No Not Now" from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982) is re-used as a character on this album.
** The character Quentin Robert [=DeNameland=] from "The Adventures Of Greggery Peccary" from ''Music/StudioTan'' (1978) reappears during "Mudd Club" and "The Meek Shall Inherit Nothing".
** Eau de cologne, pronounced as "Avon Cologna", appeared before during "Debra Kadabra" from ''Music/BongoFury'' (1975) and "The Blue Light" from ''Music/TinseltownRebellion'' (1980). It's an inside joke by Zappa, referring to his friend Music/CaptainBeefheart who once put Avon on his hair and skin during their shared teenage years. As a result parts of his hair fell out and his skin got a rash that made him look like an alligator.
** During "Artificial Rhonda" Thing-Fish says: "Muthafucker barf me right on outta here, an' gag me with a spoon!", which is a callback to "Valley Girl" from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982). He also says: "What's a girl like you doing in a place like this?", which is a line that appeared many times before in Zappa's lyrics: . Artificial Rhonda also has a pie made out of plastic, which has been a conceptual continuity word in Zappa's lyrics since "Who Are The Brain Police?" from ''Music/FreakOut (1966)''.
** The word "blobulent" in "The Massive Improve'lence" appeared earlier in "The Radio Is Broken" from ''Music/TheManFromUtopia'' (1983).
** Kingfish' questioning to the audience would be re-used during "Porn Wars" on ''Music/FrankZappaMeetsTheMothersOfPrevention (1986)''.
--> ''Well, les' jes' have a test: How many o' you nice folks think I knows what I's talkin' 'bout? Raise y'hain up!''
--> ''Uh-huh! An' how many thinks [[CloudCuckooLander my potato been bakin' too long]]? Raise yo' mizzable hain up! ... Uh-huh!''
** "Clowns On Velvet" mentions the bell-boy taking a job at the gas station in New Jersey, which brings "At The Gas Station" from ''Music/LumpyGravy'' (1968) and "Wind Up Workin' In A Gas Station" from ''Music/ZootAllures'' (1976) in mind.
** When women starts wearing ties and having sex with briefcases Harry decides to turn gay. Ties were referenced before in Zappa's lyrics, most notably "Bow-Tie Daddy" from ''Music/WereOnlyInItForTheMoney'' (1968).
** "He's So Gay" is similar to "Bobby Brown Goes Down" from ''Music/SheikYerbouti'' (1979) in that it references a golden shower. It also references leather, a RunningGag in Zappa's oeuvre. Leather is referenced again in "Drop Dead".
** In "The Massive Improve'lence" Harry wants to have a nun, a character that appeared in Zappa's lyrics before.
** "The Crab-Grass Baby" mentions an Oldsmobile, a car brand that was mentioned before in Zappa's songs. The line about "tear up the upholstery, rip the seats completely out" references to "Go Cry On Somebody Else's Shoulder" from ''Music/FreakOut'' (1966). The line about "going doody" was referenced before during "Disco Boy" from ''Music/ZootAllures'' (1976). The line "barf me out, gag me with a Volvo" is similar to "barf me out, gag me with a spoon" from "Valley Girl", from ''Music/ShipArrivingTooLateToSaveADrowningWitch'' (1982).
** During "Drop Dead" Rhonda says: "While you became lawyers and accountants, and read Playboy and bought a pipe, we planned and dreamed and fucked our briefcases while you weren't looking!". This is a call-back to "Honey Don't You Want A Man Like Me?" from ''Music/ZappaInNewYork'' (1978), which has the line "he was the playboy type, he smoked a pipe". Harry is also criticized for drinking beer, which is a recurring topic in Zappa's lyrics ever since "America Drinks And Goes Home" from ''Music/AbsolutelyFree'' (1968).
* CampGay: "He's So Gay"
--> ''He's so gay! He is very very gay!''
--> ''He's so gay! And he likes to be that way''
--> ''With his keys on the right''
--> ''He's into rubber every night''
--> ''He's so gay! He's almost everyone today''
--> ''He's okay! He's got a role he wants to play''
--> ''He's just a cowboy for a day''
* ConceptAlbum: As described in the introduction.
* ConspiracyTheory: The main plot is inspired by the conspiracy theory that AIDS was created with the intention of killing off blacks, homosexuals and drug addicts. In the early 1980s not much was known about this new deadly disease. As a result many people were frightened of this mysterious epidemic. Since the first victims that were widely reported were all either heroin users, homosexuals and Afro-Americans a lot of people initially thought that AIDS was only dangerous for these risk groups. As a result many governments were very late to react to and inform the public appropriately about the seriousness of this disease. Within this context is understandable where this conspiracy theory came from. After more information about the cause and nature of AIDS became available and the knowledge that people who weren't drug addicts, gay or black could also contract the disease this theory became far less believable.
* CreepyChild: The Crab-Grass Baby. Not only is it a borderline EldritchAbomination, concieved through intercourse between a little boy and a rubber sex doll, but the song it is introduced in is played in a shuffling, droning rhythm with ditto chanting, and the baby itself psychobabbling in a computerised voice that is terrifying.
* TheDiseaseThatShallNotBeNamed: The disease that the government manufactured in a lab and turned people into hideous mutations is never given a name.
* DistinctDoubleAlbum: Both the vinyl LP as the CD are a double album.
* DrugsAreBad: "The Torchum Never Stops"
--> ''And after this deadly review hits the paper,''
--> ''In will come "Roper, Bender & Raper"''
--> ''To legally execute all that remains''
--> ''Of this tragic amusement for drug-addled brains''
* EvilPrince: The evil prince is a character on this album and described as a part-time theater critic.
* FlatWhat: Rhonda's reaction to the reason why her husband Harry has turned gay.
* HenpeckedHusband: Rhonda only nags and complains to Harry.
* IntercourseWithYou: Harry has gay sex, while Rhonda has sex with a briefcase.
* IsTheAnswerToThisQuestionYes: Thing-Fish mixes two well known questions like this into this funny line:
--> ''Whoa, do the Pope shit in the woods?''
* {{Mammy}}: Mammy Nuns are characters on this album.
* TheMusical: The album spoofs Broadway theatre.
* MusicIsPolitics: In "Briefcase Boogie" Rhonda decides to have sex with a briefcase. As the documents fall out Harry complains: "Those are the Warner Brothers files, aren't they dear? Don't you think there'll be some questions about the condition of the blue paper?" Warner Brothers was Zappa's previous record label, whom he sued for breech of contract near the end of the 1970s, a trial he eventually would win.
* NameAndName: "Harry & Rhonda".
* NightmareFace: The face of the "Mammy-nuns".
* OneWordTitle and PunBasedTitle: "Thingfish", a pun on "Kingfish", the character from Radio/AmosNAndy.
* OverlyLongGag: Ike Willis' imitation of Kingfish from ''Radio/AmosNAndy'' goes on throughout the entire album.
* ProductPlacement:
** "The Torchum Never Stops" mentions "a Tupperware party".
** "The Crab-Grass Baby" mentions an Oldsmobile and a Volvo.
* RealLifeWritesThePlot: The plot was inspired by the AIDS hysteria of the 1980s and Zappa's concerns about the dominance of the religious right in the administration of President UsefulNotes/RonaldReagan.
* RepurposedPopSong:
** Several songs on this album are recycled from ''Music/ZootAllures'', ''Music/TinseltownRebellion'', ''Music/YouAreWhatYouIs'' and ''Music/ShipArrivingTooLateToSaveADrowningWitch''.
** The background music during "That Evil Prince" and "The White Boy Troubles" is a piece called "Amnerika" [[note]] Yes, spelled with a "n" in the middle [[/note]], which would only appear on a Zappa album in 1994: ''Music/CivilizationPhazeIII''.
* {{Satire}}: The album is both a satirical parody about the ConspiracyTheory that AIDS was manufactured by the US government as well as Broadway musicals. The lifestyle of homosexuals is also spoofed in "He's So Gay".
* ShoutOut:
** Ike Willis imitates the voice of the character Kingfish from ''Radio/AmosNAndy''. This is also where the album title gets its name from.
** During "You Are What You Is" and "The Meek Shall Inherit Nothing" Kingfish says "one-Adam twelve", a reference to ''Series/AdamTwelve'', and "Book 'Em Dano", a reference to the catchphrase from ''Series/HawaiiFiveO''.
** "That Evil Prince" mentions actor Creator/JackPalance
--> ''They're all dead, dear; Zombies, I believe; the "Walking Dead"; Jack Palance did a show on them once.''
** "Won Ton On" also parodies the famous opening line from ''Radio/{{Dragnet}}''
--> ''What y'all have witnessed here tonight were a true story. Only the names o' de potatoes have been changed to protect the innocent.''
** "He's So Gay" ends with a quote from "Do You Really Want To Hurt Me?", a 1984 hit by Music/CultureClub.
** Harry in "Harry-As-A-Boy" says he wants to go to a Music/TheGratefulDead concert.
** "The Crab-Grass Baby" mentions "the white man's burden", which is a reference to the poem ''The White Man's Burden'' by Creator/RudyardKipling.
** "Briefcase Boogie" quotes a few lines from "Jingle Bells".
** "Wistful Wit A Fist-Full" namedrops ''ComicStrip/LittleOrphanAnnie''.
* SpecialGuest: Music/JohnnyGuitarWatson plays the role of Brown Moses.
* SyntheticVoiceActor: The crab-grass baby is voiced by a computer.
* TakeThat: Zappa provides a middle finger to his previous record label Warner Brothers during "Briefcase Boogie", where Rhonda has sex with a briefcase, while Harry complains about the documents that are falling out:
--> ''Those are the Warner Brothers files, aren't they dear? Don't you think there'll be some questions about the condition of the blue paper?''
* TakeThatAudience: The evil Prince in "The Torchum Never Stops" pretty much sums up Zappa's attitude about bland music in the charts:
--> ''He thinks he knows something about the Great Plan''
--> ''How ultimate blandness must rule and command''
--> ''(...) Only the boring and bland shall survive''
--> ''Only the lamest of lameness will thrive''
--> ''Take it or leave it, you won't be alive if you are overtly creative''
* TakeThatCritics: The evil prince is described as a "part-time theater critic".
* VictoriasSecretCompartment: Rhonda explains that all women have a secret:
--> ''We learned how to hide secret stuff, wrapped up in the middle of those severe terminal buns we wear! Little transmitters, HARRY, little receivers! Oh, don't pretend to be surprised, HARRY! We even had room left over in there for all of our most favorite little, embroidered, delicate, secretly feminine, child-like, helpless, pathetic, sentimental, totally useless, personal "girl-things" that smell like the stuff they put in the toilet paper.''

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