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Train driver
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** [[VideoGame/LethalCompany The Production Line]] has a nod towards ''[[VideoGame/ChooChooCharles The End of the Line]]''
--->''I've trained, I've tried\\
Til I'm strained, I'm tired\\
I'd trade my trade for a train driver's\\
But I'm afraid that the end of the line\\
Isn't a place I'll arrive til the end of my life!''
--->''I've trained, I've tried\\
Til I'm strained, I'm tired\\
I'd trade my trade for a train driver's\\
But I'm afraid that the end of the line\\
Isn't a place I'll arrive til the end of my life!''
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** The hotel clerk in "Don't Let The Bellhops Bite" is remarkably cheerful as they describe all the ways the the hotel will kill you.
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** The hotel clerk in "Don't Let The Bellhops Bite" is remarkably cheerful as they describe all the ways the the hotel will kill you.
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* LandMineGoesClick: In "The Production Line" Dan Bull's character mistakes Stupe's warning of a landmine for an attempt to steal his loot.
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* HardDrinkingPartyGirl: Hilariously, [[VisualNovel/DokiDokiLiteratureClub Nastuki]] gets hammered off of Yuri's wine at the Christmas party in "A Very Scary Christmas".
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* HardDrinkingPartyGirl: Hilariously, [[VisualNovel/DokiDokiLiteratureClub Nastuki]] Natsuki]] gets hammered off of Yuri's wine at the Christmas party in "A Very Scary Christmas".
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* FreezeFrameBonus: In "Amateur Wordsmith," when Stupes (as Creator/BobRoss) sings that "the only colour here is medi-ochre," the paints on their palette are all ochre yellow.
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* CrossOver: Since 2020, they've been a frequent guest star on WebVideo/FreshyKanal's ''RAP BATTLE'' series; so far, they've played [[Literature/AChristmasCarol Ebenezer Scrooge]], [[Literature/ASeriesOfUnfortunateEvents Count Olaf]], UsefulNotes/GuyFawkes, [[Literature/AlicesAdventuresInWonderland the Mad Hatter]], Literature/SweeneyTodd, and [[Series/DontHugMeImScared the Yellow Guy]].
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* CrossOver: Since 2020, they've been a frequent guest star on WebVideo/FreshyKanal's ''RAP BATTLE'' series; so far, they've played [[Literature/AChristmasCarol Ebenezer Scrooge]], [[Literature/ASeriesOfUnfortunateEvents Count Olaf]], UsefulNotes/GuyFawkes, [[Literature/AlicesAdventuresInWonderland the Mad Hatter]], Literature/SweeneyTodd, and [[Series/DontHugMeImScared the Yellow Guy]].Guy]], and Cupid.
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* AGoodWayToDie: "The Second" tells the listener to take solace in knowing that whatever way Agent 47 kills them, it will be awesome and personalized.
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** In "A Very Scary Christmas," [[VideoGame/BendyAndTheInkMachine the Butcher Gang]] go out in the yard to do some caroling.
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** In "A Very Scary Christmas," [[VideoGame/BendyAndTheInkMachine the Butcher Gang]] [[VillainsOutShopping go out in the yard to do some caroling.caroling]].
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* NeverMyFault: In the Muppet Rap Cypher, Dr. Honeydew is flatly dismissive of Beaker's warnings about a glitch in their new invention, but when the machine malfunctions and literally blows up in their faces, Honeydew blames Beaker for the damage and docks his pay as a result.
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* YoungerThanTheyLook: Parodied. At the end of "A Summary in Sumeru", the scholar, who has a long white beard says they're only ''26'', because keeping track of the super-dense ''VideoGame/GenshinImpact'' lore "takes a toll."
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* MundaneMadeAwesome: "What A Fowl Day" is a song in the style of the Stupendium's other {{VillainSong}}s, with evil gloating and dramatic titles like "The Terror From The Lake!". ''Unlike'' the other {{VillainSong}}s, it's about [[VideoGame/UntitledGooseGame a somewhat annoying goose]].
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* HumansAreBastards: In "Vault Number 76", the Vault Dwellers, once introduced to the lawless hellscape of [[CrapsackWorld the Wasteland]], swiftly devolve into gleefully murderous {{Blood Knight}}s acting out revenge fantasies for their petty grudges with plasma bolts and laser fire. Then again, these are citizens of [[CrapsaccharineWorld pre-War America]] we're taking about.
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* HumansAreBastards: HumansAreBastards:
** In "Vault Number 76", the Vault Dwellers, once introduced to the lawless hellscape of [[CrapsackWorld the Wasteland]], swiftly devolve into gleefully murderous {{Blood Knight}}s acting out revenge fantasies for their petty grudges with plasma bolts and laser fire. Then again, these are citizens of [[CrapsaccharineWorld pre-War America]] we're taking about.
** Similarly, Robert House in "The House Always Wins" justifies his dictatorial rule over the Lucky 38 as a preferable alternative to the democracies that brought about the nuclear war on the basis that the masses he rules over can't be trusted with the power to think for themselves, openly balking at the idea "that the human race was capable of anything but wanton {{greed}}".
** In "Vault Number 76", the Vault Dwellers, once introduced to the lawless hellscape of [[CrapsackWorld the Wasteland]], swiftly devolve into gleefully murderous {{Blood Knight}}s acting out revenge fantasies for their petty grudges with plasma bolts and laser fire. Then again, these are citizens of [[CrapsaccharineWorld pre-War America]] we're taking about.
** Similarly, Robert House in "The House Always Wins" justifies his dictatorial rule over the Lucky 38 as a preferable alternative to the democracies that brought about the nuclear war on the basis that the masses he rules over can't be trusted with the power to think for themselves, openly balking at the idea "that the human race was capable of anything but wanton {{greed}}".
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* UtopiaJustifiesTheMeans: The Captain in ''Shelter From The Storm'' reflects on the harsh brutality of the society he is leading, but resolves that it is necessary, and that one day they will build a new civilization where mankind can thrive once more..
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* UtopiaJustifiesTheMeans: UtopiaJustifiesTheMeans:
** The Captain in ''Shelter From The Storm'' reflects on the harsh brutality of the society he is leading, but resolves that it is necessary, and that one day they will build a new civilization where mankind can thrive once more..
** The Captain in ''Shelter From The Storm'' reflects on the harsh brutality of the society he is leading, but resolves that it is necessary, and that one day they will build a new civilization where mankind can thrive once more..
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** Robert House in "The House Always Wins" views his iron-fisted grip on the Lucky 38 as necessary to rebuild human society after the nuclear war, dismissing his authoritarianism as a small price to pay for the safety and prosperity of the masses under his rule.
--->''"My gilded heart beats forever on to mend the scars."''
--->''"My gilded heart beats forever on to mend the scars."''
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* AmbiguousSyntax: "The End of the Line" features numerous ones, such as "There'll be chaos on the rails when the railway strikes" and "Run away! Train!"
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* AmbiguousSyntax: AmbiguousSyntax:
** "The End of the Line" features numerous ones, such as "There'll be chaos on the rails when the railway strikes" and "Run away!Train!"Train!"
** "The House Always Wins" has Robert House say "I ensure that every bandit standing here has just one arm." Are they specifically threatening would-be looters with [[AnArmAndALeg dismemberment]], talking about the slot machines in the casino, or both?
** "The End of the Line" features numerous ones, such as "There'll be chaos on the rails when the railway strikes" and "Run away!
** "The House Always Wins" has Robert House say "I ensure that every bandit standing here has just one arm." Are they specifically threatening would-be looters with [[AnArmAndALeg dismemberment]], talking about the slot machines in the casino, or both?
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* CutenessEqualsForgiveness: The otherwise-remorseless CorruptCorporateExecutive in "What a Plunderful World" can't bring themself to kill the troublemaking alien dog because it's too cute. [[spoiler: The feeling couldn't be less mutual, however, as the alien dog ends the video taking fatal revenge on the crook while their guard is down]].
* KarmicDeath: The narrator of "What a Plunderful World" is a CorruptCorporateExecutive who makes a living stripping foreign planets of their natural beauty and resources to accommodate their factories; [[spoiler: fittingly, the video ends with them being melted alive by toxic waste thanks to a member of the native fauna they failed to get rid of]].
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* LightmareFuel: "Christmas In WebOriginal/TheBackrooms" is full of this.
** Such as:
---> ''Yes, Christmas in the Backrooms\\
That special time of year\\
We've trimmed the trees with wreaths\\
And [[ExistentialHorror existential primal fears]]''
** Or:
---> ''Sing to the carols [[RoomFullOfCrazy scrawled all over the room]]\\
And hope [[TemptingFate nothing hunting you is drawn to the tune]]''
** Such as:
---> ''Yes, Christmas in the Backrooms\\
That special time of year\\
We've trimmed the trees with wreaths\\
And [[ExistentialHorror existential primal fears]]''
** Or:
---> ''Sing to the carols [[RoomFullOfCrazy scrawled all over the room]]\\
And hope [[TemptingFate nothing hunting you is drawn to the tune]]''
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* LightmareFuel: A decent number of Stupes' songs about horror games present the subject matter through a ''[[Music/{{Eminem}} Relapse]]''-esque lens of {{bathos}} and BlackComedy, with the horror elements out in full force and accentuated with well-placed snark, wordplay, and complex lyrical techniques. Prime examples include "The End of the Line", "The Toybox", "No One's Home", and "Christmas In WebOriginal/TheBackrooms" is full of this.
** Such as:
---> ''Yes, Christmasin the Backrooms\\
That special time of year\\
We've trimmed the trees with wreaths\\
And [[ExistentialHorror existential primal fears]]''
** Or:
---> ''Sing to the carols [[RoomFullOfCrazy scrawled all over the room]]\\
And hope [[TemptingFate nothing hunting you is drawn to the tune]]''The Backrooms".
** Such as:
---> ''Yes, Christmas
That special time of year\\
We've trimmed the trees with wreaths\\
And [[ExistentialHorror existential primal fears]]''
** Or:
---> ''Sing to the carols [[RoomFullOfCrazy scrawled all over the room]]\\
And hope [[TemptingFate nothing hunting you is drawn to the tune]]''
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* AdaptationalBadass: In the original game, Crazy Redd is simply a forger and con artist. In ''Rogue's Gallery'', he ''actually'' steals artworks from the Louvre before copying them and destroying the originals.
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* AnachronismStew: Their interpretation of [[https://youtube.com/shorts/PcMbLtgUqVM?si=_g5TA6njtap43JMS what nerdcore would have sounded like during]] TheRoaringTwenties is mostly period-accurate, but makes reference to TabletopGame/{{Monopoly}} (created in 1935), canasta (invented in the 1939), and TabletopGame/{{Cluedo}} (created in 1943). These might have been accidental, but the reference to [[spoiler: ''Manga/{{Naruto}}'' of all things]] at the very end implies they were intentional.
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** And, later still, released a short referring to the songs as "[[AddedAlliterativeAppeal Business Baddie Bangers]]".
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*** Then again in "Adequate Wordsmith" with the line "Oh, honestly, did you not check my policy?"
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** Both versions of "Amateur Wordsmith" [[LampshadeHanging refer to this]] as the "obligatory fast bit".
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** "NEATH", being a ''VideoGame/FallenLondon'' song, of course has its Devils and Squids. Cassi Haversham mentions both that "There are devils in the streets [so] What’s an extra in the sheets?" and how they've got the "Basement full of tentacles" in their verse, and two other verses are sung by [[LouisCypher Byron Brimstone]] and [[AlienSpaceBats Mr. Pages]] respectively.
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** "NEATH", "Neath!", being a ''VideoGame/FallenLondon'' song, of course has its Devils and Squids. Cassi Haversham mentions both that "There are devils in the streets [so] What’s an extra in the sheets?" and how they've got the "Basement full of tentacles" in their verse, and two other verses are sung by [[LouisCypher Byron Brimstone]] and [[AlienSpaceBats Mr. Pages]] respectively.
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* WateringDown: The bartender in "Neath" hopes her patrons don't taste a bit of the river in the drinks.
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* WateringDown: The Cassi, the bartender in "Neath" "Neath!", hopes her that their patrons don't taste a bit of the river in the drinks.
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** "NEATH", being a ''VideoGame/FallenLondon'' song, of course has its Devils and Squids. Cassi Haversham mentions both that "There are devils in the streets [so] What’s an extra in the sheets?" and how they've got the "Basement full of tentacles" in their verse, and two other verses are sung by [[LouisCypher Byron Brimstone]] and [[AlienSpaceBats Mr. Pages]] respectively.
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* BoastfulRap: "The Most Fashionable Faction" has [[VideoGame/TeamFortress2 the nine Mann Co. Mercenaries]] take turns rapping about how good they are at their jobs.
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* BoastfulRap: BoastfulRap:
** "The Most Fashionable Faction" has [[VideoGame/TeamFortress2 the nine Mann Co. Mercenaries]] take turns rapping about how good they are at theirjobs.jobs.
** [[InvertedTrope Inverted]] by "Amateur Wordsmith", which is all about how they're only okay at rapping.
** "The Most Fashionable Faction" has [[VideoGame/TeamFortress2 the nine Mann Co. Mercenaries]] take turns rapping about how good they are at their
** [[InvertedTrope Inverted]] by "Amateur Wordsmith", which is all about how they're only okay at rapping.
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* AdaptationalGenderIdentity: [[SubvertedTrope Subverted]] in the remake of "Amateur Wordsmith": Stupendium tries to adapt a line from the original song to their new pronouns, but finds that the rhyme scheme doesn't work.
