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but in his voice I heard decay.'']]

->''"The clouds will part and the sky cracks open\\

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but in his voice voice, I heard decay.'']]

->''"The clouds will part and the sky cracks open\\open,\\



!!But in his voice, [[JustForFun/TVTropesWillRuinYourVocabulary I heard tropes]]:

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!!But !!''But in his voice, [[JustForFun/TVTropesWillRuinYourVocabulary I heard tropes]]:tropes]]'':



* {{Bowdlerise}}: The promotional radio edit of "Starfuckers, Inc." is called "Starsuckers, Inc.", and censors every swear (aside from the word "whore") as well as the words "suck you" and "taste" (in the context of fellatio). It additionally replaces the song's non-explicit bridge entirely[[note]]although this was more for legal reasons, since it heavily interpolated "You're So Vain" by Carly Simon without permission[[/note]].

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* {{Bowdlerise}}: The promotional radio edit of "Starfuckers, Inc." is called "Starsuckers, Inc.", and censors every swear (aside from the word "whore") as well as the words "suck you" and "taste" (in the context of fellatio). It additionally replaces the song's non-explicit bridge entirely[[note]]although entirely, although this was more for legal reasons, since it heavily interpolated "You're So Vain" by Carly Simon without permission[[/note]].permission.



* ClusterFBomb: "Starfuckers, Inc." and, to a lesser extent, "Somewhat Damaged". The majority of the swearing in the latter is concentrated in the "too fucked up to care anymore" part. There is little swearing elsewhere on the album.

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* ClusterFBomb: "Starfuckers, Inc." and, to a lesser extent, "Somewhat Damaged". The Damaged" (the majority of the swearing in the latter is concentrated in the "too fucked up to care anymore" part.part). There is little swearing elsewhere on the album.



* HopeSpot: "We're In This Together" and the TitleTrack sees the protagonist finding some reprieve in the form of a relationship with a female, and seemingly discovering an opportunity to improve...only for the next song "Just Like You Imagined" to seemingly imply their dissolution, with the subsequent "Even Deeper" showing the protagonist falling back down from their high.

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* HopeSpot: "We're In This Together" and the TitleTrack sees see the protagonist finding some reprieve in the form of a relationship with a female, and seemingly discovering an opportunity to improve...only for the next song "Just Like You Imagined" to seemingly imply their dissolution, with the subsequent "Even Deeper" showing the protagonist falling back down from their high.
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* ConceptAlbum: According to an interview Trent gave, the album was intended as a continuation of [[Music/TheDownwardSpiral its predecessor]] in which the protagonist goes from seeking happiness (left side) to [[DownerEnding losing their hope and winding up right back where they started (right side)]]. Although the connection isn't too explicit in the lyrics, they do consistently depict underlying themes of decay, brokenness, depression, and trying to re-assemble one's life.

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* ConceptAlbum: According to an interview Trent gave, the album was intended as a continuation of [[Music/TheDownwardSpiral its predecessor]] in which the protagonist goes from seeking happiness (left side) to [[DownerEnding losing their hope and winding up right back where they started started]] (right side)]].side). Although the connection isn't too explicit in the lyrics, they do consistently depict underlying themes of decay, brokenness, depression, and trying to re-assemble one's life.



-->Flew too high and burnt the wing

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-->Flew -->''Flew too high and burnt the wingwing''



* SuicideBySea: One possible reading of both "La Mer" and "The Great Below", which appear back-to-back. It has been suggested that Trent's original plan was to have a female vocalist sing the climactic part of the song, but [[WhatCouldHaveBeen for whatever reason]] this didn't end up happening.

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* SuicideBySea: One possible reading of both "La Mer" and "The Great Below", which appear back-to-back. It has been suggested that Trent's original plan was to have a female vocalist sing the climactic part of the song, but [[WhatCouldHaveBeen for whatever reason]] reason]], this didn't end up happening.
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''The Fragile'' is the third studio album by American rock band Music/NineInchNails, released on September 21, 1999. The album was recorded at Trent Reznor's Nothing Studios in New Orleans, taking over two years to make.

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''The Fragile'' is the third studio album by American rock band Music/NineInchNails, released through Nothing Records and Creator/InterscopeRecords on September 21, 1999. The album was recorded at Trent Reznor's Nothing Studios in New Orleans, taking over two years to make.
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** A variation of the line "and all that could have been" appears in both "The Wretched" and "The Great Below". The same line also ended up being the title of both a live album and a song on its accompanying studio compilation ''Still'', both released three years after ''The Fragile''.

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** A variation of the line "and all that could have been" appears in both "The Wretched" and "The Great Below". The same This line also later ended up being the title of both a live album and a song on its accompanying companion studio compilation ''Still'', both released three years after ''The Fragile''.



** "Slipping away" is referenced in both the title track and "Into The Void".

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** "Slipping away" is referenced said in both the title track and "Into The Void".
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** A variation of the line "and all that could have been" appears in both "The Wretched" and "The Great Below". The same line also ended up being the title of both a live album and a song on the acoustic EP ''Still'', both released three years after ''The Fragile''.

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** A variation of the line "and all that could have been" appears in both "The Wretched" and "The Great Below". The same line also ended up being the title of both a live album and a song on the acoustic EP its accompanying studio compilation ''Still'', both released three years after ''The Fragile''.
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* ConceptAlbum: According to an interview Trent gave, the album was intended as a continuation of [[Music/TheDownwardSpiral its predecessor]] in which the protagonist goes from seeking happiness (left side) to [[DownerEnding losing their hope and winding up right back where they started (right side)]]. Although the connection isn't too explicit in the lyrics, they do consistently depict underlying themes of decay, brokenness, and depression and trying to re-assemble one's life.

to:

* ConceptAlbum: According to an interview Trent gave, the album was intended as a continuation of [[Music/TheDownwardSpiral its predecessor]] in which the protagonist goes from seeking happiness (left side) to [[DownerEnding losing their hope and winding up right back where they started (right side)]]. Although the connection isn't too explicit in the lyrics, they do consistently depict underlying themes of decay, brokenness, and depression depression, and trying to re-assemble one's life.

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Changed: 21

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* RecurringRiff: See MoodMotif above.

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* RecurringRiff: RecurringRiff:
** "The Frail" and the chorus of "The Fragile" share a melody.
**
See MoodMotif above.above.
** "La Mer" and "Into the Void" also share similar percussion-based intros.
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Added DiffLines:

* IcarusAllusion: In "Somewhat Damaged:"
-->Flew too high and burnt the wing

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Removed: 401

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The album is largely seen as a [[ConceptAlbum conceptual]] [[SpiritualSuccessor sequel]] to the band's previous album ''Music/TheDownwardSpiral'' from the perspective of that album's protagonist. The music and lyrics explore the protagonist's internal turmoil in his attempts to find stability and build back up from the dark place he's in emotionally and existentially.

In terms of sound, the album [[NewSoundAlbum differs a great deal]] from ''Spiral'' by largely forgoing distorted and gritty sounds in favor of a more eclectic, art rock-styled approach. It's also, to date, one of the band's only two [[MultiDiscWork multi-disc studio albums]][[note]]Not counting different disc arrangements between formats like vinyl.[[/note]] (the other being ''[[Music/GhostsIToIV Ghosts I-IV]]''), with its CD release split into "left" and "right" discs around 50 minutes each in length (totaling at 104 minutes, about 39 longer than ''Spiral''). As a result, the album's additional time lends a slower pace, with its tracks focusing more on somber progression than the raw energy of its predecessor.

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The album is largely seen as was reportedly intended by Reznor to be a [[ConceptAlbum conceptual]] [[SpiritualSuccessor sequel]] to the band's previous album ''Music/TheDownwardSpiral'' from the perspective of that album's protagonist. The music and lyrics explore the protagonist's internal turmoil in his attempts to find stability and build back up from the dark place he's in emotionally and existentially.

In terms of sound, the album [[NewSoundAlbum differs a great deal]] from ''Spiral'' by largely forgoing distorted and gritty sounds in favor of a more eclectic, art rock-styled approach. It's also, to date, one of the band's only two [[MultiDiscWork multi-disc studio albums]][[note]]Not counting different disc arrangements between formats like vinyl.[[/note]] vinyl[[/note]] (the other being ''[[Music/GhostsIToIV Ghosts I-IV]]''), with its CD release split into "left" and "right" discs around 50 minutes each in length (totaling at 104 minutes, about 39 longer than ''Spiral''). As a result, the album's additional time lends a slower pace, with its tracks focusing more on somber progression than the raw energy of its predecessor.



** The phrase "nothing can stop me now" from ''The Downward Spiral'' appears again on the album in a much more optimistic context.
** A variation of the line "and all that could have been" appears in both "The Wretched" and "The Great Below". The same line also ended up being the title of both a live album, and a song on the acoustic EP ''Still''.

to:

** The phrase "nothing can stop me now" from ''The Downward Spiral'' appears again on the this album in a much more optimistic context.
** A variation of the line "and all that could have been" appears in both "The Wretched" and "The Great Below". The same line also ended up being the title of both a live album, album and a song on the acoustic EP ''Still''.''Still'', both released three years after ''The Fragile''.



* BlackmailIsSuchAnUglyWord: From "Starfuckers, Inc.":
-->''I sold my soul, but don't you dare call me a whore.''



* ConceptAlbum: Loosely - there are underlying concepts of decay, brokenness, and depression and trying to re-assemble one's life, only to end up "where it starts -- [with] the same emotion."
** According to Trent in an interview, the album itself was intended as a continuation of [[Music/TheDownwardSpiral its predecessor]] in which the protagonist goes from seeking happiness (left side) to [[DownerEnding losing their hope and winding up right back at the start (right side)]].

to:

* ConceptAlbum: Loosely - there are underlying concepts of decay, brokenness, and depression and trying to re-assemble one's life, only to end up "where it starts -- [with] the same emotion."
**
According to an interview Trent in an interview, gave, the album itself was intended as a continuation of [[Music/TheDownwardSpiral its predecessor]] in which the protagonist goes from seeking happiness (left side) to [[DownerEnding losing their hope and winding up right back at the start where they started (right side)]].side)]]. Although the connection isn't too explicit in the lyrics, they do consistently depict underlying themes of decay, brokenness, and depression and trying to re-assemble one's life.



* FadingIntoTheNextSong: Most of the album's songs do this, with the only notable exception being between "The Great Below" and "The Way Out is Through", the tracks that set the two discs apart.

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* FadingIntoTheNextSong: Most of the album's songs do this, segue into one another, with the only notable exception being between "The Great Below" and "The Way Out is Through", the tracks that set the two discs apart.



* HopeSpot: "We're In This Together" and the TitleTrack sees the protagonist finding some reprieve in the form of a relationship with a female, and seemingly finding an opportunity to improve...only for it to evade him, as the next song "Just Like You Imagined" seemingly implies their dissolution, and the subsequent "Even Deeper" shows the protagonist falling back down from their high.

to:

* HopeSpot: "We're In This Together" and the TitleTrack sees the protagonist finding some reprieve in the form of a relationship with a female, and seemingly finding discovering an opportunity to improve...only for it to evade him, as the next song "Just Like You Imagined" to seemingly implies imply their dissolution, and with the subsequent "Even Deeper" shows showing the protagonist falling back down from their high.



* JumpScare: "The Day the World Went Away" starts aggressive, has a quiet midsection, and then suddenly bursts right back into the noisiness for the climactic ending.

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* JumpScare: "The Day the World Went Away" starts aggressive, has a quiet midsection, and then suddenly bursts right back into the noisiness for the its climactic ending.



* LoudnessWar: The album marked a substantial increase in NIN's participation in this trope, particularly as compared to ''Music/TheDownwardSpiral''. It still has dynamics in the quiet parts, but when it gets loud, IT GETS LOUD.

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* LoudnessWar: The album marked a substantial increase in NIN's participation in this trope, particularly as compared to ''Music/TheDownwardSpiral''. It still has dynamics in the quiet parts, but when it gets loud, IT GETS LOUD.''it gets loud''.



* ShoutOut: One lyric in "We're In This Together" ("You're the queen and I'm the king") is one to Music/DavidBowie's "Heroes" from the [[Music/HeroesDavidBowieAlbum album of the same name]], who Reznor credits as being one of his biggest influences.

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* ShoutOut: One lyric in "We're In This Together" ("You're the queen and I'm the king") is one to Music/DavidBowie's "Heroes" from the [[Music/HeroesDavidBowieAlbum album of the same name]], who name]]; Reznor credits Bowie as being one of his biggest influences.
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* NewSoundAlbum: ''The Fragile'' features more industrial and experimental elements and is a little less heavy.

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* NewSoundAlbum: ''The Fragile'' features more industrial and experimental elements and is a little less heavy.heavy than ''The Downward Spiral''.
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* FadingIntoTheNextSong: Most of the album.

to:

* FadingIntoTheNextSong: Most of the album.album's songs do this, with the only notable exception being between "The Great Below" and "The Way Out is Through", the tracks that set the two discs apart.
Is there an issue? Send a MessageReason:
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In terms of sound, the album [[NewSoundAlbum differs a great deal]] from ''Spiral'' by largely forgoing distorted and gritty sounds in favor of a more eclectic, art rock-styled approach. It's also, to date, one of the band's only two [[MultiDiscWork multi-disc studio albums]][[note]]Not counting different disc arrangements between formats like vinyl.[[/note]] (the other being ''Ghosts I-IV''), with its CD release split into "left" and "right" discs around 50 minutes each in length (totaling at 104 minutes, about 39 longer than ''Spiral''). As a result, the album's additional time lends a slower pace, with its tracks focusing more on somber progression than the raw energy of its predecessor.

to:

In terms of sound, the album [[NewSoundAlbum differs a great deal]] from ''Spiral'' by largely forgoing distorted and gritty sounds in favor of a more eclectic, art rock-styled approach. It's also, to date, one of the band's only two [[MultiDiscWork multi-disc studio albums]][[note]]Not counting different disc arrangements between formats like vinyl.[[/note]] (the other being ''Ghosts I-IV''), ''[[Music/GhostsIToIV Ghosts I-IV]]''), with its CD release split into "left" and "right" discs around 50 minutes each in length (totaling at 104 minutes, about 39 longer than ''Spiral''). As a result, the album's additional time lends a slower pace, with its tracks focusing more on somber progression than the raw energy of its predecessor.
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Added DiffLines:

* ClusterFBomb: "Starfuckers, Inc." and, to a lesser extent, "Somewhat Damaged". The majority of the swearing in the latter is concentrated in the "too fucked up to care anymore" part. There is little swearing elsewhere on the album.


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* RevisedEnding: The vinyl version of "Ripe" cuts everything after piano solo (including the ending referred to as "Decay") and instead reprises the main riff on a loop that slowly fades away.


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* SiameseTwinSongs: "The Frail" and "The Wretched" are considered inseparable because "The Frail" is a LonelyPianoPiece that segues into "The Wretched", a track with a prominent piano riff. They are usually played live this way.
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Added DiffLines:

* ProgressiveInstrumentation: "Somewhat Damaged" begins with just an acoustic guitar, then comes in with synths and drums, then introduces the vocals, and then explodes with several layers of distorted electric guitar.

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