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!! Tracklist[[note]]The original 1994 vinyl release abridged most of the songs from the CD version to fit on a single LP. LP reissues since 2014 are double [=LPs=] with the song lengths unabridged.[[/note]]
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!! Tracklist[[note]]The Tracklist[[note]]Most original 1994 vinyl release abridged most of the releases shortened some songs from the CD version to fit the album on a single LP. All LP reissues since 2014 are double [=LPs=] with the song lengths unabridged.[[/note]]
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-->''[[ARiddleWrappedInAMysteryInsideAnEnigma Trust]].''
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** Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
** The church bell and buzzing bee sound effects that open "High Hopes" recall "Fat Old Sun" and "Grantchester Meadows".
** The talkbox guitar on "Keep Talking" recalls "Pigs (Three Different Ones)" while the song's synth solo recalls "Run Like Hell".
** The church bell and buzzing bee sound effects that open "High Hopes" recall "Fat Old Sun" and "Grantchester Meadows".
** The talkbox guitar on "Keep Talking" recalls "Pigs (Three Different Ones)" while the song's synth solo recalls "Run Like Hell".
to:
** Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to [[Music/WishYouWereHere "Wish You Were Here".Here"]].
** The church bell and buzzing bee sound effects that open "High Hopes" recall [[Music/AtomHeartMother "Fat OldSun" Sun"]] and [[Music/{{Ummagumma}} "Grantchester Meadows".
Meadows"]].
** The talkbox guitar on "Keep Talking" recalls [[Music/{{Animals}} "Pigs (Three DifferentOnes)" Ones)"]] while the song's synth solo recalls [[Music/TheWall "Run Like Hell".Hell"]].
** The church bell and buzzing bee sound effects that open "High Hopes" recall [[Music/AtomHeartMother "Fat Old
** The talkbox guitar on "Keep Talking" recalls [[Music/{{Animals}} "Pigs (Three Different
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''The Division Bell'' is the fourteenth studio album by Music/PinkFloyd, released in 1994. It is their first album to officially feature the returned Richard Wright, who was a session musician for ''Music/AMomentaryLapseOfReason''. Sadly, it is also their last studio album to feature Wright during his lifetime. The band also launched a successful stadium tour in support of the album, which would also turn out to be their last.
to:
''The Division Bell'' is the fourteenth studio album by Music/PinkFloyd, released in 1994. It is their first album to officially feature the returned Richard Wright, who was a session musician for ''Music/AMomentaryLapseOfReason''. Sadly, it is also their last studio album to feature Wright during his lifetime. The band also launched a successful stadium tour in support of the album, which would also turn out to be their last.
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* HiddenTrack: Shortly after the fadeout in "High Hopes", one can hear a phone call between band manager Steve O'Rourke and David Gilmour's stepson Charlie.
-->'''Steve:''' Hello?\\
'''Charlie:''' Yeah.\\
'''Steve:''' Is that Charlie?\\
'''Charlie:''' Yes.\\
'''Steve:''' Hello Charlie.\\
''[Charlie hangs up]''\\
'''Steve:''' Great.
-->'''Steve:''' Hello?\\
'''Charlie:''' Yeah.\\
'''Steve:''' Is that Charlie?\\
'''Charlie:''' Yes.\\
'''Steve:''' Hello Charlie.\\
''[Charlie hangs up]''\\
'''Steve:''' Great.
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''The Division Bell'' is the fourteenth studio album by Music/PinkFloyd, released in 1994. It is their first album to officially feature the returned Richard Wright, who was a session musician for ''Music/AMomentaryLapseOfReason''. Sadly, it is also their last studio album to feature Wright during his lifetime.
to:
''The Division Bell'' is the fourteenth studio album by Music/PinkFloyd, released in 1994. It is their first album to officially feature the returned Richard Wright, who was a session musician for ''Music/AMomentaryLapseOfReason''. Sadly, it is also their last studio album to feature Wright during his lifetime. \n The band also launched a successful stadium tour in support of the album, which would also turn out to be their last.
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* AlternateRealityGame: The album was promoted with an early example of this trope in the form of the [[https://en.wikipedia.org/wiki/Publius_Enigma "Publius Enigma"]] phenomenon, in which an anonymous internet user (nowadays believed to be an Creator/{{EMI}} employee) promised a reward for anyone who could uncover the riddle that was supposedly contained within ''The Division Bell''. To this day, the puzzle still has yet to be solved-- and some people doubt whether or not it was ''meant'' to be solved at all, or even if the puzzle existed in the first place for that matter.
** "High Hopes" closes with the line "the endless river, forever and ever," recalling the "float on a river, forever and ever" line from the band's second single, "See Emily Play", released nearly 27 years prior.
* LyricalDissonance: "Take it Back", an upbeat and anthemic-sounding track sung from the perspective of an abusive lover.
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* StepUpToTheMicrophone: Richard Wright sings most of the lead vocals on "Wearing the Inside Out".
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* StepUpToTheMicrophone: Richard Wright sings most of the lead vocals on "Wearing the Inside Out".Out", his first major lyrical contribution to a Pink Floyd song (barring backing vocals) since [[Music/TheDarkSideOfTheMoon "Time"]] more than ''20 years'' prior.
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* {{Feelies}}: An odd case in that the packaging ''is'' the feely; the initial CD run of the album [[https://www.reddit.com/r/mildlyinteresting/comments/6i0was/this_original_cd_pressing_of_the_division_bell/ featured]] the 1994 Pink Floyd logo, a stylized sound wave, and the words "THE DIVISION BELL" in braille on the disc tray's spine.
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!! Tracklist:
# "Cluster One" (5:58)
# "Cluster One" (5:58)
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!! Tracklist:
Tracklist[[note]]The original 1994 vinyl release abridged most of the songs from the CD version to fit on a single LP. LP reissues since 2014 are double [=LPs=] with the song lengths unabridged.[[/note]]
# "Cluster One"(5:58)(5:58)[[labelnote:*]]5:29 on the 1994 LP[[/labelnote]]
# "Cluster One"
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# "Poles Apart" (7:04)
# "Marooned" (5:29)
# "A Great Day for Freedom" (4:17)
# "Wearing the Inside Out" (6:49)
# "Marooned" (5:29)
# "A Great Day for Freedom" (4:17)
# "Wearing the Inside Out" (6:49)
to:
# "Poles Apart" (7:04)
(7:04)[[labelnote:*]]5:49 on the 1994 LP[[/labelnote]]
# "Marooned"(5:29)
(5:29)[[labelnote:*]]4:08 on the 1994 LP[[/labelnote]]
# "A Great Day for Freedom"(4:17)
(4:17)[[labelnote:*]]3:38 on the 1994 LP[[/labelnote]]
# "Wearing the Inside Out"(6:49)(6:49)[[labelnote:*]]6:28 on the 1994 LP[[/labelnote]]
# "Marooned"
# "A Great Day for Freedom"
# "Wearing the Inside Out"
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# "Coming Back to Life" (6:19)
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# "Coming Back to Life" (6:19)(6:19)[[labelnote:*]]4:57 on the 1994 LP[[/labelnote]]
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# "High Hopes" (8:31)
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# "High Hopes" (8:31)(8:31)[[labelnote:*]]6:50 on the 1994 LP[[/labelnote]]
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* LimitedSpecialCollectorsUltimateEdition: This album was given the deluxe box-set treatment for its 20th anniversary in 2014.
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* LimitedSpecialCollectorsUltimateEdition: This LongestSongGoesLast: The album was given closes with "High Hopes", which runs for 8:31, or 6:50 on the deluxe box-set treatment for its 20th anniversary in 2014.original single LP edition.
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!! High Tropes:
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!! High Tropes:"Beyond the horizon, in the place we troped when we were young":
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* [[invoked]] UnpleasableFanbase: Addressed in "What Do You Want From Me".
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** The talkbox guitar on "Keep Talking" recalls "Pigs (Three Different Ones)" while the song's synth solo recalls "Run Like Hell"
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** The talkbox guitar on "Keep Talking" recalls "Pigs (Three Different Ones)" while the song's synth solo recalls "Run Like Hell"Hell".
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** The opening instrumental "Cluster One" has an ambient, spacy feel similar to "Shine On You Crazy Diamond". [[JustifiedTrope Justified]] as it is a musical tribute to RogerWaters.
to:
** The opening instrumental "Cluster One" has an ambient, spacy feel similar to "Shine On You Crazy Diamond". [[JustifiedTrope Justified]] as it is a musical tribute to RogerWaters.Music/RogerWaters.
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** The talkbox guitar on "Keep Talking" recalls "Pigs (Three Different Ones)" while the song's synth solo recalls "Run Like Hell"
** "What Do You Want From Me" has an electric piano-driven groove similar to "Have A Cigar".
** The opening instrumental "Cluster One" has an ambient, spacy feel similar to "Shine On You Crazy Diamond". [[JustifiedTrope Justified]] as it is a musical tribute to RogerWaters.
** "What Do You Want From Me" has an electric piano-driven groove similar to "Have A Cigar".
** The opening instrumental "Cluster One" has an ambient, spacy feel similar to "Shine On You Crazy Diamond". [[JustifiedTrope Justified]] as it is a musical tribute to RogerWaters.
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[[caption-width-right:350:''Do you think that I know something you don't know?'']]
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[[caption-width-right:350:''Do you think that I know something you don’t know?'']]
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# “Cluster One” (5:58)
# “What Do You Want From Me” (4:21)
# “Poles Apart” (7:04)
# “Marooned” (5:29)
# “A Great Day for Freedom” (4:17)
# “Wearing the Inside Out” (6:49)
# “Take It Back” (6:12)
# “Coming Back to Life” (6:19)
# “Keep Talking” (6:11)
# “Lost for Words” (5:14)
# “High Hopes” (8:31)
# “What Do You Want From Me” (4:21)
# “Poles Apart” (7:04)
# “Marooned” (5:29)
# “A Great Day for Freedom” (4:17)
# “Wearing the Inside Out” (6:49)
# “Take It Back” (6:12)
# “Coming Back to Life” (6:19)
# “Keep Talking” (6:11)
# “Lost for Words” (5:14)
# “High Hopes” (8:31)
to:
# “Cluster One” "Cluster One" (5:58)
#“What "What Do You Want From Me” Me" (4:21)
#“Poles Apart” "Poles Apart" (7:04)
#“Marooned” "Marooned" (5:29)
#“A "A Great Day for Freedom” Freedom" (4:17)
#“Wearing "Wearing the Inside Out” Out" (6:49)
#“Take "Take It Back” Back" (6:12)
#“Coming "Coming Back to Life” Life" (6:19)
#“Keep Talking” "Keep Talking" (6:11)
#“Lost "Lost for Words” Words" (5:14)
#“High Hopes” "High Hopes" (8:31)
#
#
#
#
#
#
#
#
#
#
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* AwardBaitSong: "Marooned", which won Pink Floyd a Grammy for Best Rock Instrumental Performance.
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* AwardBaitSong: AwardBaitSong:
** "Marooned", which won Pink Floyd a Grammy for Best Rock Instrumental Performance.
** "Marooned", which won Pink Floyd a Grammy for Best Rock Instrumental Performance.
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* [[TakeThat/{{Music}} Take That]]: "Lost for Words" seems to address David Gilmour's infamous feud with Music/RogerWaters, especially in its ending verse:
-->''So I open my door to my enemies, and I ask--could we wipe the slate clean?''
-->''But they tell me to please go [[PrecisionFStrike fuck]] myself, you know you just can't win''
-->''So I open my door to my enemies, and I ask--could we wipe the slate clean?''
-->''But they tell me to please go [[PrecisionFStrike fuck]] myself, you know you just can't win''
to:
* [[TakeThat/{{Music}} Take That]]: TakeThat:
** "Lost for Words" seems to address David Gilmour's infamous feud with Music/RogerWaters, especially in its ending verse:
-->''So --->''So I open my door to my enemies, and I ask--could we wipe the slate clean?''
-->''But --->''But they tell me to please go [[PrecisionFStrike fuck]] myself, you know you just can't win''
** "Lost for Words" seems to address David Gilmour's infamous feud with Music/RogerWaters, especially in its ending verse:
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-->''[[Music/TheWall Hey you]], did you ever realize what you'd become?''
-->''And did you see that it wasn't only me you were running from?''
-->''And did you see that it wasn't only me you were running from?''
to:
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-->''[[ARiddleWrappedInAMysteryInsideAnEnigma Trust]].''
to:
----
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* NonAppearingTitle: [[CaptainObvious The instrumentals]], "Poles Apart", "A Great Day for Freedom", "Lost for Words" and "High Hopes".
to:
* NonAppearingTitle: [[CaptainObvious The instrumentals]], instrumentals, "Poles Apart", "A Great Day for Freedom", "Lost for Words" and "High Hopes".
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* CallBack: Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
to:
* CallBack: CallBack:
** Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
** Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
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* CallBack: Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here". The church bell and buzzing bee sound effects recall "Fat Old Sun" and "Grantchester Meadows".
to:
* CallBack: Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
** The church bell and buzzing bee sound effects that open "High Hopes" recall "Fat Old Sun" and "Grantchester Meadows".
** The church bell and buzzing bee sound effects that open "High Hopes" recall "Fat Old Sun" and "Grantchester Meadows".
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* CallBack: Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
to:
* CallBack: Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here". The church bell and buzzing bee sound effects recall "Fat Old Sun" and "Grantchester Meadows".
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* CallBack: Gilmour's acoustic guitar part in "Lost for Words" quotes the intro to "Wish You Were Here".
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[[caption-width-right:350:''Do you think that I know something you don't know?'']]
to:
[[caption-width-right:350:''Do you think that I know something you don't don’t know?'']]
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# "Cluster One" (5:58)
# "What Do You Want From Me" (4:21)
# "Poles Apart" (7:04)
# "Marooned" (5:29)
# "A Great Day for Freedom" (4:17)
# "Wearing the Inside Out" (6:49)
# "Take It Back" (6:12)
# "Coming Back to Life" (6:19)
# "Keep Talking" (6:11)
# "Lost for Words" (5:14)
# "High Hopes" (8:31)
# "What Do You Want From Me" (4:21)
# "Poles Apart" (7:04)
# "Marooned" (5:29)
# "A Great Day for Freedom" (4:17)
# "Wearing the Inside Out" (6:49)
# "Take It Back" (6:12)
# "Coming Back to Life" (6:19)
# "Keep Talking" (6:11)
# "Lost for Words" (5:14)
# "High Hopes" (8:31)
to:
# "Cluster One" “Cluster One” (5:58)
#"What “What Do You Want From Me" Me” (4:21)
#"Poles Apart" “Poles Apart” (7:04)
#"Marooned" “Marooned” (5:29)
#"A “A Great Day for Freedom" Freedom” (4:17)
#"Wearing “Wearing the Inside Out" Out” (6:49)
#"Take “Take It Back" Back” (6:12)
#"Coming “Coming Back to Life" Life” (6:19)
#"Keep Talking" “Keep Talking” (6:11)
#"Lost “Lost for Words" Words” (5:14)
#"High Hopes" (8:31)
“High Hopes” (8:31)
#
#
#
#
#
#
#
#
#
#
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!!Principal Members:
to:
!! Principal Members:
Deleted line(s) 29 (click to see context) :
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[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/thedbell_8741.jpg]]
[[caption-width-right:320:''Do you think that I know something you don't know?'']]
[[caption-width-right:320:''Do you think that I know something you don't know?'']]
to:
[[caption-width-right:320:''Do
[[caption-width-right:350:''Do you think that I know something you don't know?'']]
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[[caption-width-right:320:''The Division Bell''.]]
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Changed line(s) 69 (click to see context) from:
----
to:
-->''[[ARiddleWrappedInAMysteryInsideAnEnigma Trust]].''
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* WhyWeAreBummedCommunismFell: An interpretation of "A Great Day for Freedom": specifically, a commentary on the euphoria that came after the end of the Communist bloc in Eastern Europe, and the disappointment that followed.
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Changed line(s) 44 (click to see context) from:
* CreepyCircusMusic: The middle section of "Poles Apart" predominantly features this, possibly as a tribute to Creator/SydBarrett.
to:
* CreepyCircusMusic: The middle section of "Poles Apart" predominantly features this, possibly as a tribute to Creator/SydBarrett.Music/SydBarrett.
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Changed line(s) 41 (click to see context) from:
* AwardBaitSong: "Marooned", which won Pink Floyd their only Grammy ever[[note]]If one doesn't count the Grammy won by ''Music/TheWall'' for Best Engineered Recording (non-classical)[[/note]].
to:
* AwardBaitSong: "Marooned", which won Pink Floyd their only a Grammy ever[[note]]If one doesn't count the Grammy won by ''Music/TheWall'' for Best Engineered Recording (non-classical)[[/note]].Rock Instrumental Performance.
** "Lost for Words" has all the traits of one, except for the LyricalDissonance. See TakeThat below.
** "Lost for Words" has all the traits of one, except for the LyricalDissonance. See TakeThat below.
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* CreepyCircusMusic: See below. Possibly a reference to Creator/SydBarrett.
* CreepyCrows: The middle of "Poles Apart" changes to OminousPipeOrgan music, then the aforementioned CreepyCircusMusic, a metal gate opening and the cawing of crows.
* CreepyCrows: The middle of "Poles Apart" changes to OminousPipeOrgan music, then the aforementioned CreepyCircusMusic, a metal gate opening and the cawing of crows.
to:
* CreepyCircusMusic: See below. Possibly The middle section of "Poles Apart" predominantly features this, possibly as a reference tribute to Creator/SydBarrett.
* CreepyCrows:The middle of "Poles Apart" changes to OminousPipeOrgan music, then During the aforementioned CreepyCircusMusic, a metal gate opening and the cawing middle section of crows."Poles Apart".
* CreepyCrows:
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* StepUpToTheMicrophone: Richard Wright sings co-lead vocals on "Wearing the Inside Out".
to:
* StepUpToTheMicrophone: Richard Wright sings co-lead most of the lead vocals on "Wearing the Inside Out".
Changed line(s) 60,66 (click to see context) from:
--> ''I'm feeling weak now''
--> ''But I can't show my weakness''
* [[TakeThat/{{Music}} Take That]]: "Lost for Words" is the only Floyd song to address David Gilmour's infamous feud with Music/RogerWaters, especially in its ending verse:
-->''So I open my door to my enemies''
-->''And I ask could we wipe the slate clean''
-->''But they tell me to please go [[PrecisionFStrike fuck]] myself''
-->''You know you just can't win''
--> ''But I can't show my weakness''
* [[TakeThat/{{Music}} Take That]]: "Lost for Words" is the only Floyd song to address David Gilmour's infamous feud with Music/RogerWaters, especially in its ending verse:
-->''So I open my door to my enemies''
-->''And I ask could we wipe the slate clean''
-->''But they tell me to please go [[PrecisionFStrike fuck]] myself''
-->''You know you just can't win''
to:
--> ''I'm feeling weak now''
--> ''Butnow, but I can't show my weakness''
* [[TakeThat/{{Music}} Take That]]: "Lost for Words"is the only Floyd song seems to address David Gilmour's infamous feud with Music/RogerWaters, especially in its ending verse:
-->''So I open my door to myenemies''
-->''Andenemies, and I ask could ask--could we wipe the slate clean''
clean?''
-->''But they tell me to please go [[PrecisionFStrike fuck]]myself''
-->''Youmyself, you know you just can't win''win''
** [[https://web.archive.org/web/20160303234057/http://utopia.knoware.nl/users/ptr/pfloyd/interview/herewg.html According to co-writer Polly Samson]], the second verse of "Poles Apart" is also addressed to Waters.
-->''[[Music/TheWall Hey you]], did you ever realize what you'd become?''
-->''And did you see that it wasn't only me you were running from?''
--> ''But
* [[TakeThat/{{Music}} Take That]]: "Lost for Words"
-->''So I open my door to my
-->''And
-->''But they tell me to please go [[PrecisionFStrike fuck]]
-->''You
** [[https://web.archive.org/web/20160303234057/http://utopia.knoware.nl/users/ptr/pfloyd/interview/herewg.html According to co-writer Polly Samson]], the second verse of "Poles Apart" is also addressed to Waters.
-->''[[Music/TheWall Hey you]], did you ever realize what you'd become?''
-->''And did you see that it wasn't only me you were running from?''
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* EpicRocking: "Cluster One" (5:58), "Poles Apart" (7:04), "Wearing The Inside Out" (6:49), "Take It Back" (6:12), "Coming Back To Life" (6:19), "Keep Talking" (6:11), and "High Hopes" (8:31).
to:
* EpicRocking: "Cluster One" (5:58), "Poles Apart" (7:04), "Wearing The the Inside Out" (6:49), "Take It Back" (6:12), "Coming Back To to Life" (6:19), "Keep Talking" (6:11), and "High Hopes" (8:31).