Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
Stephen Sondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the PulitzerPrize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to [[LampshadeHanging lampshade]] in such works as ''Merrily We Roll Along'' and ''Theatre/SundayInTheParkWithGeorge''.
to:
Is there an issue? Send a MessageReason:
Follies was inspired by a noted photograph of Gloria Swanson, not by a photograph of a former Ziegfeld Girl in the ruins of the original Ziegfeld Theater. See here: http://www.nytimes.com/books/98/07/19/specials/sondheim-secrest.html
Changed line(s) 37 (click to see context) from:
** ''Follies'' was inspired by a picture of one of the Ziegfield Follies girls standing in the ruins of Ziegfield's theatre.
to:
** ''Follies'' was inspired by a picture of one of the Ziegfield Follies girls Gloria Swanson standing in the ruins of Ziegfield's theatre.the Roxy Theater.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
Stephen Sondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to [[LampshadeHanging lampshade]] in such works as ''Merrily We Roll Along'' and ''Theatre/SundayInTheParkWithGeorge''.
to:
Stephen Sondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize.PulitzerPrize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to [[LampshadeHanging lampshade]] in such works as ''Merrily We Roll Along'' and ''Theatre/SundayInTheParkWithGeorge''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''Theatre/TheFrogs'' (1941, revived in 2004) (play by Aristophanes)
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* ''Gypsy'' (1959) (music by Jule Styne; book by Arthur Laurents; directed by Jerome Robbins)
to:
* ''Gypsy'' ''Theatre/{{Gypsy}}'' (1959) (music by Jule Styne; book by Arthur Laurents; directed by Jerome Robbins)
Changed line(s) 18 (click to see context) from:
* ''Evening Primrose'' (1966) (made for ABC TV) (book by James Goldman, based on the short story by John Collier)
to:
* ''Evening Primrose'' (1966) (made for ABC TV) (book (teleplay by James Goldman, based on the short story by John Collier)
Is there an issue? Send a MessageReason:
None
Changed line(s) 28 (click to see context) from:
* ''Passion'' (1994) (book by James Lapine; directed by James Lapine)
to:
* ''Passion'' ''Theatre/{{Passion}}'' (1994) (book by James Lapine; directed by James Lapine)
Is there an issue? Send a MessageReason:
None
Changed line(s) 45 (click to see context) from:
** Some stagings of ''Gypsy'', notably the 2008 production starring Patti LuPone.
to:
** Some stagings of ''Gypsy'', notably the 2008 production starring Patti LuPone.[=LuPone=].
Is there an issue? Send a MessageReason:
None
Changed line(s) 26 (click to see context) from:
* ''{{Into the Woods}}'' (1987) (book by James Lapine; directed by James Lapine)
to:
* ''{{Into the Woods}}'' ''Theatre/IntoTheWoods'' (1987) (book by James Lapine; directed by James Lapine)
Changed line(s) 32,33 (click to see context) from:
!!Works by Stephen Sondheim without their own pages, and his oeuvre in general, provide examples of:
to:
Changed line(s) 40,41 (click to see context) from:
** ''{{Into the Woods}}'' (fairy tales)
** ''PacificOvertures'' (the sort of East-meets-West story best represented by ''The King and I'')
** ''PacificOvertures'' (the sort of East-meets-West story best represented by ''The King and I'')
to:
** ''{{Into ''[=Into the Woods}}'' Woods=]'' (fairy tales)
**''PacificOvertures'' ''Pacific Overtures'' (the sort of East-meets-West story best represented by ''The King and I'')
**
Changed line(s) 46,47 (click to see context) from:
* GossipyHens: Most of the minor characters in ''Theatre/{{Sunday in the Park with George}}'', and some Gossipy Roosters in the form of the soldiers in ''Passion''.
* {{Leitmotif}}
* {{Leitmotif}}
to:
* GossipyHens: Most of the minor characters in ''Theatre/{{Sunday ''Sunday in the Park with George}}'', George'', and some Gossipy Roosters in the form of the soldiers in ''Passion''.
*{{Leitmotif}}''{{Leitmotif}}''
*
Changed line(s) 53 (click to see context) from:
** Sondheim joined forces with AndrewLloydWebber for "Hey Mr Producer", a tribute concert to Cameron Mackintosh. They performed [[http://www.youtube.com/watch?v=gRUSkUnc6WY a duet]] riffing on their songs "Send In The Clowns" and "Music of the Night", all while playfully ribbing Mackintosh.
to:
** Sondheim joined forces with AndrewLloydWebber Creator/AndrewLloydWebber for "Hey Mr Producer", a tribute concert to Cameron Mackintosh. They performed [[http://www.youtube.com/watch?v=gRUSkUnc6WY a duet]] riffing on their songs "Send In The Clowns" and "Music of the Night", all while playfully ribbing Mackintosh.
Changed line(s) 55 (click to see context) from:
* ShoutOut: In the opening of ''PacificOvertures'', the Reciter sings of far off lands where, among other things, women are being praised, which is arguably a ShoutOut to 'In Praise of Women' from Sondheim's previous musical ''ALittleNightMusic''.
to:
* ShoutOut: In the opening of ''PacificOvertures'', ''Pacific Overtures'', the Reciter sings of far off lands where, among other things, women are being praised, which is arguably a ShoutOut to 'In Praise of Women' from Sondheim's previous musical ''ALittleNightMusic''.''A Little Night Music''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 9 (click to see context) from:
Stephen Sondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to {{Lampshade}} in works like ''Merrily We Roll Along'' and ''Theatre/{{Sunday in the Park with George}}''.
to:
Stephen Sondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to {{Lampshade}} [[LampshadeHanging lampshade]] in such works like as ''Merrily We Roll Along'' and ''Theatre/{{Sunday in the Park with George}}''.''Theatre/SundayInTheParkWithGeorge''.
Changed line(s) 13 (click to see context) from:
* ''Theatre/WestSideStory'' (1957) (music by LeonardBernstein; book by Arthur Laurents; directed by Jerome Robbins)
to:
* ''Theatre/WestSideStory'' (1957) (music by LeonardBernstein; Music/LeonardBernstein; book by Arthur Laurents; directed by Jerome Robbins)
Changed line(s) 15 (click to see context) from:
* ''AFunnyThingHappenedOnTheWayToTheForum'' (1962) (book by Burt Shevelove and Larry Gelbart; directed by George Abbott)
to:
* ''AFunnyThingHappenedOnTheWayToTheForum'' ''Theatre/AFunnyThingHappenedOnTheWayToTheForum'' (1962) (book by Burt Shevelove and Larry Gelbart; directed by George Abbott)
Changed line(s) 19 (click to see context) from:
* ''{{Company}}'' (1970) (book by George Furth; directed by Hal Prince)
to:
* ''{{Company}}'' ''Theatre/{{Company}}'' (1970) (book by George Furth; directed by Hal Prince)
Changed line(s) 21,22 (click to see context) from:
* ''ALittleNightMusic'' (1973) (book by Hugh Wheeler; directed by Hal Prince)
* ''PacificOvertures'' (1976) (book by John Weidman; directed by Hal Prince)
* ''PacificOvertures'' (1976) (book by John Weidman; directed by Hal Prince)
to:
* ''ALittleNightMusic'' ''Theatre/ALittleNightMusic'' (1973) (book by Hugh Wheeler; directed by Hal Prince)
*''PacificOvertures'' ''Theatre/PacificOvertures'' (1976) (book by John Weidman; directed by Hal Prince)
*
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** ''Follies'' was inspired by a picture of one of the Ziegfield Follies girls standing in the ruins of Ziegfield's theatre.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Some stagings of ''Gypsy'', notably the 2008 production starring Patti LuPone.
Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
* AllMusicalsAreAdaptations: Although he avoids this trope about half the time, he's perhaps the only man ever to adapt a ''painting'' into a full-length musical.
to:
* AllMusicalsAreAdaptations: Although he avoids this trope about half the time, he's He's perhaps the only man ever to adapt a ''painting'' into a full-length musical.musical. He's only done three completely original shows: ''Anyone Can Whistle'', ''Company'', and ''Follies''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
**And really, any song containing the word "Ballad" in ''Assassins''.
Is there an issue? Send a MessageReason:
Namespace
Changed line(s) 20 (click to see context) from:
* ''{{Follies}}'' (1971) (book by James Goldman; directed by Hal Prince)
to:
* ''{{Follies}}'' ''Theatre/{{Follies}}'' (1971) (book by James Goldman; directed by Hal Prince)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* CounterpointDuet: BIG fan of this, puts it in almost all his shows, and sometimes going [[UpToEleven one step further]] and making it into a trio, quartet, quintet, sextet, septet, or [[MassiveMultiplayerEnsembleNumber an ensemble number with as much as 8-part counterpoint!!]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 4 (click to see context) from:
\\Good job with the naming, Roundabout.
to:
Good job with the naming, Roundabout.
Is there an issue? Send a MessageReason:
None
Changed line(s) 4,5 (click to see context) from:
Good job with the naming, Roundabout.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
-->Audience enters into the brand new underground...soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to. \\
to:
-->Audience enters into the brand new underground...underground Henry Miller Theater, soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to. \\
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
-->Audience enters into the brand new underground Henry Miller theater, soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to. \\
to:
-->Audience enters into the brand new underground Henry Miller theater, underground...soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to. \\\\
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
-->Audience enters into the brand new underground Henry Miller theater, soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to.//
to:
-->Audience enters into the brand new underground Henry Miller theater, soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to.// \\
Is there an issue? Send a MessageReason:
None
Added DiffLines:
-->Audience enters into the brand new underground Henry Miller theater, soon to-be-christened the STEPHEN SONDHEIM THEATER. It is under-attended, more modern than you're comfortable with, and requires you to travel deeper down than you think you ought to.//
Good job with the naming, Roundabout.
-->--[[http://www.broadwayabridged.com/ Broadway Abridged]]
Good job with the naming, Roundabout.
-->--[[http://www.broadwayabridged.com/ Broadway Abridged]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 7 (click to see context) from:
* ''WestSideStory'' (1957) (music by LeonardBernstein; book by Arthur Laurents; directed by Jerome Robbins)
to:
* ''WestSideStory'' ''Theatre/WestSideStory'' (1957) (music by LeonardBernstein; book by Arthur Laurents; directed by Jerome Robbins)
Changed line(s) 36 (click to see context) from:
* DownerEnding: ''Assassins'', ''WestSideStory'', ''Merrily We Roll Along'' (subverted in that it's placed at the beginning), ''Sweeney Todd'', ''Follies'', ''Evening Primrose''.
to:
* DownerEnding: ''Assassins'', ''WestSideStory'', ''Theatre/WestSideStory'', ''Merrily We Roll Along'' (subverted in that it's placed at the beginning), ''Sweeney Todd'', ''Follies'', ''Evening Primrose''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 37 (click to see context) from:
* GossipyHens: Most of the minor characters in ''{{Sunday in the Park with George}}'', and some Gossipy Roosters in the form of the soldiers in ''Passion''.
to:
* GossipyHens: Most of the minor characters in ''{{Sunday ''Theatre/{{Sunday in the Park with George}}'', and some Gossipy Roosters in the form of the soldiers in ''Passion''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
StephenSondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to {{Lampshade}} in works like ''Merrily We Roll Along'' and ''{{Sunday in the Park with George}}''.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 19 (click to see context) from:
* ''{{Sunday in the Park with George}}'' (1984) (book by James Lapine; directed by James Lapine)
to:
* ''{{Sunday in the Park with George}}'' ''Theatre/SundayInTheParkWithGeorge'' (1984) (book by James Lapine; directed by James Lapine)
Is there an issue? Send a MessageReason:
None
Changed line(s) 44 (click to see context) from:
** For the retrospective ''Sondheim on Sondheim'', he wrote a new song: [[http://www.youtube.com/watch?v=DlJNub7J9j8 "God"]]
to:
** For the retrospective ''Sondheim on Sondheim'', he wrote a new song: [[http://www.youtube.com/watch?v=DlJNub7J9j8 com/watch?v=tfN6ZwttUDQ "God"]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* ''Follies'' (1971) (book by James Goldman; directed by Hal Prince)
to:
* ''Follies'' ''{{Follies}}'' (1971) (book by James Goldman; directed by Hal Prince)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
http://static.tvtropes.org/pmwiki/pub/images/24hf01_150.jpg
StephenSondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to {{Lampshade}} in works like ''Merrily We Roll Along'' and ''{{Sunday in the Park with George}}''.
----
!!Works:
* ''Saturday Night'' (1954, though unproduced until 1997) (book by Julius J. Epstein and Philip G. Epstein)
* ''WestSideStory'' (1957) (music by LeonardBernstein; book by Arthur Laurents; directed by Jerome Robbins)
* ''Gypsy'' (1959) (music by Jule Styne; book by Arthur Laurents; directed by Jerome Robbins)
* ''AFunnyThingHappenedOnTheWayToTheForum'' (1962) (book by Burt Shevelove and Larry Gelbart; directed by George Abbott)
* ''Theatre/AnyoneCanWhistle'' (1964) (book by Arthur Laurents; directed by Arthur Laurents)
* ''Do I Hear a Waltz?'' (1965) (music by Richard Rodgers; book by Arthur Laurents; directed by John Dexter)
* ''Evening Primrose'' (1966) (made for ABC TV) (book by James Goldman, based on the short story by John Collier)
* ''{{Company}}'' (1970) (book by George Furth; directed by Hal Prince)
* ''Follies'' (1971) (book by James Goldman; directed by Hal Prince)
* ''ALittleNightMusic'' (1973) (book by Hugh Wheeler; directed by Hal Prince)
* ''PacificOvertures'' (1976) (book by John Weidman; directed by Hal Prince)
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' (1979) (book by Hugh Wheeler; directed by Hal Prince)
* ''MerrilyWeRollAlong'' (1981) (book by George Furth; directed by Hal Prince)
* ''{{Sunday in the Park with George}}'' (1984) (book by James Lapine; directed by James Lapine)
* ''{{Into the Woods}}'' (1987) (book by James Lapine; directed by James Lapine)
* ''Theatre/{{Assassins}}'' (1990) (book by John Weidman; directed by Jerry Zaks)
* ''Passion'' (1994) (book by James Lapine; directed by James Lapine)
* ''Bounce'' (2003) (book by John Weidman; directed by Hal Prince)
** In 2008 ''Bounce'' was re-worked, with some songs removed and others added, one character entirely cut, and the plot rewritten; the resulting piece is now called ''Road Show'' and it opened off-Broadway in November 2008, directed by John Doyle.
----
!!Works by Stephen Sondheim without their own pages, and his oeuvre in general, provide examples of:
* AddedAlliterativeAppeal: He loves this. Any Sondheim musical will include lines like "I feel fizzy and funny and fine," "The realities remain remote," "The bong of the bell of the buoy in the bay," and the infamous "That's the puddle where the poodle did the piddle."
* AllMusicalsAreAdaptations: Although he avoids this trope about half the time, he's perhaps the only man ever to adapt a ''painting'' into a full-length musical.
* CutSong: The revue ''Marry Me A Little'' was made entirely from his [[CutSong Cut Songs]].
* {{Deconstruction}}: Present to some degree in most of his works, most notably the following:
** ''{{Into the Woods}}'' (fairy tales)
** ''PacificOvertures'' (the sort of East-meets-West story best represented by ''The King and I'')
** ''{{Theatre/Assassins}}'' and ''Road Show'' (the American Dream)
* DoubleMeaningTitle: ''Follies'', ''Pacific Overtures'', perhaps to a lesser extent ''Company''
* DownerEnding: ''Assassins'', ''WestSideStory'', ''Merrily We Roll Along'' (subverted in that it's placed at the beginning), ''Sweeney Todd'', ''Follies'', ''Evening Primrose''.
* GossipyHens: Most of the minor characters in ''{{Sunday in the Park with George}}'', and some Gossipy Roosters in the form of the soldiers in ''Passion''.
* {{Leitmotif}}
* LyricalDissonance
* {{Reconstruction}}: Arguably, ''Passion'', of the archetypal love epic.
* SanitySlippageSong: He's got several - "Epiphany" from ''Sweeney Todd,'' "Getting Married Today" from ''Company,'' "Live, Laugh, Love" from ''Follies,'' "Franklin Shepard Inc." from ''MerrilyWeRollAlong,'' and "Rose's Turn" from ''Gypsy.''
* SelfParody:
** Sondheim joined forces with AndrewLloydWebber for "Hey Mr Producer", a tribute concert to Cameron Mackintosh. They performed [[http://www.youtube.com/watch?v=gRUSkUnc6WY a duet]] riffing on their songs "Send In The Clowns" and "Music of the Night", all while playfully ribbing Mackintosh.
** For the retrospective ''Sondheim on Sondheim'', he wrote a new song: [[http://www.youtube.com/watch?v=DlJNub7J9j8 "God"]]
* ShoutOut: In the opening of ''PacificOvertures'', the Reciter sings of far off lands where, among other things, women are being praised, which is arguably a ShoutOut to 'In Praise of Women' from Sondheim's previous musical ''ALittleNightMusic''.
* SlidingScaleOfIdealismVersusCynicism: Very cynical in most cases
* SubvertedRhymeEveryOccasion: More often inverted than played straight. Often he'll complete the rhyme, but in a way you'd never guess. Or he'll stuff in a bunch of internal rhymes where no other songwriter will dare.
* ThatRemindsMeOfASong: Used dramatically in ''Follies'', in which half the songs are numbers that the women used to sing in their days in the Ziegfeld Follies-esque show, but are used to point up the melancholy of the story.
* VillainSong: He's good at this.
** Surprisingly, the villain in ''Evening Primrose'' (Ms. Munday) did not receive one, most likely because it was only written to fit within an hour of television broadcast time. Many fans think that if ''Evening Primrose'' were to be expanded for stage, Ms. Munday should deserve a song.
* WhiteDwarfStarlet: Half the cast of ''Follies'', a show which does a little examining of this very phenomenon.
----
StephenSondheim is one of the 20th Century's most respected composers of [[TheMusical musicals]]. He's won seven Tony Awards, an Academy Award, several Grammy Awards, and the Pulitzer Prize. He began on Broadway as a lyricist, and then began writing his own music. Critics of his work complain that the songs are [[ViewersAreMorons too complex and unhummable]], which he went on to {{Lampshade}} in works like ''Merrily We Roll Along'' and ''{{Sunday in the Park with George}}''.
----
!!Works:
* ''Saturday Night'' (1954, though unproduced until 1997) (book by Julius J. Epstein and Philip G. Epstein)
* ''WestSideStory'' (1957) (music by LeonardBernstein; book by Arthur Laurents; directed by Jerome Robbins)
* ''Gypsy'' (1959) (music by Jule Styne; book by Arthur Laurents; directed by Jerome Robbins)
* ''AFunnyThingHappenedOnTheWayToTheForum'' (1962) (book by Burt Shevelove and Larry Gelbart; directed by George Abbott)
* ''Theatre/AnyoneCanWhistle'' (1964) (book by Arthur Laurents; directed by Arthur Laurents)
* ''Do I Hear a Waltz?'' (1965) (music by Richard Rodgers; book by Arthur Laurents; directed by John Dexter)
* ''Evening Primrose'' (1966) (made for ABC TV) (book by James Goldman, based on the short story by John Collier)
* ''{{Company}}'' (1970) (book by George Furth; directed by Hal Prince)
* ''Follies'' (1971) (book by James Goldman; directed by Hal Prince)
* ''ALittleNightMusic'' (1973) (book by Hugh Wheeler; directed by Hal Prince)
* ''PacificOvertures'' (1976) (book by John Weidman; directed by Hal Prince)
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' (1979) (book by Hugh Wheeler; directed by Hal Prince)
* ''MerrilyWeRollAlong'' (1981) (book by George Furth; directed by Hal Prince)
* ''{{Sunday in the Park with George}}'' (1984) (book by James Lapine; directed by James Lapine)
* ''{{Into the Woods}}'' (1987) (book by James Lapine; directed by James Lapine)
* ''Theatre/{{Assassins}}'' (1990) (book by John Weidman; directed by Jerry Zaks)
* ''Passion'' (1994) (book by James Lapine; directed by James Lapine)
* ''Bounce'' (2003) (book by John Weidman; directed by Hal Prince)
** In 2008 ''Bounce'' was re-worked, with some songs removed and others added, one character entirely cut, and the plot rewritten; the resulting piece is now called ''Road Show'' and it opened off-Broadway in November 2008, directed by John Doyle.
----
!!Works by Stephen Sondheim without their own pages, and his oeuvre in general, provide examples of:
* AddedAlliterativeAppeal: He loves this. Any Sondheim musical will include lines like "I feel fizzy and funny and fine," "The realities remain remote," "The bong of the bell of the buoy in the bay," and the infamous "That's the puddle where the poodle did the piddle."
* AllMusicalsAreAdaptations: Although he avoids this trope about half the time, he's perhaps the only man ever to adapt a ''painting'' into a full-length musical.
* CutSong: The revue ''Marry Me A Little'' was made entirely from his [[CutSong Cut Songs]].
* {{Deconstruction}}: Present to some degree in most of his works, most notably the following:
** ''{{Into the Woods}}'' (fairy tales)
** ''PacificOvertures'' (the sort of East-meets-West story best represented by ''The King and I'')
** ''{{Theatre/Assassins}}'' and ''Road Show'' (the American Dream)
* DoubleMeaningTitle: ''Follies'', ''Pacific Overtures'', perhaps to a lesser extent ''Company''
* DownerEnding: ''Assassins'', ''WestSideStory'', ''Merrily We Roll Along'' (subverted in that it's placed at the beginning), ''Sweeney Todd'', ''Follies'', ''Evening Primrose''.
* GossipyHens: Most of the minor characters in ''{{Sunday in the Park with George}}'', and some Gossipy Roosters in the form of the soldiers in ''Passion''.
* {{Leitmotif}}
* LyricalDissonance
* {{Reconstruction}}: Arguably, ''Passion'', of the archetypal love epic.
* SanitySlippageSong: He's got several - "Epiphany" from ''Sweeney Todd,'' "Getting Married Today" from ''Company,'' "Live, Laugh, Love" from ''Follies,'' "Franklin Shepard Inc." from ''MerrilyWeRollAlong,'' and "Rose's Turn" from ''Gypsy.''
* SelfParody:
** Sondheim joined forces with AndrewLloydWebber for "Hey Mr Producer", a tribute concert to Cameron Mackintosh. They performed [[http://www.youtube.com/watch?v=gRUSkUnc6WY a duet]] riffing on their songs "Send In The Clowns" and "Music of the Night", all while playfully ribbing Mackintosh.
** For the retrospective ''Sondheim on Sondheim'', he wrote a new song: [[http://www.youtube.com/watch?v=DlJNub7J9j8 "God"]]
* ShoutOut: In the opening of ''PacificOvertures'', the Reciter sings of far off lands where, among other things, women are being praised, which is arguably a ShoutOut to 'In Praise of Women' from Sondheim's previous musical ''ALittleNightMusic''.
* SlidingScaleOfIdealismVersusCynicism: Very cynical in most cases
* SubvertedRhymeEveryOccasion: More often inverted than played straight. Often he'll complete the rhyme, but in a way you'd never guess. Or he'll stuff in a bunch of internal rhymes where no other songwriter will dare.
* ThatRemindsMeOfASong: Used dramatically in ''Follies'', in which half the songs are numbers that the women used to sing in their days in the Ziegfeld Follies-esque show, but are used to point up the melancholy of the story.
* VillainSong: He's good at this.
** Surprisingly, the villain in ''Evening Primrose'' (Ms. Munday) did not receive one, most likely because it was only written to fit within an hour of television broadcast time. Many fans think that if ''Evening Primrose'' were to be expanded for stage, Ms. Munday should deserve a song.
* WhiteDwarfStarlet: Half the cast of ''Follies'', a show which does a little examining of this very phenomenon.
----