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Changed line(s) 58 (click to see context) from:
* LyricalDissonance: "Breadcrumb Trail", despite being as dark as the rest of this album instrumentally, pretty much revolves around making a new friend at a carnival. Brian's anguished screaming of "creeping up into the sky"? It's about a rollercoaster. The song still fits in with the general dreamlike ambience of the rest of the record, even lyrically, and there's arguably a {{subtext}} that something traumatic has happened to one of the characters, but [[NothingIsScarier what exactly that trauma is has been left out]] - the song [[NoEnding simply ends]] before we can find out.
to:
* LyricalDissonance: "Breadcrumb Trail", despite being as dark as the rest of this album instrumentally, pretty much revolves around making a new friend at a carnival. Brian's anguished screaming of "creeping up into the sky"? It's about a rollercoaster. The song still fits in with the general dreamlike ambience of the rest of the record, even lyrically, and there's arguably a {{subtext}} that something traumatic has happened to one of the characters, characters (as suggested [[http://thequietus.com/articles/06168-slint-spiderland-anniversary here]]), but [[NothingIsScarier what exactly that trauma is has been left out]] - the song [[NoEnding simply ends]] before we can find out.
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Changed line(s) 44 (click to see context) from:
* ConceptAlbum: The lyrics all tell tales of alienation. There are also EpilepticTrees that all the songs also have themes of sleep, dreaming, and death.
to:
* ConceptAlbum: The lyrics all tell tales of alienation. There are also EpilepticTrees that all the songs also have themes of sleep, dreaming, and death.death, as argued [[http://www.popmatters.com/feature/131474-spiderland-the-experience-of-sleep/ here]].
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Changed line(s) 62 (click to see context) from:
* NothingIsScarier: Many of the songs have undercurrents of horror to their lyrics, but the actual horrors themselves are never actually described, so what they are is left to the listener's imagination.
to:
* NothingIsScarier: Many of the songs have undercurrents of horror to their lyrics, but the actual horrors themselves are never actually described, so what they are is left to the listener's imagination. This is most obvious on "Good Morning, Captain", but it's present on several of the other songs as well.
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Changed line(s) 52,53 (click to see context) from:
*FaceOnTheCover: The band floating in the Utica Quarry, an abandoned quarry in their native Louisville.
* GainaxEnding: "Good Morning, Captain." Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
* GainaxEnding: "Good Morning, Captain." Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
to:
* GainaxEnding: "Good Morning, Captain." Is it real? Is the captain hallucinating? Is the captain dead? No one knows. "Nosferatu Man" also qualifies, as it's never exactly clear what happened to the queen.
Added DiffLines:
* NoEnding: Lyrically, almost all of the songs fall into either this or GainaxEnding. Or sometimes both. Musically, this is an AvertedTrope, however.
Added DiffLines:
* NothingIsScarier: Many of the songs have undercurrents of horror to their lyrics, but the actual horrors themselves are never actually described, so what they are is left to the listener's imagination.
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Changed line(s) 44 (click to see context) from:
* ConceptAlbum: The lyrics all tell tales of alienation.
to:
* ConceptAlbum: The lyrics all tell tales of alienation. There are also EpilepticTrees that all the songs also have themes of sleep, dreaming, and death.
Changed line(s) 58 (click to see context) from:
* LyricalDissonance: "Breadcrumb Trail", despite being as dark as the rest of this album instrumentally, pretty much revolves around making a new friend at a carnival. Brian's anguished screaming of "creeping up into the sky"? It's about a rollercoaster.
to:
* LyricalDissonance: "Breadcrumb Trail", despite being as dark as the rest of this album instrumentally, pretty much revolves around making a new friend at a carnival. Brian's anguished screaming of "creeping up into the sky"? It's about a rollercoaster. The song still fits in with the general dreamlike ambience of the rest of the record, even lyrically, and there's arguably a {{subtext}} that something traumatic has happened to one of the characters, but [[NothingIsScarier what exactly that trauma is has been left out]] - the song [[NoEnding simply ends]] before we can find out.
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Changed line(s) 63 (click to see context) from:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain.
to:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain.Captain".
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Changed line(s) 37 (click to see context) from:
* AlbumIntroTrack: "Breadcrumb Trail".
to:
* AlbumIntroTrack: "Breadcrumb Trail".Trail" is pretty much a preview for the rest of the album.
Changed line(s) 50 (click to see context) from:
* DrivenToSuicide: "Washer".
to:
* DrivenToSuicide: "Washer"."Washer", possibly.
* OminousLatinChanting: In "Breadcrumb Trail", the rest of the band actually sings backing vocals in the second distorted verse (beginning with the lyric "spinning round"). They're singing a continuous "aah", and it's mixed in very quietly in the song, so it's incredibly subtle.
Changed line(s) 62 (click to see context) from:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain".
to:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain".Captain.
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* AlbumIntroTrack: "Breadcrumb Trail".
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* BreatherEpisode: "For Dinner..." serves as the cooldown track between "[[{{Tearjerker}} Washer]]" and "[[TheClimax Good Morning, Captain]]".
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* WhenImGoneSong: "Washer".
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Deleted line(s) 4,5 (click to see context) :
->"''My instincts tell me the dry spell will continue for a while -- possibly until the bands Music/{{Slint}} will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you'll lie like the cocksucker you are and say you did anyway.''
Changed line(s) 12,13 (click to see context) from:
In March 1991, a record with a black and white photo of four men -- no band name, no album name -- floating in an abandoned quarry, staring and [[TheUnsmile smiling]] right at the camera, began to appear in music stores. Those pulled in by the cover would find themselves [[ShroudedInMyth enwrapped in a world of mystique]] -- the band had broken up before the album's release, the music on the album was dark and depressing with lyrics emphasising isolation, and one of the members supposedly had to be institutionalised during / after the recording; it was as if it was cursed. Despite being largely ignored on its release, the few that did hear it bore witness to something different, giving birth to a [[PostRock new genre.]] Over twenty years on, it's now considered one of the most influential releases of all time.
to:
In March 1991, a record with a black and white photo of four men -- no band name, no album name -- floating in an abandoned quarry, staring and [[TheUnsmile smiling]] right at the camera, began to appear in music stores. Those pulled in by the cover would find themselves [[ShroudedInMyth enwrapped in a world of mystique]] -- the band had broken up before the album's release, the music on the album was dark and depressing with lyrics emphasising isolation, and one of the members supposedly had to be institutionalised during / after during/after the recording; recording (the rumour varies); it was as if it was cursed. Despite being largely ignored on its release, the few that did hear it bore witness to something different, giving birth to a [[PostRock new genre.]] Over twenty years on, it's now considered one of the most influential releases of all time.
Changed line(s) 41,42 (click to see context) from:
* BuffySpeak: "Breadcrumb Trail" with: "I pulled back the drape thing on the tent."
** This was how ''Spiderland'' got its name: [=Mc=]Mahan's younger brother, upon hearing the album, said that it sounded "spidery."
** This was how ''Spiderland'' got its name: [=Mc=]Mahan's younger brother, upon hearing the album, said that it sounded "spidery."
to:
* BuffySpeak: "Breadcrumb Trail" with: "I pulled back the drape thing on the tent."
tent".
** This was how ''Spiderland'' got its name: [=Mc=]Mahan's younger brother, upon hearing the album, said that it sounded"spidery.""spidery".
** This was how ''Spiderland'' got its name: [=Mc=]Mahan's younger brother, upon hearing the album, said that it sounded
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* DrivenToSuicide: "Washer."
* EpicRocking: "Don, Aman" (6:28), "Washer" (8:50), and "Good Morning, Captain" (7:39)
* EpicRocking: "Don, Aman" (6:28), "Washer" (8:50), and "Good Morning, Captain" (7:39)
to:
* DrivenToSuicide: "Washer."
"Washer".
* EpicRocking: "Don, Aman" (6:28), "Washer" (8:50), and "Good Morning, Captain"(7:39)(7:39).
* EpicRocking: "Don, Aman" (6:28), "Washer" (8:50), and "Good Morning, Captain"
Changed line(s) 56,57 (click to see context) from:
* {{Instrumental}}: "For Dinner..."
* LyricalColdOpen: "Don, Aman:" "Don stepped outside."
* LyricalColdOpen: "Don, Aman:" "Don stepped outside."
to:
* {{Instrumental}}: "For Dinner...".
* LyricalColdOpen: "Don, Aman": "Don stepped outside."
*LyricalColdOpen: "Don, Aman:" "Don stepped outside."LyricalDissonance: "Breadcrumb Trail", despite being as dark as the rest of this album instrumentally, pretty much revolves around making a new friend at a carnival. Brian's anguished screaming of "creeping up into the sky"? It's about a rollercoaster.
* LyricalColdOpen: "Don, Aman": "Don stepped outside."
*
Changed line(s) 61 (click to see context) from:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain."
to:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain."Captain".
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* StepUpToTheMicrophone: "Don, Aman" has vocals and guitar by their drummer Britt Walford.
to:
* StepUpToTheMicrophone: "Don, Aman" has vocals and guitar by their drummer Britt Walford.
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* SuddenlyShouting: Brian often goes from mumbling speech to shouting. The best example of this is his screaming in "Good Morning, Captain".
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* DeliberatelyMonochrome: The black and white photo of the band helps the cover capture the album's sound very effectively: cold, contrasting and [[ParanoiaFuel creepy]].
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Changed line(s) 2,5 (click to see context) from:
[[caption-width-right:350:[[CarefulWithThatAxe I MISS YOU]]]]
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''
to:
->"''My instincts tell me the dry spell will continue for a while
Changed line(s) 12,17 (click to see context) from:
In March 1991, a record with a black and white photo of four men - no band name, no album name - floating in an abandoned quarry, staring and [[TheUnsmile smiling]] right at the camera, began to appear in music stores. Those pulled in by the cover would find themselves [[ShroudedInMyth enwrapped in a world of mystique]] - the band had broken up before the album's release, the music on the album was dark and depressing with lyrics emphasising isolation, and one of the members supposedly had to be institutionalised during/after the recording; it was as if it was cursed. Despite being largely ignored on its release, the few that did hear it bore witness to something different, giving birth to a [[PostRock new genre]]. Over twenty years on, it's now considered one of the most influential releases of all time.
'''''Spiderland''''' is the sophomore and final album by American PostHardcore[=/=]MathRock band Music/{{Slint}}, released through Touch and Go Records on March 27, 1991. [[NewSoundAlbum A very marked departure from]] ''Tweez'', ''Spiderland'' set itself apart by removing itself of traditional hardcore structures, instead focusing on usage of long crescendos and sudden diminuendos (today, the term "Slint dynamics" is used for dynamics similar to the ones featured on this album) and narrative lyrics delivered in [[SpokenWordInMusic spoken word]]. Fueling the mysteriousness around the album was the TroubledProduction: the entire thing was stressfully recorded over four nights, and singer Brian [=McMahan=] threw his voice and became physically ill after recording the LP's final track, "Good Morning, Captain".
Notable for, along with ''Music/LaughingStock'' by Music/TalkTalk, [[TropeMaker pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', a {{Rockumentary}} about the album's recording, was released in 2015.
'''''Spiderland''''' is the sophomore and final album by American PostHardcore[=/=]MathRock band Music/{{Slint}}, released through Touch and Go Records on March 27, 1991. [[NewSoundAlbum A very marked departure from]] ''Tweez'', ''Spiderland'' set itself apart by removing itself of traditional hardcore structures, instead focusing on usage of long crescendos and sudden diminuendos (today, the term "Slint dynamics" is used for dynamics similar to the ones featured on this album) and narrative lyrics delivered in [[SpokenWordInMusic spoken word]]. Fueling the mysteriousness around the album was the TroubledProduction: the entire thing was stressfully recorded over four nights, and singer Brian [=McMahan=] threw his voice and became physically ill after recording the LP's final track, "Good Morning, Captain".
Notable for, along with ''Music/LaughingStock'' by Music/TalkTalk, [[TropeMaker pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', a {{Rockumentary}} about the album's recording, was released in 2015.
to:
In March 1991, a record with a black and white photo of four men - -- no band name, no album name - -- floating in an abandoned quarry, staring and [[TheUnsmile smiling]] right at the camera, began to appear in music stores. Those pulled in by the cover would find themselves [[ShroudedInMyth enwrapped in a world of mystique]] - -- the band had broken up before the album's release, the music on the album was dark and depressing with lyrics emphasising isolation, and one of the members supposedly had to be institutionalised during/after during / after the recording; it was as if it was cursed. Despite being largely ignored on its release, the few that did hear it bore witness to something different, giving birth to a [[PostRock new genre]]. genre.]] Over twenty years on, it's now considered one of the most influential releases of all time.
'''''Spiderland''''' is the sophomore and final album by AmericanPostHardcore[=/=]MathRock PostHardcore / MathRock band Music/{{Slint}}, released through Touch and Go Records on March 27, 1991. [[NewSoundAlbum A very marked departure from]] ''Tweez'', ''Tweez,'' ''Spiderland'' set itself apart by removing itself of traditional hardcore structures, instead focusing on usage of long crescendos and sudden diminuendos (today, the term "Slint dynamics" Dynamics" is used for dynamics similar to the ones featured on this album) and narrative lyrics delivered in [[SpokenWordInMusic spoken word]]. word.]] Fueling the mysteriousness around the album was the TroubledProduction: the entire thing was stressfully recorded over four nights, and singer Brian [=McMahan=] [=Mc=]Mahan threw his voice and became physically ill after recording the LP's final track, track: "Good Morning, Captain".
Captain."
Notable for, along with ''Music/LaughingStock'' by Music/TalkTalk,[[TropeMaker [[TropeMakers pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. be.]] Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', Trail,'' a {{Rockumentary}} about the album's recording, was released in 2015.
2015.
'''''Spiderland''''' is the sophomore and final album by American
Notable for, along with ''Music/LaughingStock'' by Music/TalkTalk,
Changed line(s) 19 (click to see context) from:
!!Tracklist
to:
!! Tracklist:
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!!Principal members
* Brian [=McMahan=] - Vocals, guitar
* Brian [=McMahan=] - Vocals, guitar
to:
!! Principal members:
* Brian
Changed line(s) 33,38 (click to see context) from:
!!I shouted and searched the tropes for a friend:
* AllLowercaseLetters: The liner notes
* BrownNote: Was this for the band
* BuffySpeak: "Breadcrumb Trail", with 'I pulled back the drape-thing on the tent'
** This was how ''Spiderland'' got its name: [=McMahan=]'s younger brother, upon hearing the album, said that it sounded 'spidery'
* CarefulWithThatAxe: The chorus of "Nosferatu Man" and the ending to "Good Morning, Captain", the latter of which made Brian ''vomit'' right after.
* AllLowercaseLetters: The liner notes
* BrownNote: Was this for the band
* BuffySpeak: "Breadcrumb Trail", with 'I pulled back the drape-thing on the tent'
** This was how ''Spiderland'' got its name: [=McMahan=]'s younger brother, upon hearing the album, said that it sounded 'spidery'
* CarefulWithThatAxe: The chorus of "Nosferatu Man" and the ending to "Good Morning, Captain", the latter of which made Brian ''vomit'' right after.
to:
!! I shouted and searched the tropes for a
* AllLowercaseLetters: The liner
* BrownNote: Was this for the
* BuffySpeak: "Breadcrumb
** This was how ''Spiderland'' got its name:
* CarefulWithThatAxe: The chorus of "Nosferatu Man" and the ending to "Good Morning,
Changed line(s) 41,44 (click to see context) from:
* CreepyMonotone: Brian [=McMahan=] and Britt Walford's spoken word parts. As creepy as Brian's is, "Don, Aman" shows that Britt can make it even creepier.
* DarkerAndEdgier: Compared to ''Tweez''
** Can also be seen as this trope when compared to ''Music/LaughingStock''. Both are the TropeMakers for PostRock with six tracks and at roughly the same runtime (''Laughing Stock'' is about three minutes longer) that reflect [[NewSoundAlbum a change in sound their earlier works had no hint towards]] with a more serious tone, released in 1991 after the bands had broken up[[labelnote:Note]]Technically, Talk Talk were still active, but Webb had left and the band was essentially Mark Hollis at this point[[/labelnote]]. The differences are that ''Laughing Stock'' borrows influence from art rock and jazz, while ''Spiderland'' comes from a PostHardcore background and feels more disjointed and jarring compared to ''Laughing Stock'''s more atmospheric sound.
* DrivenToSuicide: "Washer"
* DarkerAndEdgier: Compared to ''Tweez''
** Can also be seen as this trope when compared to ''Music/LaughingStock''. Both are the TropeMakers for PostRock with six tracks and at roughly the same runtime (''Laughing Stock'' is about three minutes longer) that reflect [[NewSoundAlbum a change in sound their earlier works had no hint towards]] with a more serious tone, released in 1991 after the bands had broken up[[labelnote:Note]]Technically, Talk Talk were still active, but Webb had left and the band was essentially Mark Hollis at this point[[/labelnote]]. The differences are that ''Laughing Stock'' borrows influence from art rock and jazz, while ''Spiderland'' comes from a PostHardcore background and feels more disjointed and jarring compared to ''Laughing Stock'''s more atmospheric sound.
* DrivenToSuicide: "Washer"
to:
* CreepyMonotone: Brian [=McMahan=] [=Mc=]Mahan and Britt Walford's spoken word parts. As creepy as Brian's is, are, "Don, Aman" shows that Britt can make it even creepier.
* DarkerAndEdgier: Compared to''Tweez''
''Tweez.''
** Can also be seen as this trope when compared to''Music/LaughingStock''. ''Music/LaughingStock.'' Both are the TropeMakers for PostRock with six tracks and at roughly the same runtime (''Laughing Stock'' is about three minutes longer) that reflect [[NewSoundAlbum a change in sound their earlier works had no hint towards]] with a more serious tone, released in 1991 after the bands had broken up[[labelnote:Note]]Technically, up [[labelnote: Note]] Technically, Talk Talk were still active, but Webb had left and the band was essentially Mark Hollis at this point[[/labelnote]].point [[/labelnote]]. The differences are that ''Laughing Stock'' borrows influence from art rock and jazz, while ''Spiderland'' comes from a PostHardcore background and feels more disjointed and jarring compared to ''Laughing Stock'''s more atmospheric sound.
* DrivenToSuicide:"Washer""Washer."
* DarkerAndEdgier: Compared to
** Can also be seen as this trope when compared to
* DrivenToSuicide:
Changed line(s) 46,47 (click to see context) from:
*FaceOnTheCover: The band floating in Utica Quarry, an abandoned quarry in their native Louisville.
* GainaxEnding: "Good Morning, Captain". Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
* GainaxEnding: "Good Morning, Captain". Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
to:
*FaceOnTheCover: The band floating in the Utica Quarry, an abandoned quarry in their native Louisville.
* GainaxEnding: "Good Morning,Captain". Captain." Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
* GainaxEnding: "Good Morning,
Changed line(s) 49 (click to see context) from:
* ILoveTheDead: "Nosferatu Man". [[MindScrew Maybe]].
to:
* ILoveTheDead: "Nosferatu Man". Man." [[MindScrew Maybe]].Maybe.]]
Changed line(s) 51,52 (click to see context) from:
* LyricalColdOpen: "Don, Aman": "Don stepped outside"
* NewSoundAlbum: One common observation is just how jarring the difference is between ''Tweez'' and ''Spiderland''; it was like a new band just appeared out of thin air.
* NewSoundAlbum: One common observation is just how jarring the difference is between ''Tweez'' and ''Spiderland''; it was like a new band just appeared out of thin air.
to:
* LyricalColdOpen: "Don, Aman": Aman:" "Don stepped outside"
outside."
* NewSoundAlbum: One common observation is just how jarring the difference is between ''Tweez'' and''Spiderland''; ''Spiderland;'' it was like a new band just appeared out of thin air.
* NewSoundAlbum: One common observation is just how jarring the difference is between ''Tweez'' and
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* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken-word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain".
* ShroudedInMyth: Due to the band's semi-reclusive nature, creepy sound, nearly limited information, and their reputation as ShortLivedBigImpact, ''Spiderland'' sounds all the more mysterious.
* ShroudedInMyth: Due to the band's semi-reclusive nature, creepy sound, nearly limited information, and their reputation as ShortLivedBigImpact, ''Spiderland'' sounds all the more mysterious.
to:
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken-word spoken word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain".
Captain."
* ShroudedInMyth: Due to the band'ssemi-reclusive semi reclusive nature, creepy sound, nearly limited information, and their reputation as ShortLivedBigImpact, ''Spiderland'' sounds all the more mysterious.
* ShroudedInMyth: Due to the band's
Changed line(s) 60,64 (click to see context) from:
* TextlessAlbumCover: [[NightmareFuel Look at the damn thing]]
* TropeMaker: Of PostRock (along with Music/TalkTalk) and MathRock
* UncommonTime: Comes with being a MathRock band
* TheUnsmile: ''Spiderland'''s iconically creepy cover shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged barely-smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based on ''Literature/TheRimeOfTheAncientMariner''.
* TropeMaker: Of PostRock (along with Music/TalkTalk) and MathRock
* UncommonTime: Comes with being a MathRock band
* TheUnsmile: ''Spiderland'''s iconically creepy cover shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged barely-smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based on ''Literature/TheRimeOfTheAncientMariner''.
to:
* TextlessAlbumCover: [[NightmareFuel Look at the damn thing]]
thing.]]
* TropeMaker: Of PostRock (along with Music/TalkTalk) andMathRock
MathRock.
* UncommonTime: Comes with being a MathRockband
band.
* TheUnsmile: ''Spiderland'''s iconically creepy cover shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with derangedbarely-smiling barely smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based on''Literature/TheRimeOfTheAncientMariner''.''Literature/TheRimeOfTheAncientMariner.''
----
* TropeMaker: Of PostRock (along with Music/TalkTalk) and
* UncommonTime: Comes with being a MathRock
* TheUnsmile: ''Spiderland'''s iconically creepy cover shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged
* WholePlotReference: "Good Morning, Captain" is based on
----
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Changed line(s) 4,8 (click to see context) from:
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''\\
\\
"''Ten fucking stars.''"
-->-'''Steve Albini'''
\\
"''Ten fucking stars.''"
-->-'''Steve Albini'''
to:
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''\\
\\
"''Ten fucking stars.''"
-->-'''Steve Albini'''
''
\\
"''Ten fucking stars.''"
-->-'''Steve Albini'''
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damn it
Changed line(s) 49 (click to see context) from:
*FaceOnTheCover: The band floating in Utica Quarry, and abandoned quarry in their native Louisville.
to:
*FaceOnTheCover: The band floating in Utica Quarry, and an abandoned quarry in their native Louisville.
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Added DiffLines:
*FaceOnTheCover: The band floating in Utica Quarry, and abandoned quarry in their native Louisville.
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Changed line(s) 4 (click to see context) from:
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''"\\
to:
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''"\\''\\
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Changed line(s) 19,20 (click to see context) from:
Notable for, along with ''Laughing Stock'' by Music/TalkTalk, [[TropeMaker pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', a {{Rockumentary}} about the album's recording, was released in 2015.
to:
Notable for, along with ''Laughing Stock'' ''Music/LaughingStock'' by Music/TalkTalk, [[TropeMaker pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', a {{Rockumentary}} about the album's recording, was released in 2015.
Changed line(s) 46 (click to see context) from:
** Can also be seen as this trope when compared to ''[[Music/TalkTalk Laughing Stock]]''. Both are the TropeMakers for PostRock with six tracks and at roughly the same runtime (''Laughing Stock'' is about three minutes longer) that reflect [[NewSoundAlbum a change in sound their earlier works had no hint towards]] with a more serious tone, released in 1991 after the bands had broken up[[labelnote:Note]]Technically, Talk Talk were still active, but Webb had left and the band was essentially Mark Hollis at this point[[/labelnote]]. The differences are that ''Laughing Stock'' borrows influence from art rock and jazz, while ''Spiderland'' comes from a PostHardcore background and feels more disjointed and jarring compared to ''Laughing Stock'''s more atmospheric sound.
to:
** Can also be seen as this trope when compared to ''[[Music/TalkTalk Laughing Stock]]''.''Music/LaughingStock''. Both are the TropeMakers for PostRock with six tracks and at roughly the same runtime (''Laughing Stock'' is about three minutes longer) that reflect [[NewSoundAlbum a change in sound their earlier works had no hint towards]] with a more serious tone, released in 1991 after the bands had broken up[[labelnote:Note]]Technically, Talk Talk were still active, but Webb had left and the band was essentially Mark Hollis at this point[[/labelnote]]. The differences are that ''Laughing Stock'' borrows influence from art rock and jazz, while ''Spiderland'' comes from a PostHardcore background and feels more disjointed and jarring compared to ''Laughing Stock'''s more atmospheric sound.
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** Can also be seen as this trope when compared to ''[[Music/TalkTalk Laughing Stock]]''. Both are the TropeMakers for PostRock with six tracks and at roughly the same runtime (''Laughing Stock'' is about three minutes longer) that reflect [[NewSoundAlbum a change in sound their earlier works had no hint towards]] with a more serious tone, released in 1991 after the bands had broken up[[labelnote:Note]]Technically, Talk Talk were still active, but Webb had left and the band was essentially Mark Hollis at this point[[/labelnote]]. The differences are that ''Laughing Stock'' borrows influence from art rock and jazz, while ''Spiderland'' comes from a PostHardcore background and feels more disjointed and jarring compared to ''Laughing Stock'''s more atmospheric sound.
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->''There was a sound at the window then''\\
''The captain started, his breath was still''\\
''The captain started, his breath was still''\\
to:
->''There was a sound at the window then''\\
then.''\\
''The captain started, his breath wasstill''\\still.''\\
''The captain started, his breath was
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Changed line(s) 9,14 (click to see context) from:
->''Now my queen is fine''\\
''In her early grave''\\
''After that girl I'll keep her warm''\\
''There's nothing left to save''
-->-'''"Nosferatu Man"'''
''In her early grave''\\
''After that girl I'll keep her warm''\\
''There's nothing left to save''
-->-'''"Nosferatu Man"'''
to:
''In her early grave''\\
''After that girl I'll keep her warm''\\
''There's nothing left to save''
-->-'''"Nosferatu Man"'''
''The captain started, his breath was still''\\
''Slowly,''\\
''He turned.''
-->-'''"Good Morning, Captain"'''
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->''I stepped out onto the midway.''\\
''I was looking for the pirate ship, and saw this small, old tent at one end.''\\
''It was blue, and had white lights hanging all around it.''\\
''I decided to check out the tent, it seemed like I could hear music coming from inside.''\\
''As I walked toward it, I passed a crowd of people at the sideshow.''\\
''Couldn't figure out why they would want to wait in line.''
-->-'''"Breadcrumb Trail"'''
''I was looking for the pirate ship, and saw this small, old tent at one end.''\\
''It was blue, and had white lights hanging all around it.''\\
''I decided to check out the tent, it seemed like I could hear music coming from inside.''\\
''As I walked toward it, I passed a crowd of people at the sideshow.''\\
''Couldn't figure out why they would want to wait in line.''
-->-'''"Breadcrumb Trail"'''
to:
''I was looking for the pirate ship, and saw this small, old tent at one end.''\\
''It was blue, and had white lights hanging all around it.''\\
''I decided
''In her early grave''\\
''After that girl I'll keep her warm''\\
''There's nothing left to
''As I walked toward it, I passed a crowd of people at the sideshow.''\\
''Couldn't figure out why they would want to wait in line.''
-->-'''"Breadcrumb Trail"'''
-->-'''"Nosferatu Man"'''
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* TextlessAlbumCover
to:
* TextlessAlbumCoverTextlessAlbumCover: [[NightmareFuel Look at the damn thing]]
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''Spiderland'' is the sophomore and final album by American PostHardcore[=/=]MathRock band Music/{{Slint}}, released through Touch and Go Records on March 27, 1991. [[NewSoundAlbum A very marked departure from]] ''Tweez'', ''Spiderland'' set itself apart by removing itself of traditional hardcore structures, instead focusing on usage of long crescendos and sudden diminuendos (today, the term "Slint dynamics" is used for dynamics similar to the ones featured on this album) and narrative lyrics delivered in [[SpokenWordInMusic spoken word]]. Fueling the mysteriousness around the album was the TroubledProduction: the entire thing was stressfully recorded over four nights, and singer Brian [=McMahan=] threw his voice and became physically ill after recording the LP's final track, "Good Morning, Captain".
to:
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* BuffySpeak: "Breadcrumb Trail", with 'the drape-thing' seen in the above quote.
to:
* BuffySpeak: "Breadcrumb Trail", with 'the drape-thing' seen in 'I pulled back the above quote.drape-thing on the tent'
** This was how ''Spiderland'' got its name: [=McMahan=]'s younger brother, upon hearing the album, said that it sounded 'spidery'
** This was how ''Spiderland'' got its name: [=McMahan=]'s younger brother, upon hearing the album, said that it sounded 'spidery'
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* CreatorBreakdown: This album did this to the band.
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* NewSoundAlbum
to:
* NewSoundAlbumNewSoundAlbum: One common observation is just how jarring the difference is between ''Tweez'' and ''Spiderland''; it was like a new band just appeared out of thin air.
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!!Principal members
* Brian [=McMahan=] - Vocals, guitar
* David Pajo - Guitar
* Britt Walford - Drums, guitar, vocals
* Todd Brashear - Bass
----
* Brian [=McMahan=] - Vocals, guitar
* David Pajo - Guitar
* Britt Walford - Drums, guitar, vocals
* Todd Brashear - Bass
----
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* TheUnsmile: ''Spiderland'''s iconically creepy cover◊ shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged barely-smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based on Literature/TheRimeOfTheAncientMariner.
* WholePlotReference: "Good Morning, Captain" is based on Literature/TheRimeOfTheAncientMariner.
to:
* TheUnsmile: ''Spiderland'''s iconically creepy cover◊ cover shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged barely-smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based onLiterature/TheRimeOfTheAncientMariner.''Literature/TheRimeOfTheAncientMariner''.
* WholePlotReference: "Good Morning, Captain" is based on
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/slint_spiderland.jpg]]
[[caption-width-right:350:[[CarefulWithThatAxe I MISS YOU]]]]
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''"\\
\\
"''Ten fucking stars.''"
-->-'''Steve Albini'''
->''I stepped out onto the midway.''\\
''I was looking for the pirate ship, and saw this small, old tent at one end.''\\
''It was blue, and had white lights hanging all around it.''\\
''I decided to check out the tent, it seemed like I could hear music coming from inside.''\\
''As I walked toward it, I passed a crowd of people at the sideshow.''\\
''Couldn't figure out why they would want to wait in line.''
-->-'''"Breadcrumb Trail"'''
In March 1991, a record with a black and white photo of four men - no band name, no album name - floating in an abandoned quarry, staring and [[TheUnsmile smiling]] right at the camera, began to appear in music stores. Those pulled in by the cover would find themselves [[ShroudedInMyth enwrapped in a world of mystique]] - the band had broken up before the album's release, the music on the album was dark and depressing with lyrics emphasising isolation, and one of the members supposedly had to be institutionalised during/after the recording; it was as if it was cursed. Despite being largely ignored on its release, the few that did hear it bore witness to something different, giving birth to a [[PostRock new genre]]. Over twenty years on, it's now considered one of the most influential releases of all time.
''Spiderland'' is the sophomore and final album by American PostHardcore[=/=]MathRock band Music/{{Slint}}, released through Touch and Go Records on March 27, 1991. [[NewSoundAlbum A very marked departure from]] ''Tweez'', ''Spiderland'' set itself apart by removing itself of traditional hardcore structures, instead focusing on usage of long crescendos and sudden diminuendos (today, the term "Slint dynamics" is used for dynamics similar to the ones featured on this album) and narrative lyrics delivered in [[SpokenWordInMusic spoken word]]. Fueling the mysteriousness around the album was the TroubledProduction: the entire thing was stressfully recorded over four nights, and singer Brian [=McMahan=] threw his voice and became physically ill after recording the LP's final track, "Good Morning, Captain".
Notable for, along with ''Laughing Stock'' by Music/TalkTalk, [[TropeMaker pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', a {{Rockumentary}} about the album's recording, was released in 2015.
----
!!Tracklist
# "Breadcrumb Trail" (5:56)
# "Nosferatu Man" (5:35)
# "Don, Aman" (6:28)
# "Washer" (8:50)
# "For Dinner..." (5:06)
# "Good Morning, Captain" (7:39)
----
!!I shouted and searched the tropes for a friend:
* AllLowercaseLetters: The liner notes
* BrownNote: Was this for the band
* BuffySpeak: "Breadcrumb Trail", with 'the drape-thing' seen in the above quote.
* CarefulWithThatAxe: The chorus of "Nosferatu Man" and the ending to "Good Morning, Captain", the latter of which made Brian ''vomit'' right after.
* ConceptAlbum: The lyrics all tell tales of alienation.
* CallBack: The raging guitars toward the middle of "Good Morning, Captain" echo the guitar part of the chorus of "Breadcrumb Trail."
* CreatorBreakdown: This album did this to the band.
* CreepyMonotone: Brian [=McMahan=] and Britt Walford's spoken word parts. As creepy as Brian's is, "Don, Aman" shows that Britt can make it even creepier.
* DarkerAndEdgier: Compared to ''Tweez''
* DrivenToSuicide: "Washer"
* EpicRocking: "Don, Aman" (6:28), "Washer" (8:50), and "Good Morning, Captain" (7:39)
* GainaxEnding: "Good Morning, Captain". Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
* GenreBusting: Even for PostRock. Mainly because said genre was an UnbuiltTrope, even during its first wave.
* ILoveTheDead: "Nosferatu Man". [[MindScrew Maybe]].
* {{Instrumental}}: "For Dinner..."
* LyricalColdOpen: "Don, Aman": "Don stepped outside"
* NewSoundAlbum
* NonAppearingTitle: "Washer" is the only exception to this.
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken-word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain".
* ShroudedInMyth: Due to the band's semi-reclusive nature, creepy sound, nearly limited information, and their reputation as ShortLivedBigImpact, ''Spiderland'' sounds all the more mysterious.
* SpokenWordInMusic: Like narration drawn out as the music gets darker with the narration? You're in luck.
* StepUpToTheMicrophone: "Don, Aman" has vocals and guitar by their drummer Britt Walford.
* TeamShot: One of the more creepy examples.
* TropeMaker: Of PostRock (along with Music/TalkTalk) and MathRock
* UncommonTime: Comes with being a MathRock band
* TheUnsmile: ''Spiderland'''s iconically creepy cover◊ shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged barely-smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based on Literature/TheRimeOfTheAncientMariner.
[[caption-width-right:350:[[CarefulWithThatAxe I MISS YOU]]]]
->"''My instincts tell me the dry spell will continue for a while - possibly until the bands Slint will inspire reach maturity. Until then, play this record and kick yourself if you never got to see them live. In ten years, you’ll lie like the cocksucker you are and say you did anyway.''"\\
\\
"''Ten fucking stars.''"
-->-'''Steve Albini'''
->''I stepped out onto the midway.''\\
''I was looking for the pirate ship, and saw this small, old tent at one end.''\\
''It was blue, and had white lights hanging all around it.''\\
''I decided to check out the tent, it seemed like I could hear music coming from inside.''\\
''As I walked toward it, I passed a crowd of people at the sideshow.''\\
''Couldn't figure out why they would want to wait in line.''
-->-'''"Breadcrumb Trail"'''
In March 1991, a record with a black and white photo of four men - no band name, no album name - floating in an abandoned quarry, staring and [[TheUnsmile smiling]] right at the camera, began to appear in music stores. Those pulled in by the cover would find themselves [[ShroudedInMyth enwrapped in a world of mystique]] - the band had broken up before the album's release, the music on the album was dark and depressing with lyrics emphasising isolation, and one of the members supposedly had to be institutionalised during/after the recording; it was as if it was cursed. Despite being largely ignored on its release, the few that did hear it bore witness to something different, giving birth to a [[PostRock new genre]]. Over twenty years on, it's now considered one of the most influential releases of all time.
''Spiderland'' is the sophomore and final album by American PostHardcore[=/=]MathRock band Music/{{Slint}}, released through Touch and Go Records on March 27, 1991. [[NewSoundAlbum A very marked departure from]] ''Tweez'', ''Spiderland'' set itself apart by removing itself of traditional hardcore structures, instead focusing on usage of long crescendos and sudden diminuendos (today, the term "Slint dynamics" is used for dynamics similar to the ones featured on this album) and narrative lyrics delivered in [[SpokenWordInMusic spoken word]]. Fueling the mysteriousness around the album was the TroubledProduction: the entire thing was stressfully recorded over four nights, and singer Brian [=McMahan=] threw his voice and became physically ill after recording the LP's final track, "Good Morning, Captain".
Notable for, along with ''Laughing Stock'' by Music/TalkTalk, [[TropeMaker pioneering the genre]] known as PostRock, which would in turn bring about artists such as Music/{{Swans}} and Music/GodspeedYouBlackEmperor to help [[TropeCodifier define what post-rock could be]]. Also brought profound influence on MathRock and underground music in general. The band has since reunited, are touring and are rumoured to be working on new material. ''Breadcrumb Trail'', a {{Rockumentary}} about the album's recording, was released in 2015.
----
!!Tracklist
# "Breadcrumb Trail" (5:56)
# "Nosferatu Man" (5:35)
# "Don, Aman" (6:28)
# "Washer" (8:50)
# "For Dinner..." (5:06)
# "Good Morning, Captain" (7:39)
----
!!I shouted and searched the tropes for a friend:
* AllLowercaseLetters: The liner notes
* BrownNote: Was this for the band
* BuffySpeak: "Breadcrumb Trail", with 'the drape-thing' seen in the above quote.
* CarefulWithThatAxe: The chorus of "Nosferatu Man" and the ending to "Good Morning, Captain", the latter of which made Brian ''vomit'' right after.
* ConceptAlbum: The lyrics all tell tales of alienation.
* CallBack: The raging guitars toward the middle of "Good Morning, Captain" echo the guitar part of the chorus of "Breadcrumb Trail."
* CreatorBreakdown: This album did this to the band.
* CreepyMonotone: Brian [=McMahan=] and Britt Walford's spoken word parts. As creepy as Brian's is, "Don, Aman" shows that Britt can make it even creepier.
* DarkerAndEdgier: Compared to ''Tweez''
* DrivenToSuicide: "Washer"
* EpicRocking: "Don, Aman" (6:28), "Washer" (8:50), and "Good Morning, Captain" (7:39)
* GainaxEnding: "Good Morning, Captain". Is it real? Is the captain hallucinating? Is the captain dead? No one knows.
* GenreBusting: Even for PostRock. Mainly because said genre was an UnbuiltTrope, even during its first wave.
* ILoveTheDead: "Nosferatu Man". [[MindScrew Maybe]].
* {{Instrumental}}: "For Dinner..."
* LyricalColdOpen: "Don, Aman": "Don stepped outside"
* NewSoundAlbum
* NonAppearingTitle: "Washer" is the only exception to this.
* PerishingAltRockVoice: So perishing Brian didn't so much sing as mumble spoken-word narration most of the time, and fell ill due to the strain of yelling the climax of "Good Morning, Captain".
* ShroudedInMyth: Due to the band's semi-reclusive nature, creepy sound, nearly limited information, and their reputation as ShortLivedBigImpact, ''Spiderland'' sounds all the more mysterious.
* SpokenWordInMusic: Like narration drawn out as the music gets darker with the narration? You're in luck.
* StepUpToTheMicrophone: "Don, Aman" has vocals and guitar by their drummer Britt Walford.
* TeamShot: One of the more creepy examples.
* TropeMaker: Of PostRock (along with Music/TalkTalk) and MathRock
* UncommonTime: Comes with being a MathRock band
* TheUnsmile: ''Spiderland'''s iconically creepy cover◊ shows the band treading water in a lake in an abandoned quarry near their hometown Louisville with deranged barely-smiling facial expressions.
* WholePlotReference: "Good Morning, Captain" is based on Literature/TheRimeOfTheAncientMariner.