Is there an issue? Send a MessageReason:
None
Changed line(s) 45 (click to see context) from:
# "I Can See You (From The Vault)" (4:33)
to:
# "I "''I Can See You (From The Vault)" Vault)''" (4:33)
Is there an issue? Send a MessageReason:
None
Changed line(s) 116 (click to see context) from:
* GenreShift: A Swift trademark considering all her later output, it's already evident on this album compared to the [[{{Music/Fearless}} the predecessor]], but also across the songs on the album itself. The style ranges from the country ballad ''Dear John'' and the upbeat, fast, but still firmly country-rooted ''Mean'', to pop-rock tracks of varying heaviness in terms of the rock part such as ''Enchanted'', ''Long Live'' (with a smattering of anthemic arena rock), ''The Story of Us'' and ''Better than Revenge'' all the way to ''Haunted'', which would not have sounded out of place on an early ''{{Music/Evanescence}}'' album.
to:
* GenreShift: A Swift trademark considering all her later output, it's already evident on this album compared to the [[{{Music/Fearless}} the predecessor]], but also across the songs on the album itself. The style ranges from the country ballad ''Dear John'' "Dear John" and the upbeat, fast, but still equally firmly country-rooted ''Mean'', "Mean", to pop-rock tracks of varying heaviness in terms of the rock part such as ''Enchanted'', ''Long Live'' "Enchanted" (soft), "Long Live" (with a smattering of anthemic arena rock), ''The "The Story of Us'' Us" and ''Better "Better than Revenge'' Revenge" (comparatively "hard") all the way to ''Haunted'', "Haunted", which would not have sounded out of place on an early ''{{Music/Evanescence}}'' album.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* GenreShift: A Swift trademark considering all her later output, it's already evident on this album compared to the [[{{Music/Fearless}} the predecessor]], but also across the songs on the album itself. The style ranges from the country ballad ''Dear John'' and the upbeat, fast, but still firmly country-rooted ''Mean'', to pop-rock tracks of varying heaviness in terms of the rock part such as ''Enchanted'', ''Long Live'' (with a smattering of anthemic arena rock), ''The Story of Us'' and ''Better than Revenge'' all the way to ''Haunted'', which would not have sounded out of place on an early ''{{Music/Evanescence}}'' album.
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
'''Tracklist:[[labelnote:*]]singles italicized[[/labelnote]]'''
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 130 (click to see context) from:
* IJustWantToBeYou: "When Emma Falls In Love" ends with the narrator wishing that she can be more like the titular Emma and not lose herself in love like Emma didn't.
to:
* IJustWantToBeYou: "When Emma Falls In Love" ends with the narrator wishing that she can could be more like the titular Emma and not lose herself in love like Emma didn't.