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Changed line(s) 69 (click to see context) from:
* TitleDrop: Much like Los Redondos, Skay avoids the AlbumTitleTrack. However, the lyrics actually hide the album title if one pays enough attention, such as "La Doble Marca", which ends most of its verses with ''La Marca de Caín''.
to:
* TitleDrop: Much like Los Redondos, Skay avoids the AlbumTitleTrack.TitleTrack. However, the lyrics actually hide the album title if one pays enough attention, such as "La Doble Marca", which ends most of its verses with ''La Marca de Caín''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 55,56 (click to see context) from:
* CoverVersion: They play a lot of covers from Beilinson's prior band, especially the early albums, such as "Criminal Mambo", "La Bestia Pop", "Ñam Fi Frufi Fali Fru", "Masacre en el Puticlub", "El Pibe de los Astilleros" and, of course, his previous band's ending song "Ji ji ji". As Beilinson kept racking up hits and memorable songs to replace his old band's catalog, these were played less until only a few songs remained on the set.
* DarkerAndEdgier: Than Los Redondos, though not to the extent of Solari. The lyrics touch darker themes much like Indio's solo work, but this time with a darker take on Los Redondos's early music rather than Solari's take on the later works.
* DarkerAndEdgier: Than Los Redondos, though not to the extent of Solari. The lyrics touch darker themes much like Indio's solo work, but this time with a darker take on Los Redondos's early music rather than Solari's take on the later works.
to:
* CoverVersion: They play Beilinson plays a lot of covers from Beilinson's [[Music/PatricioReyYSusRedonditosDeRicota his prior band, band]], especially the early albums, such as "Criminal Mambo", "La Bestia Pop", "Ñam Fi Frufi Fali Fru", "Masacre en el Puticlub", "El Pibe de los Astilleros" and, of course, his previous band's ending song "Ji ji ji". As Beilinson kept racking up hits and memorable songs to replace his old band's catalog, these were played less until only a few songs remained on the set.
* DarkerAndEdgier: Than Los Redondos, though not to the extent of Solari. The lyrics touch darker themes much like Indio's solo work, but this time with a darker take on Los Redondos's early music rather than Solari's even darker take on the later works.
* DarkerAndEdgier: Than Los Redondos, though not to the extent of Solari. The lyrics touch darker themes much like Indio's solo work, but this time with a darker take on Los Redondos's early music rather than Solari's even darker take on the later works.
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Changed line(s) 65 (click to see context) from:
* ShoutOut: In a cover for the argentinean version of the ''Rolling Stone'' magazine, he dressed like [[Characters/BatmanTheRiddler The Riddler]].
to:
* ShoutOut: In a cover for the argentinean version of the ''Rolling Stone'' magazine, he was dressed like [[Characters/BatmanTheRiddler The Riddler]].
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Added DiffLines:
* ShoutOut: In a cover for the argentinean version of the ''Rolling Stone'' magazine, he dressed like [[Characters/BatmanTheRiddler The Riddler]].
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Changed line(s) 12,33 (click to see context) from:
* With Diplodocum Red & Brown
** 1969 - ''Diplodocum Red & Brown''
* With Edelmiro Molinari y La Galletita
** 1983 - ''Edelmiro y La Galletita''
* With Music/PatricioReyYSusRedonditosDeRicota
** 1984 - ''Gulp!''
** 1986 - ''Oktubre''
** 1988 - ''Un Baión Para El Ojo Idiota''
** 1991 - ''La Mosca y La Sopa''
** 1992 - ''En Directo'' (Live album)
** 1993 - ''Lobo Suelto/Cordero Atado''
** 1996 - ''Luzbelito''
** 1998 - ''Último Bondi a Finisterre''
** 2000 - ''Momo Sampler''
* Solo discography
** 2002 - ''A Través del Mar de los Sargazos''
** 2004 - ''Talismán''
** 2007 - ''La Marca de Caín''
** 2010 - ''¿Dónde vas?''
** 2013 - ''La Luna Hueca''
** 2016 - ''El Engranaje de Cristal''
** 2019 - ''En el Corazón del Laberinto''
** 1969 - ''Diplodocum Red & Brown''
* With Edelmiro Molinari y La Galletita
** 1983 - ''Edelmiro y La Galletita''
* With Music/PatricioReyYSusRedonditosDeRicota
** 1984 - ''Gulp!''
** 1986 - ''Oktubre''
** 1988 - ''Un Baión Para El Ojo Idiota''
** 1991 - ''La Mosca y La Sopa''
** 1992 - ''En Directo'' (Live album)
** 1993 - ''Lobo Suelto/Cordero Atado''
** 1996 - ''Luzbelito''
** 1998 - ''Último Bondi a Finisterre''
** 2000 - ''Momo Sampler''
* Solo discography
** 2002 - ''A Través del Mar de los Sargazos''
** 2004 - ''Talismán''
** 2007 - ''La Marca de Caín''
** 2010 - ''¿Dónde vas?''
** 2013 - ''La Luna Hueca''
** 2016 - ''El Engranaje de Cristal''
** 2019 - ''En el Corazón del Laberinto''
to:
*
!! With Edelmiro Molinari y La Galletita
*
!! With Music/PatricioReyYSusRedonditosDeRicota
*
!! Solo discography
Changed line(s) 37,47 (click to see context) from:
* Current members
** Skay Beilinson - lead vocals, lead guitars (2002-...)
** Richard Coleman - rhythm guitar (2019-...)
** Claudio Quartero - bass guitar (2004-...)
** Leandro Sánchez - drums (2018-...)
** Javier Lecumberry - keyboards (2004-...)
* Former members:
** Oscar Reyna - rhythm guitar (2004-2019)
** Daniel Castro - bass guitar (2002-2004)
** Daniel Colombres - drums (2002-2005)
** Mauricio "Topo" Espíndola (2005-2018)
** Skay Beilinson - lead vocals, lead guitars (2002-...)
** Richard Coleman - rhythm guitar (2019-...)
** Claudio Quartero - bass guitar (2004-...)
** Leandro Sánchez - drums (2018-...)
** Javier Lecumberry - keyboards (2004-...)
* Former members:
** Oscar Reyna - rhythm guitar (2004-2019)
** Daniel Castro - bass guitar (2002-2004)
** Daniel Colombres - drums (2002-2005)
** Mauricio "Topo" Espíndola (2005-2018)
to:
*
!! Former members:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* TitleDrop: Much like Los Redondos, Skay avoids the AlbumTitleTrack. However, the lyrics actually hide the album title if one pays enough attention, such as "La Doble Marca", which ends most of its verses with ''La Marca de Caín''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DarkerAndEdgier: Than Los Redondos, though not to the extent of Solari. The lyrics touch darker themes much like Indio's solo work, but this time with a darker take on Los Redondos's early music rather than Solari's take on the later works.
* EarlyBirdCameo: The riff that ambients "El Pozo de la Serpiente", from ''A Través del Mar de los Sargazos'' is based on a riff Skay used during the sound checks of some Redondos's gigs.
* EarlyBirdCameo: The riff that ambients "El Pozo de la Serpiente", from ''A Través del Mar de los Sargazos'' is based on a riff Skay used during the sound checks of some Redondos's gigs.
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Added DiffLines:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tvt_skaybeilinson.jpeg]]
Eduardo Federico "Skay" Beilinson is an UsefulNotes/{{Argentin|a}}ean musician born on the city of La Plata on January 15, 1952. He's known as one of Argentina's most popular and well-known rock guitarists[[note]]The Argentinean edition of the ''Rolling Stone'' magazine even mentioned him as the sixth out of the best 100 guitarists of the Argentinean Rock scene[[/note]], with a quite recognizable style based on a "less is more" approach, as well as being one half of the creative duo behind Music/PatricioReyYSusRedonditosDeRicota. He got his {{Stage Name|s}} "Skay" from his friend, plastic artist Marta Minujin.
He started playing guitar at 12 years old and formed his first band, Taxi Rural, at 16; the band name being inspired by Skay's then job as a taxi driver. He traveled in 1968 to Great Britain and France, being a witness for [[https://en.wikipedia.org/wiki/May_68 1968's May unrest]] as well as witnessing Jimi Hendrix himself live. Upon returning to his home country, he did so with a Marshall amplifier, a Gretsch guitar, a wah-was device, a distort system, and countless of albums from Music/TheJimiHendrixExperience, Music/{{Cream}}, Music/VanillaFudge and Music/PinkFloyd. He then formed the band Diplodocum Red & Brown in 1969.
After a stint both in bands (such as La Cofradía de la Flor Solar, where he met the love of his life, future Redondos manager Carmen "La Negra Poli" Policastro) and as a guest guitarist, he formed Music/PatricioReyYSusRedonditosDeRicota in 1978 with [[Music/IndioSolari Carlos "Indio" Solari]] and a troupe of musicians and performers that included a who's-who of the Argentinean musical and artistic scene in the early stages of their careers such as Music/FabianaCantilo and future Music/LosAbuelosDeLaNada saxophonist Guillermo "Willy" Crook. After the release of ''Oktubre'', the band muted to a more classic rock band format and exploded in popularity. A popularity that surpassed whatever the band had to offer and lasted for over a decade until its dissolution in 2001.
Following the disbandment of Los Redondos, Skay began his solo career with 2002's ''A Través del Mar de los Sargazos'', a career that continued onto our days. In spite of not inheriting Los Redondos's masses, he was able to do what he likes to do: play music, with a more frequent schedule, and with a backing band that allowed his guitar work to shine. Over time, his lyrical prowess also improved, though not on the level of Indio's songs.
[[folder:Discography]]
* With Diplodocum Red & Brown
** 1969 - ''Diplodocum Red & Brown''
* With Edelmiro Molinari y La Galletita
** 1983 - ''Edelmiro y La Galletita''
* With Music/PatricioReyYSusRedonditosDeRicota
** 1984 - ''Gulp!''
** 1986 - ''Oktubre''
** 1988 - ''Un Baión Para El Ojo Idiota''
** 1991 - ''La Mosca y La Sopa''
** 1992 - ''En Directo'' (Live album)
** 1993 - ''Lobo Suelto/Cordero Atado''
** 1996 - ''Luzbelito''
** 1998 - ''Último Bondi a Finisterre''
** 2000 - ''Momo Sampler''
* Solo discography
** 2002 - ''A Través del Mar de los Sargazos''
** 2004 - ''Talismán''
** 2007 - ''La Marca de Caín''
** 2010 - ''¿Dónde vas?''
** 2013 - ''La Luna Hueca''
** 2016 - ''El Engranaje de Cristal''
** 2019 - ''En el Corazón del Laberinto''
[[/folder]]
[[folder:Skay's solo band are]]
* Current members
** Skay Beilinson - lead vocals, lead guitars (2002-...)
** Richard Coleman - rhythm guitar (2019-...)
** Claudio Quartero - bass guitar (2004-...)
** Leandro Sánchez - drums (2018-...)
** Javier Lecumberry - keyboards (2004-...)
* Former members:
** Oscar Reyna - rhythm guitar (2004-2019)
** Daniel Castro - bass guitar (2002-2004)
** Daniel Colombres - drums (2002-2005)
** Mauricio "Topo" Espíndola (2005-2018)
[[/folder]]
----
!! Skay's music shows examples of:
* CoverVersion: They play a lot of covers from Beilinson's prior band, especially the early albums, such as "Criminal Mambo", "La Bestia Pop", "Ñam Fi Frufi Fali Fru", "Masacre en el Puticlub", "El Pibe de los Astilleros" and, of course, his previous band's ending song "Ji ji ji". As Beilinson kept racking up hits and memorable songs to replace his old band's catalog, these were played less until only a few songs remained on the set.
* EchoingAcoustics: "Genghis Khan" has Skay singing through something resembling a megaphone.
* IHaveManyNames: His solo band went through different names:
** [[IAmTheBand Skay Beilinson]] until prior to ''La Marca de Caín''.
** Skay y Los Seguidores de la Diosa Kali, between ''La Marca de Caín'' and prior to ''La Luna Hueca''.
** Skay y Los Fakires, from ''La Luna Hueca'' onwards.
* HesBack: "Genghis Khan" talks about a man who inflicts terror with his sole presence, rampaged across the city once and is back to reap the rewards once more.
* {{Sampling}}: The beat that ambients "Genghis Khan", from ''A Través del Mar de los Sargazos'' comes straight from Music/TheProdigy's "Break and Enter". Skay just adds a powerful guitar riff on top of it. And a powerful distorted chord opening the song.
* TakeThat:
** "Soldadito de Plomo", from ''La Marca de Caín'' is a ListSong about a person with many negative qualities, rumored to be aimed at his former Redondos bandmate Indio.
** During the aftershock of the bad blood between Skay and Poli and the bald-headed Indio over material concerning some recorded Redondos's gigs, Skay changed the lyrics of "Kermesse" (from 2002's ''A Través del Mar de los Sargazos'') from "¡Guita! ¡Guita! ¡Guita! Decía el señor engominado"[[note]]"Money! Money! Money! said the SharpDressedMan"[[/note]] to "¡Guita! ¡Guita! ¡Guita! Decía el señor de la pelada"[[note]]"Money! Money! Money! said the guy with the bald head"[[/note]], the reference needing no explanation at all.
----
Eduardo Federico "Skay" Beilinson is an UsefulNotes/{{Argentin|a}}ean musician born on the city of La Plata on January 15, 1952. He's known as one of Argentina's most popular and well-known rock guitarists[[note]]The Argentinean edition of the ''Rolling Stone'' magazine even mentioned him as the sixth out of the best 100 guitarists of the Argentinean Rock scene[[/note]], with a quite recognizable style based on a "less is more" approach, as well as being one half of the creative duo behind Music/PatricioReyYSusRedonditosDeRicota. He got his {{Stage Name|s}} "Skay" from his friend, plastic artist Marta Minujin.
He started playing guitar at 12 years old and formed his first band, Taxi Rural, at 16; the band name being inspired by Skay's then job as a taxi driver. He traveled in 1968 to Great Britain and France, being a witness for [[https://en.wikipedia.org/wiki/May_68 1968's May unrest]] as well as witnessing Jimi Hendrix himself live. Upon returning to his home country, he did so with a Marshall amplifier, a Gretsch guitar, a wah-was device, a distort system, and countless of albums from Music/TheJimiHendrixExperience, Music/{{Cream}}, Music/VanillaFudge and Music/PinkFloyd. He then formed the band Diplodocum Red & Brown in 1969.
After a stint both in bands (such as La Cofradía de la Flor Solar, where he met the love of his life, future Redondos manager Carmen "La Negra Poli" Policastro) and as a guest guitarist, he formed Music/PatricioReyYSusRedonditosDeRicota in 1978 with [[Music/IndioSolari Carlos "Indio" Solari]] and a troupe of musicians and performers that included a who's-who of the Argentinean musical and artistic scene in the early stages of their careers such as Music/FabianaCantilo and future Music/LosAbuelosDeLaNada saxophonist Guillermo "Willy" Crook. After the release of ''Oktubre'', the band muted to a more classic rock band format and exploded in popularity. A popularity that surpassed whatever the band had to offer and lasted for over a decade until its dissolution in 2001.
Following the disbandment of Los Redondos, Skay began his solo career with 2002's ''A Través del Mar de los Sargazos'', a career that continued onto our days. In spite of not inheriting Los Redondos's masses, he was able to do what he likes to do: play music, with a more frequent schedule, and with a backing band that allowed his guitar work to shine. Over time, his lyrical prowess also improved, though not on the level of Indio's songs.
[[folder:Discography]]
* With Diplodocum Red & Brown
** 1969 - ''Diplodocum Red & Brown''
* With Edelmiro Molinari y La Galletita
** 1983 - ''Edelmiro y La Galletita''
* With Music/PatricioReyYSusRedonditosDeRicota
** 1984 - ''Gulp!''
** 1986 - ''Oktubre''
** 1988 - ''Un Baión Para El Ojo Idiota''
** 1991 - ''La Mosca y La Sopa''
** 1992 - ''En Directo'' (Live album)
** 1993 - ''Lobo Suelto/Cordero Atado''
** 1996 - ''Luzbelito''
** 1998 - ''Último Bondi a Finisterre''
** 2000 - ''Momo Sampler''
* Solo discography
** 2002 - ''A Través del Mar de los Sargazos''
** 2004 - ''Talismán''
** 2007 - ''La Marca de Caín''
** 2010 - ''¿Dónde vas?''
** 2013 - ''La Luna Hueca''
** 2016 - ''El Engranaje de Cristal''
** 2019 - ''En el Corazón del Laberinto''
[[/folder]]
[[folder:Skay's solo band are]]
* Current members
** Skay Beilinson - lead vocals, lead guitars (2002-...)
** Richard Coleman - rhythm guitar (2019-...)
** Claudio Quartero - bass guitar (2004-...)
** Leandro Sánchez - drums (2018-...)
** Javier Lecumberry - keyboards (2004-...)
* Former members:
** Oscar Reyna - rhythm guitar (2004-2019)
** Daniel Castro - bass guitar (2002-2004)
** Daniel Colombres - drums (2002-2005)
** Mauricio "Topo" Espíndola (2005-2018)
[[/folder]]
----
!! Skay's music shows examples of:
* CoverVersion: They play a lot of covers from Beilinson's prior band, especially the early albums, such as "Criminal Mambo", "La Bestia Pop", "Ñam Fi Frufi Fali Fru", "Masacre en el Puticlub", "El Pibe de los Astilleros" and, of course, his previous band's ending song "Ji ji ji". As Beilinson kept racking up hits and memorable songs to replace his old band's catalog, these were played less until only a few songs remained on the set.
* EchoingAcoustics: "Genghis Khan" has Skay singing through something resembling a megaphone.
* IHaveManyNames: His solo band went through different names:
** [[IAmTheBand Skay Beilinson]] until prior to ''La Marca de Caín''.
** Skay y Los Seguidores de la Diosa Kali, between ''La Marca de Caín'' and prior to ''La Luna Hueca''.
** Skay y Los Fakires, from ''La Luna Hueca'' onwards.
* HesBack: "Genghis Khan" talks about a man who inflicts terror with his sole presence, rampaged across the city once and is back to reap the rewards once more.
* {{Sampling}}: The beat that ambients "Genghis Khan", from ''A Través del Mar de los Sargazos'' comes straight from Music/TheProdigy's "Break and Enter". Skay just adds a powerful guitar riff on top of it. And a powerful distorted chord opening the song.
* TakeThat:
** "Soldadito de Plomo", from ''La Marca de Caín'' is a ListSong about a person with many negative qualities, rumored to be aimed at his former Redondos bandmate Indio.
** During the aftershock of the bad blood between Skay and Poli and the bald-headed Indio over material concerning some recorded Redondos's gigs, Skay changed the lyrics of "Kermesse" (from 2002's ''A Través del Mar de los Sargazos'') from "¡Guita! ¡Guita! ¡Guita! Decía el señor engominado"[[note]]"Money! Money! Money! said the SharpDressedMan"[[/note]] to "¡Guita! ¡Guita! ¡Guita! Decía el señor de la pelada"[[note]]"Money! Money! Money! said the guy with the bald head"[[/note]], the reference needing no explanation at all.
----
