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* PatrioticFervor: His melodies are frequently based on or inspired by Russian folk tunes and the chants of the Russian Orthodox Church, and his music makes frequent references to the famous bells of Moscow (which the Prelude in C♯ minor was named after).

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* PatrioticFervor: His melodies are frequently based on on, or inspired by by, Russian folk tunes and the chants of the Russian Orthodox Church, and his music makes frequent references to the famous bells of Moscow (which the Prelude in C♯ minor was named after).
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Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a touring pianist and had little time for composing. He had a final burst of creativity in the 1930s, producing several well-regarded works including one of his biggest hits, the "Rhapsody on a Theme of Paganini."

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Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a touring pianist and had little time for composing. He had a final burst of creativity in the 1930s, producing several well-regarded works including one of his biggest hits, the "Rhapsody on a Theme of Paganini."
Paganini".
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Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a touring pianist and had little time for composing. He had a final burst of creativity in the 1930s, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

to:

Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a touring pianist and had little time for composing. He had a final burst of creativity in the 1930s, producing several well-regarded works including one of his biggest hits, the "Rhapsody on a Theme of Paganini."
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None


Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a concert pianist and had little time for composing. He had a final burst of creativity in the 1930s, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

to:

Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a concert touring pianist and had little time for composing. He had a final burst of creativity in the 1930s, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."
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Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a concert pianist and had little time for composing. He had a final burst of creativity toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

to:

Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a concert pianist and had little time for composing. He had a final burst of creativity toward in the end of his life, 1930s, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."
Is there an issue? Send a MessageReason:
None


Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a busy concert pianist and had little time for composing. He had a final burst of creativity toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

to:

Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and settled in America, where he made his living as a busy concert pianist and had little time for composing. He had a final burst of creativity toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."
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Rachmaninoff left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and eventually moved to America, where he made his living as a busy concert pianist and had little time for composing. He had a final burst of creativity toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

to:

Rachmaninoff and his family left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and eventually moved to settled in America, where he made his living as a busy concert pianist and had little time for composing. He had a final burst of creativity toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

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Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/{{Shine}}'', for what it's worth. He left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and began to make his living primarily as a concert pianist, which left him little time for composing, but he returned to composing toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."

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Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/{{Shine}}'', for what it's worth. He

Rachmaninoff
left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and began eventually moved to make America, where he made his living primarily as a busy concert pianist, which left him pianist and had little time for composing, but he returned to composing composing. He had a final burst of creativity toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."
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None


Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/{{Shine}}'', for what it's worth.

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Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/{{Shine}}'', for what it's worth.
worth. He left Russia after [[Usefulnotes/RedOctober the 1917 revolution]] and began to make his living primarily as a concert pianist, which left him little time for composing, but he returned to composing toward the end of his life, producing several well-regarded works including the "Rhapsody on a Theme of Paganini."
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* {{Romanticism}}: He's often considered the last of the Romantics, and was sometimes considered anachronistic by amidst the newer wave of modernist and atonal composers by critics.

to:

* {{Romanticism}}: He's often considered the last of the Romantics, and was sometimes considered anachronistic by amidst the newer wave of modernist and atonal composers by critics.
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* {{Romanticism}}: He's often considered the last of the Romantics and was sometimes considered anachronistic by amidst the newer wave of modernist and atonal composers by critics.

to:

* {{Romanticism}}: He's often considered the last of the Romantics Romantics, and was sometimes considered anachronistic by amidst the newer wave of modernist and atonal composers by critics.
Is there an issue? Send a MessageReason:
None


Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/Shine'', for what it's worth.

to:

Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/Shine'', ''Film/{{Shine}}'', for what it's worth.



* DeathlyDiesIrae: Rachmaninoff was obsessed with the Dies Irae motif and worked it into many of his compositions, some of them related to death ("The Isle of the Dead") and others having nothing explicitly to do with it at all ("Rhapsody on a Theme of Paganini," "Symphonic Dances").
* ItAlwaysRainsAtFunerals: His Etude-Tableau in C minor, Op.39 No.7 is a rare instrumental example. As their name suggests, the Etudes-Tableaux have a narrative angle, but Rachmaninoff largely shied away from specifics in the interest of allowing the performer and/or listener to write their own stories. However, when Ottorino Respighi arranged five of the pieces for orchestra, Rachmaninoff told him this étude depicts a funeral marked by "fine incident and incessant rain"; the rain begins to fall most audibly at around the halfway mark, and continues until a climax representing the pealing of church bells.

to:

* DeathlyDiesIrae: Rachmaninoff was obsessed with the Dies Irae motif and worked it into many of his compositions, some of them related to death ("The Isle of the Dead") and others having nothing explicitly to do with it at all ("Rhapsody on a Theme of Paganini," Paganini", "Symphonic Dances").
* ItAlwaysRainsAtFunerals: His Etude-Tableau in C minor, Op. 39 No.No. 7 is a rare instrumental example. As their name suggests, the Etudes-Tableaux have a narrative angle, but Rachmaninoff largely shied away from specifics in the interest of allowing the performer and/or listener to write their own stories. However, when Ottorino Respighi arranged five of the pieces for orchestra, Rachmaninoff told him this étude depicts a funeral marked by "fine incident and incessant rain"; the rain begins to fall most audibly at around the halfway mark, and continues until a climax representing the pealing of church bells.



* StandardSnippet: The 18th Variation of the Paganini Rhapsody and his Prelude in C♯ minor.

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* StandardSnippet: The 18th Variation variation of the Paganini Rhapsody and his Prelude in C♯ minor.
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* ThemeAndVariations: His famous ''Rhapsody on a Theme of Paganini'' is [[ExactlyWhatItSaysOnTheTin based on a theme by Paganini]]. He also wrote a set of variations on a theme of Music/FryderykChopin and on a theme of Corelli, although these are less known.

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* ThemeAndVariations: His famous ''Rhapsody on a Theme of Paganini'' is [[ExactlyWhatItSaysOnTheTin based on a theme by Paganini]]. He also wrote a set of variations on a theme of Music/FryderykChopin and on a theme of Corelli, although these are less known.known.
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YMMV on a work page. Moving to the YMMV page.


* FirstInstallmentWins: Sergei Rachmaninoff wrote 24 preludes for solo piano. His first, in C♯ minor, overshadowed the rest in terms of popularity, [[CreatorBacklash much to the consternation of the composer, who considered it the weakest of the set]].



* SurprisinglyImprovedSequel: Rachmaninoff's first symphony was a complete critical failure and flopped so hard on its first (and only, during Rachmaninoff's lifetime) performance in 1897 that it almost destroyed Rachmaninoff's career, launching him into a severe depression during which he composed almost no music for over three years. When he finally started composing again in 1900, he started with his Second Piano Concerto, which is now one of the most famous pieces of music in the entire repertoire. He also wrote a second symphony in 1906-1907 which met much greater success than his first.
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* FirstInstallmentWins: Sergei Rachmaninoff wrote 24 preludes for solo piano. His first, in C♯ minor, overshadowed the rest in terms of popularity, [[BlackSheepHit much to the consternation of the composer, who considered it the weakest of the set]].

to:

* FirstInstallmentWins: Sergei Rachmaninoff wrote 24 preludes for solo piano. His first, in C♯ minor, overshadowed the rest in terms of popularity, [[BlackSheepHit [[CreatorBacklash much to the consternation of the composer, who considered it the weakest of the set]].
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* FirstInstallmentWins: Sergei Rachmaninoff wrote 24 preludes for solo piano. His first, in C♯ minor, overshadowed the rest in terms of popularity, [[CreatorBacklash much to the consternation of the composer, who considered it the weakest of the set.]]

to:

* FirstInstallmentWins: Sergei Rachmaninoff wrote 24 preludes for solo piano. His first, in C♯ minor, overshadowed the rest in terms of popularity, [[CreatorBacklash [[BlackSheepHit much to the consternation of the composer, who considered it the weakest of the set.]]set]].
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Recreated page with trope listing.

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[[quoteright:266:https://static.tvtropes.org/pmwiki/pub/images/rachmaninoff_329_8.jpg]]

Sergei Vasilievich Rachmaninoff (Russian: Сергей Васильевич Рахманинов), (1 April 1873 — 28 March 1943), was a Russian-American composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, very nearly the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.

The piano features prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point to use his own skills as a performer to explore fully the instrument's expressive possibilities. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody.

Most famous for his Piano Concerto No. 2 in C minor and Piano Concerto No. 3 in D minor, as well as his piano-solo Prelude in C-sharp minor, Op. 3 No. 2. The third concerto was featured in the movie ''Film/Shine'', for what it's worth.

He is mentioned as being dead in the song "Decomposing Composers" by Creator/MichaelPalin sang on Creator/MontyPython's ''AudioPlay/MontyPythonsContractualObligationAlbum''.

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!!Tropes:

* TheAce: Rachmaninoff was considered one of the greatest pianists of all time, as well as an accomplished composer and conductor.
* DarkerAndEdgier: His later works experimented with more modern textures and harmony, although he still remained within the realm of romanticism.
* DeathlyDiesIrae: Rachmaninoff was obsessed with the Dies Irae motif and worked it into many of his compositions, some of them related to death ("The Isle of the Dead") and others having nothing explicitly to do with it at all ("Rhapsody on a Theme of Paganini," "Symphonic Dances").
* FirstInstallmentWins: Sergei Rachmaninoff wrote 24 preludes for solo piano. His first, in C♯ minor, overshadowed the rest in terms of popularity, [[CreatorBacklash much to the consternation of the composer, who considered it the weakest of the set.]]
* ItAlwaysRainsAtFunerals: His Etude-Tableau in C minor, Op.39 No.7 is a rare instrumental example. As their name suggests, the Etudes-Tableaux have a narrative angle, but Rachmaninoff largely shied away from specifics in the interest of allowing the performer and/or listener to write their own stories. However, when Ottorino Respighi arranged five of the pieces for orchestra, Rachmaninoff told him this étude depicts a funeral marked by "fine incident and incessant rain"; the rain begins to fall most audibly at around the halfway mark, and continues until a climax representing the pealing of church bells.
* PatrioticFervor: His melodies are frequently based on or inspired by Russian folk tunes and the chants of the Russian Orthodox Church, and his music makes frequent references to the famous bells of Moscow (which the Prelude in C♯ minor was named after).
* {{Romanticism}}: He's often considered the last of the Romantics and was sometimes considered anachronistic by amidst the newer wave of modernist and atonal composers by critics.
* StandardSnippet: The 18th Variation of the Paganini Rhapsody and his Prelude in C♯ minor.
* SurprisinglyImprovedSequel: Rachmaninoff's first symphony was a complete critical failure and flopped so hard on its first (and only, during Rachmaninoff's lifetime) performance in 1897 that it almost destroyed Rachmaninoff's career, launching him into a severe depression during which he composed almost no music for over three years. When he finally started composing again in 1900, he started with his Second Piano Concerto, which is now one of the most famous pieces of music in the entire repertoire. He also wrote a second symphony in 1906-1907 which met much greater success than his first.
* ThemeAndVariations: His famous ''Rhapsody on a Theme of Paganini'' is [[ExactlyWhatItSaysOnTheTin based on a theme by Paganini]]. He also wrote a set of variations on a theme of Music/FryderykChopin and on a theme of Corelli, although these are less known.

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