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The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]]. The album currently ranks at #60 on Website/AcclaimedMusic's [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums compendium of various critics' greatest albums lists]], and was included on ''Literature/OneThousandAndOne AlbumsYouMustHearBeforeYouDie''.
to:
The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]]. The album currently ranks at #60 on Website/AcclaimedMusic's [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums compendium of various critics' greatest albums lists]], and was included on ''Literature/OneThousandAndOne AlbumsYouMustHearBeforeYouDie''.
''Literature/OneThousandAndOneAlbumsYouMustHearBeforeYouDie''.
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Riding off the smash success of their self-titled tenth album, the extensive six months of touring started to tear the band apart at the seams. John and Christine McVie had ended their eight-year marriage, Lindsey Buckingham and Stevie Nicks fought constantly upon their breaking up, and Mick Fleetwood's wife was having an affair with his best friend. However, the only constant that kept these bandmates together was the music they would create.
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine McVie laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights dragged the recording onward, where they would come in at seven at night and wouldn't record until two in the morning. All the while rumors circulated about the band breaking up, replacing members, and other scandals.
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine McVie laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights dragged the recording onward, where they would come in at seven at night and wouldn't record until two in the morning. All the while rumors circulated about the band breaking up, replacing members, and other scandals.
to:
Riding off the smash success of their self-titled tenth album, the extensive six months of touring started to tear the band apart at the seams. [=McVies=] John and Christine McVie had ended their eight-year marriage, Lindsey Buckingham and Stevie Nicks fought constantly upon their breaking up, and Mick Fleetwood's wife was having an affair with his best friend. However, the only constant that kept these bandmates together was the music they would create.
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and ChristineMcVie [=McVie=] laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights dragged the recording onward, where they would come in at seven at night and wouldn't record until two in the morning. All the while rumors circulated about the band breaking up, replacing members, and other scandals.
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine
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The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]]. The album currently ranks at #60 on Website/AcclaimedMusic's [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums compendium of various critics' greatest albums lists]], and was included on ''Literature/1001AlbumsYouMustHearBeforeYouDie''.
to:
The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]]. The album currently ranks at #60 on Website/AcclaimedMusic's [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums compendium of various critics' greatest albums lists]], and was included on ''Literature/1001AlbumsYouMustHearBeforeYouDie''.
''Literature/OneThousandAndOne AlbumsYouMustHearBeforeYouDie''.
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The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine McVie laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights made the recording drag on for impractically long times,
The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
to:
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine McVie laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights made dragged the recording drag on for impractically long times,
onward, where they would come in at seven at night and wouldn't record until two in the morning. All the while rumors circulated about the band breaking up, replacing members, and other scandals.
In spite of the tumultuous recording sessions, ''Rumours'' was essentially all Fleetwood Mac wanted[[note]]mostly--Nicks' "Silver Springs" was cut in favor of "I Don't Want to Know" because the latter was shorter and jauntier, but the former was tacked onto the end of the album in released from 2004 onward[[/note]]. It was released to raptorous critical acclaim, regarded as even better than their self-titled effort, and sold extremely well in the commercial department as well. "Go Your Own Way," "Don't Stop," "You Make Loving Fun," and "Dreams" were all singles from the album, though the rest of the songs have all received similar status.
The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of AllTime]].
Time]]. The album currently ranks at #60 on Website/AcclaimedMusic's [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums compendium of various critics' greatest albums lists]], and was included on ''Literature/1001AlbumsYouMustHearBeforeYouDie''.
In spite of the tumultuous recording sessions, ''Rumours'' was essentially all Fleetwood Mac wanted[[note]]mostly--Nicks' "Silver Springs" was cut in favor of "I Don't Want to Know" because the latter was shorter and jauntier, but the former was tacked onto the end of the album in released from 2004 onward[[/note]]. It was released to raptorous critical acclaim, regarded as even better than their self-titled effort, and sold extremely well in the commercial department as well. "Go Your Own Way," "Don't Stop," "You Make Loving Fun," and "Dreams" were all singles from the album, though the rest of the songs have all received similar status.
The record won the 1978 UsefulNotes/GrammyAward for ''Album of the Year''. An episode about the creative process behind this album was featured in the documentary TV series ''Series/ClassicAlbums''. ''Magazine/TimeMagazine'' included ''Rumours'' in their [[TimeAllTime100Albums 2006 list of 100 timeless and essential albums]] and it was listed at #26 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All
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[[AC: CD-only bonus track (2004 onward)]]
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''Rumours'' is the eleventh studio album by Music/FleetwoodMac, released in 1977. It is by far their most successful and most popular album, and one of the best-selling albums of all-time. Hits and fan favourites include "Dreams", "Don't Stop", "Go Your Own Way", "The Chain", "You Make Loving Fun" and "Gold Dust Woman".
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''Rumours'' is the eleventh studio album by Music/FleetwoodMac, released in 1977. It is by far their most successful and most popular album, and one of the best-selling albums of all-time. Hits and fan favourites favorites include "Dreams", "Don't Stop", "Go Your Own Way", "The Chain", "You Make Loving Fun" and "Gold Dust Woman".
Woman".
Riding off the smash success of their self-titled tenth album, the extensive six months of touring started to tear the band apart at the seams. John and Christine McVie had ended their eight-year marriage, Lindsey Buckingham and Stevie Nicks fought constantly upon their breaking up, and Mick Fleetwood's wife was having an affair with his best friend. However, the only constant that kept these bandmates together was the music they would create.
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine McVie laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights made the recording drag on for impractically long times,
Riding off the smash success of their self-titled tenth album, the extensive six months of touring started to tear the band apart at the seams. John and Christine McVie had ended their eight-year marriage, Lindsey Buckingham and Stevie Nicks fought constantly upon their breaking up, and Mick Fleetwood's wife was having an affair with his best friend. However, the only constant that kept these bandmates together was the music they would create.
The band started producing their next album in February 1976 under the working title of ''Yesterday's Gone'', which Buckingham took charge of to create a "pop album." He and Christine McVie laid out the foundations of many the tracks upon guitar and piano, and the band would see what worked and what didn't, splicing portions of songs onto other songs and beyond. However, cocaine and sleepless nights made the recording drag on for impractically long times,
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[[AC: Bonus Track (Releases from 2004 onward)]]
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!! Have you any tropes you'd like to sell?:
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!! Have you any tropes you'd like to sell?:We're just second hand tropes, we're just second hand troooooooooooooopes...:
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* BSide: Though cut from the album, Nicks' "Silver Springs" stands as one of the band's most famous songs. It was only released on the back of Buckingham's "Go Your Own Way", to which it served as an AnswerSong, but proved popular enough to appear on a later BoxedSet. The live version from ''The Dance'' was a hit. It was eventually added to the album proper on the 2004 reissue, between "Songbird" and "The Chain".
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* BSide: Though cut from the album, Nicks' "Silver Springs" stands as one of the band's most famous songs. It was only released on the back of Buckingham's "Go Your Own Way", to which it served as an AnswerSong, but proved popular enough to appear on a later BoxedSet. The live version from ''The Dance'' was a hit. It was eventually added to the album proper on the 2004 reissue, between "Songbird" and "The Chain".reissue as the closer.
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--> ''I'm never going back again''
--> ''You don't know what it means to win''
--> ''You don't know what it means to win''
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Come on down and see me again\\
Been down one time\\
Been down two time\\
Mmm, never going back again''
** Also its B-side "Silver Springs".
--> ''Time cast a spell on you, but you won't forget me\\
I know I could have loved you, but you wouldn't let me
I will follow you down 'til the sound of my voice will haunt you\\
You'll never get away from the voice of the woman who loves you
--> ''Time cast a spell on you, but you won't forget me\\
I know I could have loved you, but you wouldn't let me
I will follow you down 'til the sound of my voice will haunt you\\
You'll never get away from the voice of the woman who loves you
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--> ''And is it over now?''
--> ''Do you know how to pick up the pieces and go home?''
--> ''Do you know how to pick up the pieces and go home?''
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--> ''And is it over now?''
--> ''Donow? Do you know how to pick up the pieces and go home?''
--> ''Do
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[[AC: Bonus Track (Releases from 2004 onward)]]
# "Silver Springs" (4:29)
# "Silver Springs" (4:29)
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* RealSongThemeTune: "The Chain" serves as the theme song for BBC's Formula One coverage.
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* RealSongThemeTune: "The Chain" serves as the theme song for BBC's Formula One UsefulNotes/FormulaOne coverage.
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Moving to trivia.
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* CutSong: "Silver Springs"
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* VisualInnuendo: The clackers very conspicuously hanging from Mick Fleetwood's crotch.
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[[caption-width-right:350:''"If I could, baby, I'd give you my world/Open up, everything's waiting for you..."'']]
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[[caption-width-right:350:''"If I could, baby, I'd give you my world/Open world\\
Open up, everything's waiting for you..."'']]
Open up, everything's waiting for you..."'']]
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* SexDrugsAndRockAndRoll: "Gold Dust Woman" is a swipe at both oversexed groupies and cocaine addiction, which makes it an odd {{cover|Version}} choice for Music/CourtneyLove of the band Hole in the soundtrack for Film/TheCrowCityOfAngels.
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* SexDrugsAndRockAndRoll: "Gold Dust Woman" is a swipe at both oversexed groupies and cocaine addiction, which makes it an odd {{cover|Version}} choice for Music/CourtneyLove of the band Hole in the soundtrack for Film/TheCrowCityOfAngels.''Film/TheCrowCityOfAngels''.
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* SexDrugsAndRockAndRoll: "Gold Dust Woman" is a swipe at both oversexed groupies and cocaine addiction, which makes it an odd {{cover|Version}} choice for Music/TheAllmanBrothersBand.
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* SexDrugsAndRockAndRoll: "Gold Dust Woman" is a swipe at both oversexed groupies and cocaine addiction, which makes it an odd {{cover|Version}} choice for Music/TheAllmanBrothersBand.Music/CourtneyLove of the band Hole in the soundtrack for Film/TheCrowCityOfAngels.
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* BSide: Though cut from the album, Nicks' "Silver Springs" stands as one of the band's most famous songs. It was only released on the back of Buckingham's "Go Your Own Way", to which it served as an AnswerSong, but proved popular enough to appear on a later BoxedSet. The live version from ''The Dance'' was a hit.
to:
* BSide: Though cut from the album, Nicks' "Silver Springs" stands as one of the band's most famous songs. It was only released on the back of Buckingham's "Go Your Own Way", to which it served as an AnswerSong, but proved popular enough to appear on a later BoxedSet. The live version from ''The Dance'' was a hit. It was eventually added to the album proper on the 2004 reissue, between "Songbird" and "The Chain".
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* UpdatedRerelease: Reissues from 2004 have "Silver Springs" added to the running order.
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->''Time cast a spell on you, but you won't forget me''\\
to:
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* LyricalDissonance: "Go Your Own Way", it's an epic cheerful hard rock song about [[TakeThat the singer essentially telling their ex to]] [[PrecisionFStrike fuck off]].
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* LineOfSightName: Stevie got the title to "Silver Springs" after seeing a highway sign for [[UsefulNotes/WashingtonDC Silver Spring, Maryland]] on tour and liking the name.
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* LineOfSightName: Stevie got the title to "Silver Springs" after seeing a highway sign for [[UsefulNotes/WashingtonDC Silver Spring, Maryland]] Maryland]], on tour and liking the name.
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* TakeThat: This album is absolutely loaded with {{Take That}}s from one band-member towards the other. Lead single "Go Your Own Way"'s probably the most obvious - the ''Packing up, shacking up is all you want to do'' line is Buckingham insulting Nicks. Nicks responded with the single's B-side "Silver Springs" - which features the line ''I'll follow you down 'till the sound of my voice will haunt you/you'll never get away from the sound of the woman that loves you''. The last-named song was, for many years, one of the rarest and most sought-after of Fleetwood Mac tracks because it appeared only on the B-side of the single of "Go Your Own Way"; it had been left off the album because of lack of space, much to Nicks' displeasure, and wasn't officially released on a Mac album until their 1992 retrospective box-set. It's also been added to the reissued and remastered editions of this album, for what that's worth.
** Saying that Nicks was "displeased" about "Silver Springs" being left off this album is a classic understatement. She once recounted in an interview that when Mick Fleetwood gave her the bad news, she went out into the parking lot and literally shrieked in rage.
** Saying that Nicks was "displeased" about "Silver Springs" being left off this album is a classic understatement. She once recounted in an interview that when Mick Fleetwood gave her the bad news, she went out into the parking lot and literally shrieked in rage.
to:
* TakeThat: This album is absolutely loaded with {{Take That}}s from one band-member towards the other. other.
** Lead single "Go Your Own Way"'s probably the most obvious - the ''Packing up, shacking up is all you want to do'' line is Buckingham insulting Nicks. Nicks responded with the single's B-side "Silver Springs" - which features the line ''I'll follow you down 'till the sound of my voice will haunt you/you'll never get away from the sound of the woman that loves you''. The last-named song was, for many years, one of the rarest and most sought-after of Fleetwood Mac tracks because it appeared only on the B-side of the single of "Go Your Own Way"; it had been left off the album because of lack of space, much to Nicks' displeasure, and wasn't officially released on a Mac album until their 1992 retrospective box-set. It's also been added to the reissued and remastered editions of this album, for what that'sworth.
** Sayingworth. [[note]]Saying that Nicks was "displeased" about "Silver Springs" being left off this album is a classic understatement. She once recounted in an interview that when Mick Fleetwood gave her the bad news, she went out into the parking lot and literally shrieked in rage. [[/note]]
** Lead single "Go Your Own Way"'s probably the most obvious - the ''Packing up, shacking up is all you want to do'' line is Buckingham insulting Nicks. Nicks responded with the single's B-side "Silver Springs" - which features the line ''I'll follow you down 'till the sound of my voice will haunt you/you'll never get away from the sound of the woman that loves you''. The last-named song was, for many years, one of the rarest and most sought-after of Fleetwood Mac tracks because it appeared only on the B-side of the single of "Go Your Own Way"; it had been left off the album because of lack of space, much to Nicks' displeasure, and wasn't officially released on a Mac album until their 1992 retrospective box-set. It's also been added to the reissued and remastered editions of this album, for what that's
** Saying
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* LyricalDissonance: "Go Your Own Way", it's an epic cheerful hard rock song about [[TakeThatthe singer essentially telling their ex to]] [[PrecisionFStrike fuck off]].
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* LyricalDissonance: "Go Your Own Way", it's an epic cheerful hard rock song about [[TakeThatthe [[TakeThat the singer essentially telling their ex to]] [[PrecisionFStrike fuck off]].
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* LyricalDissonance: "Go Your Own Way", it's an epic cheerful hard rock song about the singer essentially telling their ex to [[PrecisionFStrike fuck off]].
to:
* LyricalDissonance: "Go Your Own Way", it's an epic cheerful hard rock song about the [[TakeThatthe singer essentially telling their ex to to]] [[PrecisionFStrike fuck off]].
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* LyricalDissonance: Any of the AntiLoveSongs on the album.
** "Go Your Own Way" for instance is an epic cheerful song about the singer essentially telling their ex to [[PrecisionFStrike fuck off]].
** "Go Your Own Way" for instance is an epic cheerful song about the singer essentially telling their ex to [[PrecisionFStrike fuck off]].
to:
* LyricalDissonance: Any of the AntiLoveSongs on the album.
**"Go Your Own Way" for instance is Way", it's an epic cheerful hard rock song about the singer essentially telling their ex to [[PrecisionFStrike fuck off]].
**
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* LyricalDissonance: Any of the AntiLoveSongs on the album.
** "Go Your Own Way" for instance is an epic cheerful song about the singer essentially telling their ex to [[PrecisionFStrike fuck off]].
** "Go Your Own Way" for instance is an epic cheerful song about the singer essentially telling their ex to [[PrecisionFStrike fuck off]].
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Changed line(s) 85,88 (click to see context) from:
->Time cast a spell on you, but you won't forget me\\
I know I could have loved you, but you would not let me\\
I'll follow you down til' the sound of my voice will haunt you\\
You'll never get away from the sound of the woman that loved you
I know I could have loved you, but you would not let me\\
I'll follow you down til' the sound of my voice will haunt you\\
You'll never get away from the sound of the woman that loved you
to:
I
''I know I could have loved you, but you would not let
I'll
''I'll follow you down til' the sound of my voice will haunt
You'll
''You'll never get away from the sound of the woman that loved
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* LineOfSightName: Stevie got the title to "Silver Springs" after seeing a highway sign for [[UsefulNotes/WashingtonDC Silver Spring, Maryland]], on tour and liking the name.
to:
* LineOfSightName: Stevie got the title to "Silver Springs" after seeing a highway sign for [[UsefulNotes/WashingtonDC Silver Spring, Maryland]], Maryland]] on tour and liking the name.
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* LineOfSightName: Stevie got the title to "Silver Springs" after seeing a highway sign for [[UsefulNotes/WashingtonDC Silver Spring, Maryland]], on tour and liking the name.
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* {{Yandere}}: "Silver Springs":
->Time cast a spell on you, but you won't forget me\\
I know I could have loved you, but you would not let me\\
I'll follow you down til' the sound of my voice will haunt you\\
You'll never get away from the sound of the woman that loved you
->Time cast a spell on you, but you won't forget me\\
I know I could have loved you, but you would not let me\\
I'll follow you down til' the sound of my voice will haunt you\\
You'll never get away from the sound of the woman that loved you
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--> "Well, did she make you cry, make you break down, shatter your illusions of love?"
to:
--> "Well, ''Well, did she make you cry, make you break down, shatter your illusions of love?"love?''
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* SexDrugsAndRockAndRoll: "Gold Dust Woman" is a swipe at both oversexed groupies and cocaine addiction, which makes it an odd [[CoverVersion cover]] choice for Music/TheAllmanBrothersBand.
to:
* SexDrugsAndRockAndRoll: "Gold Dust Woman" is a swipe at both oversexed groupies and cocaine addiction, which makes it an odd [[CoverVersion cover]] {{cover|Version}} choice for Music/TheAllmanBrothersBand.
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* BreakupSong: Actually, a whole breakup ''album''. In "Second Hand News" and "The Chain", the lover hasn't gotten over it, but in "I Don't Want to Know", for instance, the protagonist [[IWantMyBelovedToBeHappy accepts that his former girlfriend now has a new partner]]
to:
* BreakupSong: Actually, a whole breakup ''album''. In "Second Hand News" and "The Chain", the lover hasn't gotten over it, and in "Go Your Own Way", the protagonist angrily rants at their former lover, but in "I Don't Want to Know", for instance, the protagonist [[IWantMyBelovedToBeHappy accepts that his former girlfriend now has a new partner]]
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* WhiteVoidRoom: The band members stand in on the album cover.
* WorkingWithTheEx: Around the time of this album, consisted of two broken relationships and a drummer (who had a fling with the singer.)
* WorkingWithTheEx: Around the time of this album, consisted of two broken relationships and a drummer (who had a fling with the singer.)
to:
* WhiteVoidRoom: The band members stand in one on the album cover.
* WorkingWithTheEx: Around the time of this album, the band consisted of two broken relationships and a divorced drummer (who had a fling with the singer.)
* WorkingWithTheEx: Around the time of this album, the band consisted of two broken relationships and a divorced drummer (who had a fling with the singer.)
