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Changed line(s) 2,4 (click to see context) from:
[[caption-width-right:350: ''Used to make love under a red sunset,\\
I was making promises I was soon to forget'']]
I was making promises I was soon to forget'']]
to:
[[caption-width-right:350: ''Used to make love under ''Mississippi and the cotton wool heat,\\
Sixty-six, ared sunset,\\
I was making promises I was soon to forget'']]
highway speaks'']]
Sixty-six, a
I was making promises I was soon to forget'']]
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Changed line(s) 22,39 (click to see context) from:
#Helter Skelter (live from Denver) (3:07)
#Van Diemen's Land (3:06)
#Desire (2:58)
#Hawkmoon 269 (6:22)
#All Along The Watchtower - (live from San Francisco) (4:24)
#I Still Haven't Found What I'm Looking For - (live from New York) (5:53)
#Freedom For My People (0:38)
#Silver And Gold - (live from Denver) (5:50)
#Pride (In The Name Of Love) - (live from Denver) (4:27)
#Angel of Harlem (3:49)
#Love Rescue Me (6:24)
#When Love Comes To Town (4:14)
#Heartland (5:02)
#God Part II (3:15)
#[[Music/JimiHendrix The Star-Spangled Banner]] (0:43)
#Bullet The Blue Sky - (live from Tempe) (5:37)
#All I Want Is You (6:30)
#Van Diemen's Land (3:06)
#Desire (2:58)
#Hawkmoon 269 (6:22)
#All Along The Watchtower - (live from San Francisco) (4:24)
#I Still Haven't Found What I'm Looking For - (live from New York) (5:53)
#Freedom For My People (0:38)
#Silver And Gold - (live from Denver) (5:50)
#Pride (In The Name Of Love) - (live from Denver) (4:27)
#Angel of Harlem (3:49)
#Love Rescue Me (6:24)
#When Love Comes To Town (4:14)
#Heartland (5:02)
#God Part II (3:15)
#[[Music/JimiHendrix The Star-Spangled Banner]] (0:43)
#Bullet The Blue Sky - (live from Tempe) (5:37)
#All I Want Is You (6:30)
to:
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Added quotes and timestamps for songs.
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to:
[[caption-width-right:350: ''Used to make love under a red sunset,\\
I was making promises I was soon to forget'']]
->''Don't believe in excess\\
Success is to give\\
Don't believe in riches\\
But you should see where I live\\
I... I believe in love''
-->-- '''"God Part II"'''
I was making promises I was soon to forget'']]
->''Don't believe in excess\\
Success is to give\\
Don't believe in riches\\
But you should see where I live\\
I... I believe in love''
-->-- '''"God Part II"'''
It would be followed by Music/AchtungBaby in 1991.
Changed line(s) 11,28 (click to see context) from:
#Helter Skelter (live from Denver)
#Van Diemen's Land
#Desire
#Hawkmoon 269
#All Along The Watchtower - (live from San Francisco)
#I Still Haven't Found What I'm Looking For - (live from New York)
#Freedom For My People
#Silver And Gold - (live from Denver)
#Pride (In The Name Of Love) - (live from Denver)
#Angel of Harlem
#Love Rescue Me
#When Love Comes To Town
#Heartland
#God Part II
#The Star-Spangled Banner
#Bullet The Blue Sky - (live from Tempe)
#All I Want Is You
#Van Diemen's Land
#Desire
#Hawkmoon 269
#All Along The Watchtower - (live from San Francisco)
#I Still Haven't Found What I'm Looking For - (live from New York)
#Freedom For My People
#Silver And Gold - (live from Denver)
#Pride (In The Name Of Love) - (live from Denver)
#Angel of Harlem
#Love Rescue Me
#When Love Comes To Town
#Heartland
#God Part II
#The Star-Spangled Banner
#Bullet The Blue Sky - (live from Tempe)
#All I Want Is You
to:
#Helter Skelter (live from Denver)
Denver) (3:07)
#Van Diemen'sLand
#Desire
Land (3:06)
#Desire (2:58)
#Hawkmoon269
269 (6:22)
#All Along The Watchtower - (live from SanFrancisco)
Francisco) (4:24)
#I Still Haven't Found What I'm Looking For - (live from NewYork)
York) (5:53)
#Freedom For MyPeople
People (0:38)
#Silver And Gold - (live fromDenver)
Denver) (5:50)
#Pride (In The Name Of Love) - (live fromDenver)
Denver) (4:27)
#Angel ofHarlem
Harlem (3:49)
#Love RescueMe
Me (6:24)
#When Love Comes ToTown
#Heartland
Town (4:14)
#Heartland (5:02)
#God PartII
#TheII (3:15)
#[[Music/JimiHendrix The Star-SpangledBanner
Banner]] (0:43)
#Bullet The Blue Sky - (live fromTempe)
Tempe) (5:37)
#All I Want IsYou
You (6:30)
#Van Diemen's
#Desire
#Desire (2:58)
#Hawkmoon
#All Along The Watchtower - (live from San
#I Still Haven't Found What I'm Looking For - (live from New
#Freedom For My
#Silver And Gold - (live from
#Pride (In The Name Of Love) - (live from
#Angel of
#Love Rescue
#When Love Comes To
#Heartland
#Heartland (5:02)
#God Part
#The
#[[Music/JimiHendrix The Star-Spangled
#Bullet The Blue Sky - (live from
#All I Want Is
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* ThreeChordsAndTheTruth: This album's version of "All Along the Watchtower" is the TropeNamer because of a verse Bono threw in: "All I got is a red guitar/Three chords, and the truth." (Appropriately, the song does have only three chords.)
to:
* ThreeChordsAndTheTruth: This album's version of "All Along the Watchtower" is the TropeNamer because of a verse Bono threw in: "All I got is a red guitar/Three chords, and the truth." [[note]] It is worth noting, however, that Bono was ''not'' the first person to coin the phrase. That honor goes to songwriter Harlan Howard, who coined the phrase to describe country music. [[/note]] (Appropriately, the song does have only three chords.)
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* BrokenMessiah: "Love Rescue Me," as Bono put it, is "about a man people keep turning to as a saviour but his own life is getting messed up and he could use a bit of salvation himself."
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* AnswerSong: "God Part II", a sequel to Music/JohnLennon's [[Music/JohnLennonPlasticOnoBand "God"]].
to:
* AnswerSong: "God Part II", a sequel to Music/JohnLennon's [[Music/JohnLennonPlasticOnoBand "God"]]. Like Lennon's song, U2's lists off various things that Bono disagrees with; unlike Lennon's song, Bono, a Catholic, chooses to direct his ire towards the devil and "his book" rather than God, the Bible, and UsefulNotes/{{Jesus}}.
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''Rattle and Hum'' is the sixth studio album by Irish pop band Music/{{U2}}. It was released through Creator/IslandRecords on 10 October 1988.
to:
''Rattle and Hum'' is the sixth studio album by Irish pop rock band Music/{{U2}}. It was released through Creator/IslandRecords on 10 October 1988.
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* GreedyTelevangelist: Referenced in the coda for the live version of "Bullet the Blue Sky":
-->''Her lover's turning off, turning on the television, and I can't tell the difference between ABC News, Hill Street Blues and a preacher on The Old Time Gospel Hour stealing money from the sick and the old. Well, the God I believe in isn't short of cash, mister.''
-->''Her lover's turning off, turning on the television, and I can't tell the difference between ABC News, Hill Street Blues and a preacher on The Old Time Gospel Hour stealing money from the sick and the old. Well, the God I believe in isn't short of cash, mister.''
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* EvolvingMusic: This was the third version of "Silver and Gold" to be released, and each sounded quite different from the last. Originally Bono wrote it himself and recorded it with [[Music/TheRollingStones Keith Richards and Ron Wood]], with a couple of acoustic guitars and no drummer. U2 recorded its own version as a B-side to "Where the Streets Have No Name," but the live version considerably ramps up the energy level, with a blistering new guitar solo from The Edge. (This also explains Bono's somewhat baffling command to Edge to "play the blues" even though it doesn't sound very bluesy -- the first recording definitely did.)
to:
* EvolvingMusic: This was the third version of "Silver and Gold" to be released, and each sounded quite different from the last. Originally Bono wrote it himself and recorded it with [[Music/TheRollingStones [[Music/TheRollingStonesBand Keith Richards and Ron Wood]], with a couple of acoustic guitars and no drummer. U2 recorded its own version as a B-side to "Where the Streets Have No Name," but the live version considerably ramps up the energy level, with a blistering new guitar solo from The Edge. (This also explains Bono's somewhat baffling command to Edge to "play the blues" even though it doesn't sound very bluesy -- the first recording definitely did.)
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Discussion of audience and critic responses belongs on the YMMV tab, plus this comes off as thinly veiled Creator Bashing
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[[GoneHorriblyWrong It backfired spectacularly]].
While the album was a commercial success, going quintuple-Platinum in the United States and quadruple-Platinum in the United Kingdom on worldwide sales of 14 million copies, critics and audiences alike responded to it with mockery. The consensus was that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic."
The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawned four singles: "Desire," "Angel of Harlem," "When Love Comes to Town," and "All I Want Is You." While all four were Top 10 hits in the United Kingdom--with "Desire" being their first UK #1--only the first two were hits on the Billboard Hot 100, with "Desire" only peeking at #3 in the United States.
While the album was a commercial success, going quintuple-Platinum in the United States and quadruple-Platinum in the United Kingdom on worldwide sales of 14 million copies, critics and audiences alike responded to it with mockery. The consensus was that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic."
The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawned four singles: "Desire," "Angel of Harlem," "When Love Comes to Town," and "All I Want Is You." While all four were Top 10 hits in the United Kingdom--with "Desire" being their first UK #1--only the first two were hits on the Billboard Hot 100, with "Desire" only peeking at #3 in the United States.
to:
While the album was a commercial success, going quintuple-Platinum in the United States and quadruple-Platinum in the United Kingdom on worldwide sales of 14 million copies, critics and audiences alike responded to it with mockery. The consensus was that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic."
The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawned four singles: "Desire," "Angel of Harlem," "When Love Comes to Town," and "All I Want Is You." While all four were Top 10 hits in the United Kingdom--with "Desire" being their first UK #1--only the first two were hits on the Billboard Hot 100, with "Desire" only
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As it says, it's ymmv, not a trope
Deleted line(s) 89 (click to see context) :
* SmallNameBigEgo: YMMV on this one, but it was a very common criticism of the documentary, especially from [[CreatorBacklash the band themselves]], who were embarrassed by how self-aggrandizing they came off, from the audacious claim that they were stealing back "Helter Skelter" from Charles Manson at the beginning to associating themselves with legendary [=R&B=] musicians so early in their careers to Bono's monologues about social justice, especially a rather notorious shot of Martin Luther King Jr.'s superimposed over his. It didn't help that the cinematography framed Bono like a deity when on stage. There's a reason their next several projects were considerably more introspective.
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* AnswerSong: "God Part II", a sequel to Music/JohnLennon's [[Music/JohnLennonPlasticOnoBand "God"]].
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sixth, not seventh
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''Rattle and Hum'' is the seventh studio album by Irish pop band Music/{{U2}}. It was released through Creator/IslandRecords on 10 October 1988.
to:
''Rattle and Hum'' is the seventh sixth studio album by Irish pop band Music/{{U2}}. It was released through Creator/IslandRecords on 10 October 1988.
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* LocationSong: "Heartland," inspired by a visit to New Orleans, describes the Mississippi delta region.
to:
* LocationSong: LocationSong:
** "Heartland," inspired by a visit to New Orleans, describes the Mississippi deltaregion.region.
** "Van Diemen's Land" refers to the 19th-century British penal colony of that name, now the Australian state of Tasmania. More specifically, it was about a man who led an unsuccessful Irish uprising and was sentenced to the penal colony.
** "Heartland," inspired by a visit to New Orleans, describes the Mississippi delta
** "Van Diemen's Land" refers to the 19th-century British penal colony of that name, now the Australian state of Tasmania. More specifically, it was about a man who led an unsuccessful Irish uprising and was sentenced to the penal colony.
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Changed line(s) 3,4 (click to see context) from:
'''Rattle and Hum''' is the seventh studio album by Irish pop band Music/{{U2}}. It was released through Creator/IslandRecords on 10 October 1988.
to:
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[[GoneHorriblyWrong It backfired spectacularly.]]
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawned the singles "Desire," "When Love Comes to Town," "Angel of Harlem" and "All I Want Is You."
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawned the singles "Desire," "When Love Comes to Town," "Angel of Harlem" and "All I Want Is You."
to:
[[GoneHorriblyWrong It backfired spectacularly.]]
spectacularly]].
While the album was a commercial success, going quintuple-Platinum in the United States and quadruple-Platinum in the United Kingdom on worldwide sales of 14 million copies, critics and audiences alike responded to it withmockery, believing mockery. The consensus was that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." "
The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawnedthe singles four singles: "Desire," "Angel of Harlem," "When Love Comes to Town," "Angel of Harlem" and "All I Want Is You."
" While all four were Top 10 hits in the United Kingdom--with "Desire" being their first UK #1--only the first two were hits on the Billboard Hot 100, with "Desire" only peeking at #3 in the United States.
While the album was a commercial success, going quintuple-Platinum in the United States and quadruple-Platinum in the United Kingdom on worldwide sales of 14 million copies, critics and audiences alike responded to it with
The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
The album spawned
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The sixth studio album by {{Music/U2}}, released in 1988 as the soundtrack to the documentary film of the same name, which followed the band around is it toured America. A double album, ''Rattle and Hum'' is a mixture of live performances and newly recorded songs, continuing the blues and country sounds of ''Music/TheJoshuaTree''. It's also U2's most fannish album, at least until ''Songs Of Innocence'', as it includes tributes to and collaborations with such musical heroes as Music/BBKing, Music/BobDylan, Music/JohnLennon, and Music/BillieHoliday.
to:
'''Rattle and Hum''' is the seventh studio album by
It acts as the soundtrack to the documentary film of the same name, which followed the band around is it toured America. A double album, ''Rattle and Hum'' is a mixture of live performances and newly recorded songs, continuing the blues and country sounds of ''Music/TheJoshuaTree''. It's also U2's most fannish album, at least until ''Songs Of Innocence'', as it includes tributes to and collaborations with such musical heroes as Music/BBKing, Music/BobDylan, Music/JohnLennon, and Music/BillieHoliday.
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While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have a lasting effect on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
to:
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have [[NeverLiveItDown a lasting effect effect]] on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
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Changed line(s) 6,7 (click to see context) from:
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, and came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance, starting with [[Music/AchtungBaby their next album.]] That said, this album would have a lasting effect on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
to:
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, and who came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance, AlternativeDance starting with [[Music/AchtungBaby their next album.]] That said, this album would have a lasting effect on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
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[[GoneHorriblyWrong It backfired spectacularly.]]
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, and came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance, starting with [[Music/AchtungBaby their next album.]] That said, this album would have a lasting effect on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
While the album was a commercial success, critics and audiences alike responded to it with mockery, believing that U2, by attempting to put out an album and documentary of this sort so early in their careers relative to the product's weight, were brashly attempting to put themselves among the ranks of the very legends they were paying tribute to; one ''Magazine/RollingStone'' reviewer called ''Rattle and Hum'' "misguided and bombastic." The poor reception of the album blindsided the band, and came to realize that they were starting to stagnate artistically, leading them to step away from their traditional sound in favor of hard-edged AlternativeDance, starting with [[Music/AchtungBaby their next album.]] That said, this album would have a lasting effect on the band's reputation; even today, ''Rattle and Hum'' is considered proof of the band's image among non-fans as vapid and egotistical.
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* TheAlcoholic: "Angel of Harlem" is a tribute to Music/BillieHoliday that refers to her untimely demise from drug and alcohol abuse:
to:
* TheAlcoholic: "Angel of Harlem" is a tribute to Music/BillieHoliday that refers to her untimely demise from alcoholism and other drug and alcohol abuse: