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-->-- '''Queens of the Stone Age,''' "A Song for the Dead"

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-->-- '''Queens of the Stone Age,''' "A Song for the Dead"
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After a six-year break, ''...Like Clockwork'' was released on June 3, 2013 to massive acclaim.

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After a six-year break, ''...Like Clockwork'' was released on June 3, 2013 to massive acclaim.
acclaim, followed by ''Villains'' in 2017.
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* {{Hunk}}: With his StupidSexyFlanders reputation (see EvenTheGuysWantHim above), his slighty more muscular build and his towering height (6'6"), Josh Homme pretty much would qualify (if only by a slight bit).

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* {{Hunk}}: With his StupidSexyFlanders reputation (see EvenTheGuysWantHim above), his slighty more muscular build and his towering height (6'6"), (6'4"), Josh Homme pretty much would qualify (if only by a slight bit).
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* {{Hunk}}: With his StupidSexyFlanders reputation (see EvenTheGuysWantHim above), his slighty more muscular build and his towering height (6'6"), Josh Homme pretty much would qualify (if only by a slight bit).
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** An appearance on BBC Radio 1's Live Lounge saw the Queens do a cover of Creator/RobinThicke's "[[https://www.youtube.com/watch?v=ouMIRFibxA8 Blurred Lines,]]" of all things. Featuring [[EverythingIsAnInstrument prescription pills used as percussion.]]

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** An appearance on BBC Radio 1's Live Lounge saw the Queens do a cover of Creator/RobinThicke's Music/RobinThicke's "[[https://www.youtube.com/watch?v=ouMIRFibxA8 Blurred Lines,]]" of all things. Featuring [[EverythingIsAnInstrument prescription pills used as percussion.]]
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** An appearance on BBC Radio 1's Live Lounge saw the Queens do a cover of Music/RobinThicke's "[[https://www.youtube.com/watch?v=ouMIRFibxA8 Blurred Lines,]]" of all things. Featuring [[EverythingIsAnInstrument prescription pills used as percussion.]]

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** An appearance on BBC Radio 1's Live Lounge saw the Queens do a cover of Music/RobinThicke's Creator/RobinThicke's "[[https://www.youtube.com/watch?v=ouMIRFibxA8 Blurred Lines,]]" of all things. Featuring [[EverythingIsAnInstrument prescription pills used as percussion.]]
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* FadingIntoTheNextSong: Several times on ''...Like Clockwork'', most notably the [[CrowningMusicOfAwesome incredibly awesome]] build-up at the end of "If I Had a Tail" leading into "My God Is the Sun".

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* FadingIntoTheNextSong: Several times on ''...Like Clockwork'', most notably the [[CrowningMusicOfAwesome [[SugarWiki/AwesomeMusic incredibly awesome]] build-up at the end of "If I Had a Tail" leading into "My God Is the Sun".
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* MeanCharacterNiceActor: Despite how fierce his music often is (and how temperamental he can sometimes be), Josh is actually known to be a very nice and friendly person in real life.
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-->''"Life's a study of dying- how to do it right."''
--->'''Queens of the Stone Age,''' ''"A Song for the Dead"''

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-->''"Life's ->''"Life's a study of dying- dying - how to do it right."''
--->'''Queens -->-- '''Queens of the Stone Age,''' ''"A "A Song for the Dead"''
Dead"
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* SdrawkcabName: "Avon" is "Nova" spelled backwards.

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* SdrawkcabName: "Avon" is "Nova" spelled backwards. Appropriately enough, there exists an alternate version of "Avon" under this title with Pete Stahl on vocals and different lyrics, though the backing track is mostly the same.
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* IAmTheBand: Josh Homme on the first album wrote all the songs along with [[Music/{{Kyuss}} Alfredo Hernandez]], and now he's the only original member left.

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* IAmTheBand: Josh Homme on the first album wrote all the songs along with [[Music/{{Kyuss}} Alfredo Hernandez]], Hernández]], and now he's the only original member left.



* {{Instrumentals}}: "Lightning Song", "Hispanic Impressions", "Spiders and Vinegaroons" and "These Aren't the Droids You're Looking For"

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* {{Instrumentals}}: "Lightning Song", "Hispanic Impressions", "Spiders and Vinegaroons" and Vinegaroons", "Oppenheimer's Brother", "These Aren't the Droids You're Looking For"For", "Hispanic Impressions" and "Lightning Song".



** From 1998–1999 the only three members were Josh, Nick, and Alfredo, though Dave Catching often a touring member.

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** From 1998–1999 the only three members were Josh, Nick, and Alfredo, though Dave Catching was often a touring member.member during this time.
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* LongTitle: "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire", "I Think I Lost My Headache", "How to Handle a Rope (A Lesson in the Lariat)"[[note]]only on the 2011 reissue; the original 1998 release doesn't include the subtitle[[/note]], "The Fun Machine Took a Shit & Died", ""You Got a Killer Scene There, Man..."", "These Aren't the Droids You're Looking For", "I Was a Teenage Hand Model"... [[TropesAreNotBad damn]].

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* LongTitle: "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire", "I Think I Lost My Headache", "How to Handle a Rope (A Lesson in the Lariat)"[[note]]only on the 2011 reissue; the original 1998 release doesn't include the subtitle[[/note]], "The Fun Machine Took a Shit & Died", ""You Got a Killer Scene There, Man..."", ""[[note]]the quotes are part of the title[[/note]], "These Aren't the Droids You're Looking For", "I Was a Teenage Hand Model"... [[TropesAreNotBad damn]].

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Removed: 148

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* Joshua Michael Homme III [[labelnote:*]]Also a member of The Desert Sessions, Music/{{Kyuss}}, Music/EaglesOfDeathMetal, and Music/ThemCrookedVultures. [[/labelnote]] (1996–now)
* Troy Van Leeuwen [[labelnote:*]]Also played in Failure, Sweethead, A Perfect Circle, and Enemy.[[/labelnote]] (2002–now)
* Michael Shuman [[labelnote:*]]The bassist of Wires on Fire and Mini Mansions[[/labelnote]] (2007–now)
* Dean Fertita [[labelnote:*]]Of Music/TheDeadWeather [[/labelnote]] (2007–now)

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* Joshua Michael Homme III [[labelnote:*]]Also III[[labelnote:*]]Also a member of The Desert Sessions, Music/{{Kyuss}}, Music/EaglesOfDeathMetal, and Music/ThemCrookedVultures. Music/ThemCrookedVultures.[[/labelnote]] (1996–now)
* Troy Van Leeuwen [[labelnote:*]]Also Leeuwen[[labelnote:*]]Also played in Failure, Sweethead, A Perfect Circle, and Enemy.[[/labelnote]] (2002–now)
* Michael Shuman [[labelnote:*]]The Shuman[[labelnote:*]]The bassist of Wires on Fire and Mini Mansions[[/labelnote]] (2007–now)
* Dean Fertita [[labelnote:*]]Of Music/TheDeadWeather [[/labelnote]] Fertita[[labelnote:*]]Of Music/TheDeadWeather[[/labelnote]] (2007–now)



* Dave Catching: Guitars and keyboards (1998-2000)
* Brendon McNichol: Guitars and keyboards (2000-2002)
* Alfredo Hernändez: Drums (1998-1999)
* Gene Trautmann: Drums (1999-2001)

to:

* Dave Catching: Guitars and keyboards (1998-2000)
(1998–2000)
* Brendon McNichol: [=McNichol=]: Guitars and keyboards (2000-2002)
(2000–2002)
* Alfredo Hernändez: Hernández: Drums (1998-1999)
(1998–1999)
* Gene Trautmann: Drums (1999-2001)(1999–2001)



* Alain Johannes: Bass and vocals (2005-2007)
* Natasha Shneider: Keyboards and vocals (2005-2006)
* Mark Lanegan: Vocals (2001-2005) and keyboards (2005)

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* Alain Johannes: Bass and vocals (2005-2007)
(2005–2007)
* Natasha Shneider: Keyboards and vocals (2005-2006)
(2005–2006)
* Mark Lanegan: Vocals (2001-2005) (2001–2005) and keyboards (2005)
(2005)

!!Other past members:
* John [=McBain=]: Guitar[[labelnote:*]]also co-wrote "Regular John"[[/labelnote]] (1997–1998)
* Mike Johnson: Bass (1997)
* Matt Cameron: Drums (1997)
* Van Conner: Bass (1998)
* Jason "The Kid" Albertini: Vocals (1998)
* Pete Stahl: Vocals (1998–1999)
* Mario Lalli: Guitar[[labelnote:*]]filled in for Dave Catching for a few shows in 1999; also co-wrote "Monsters in the Parasol" and "Millionaire"[[/labelnote]] (1999)



* EveryEpisodeEnding: ''A Song for the Dead'' is always the final song played live.

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* EveryEpisodeEnding: ''A Since the late 2000s, "A Song for the Dead'' Dead" is always the final song played live.



* HiddenTrack
** There are ''three'' on ''Songs for the Deaf'': the first, "The Real Song for the Deaf", is hidden in the pre-gap of the first track; the second is an outtake that plays about thirty seconds after "A Song for the Deaf" ends; and the third, "Mosquito Song", though this one is actually listed on the back cover as a "hidden track".
** The hidden, untitled outro on ''Lullabies to Paralyze'' that plays about ten seconds after "Long Slow Goodbye" ends.
** On some versions of ''Rated R'', the "Feel Good Hit of the Summer" reprise at the end of "In the Fade" plays as an independent track, but it's not listed on the back cover.



* LongTitle: "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire", "I Think I Lost My Headache", "How to Handle a Rope (A Lesson in the Lariat)", "The Fun Machine Took a Shit & Died".
** ""You Got a Killer Scene There, Man..."", "These Aren't the Droids You're Looking For", "I Was a Teenage Hand Model"... [[TropesAreNotBad damn]].

to:

* LongTitle: "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire", "I Think I Lost My Headache", "How to Handle a Rope (A Lesson in the Lariat)", Lariat)"[[note]]only on the 2011 reissue; the original 1998 release doesn't include the subtitle[[/note]], "The Fun Machine Took a Shit & Died".
**
Died", ""You Got a Killer Scene There, Man..."", "These Aren't the Droids You're Looking For", "I Was a Teenage Hand Model"... [[TropesAreNotBad damn]].


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* MinimalisticCoverArt: ''Rated R'' is the most obvious example from their discography, styled after the MPAA bumpers from the 1970s, though ''Songs for the Deaf'' also counts with its limited red-and-black colour palette.


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* NoEnding: "I Think I Lost My Headache" just cuts off at the very end. No silence or anything.


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* TitleConfusion: Their second album, officially titled ''Rated R'', doesn't actually display that name anywhere on the packaging; it could either be referred to as ''R'', ''Restricted'' or even ''Feel Good Hit of the Summer'' (displayed on the right spine).
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!!Current Band Members

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!!Current Band Membersband members



!!Notable Past Members:

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!!Notable Past Members:past members:



* AlbumTitleDrop: At the beginning of "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire," the [=DJ=] says "I need a saga. What's the saga? It's ''Songs for the Deaf.'' You can't even hear it!"

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* AlbumTitleDrop: At the beginning of "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire," Millionaire", the [=DJ=] says "I need a saga. What's the saga? It's ''Songs for the Deaf.'' Deaf''. You can't even hear it!"



** Averted on ''...Like Clockwork,'' despite a TitleTrack.

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** Averted on ''...Like Clockwork,'' Clockwork'', despite a TitleTrack.



* AudienceParticipationSong: The aaah-aaah-aaahs in "Burn the Witch."

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* AudienceParticipationSong: The aaah-aaah-aaahs in "Burn the Witch."Witch".



** "Sick, Sick, Sick" (Music Video)

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** "Sick, Sick, Sick" (Music Video)(music video)



* BlackComedy: One of the fake radio bumpers on "Songs For The Deaf" includes a DJ slapping a crying baby.

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* BlackComedy: One of the fake radio bumpers on "Songs For The Deaf" ''Songs for the Deaf'' includes a DJ slapping a crying baby.



** "Broken Box," which is about leaving a woman after she not only cheats on the narrator but ''has a child through the man she cheated on him with''.

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** "Broken Box," Box", which is about leaving a woman after she not only cheats on the narrator but ''has a child through the man she cheated on him with''.



** CallForward: "A Song for the Deaf" plays in the background of the DJ's introduction to "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire."

to:

** CallForward: "A Song for the Deaf" plays in the background of the DJ's introduction to "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire."Millionaire".



*** The rhythmic telephone beeping references "I Was a Teenage Hand Model."
*** The presence of a post-song horn section references "I Think I Lost My Headache."
*** The melody of the horn section is similar to the horns in "Mosquito Song."
*** The melody of the horns also harmonizes with the outro of "Running Joke," the closer on some versions of ''Era Vulgaris.''
** "The Vampyre of Time and Memory" references lyrics of "Regular John" and "Better Living Through Chemistry."
** Both "The Lost Art of Keeping a Secret" and "3's and 7's" contain lyrics about "SecretKeeper taking (something) to the grave", and make reference to similar behaviour: secretiveness and lying.

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*** The rhythmic telephone beeping references "I Was a Teenage Hand Model."
Model".
*** The presence of a post-song horn section references "I Think I Lost My Headache."
Headache".
*** The melody of the horn section is similar to the horns in "Mosquito Song."
Song".
*** The melody of the horns also harmonizes with the outro of "Running Joke," Joke", the closer on some versions of ''Era Vulgaris.''
Vulgaris''.
** "The Vampyre of Time and Memory" references lyrics of "Regular John" and "Better Living Through Chemistry."
Chemistry".
** Both "The Lost Art of Keeping a Secret" and "3's and & 7's" contain lyrics about "SecretKeeper taking (something) to the grave", and make reference to similar behaviour: secretiveness and lying.



* CoverVersion: A cover of Music/TheKinks' "Everybody's Gonna Be Happy" appears at the end of the UK/Japan limited edition version of ''Songs for the Deaf''. At one point they even did "Who'll Be the Next in Line."

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* CoverVersion: A cover of Music/TheKinks' "Everybody's Gonna Be Happy" appears at the end of the UK/Japan limited edition version of ''Songs for the Deaf''. At one point they even did "Who'll Be the Next in Line."Line".



** They contributed a cover of "Outlaw Blues" to the 2012 Music/BobDylan tribute album ''Chimes of Freedom.''

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** They contributed a cover of "Outlaw Blues" to the 2012 Music/BobDylan tribute album ''Chimes of Freedom.''Freedom''.



** ''Songs for the Deaf'' was considerably darker than ''Rated R'' and the SelfTitledAlbum. The overall tone is a lot more grim, with songs like "A Song for the Dead," "Go with the Flow," and "God Is in the Radio" having a dark, ominous sort of groove to them. There's also a song about cannibalism.

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** ''Songs for the Deaf'' was considerably darker than ''Rated R'' and the SelfTitledAlbum. The overall tone is a lot more grim, with songs like "A Song for the Dead," Dead", "Go with the Flow," Flow", and "God Is in the Radio" having a dark, ominous sort of groove to them. There's also a song about cannibalism.



* DrugsAreBad: Generally averted, as Homme has shades of TheHedonist and did, after all, write "Feel Good Hit of the Summer." But Oliveri's severe drug problems ended up being part of what got him thrown out (the other part was his habit of beating his girlfriend), and the cause of his many legal woes, including the infamous SWAT standoff.

to:

* DrugsAreBad: Generally averted, as Homme has shades of TheHedonist and did, after all, write "Feel Good Hit of the Summer." Summer". But Oliveri's severe drug problems ended up being part of what got him thrown out (the other part was his habit of beating his girlfriend), and the cause of his many legal woes, including the infamous SWAT standoff.



* FadingIntoTheNextSong: Several times on ''...Like Clockwork,'' most notably the [[CrowningMusicOfAwesome incredibly awesome]] build-up at the end of "If I Had a Tail" leading into "My God Is the Sun".

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* FadingIntoTheNextSong: Several times on ''...Like Clockwork,'' Clockwork'', most notably the [[CrowningMusicOfAwesome incredibly awesome]] build-up at the end of "If I Had a Tail" leading into "My God Is the Sun".



* FullFrontalAssault: Nick Olivieri, sometimes. It got him in hot water in Brazil, in 2001, where he was booked by the police for corruption of minors (they were playing at Rock in Rio, an all-ages festival, that year). He defended himself by saying he didn't know it was a crime there.
* HeroicBSOD: "I Appear Missing," based on Homme's near-death experience, four-month inability to walk, and depression, [[KickTheDog each of which caused the next]] during the recording of ''...Like Clockwork''.

to:

* FullFrontalAssault: Nick Olivieri, Oliveri, sometimes. It got him in hot water in Brazil, in 2001, where he was booked by the police for corruption of minors (they were playing at Rock in Rio, an all-ages festival, that year). He defended himself by saying he didn't know it was a crime there.
* HeroicBSOD: "I Appear Missing," Missing", based on Homme's near-death experience, four-month inability to walk, and depression, [[KickTheDog each of which caused the next]] during the recording of ''...Like Clockwork''.



** The album ''Songs for the Deaf.'' The final 'official' song is [[TitleTrack "A Song for the Deaf"]], which features blood-curdling screams buried in the mix and lyrics about paranoia and betrayal. Then there's half a minute of silence, and [[BigLippedAlligatorMoment then a half-minute-long version of "Feel Good Hit of the Summer" with the lyrics replaced with laughing.]] And ''then'' comes the unsettling, LyricalDissonance-filled bonus track "Mosquito Song", probably the most nightmarish song in the band's catalog. And [[OverlyLongGag '''THEN''']], if you bought the UK/Japan limited edition album, this is followed by a cover of "Everybody's Gonna Be Happy", a song by Music/TheKinks.

to:

** The album ''Songs for the Deaf.'' Deaf''. The final 'official' song is [[TitleTrack "A Song for the Deaf"]], which features blood-curdling screams buried in the mix and lyrics about paranoia and betrayal. Then there's half a minute of silence, and [[BigLippedAlligatorMoment then a half-minute-long version of "Feel Good Hit of the Summer" with the lyrics replaced with laughing.]] And ''then'' comes the unsettling, LyricalDissonance-filled bonus track "Mosquito Song", probably the most nightmarish song in the band's catalog. And [[OverlyLongGag '''THEN''']], if you bought the UK/Japan limited edition album, this is followed by a cover of "Everybody's Gonna Be Happy", a song by Music/TheKinks.



* LongTitle: "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire.", "I Think I Lost My Headache", "How to Handle a Rope (A Lesson in the Lariat)", "The Fun Machine Took a Shit & Died".

to:

* LongTitle: "You Think I Ain't Worth a Dollar, but I Feel Like a Millionaire.", Millionaire", "I Think I Lost My Headache", "How to Handle a Rope (A Lesson in the Lariat)", "The Fun Machine Took a Shit & Died".



* NonIndicativeName: They're all male, not royalty and thoroughly modern, but the ''Non-royalty Male Members of the Modern Age'' just doesn't have the same ring to it.

to:

* NonIndicativeName: They're all male, male (except for the brief period when Natasha Shneider was with the band), not royalty and thoroughly modern, but the ''Non-royalty Male Members of the Modern Age'' just doesn't have the same ring to it.



** From 1997–1998 the only three members were Josh, Nick, and Alfredo.

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** From 1997–1998 1998–1999 the only three members were Josh, Nick, and Alfredo.Alfredo, though Dave Catching often a touring member.



* TitleByNumber: "3's and 7's".

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* TitleByNumber: "3's and & 7's".
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* FreezeFrameBonus: If you manage to wade through the insanity at the end of "I Was a Teenage Hand Model"'s LastNoteNightmare / EarRape, you will notice a phone call going on near the end. Most precisely, [[Foreshadowing Nick Oliveri calling Josh to tell him he's accepted the offer to join the band]].

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* FreezeFrameBonus: If you manage to wade through the insanity at the end of "I Was a Teenage Hand Model"'s LastNoteNightmare / EarRape, you will notice a phone call going on near the end. Most precisely, [[Foreshadowing [[{{Foreshadowing}} Nick Oliveri calling Josh to tell him he's accepted the offer to join the band]].
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* FreezeFrameBonus: If you manage to wade through the insanity at the end of "I Was a Teenage Hand Model"'s LastNoteNightmare / EarRape, you will notice a phone call going on near the end. Most precisely, [[Foreshadowing Nick Oliveri calling Josh to tell him he's accepted the offer to join the band]].

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* LastNoteNightmare: "I Think I Lost My Headache", "Make It wit Chu".

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* LastNoteNightmare: The band became specialists at this on their first albums. "I Think I Lost My Headache", "Make It wit Chu".Wit' Chu", [[EarRape "I Was a Teenage Hand Model"]], "In the Fade", "Tension Head"... There's A LOT of instances.


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** Check above on the EarRape entry for their biggest example at the end of their first album. No, really. Homme added LOUD SYNTH DISTORTIONS ''just in order to wake stoners up should they sleep while listening to his band''.
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* EpicRocking: "Someone's in the Wolf" (7:15), and "I Think I Lost My Headache" (8:40), along with several other songs lasting the better part of 6 minutes.

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* EpicRocking: "Someone's in the Wolf" (7:15), and "I Think I Lost My Headache" (8:40), along with several other songs lasting the better part of 6 minutes. Recently, "The Evil Has Landed" (6:31) has joined the list.
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* EarRape: The ending to "I Was a Teenage Hand Model" from the first album, definitely, with all those synth distortions. Josh did it on purpose; he intended it to wake up ''[[LastNoteNightmare any stoners who dared to sleep listening to his music]]''.
** You can say "You Can't Quit Me Baby" earlier in the same album does the same thing if you think about it.
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* [[TheMarsVolta Jon Theodore]] (2013–now)

to:

* [[TheMarsVolta [[Music/TheMarsVolta Jon Theodore]] (2013–now)

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* BreakupSong: "Broken Box," which is about leaving a woman after she not only cheats on the narrator but ''has a child through the man she cheated on him with''.

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* BreakupSong: BreakupSong:
** The ironically-titled "Another Love Song"
**
"Broken Box," which is about leaving a woman after she not only cheats on the narrator but ''has a child through the man she cheated on him with''.
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* BreakupSong: "Broken Box," which is about leaving a woman after she not only cheats on the narrator but ''has a child through the man she cheated on him with''.
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** ''Villains'' (the whole album) is mostly a solid 5. It's definitely the lightest QOTSA album in a while.


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** Interestingly, "The Evil Has Landed" has a line about not worrying about the glass being half full or half empty, but instead just drinking the whole glass and embracing the here and now. Almost throwing the concepts of both idealism and cynicism right out the window.

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* FullFrontalAssault: Nick Olivieri, sometimes. It got him in hot water in Brazil, in 2001, where he was booked by the police for corruption of minors (they were playing at Rock in Rio, an all-ages festival, that year). He defended himself by saying he didn't know it was a crime there.



** "[[Film/ANewHope These Aren't the Droids You're Looking For]]".



* TitleTrack: "A Song for the Deaf," "Era Vulgaris", "...Like Clockwork".

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* TitleTrack: "A Song for the Deaf," Deaf" (well, kind of), "Era Vulgaris", "...Like Clockwork".
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** ''Villains'' is noticeably softer than its predecessor, ''...Like Clockwork'', focusing on catchier, more melodic instrumentation. Comes with being an album produced by Mark Ronson.

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** Played straight with "Villains of Circumstance".



* IWillWaitForYou: "This Lullaby"

to:

* IWillWaitForYou: "This Lullaby" and "Villains of Circumstance".

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* Dave Catching: Guitars and keyboards (1998-2000)
* Brendon McNichol: Guitars and keyboards (2000-2002)
* Alfredo Hernändez: Drums (1998-1999)
* Gene Trautmann: Drums (1999-2001)



* Nick Oliveri: Bass (1998–2004)

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* Nick Oliveri: Bass (1998–2004)and vocals (1998–2004)
* Dan Druff: Bass and vocals (2005)
* Alain Johannes: Bass and vocals (2005-2007)
* Natasha Shneider: Keyboards and vocals (2005-2006)
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** "[[Music/{{Bjork}} There's no one here/And people everywhere]]"[[note]]If it doesn't ring a bell, it's the pre-chorus of "Crying"[[/note]] in "Better Living Through Chemistry". (The title itself comes from an iconic [[http://en.wikipedia.org/wiki/Better_Living_Through_Chemistry DuPont advertising tagline]], and was even used as the title of Music/FatboySlim's second album.)

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** "[[Music/{{Bjork}} There's no one here/And people everywhere]]"[[note]]If it doesn't ring a bell, it's the pre-chorus of "Crying"[[/note]] in "Better Living Through Chemistry". (The title itself comes from an iconic [[http://en.wikipedia.org/wiki/Better_Living_Through_Chemistry DuPont advertising tagline]], and was even used as the title of Music/FatboySlim's second debut album.)
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* ''Villains'' (2017)

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