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Added DiffLines:

* OneWordTitle: "Reuters", "Lowdown", "Brazil", "Strange", "Fragile", "Mannequin" and "Champs".
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In ninteen fifty-five?''

to:

In ninteen fifty-five?''1955?''
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''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to 30 seconds]] at blistering speed, songs didn't always "end" so much as "stop", some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.

to:

''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to minute, or even 30 seconds]] seconds]], the songs were played at blistering speed, songs didn't [[NoEnding always "end" so much as "stop", "stop"]], some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.
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Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, the single "12 X U" in particular [[TropeMakers being one of the forerunners]] of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.

to:

Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, the single "12 X U" in particular [[TropeMakers being one of the forerunners]] of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
HardcorePunk.
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The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.

to:

The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', sophomore effort ''Music/ChairsMissing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.

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* EpicRocking: At least by the standards of the band itself, "Strange" is this, at almost 4 minutes long--eight times the length of the shortest track!



''What is this crazy thing I can't explain anyhow?''\\

to:

''What is this crazy thing I can't explain anyhow?''\\anyhow?''
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No longer a trope.


* YourCheatingHeart: "Three Girl Rhumba".
-->''A chance encounter you want to avoid\\
The inevitable\\
So you do, oh yes you do\\
The impossible\\
Now you ain't got a number\\
You just want to rhumba\\
And there ain't no way you're gonna go under''

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Removed: 205

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!! Troping in the big swim, rising to the surface:

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!! Troping in the big swim, rising Stay glued to the surface:
your TV tropes!



** Also referenced in "Ex Lion Tamer":
--->''Next week will solve your problems\\
But now, fish fingers all in a line\\
The milk bottles stand empty\\
Stay glued to your T.V. sets!''



''What is this crazy thing I can't explain anyhow?''
* WordPureeTitle: "12 X U".

to:

''What is this crazy thing I can't explain anyhow?''
* WordPureeTitle: "12 X U".
anyhow?''\\



* YourCheatingHeart: "Three Girl Rhumba", about someone who ReallyGetsAround.

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* YourCheatingHeart: "Three Girl Rhumba", about someone who ReallyGetsAround.Rhumba".
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[[caption-width-right:306:"All right... Here it is... Again. And it's called... "'''''12 X U!!''''']]

to:

[[caption-width-right:306:"All right... Here it is... Again. And it's called... "'''''12 X U!!''''']]
[[caption-width-right:306:Don't get swept under; a number's a number.]]
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So many times, there's nothing left

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So many times, there's nothing leftleft\\



* ReferencedBy: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".

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* ReferencedBy: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection"."Connection", one of nine songs lifted by Elastica.

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Removed: 178

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[[caption-width-right:306:How many dead or alive, in 1955?]]

->"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"
-->--Colin Newman, just before creating HardcorePunk in "12 X U" [[note]] read as 1, 2, X, U [[/note]]

to:

[[caption-width-right:306:How many dead or alive, in 1955?]]

->"All
[[caption-width-right:306:"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"
-->--Colin Newman, just before creating HardcorePunk in "12 X U" [[note]] read as 1, 2, X, U [[/note]]
U!!''''']]



!! This album provides examples of:

to:

!! This album provides examples of:
Troping in the big swim, rising to the surface:

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adding tropes and such



to:

[[caption-width-right:306:How many dead or alive, in 1955?]]



* AffectionateParody: "Brazil" is intended to be a parody of punk cliches at the time, such as extravagant metaphors ("Until they split the atom") and militarism (such as the chant of "LEFT-RIGHT" at the end).



* MinimalisticCoverArt: A pink flag risen on a flat background.
* MinisculeRocking: One of the album's trademarks. The band never play a song beyond what seems necessary, thus most songs lasting between 0:30 - 1:30.

to:

* MinimalisticCoverArt: A pink flag risen rose on a flat background.
* MinisculeRocking: One of the album's trademarks. The band never play plays a song beyond what seems necessary, thus most songs lasting last between 0:30 - 1:30.1:30. "Field Day for the Sundays" is only 0:28!



* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.



* PunkRock: The artiest and coldest Punk Rock album to boot.
* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
* ShoutOut: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".

to:

* PunkRock: The artiest PuppyLove: Parodied and coldest Punk Rock album to boot.
deconstructed in "Brazil":
-->''It's true darling, I'll walk you home\\
I'll be your date forever\\
...\\
So many times, there's nothing left
There's nothing left at all''
* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
* ShoutOut:
ReferencedBy: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection"."Connection".
* ShoutOut: "Ex Lion Tamer" mentions two popular TV duos--The Lone Ranger and Tonto, and Batman and Robin.



-->"Prices have risen since the government fell\\

to:

-->"Prices -->''Prices have risen since the government fell\\



And sooner or later the end will arrive"

to:

And sooner or later the end will arrive"arrive''
** Also referenced in "Ex Lion Tamer":
--->''Next week will solve your problems\\
But now, fish fingers all in a line\\
The milk bottles stand empty\\
Stay glued to your T.V. sets!''
** And not to mention the TitleTrack:
--->''I was sold up the river to the red slave trade\\
The stores were gathered, the plans were laid\\
Synchronised watches at 18:05\\
How many dead or alive\\
In ninteen fifty-five?''


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--> ''I want to be a target for the dailies so they can show\\
Pictures of me with a nude on page three\\
So lacking in taste\\
Touched up near the waist, looking as limp as Monday morning''


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* YourCheatingHeart: "Three Girl Rhumba", about someone who ReallyGetsAround.
-->''A chance encounter you want to avoid\\
The inevitable\\
So you do, oh yes you do\\
The impossible\\
Now you ain't got a number\\
You just want to rhumba\\
And there ain't no way you're gonna go under''
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None

Added DiffLines:

* ShoutOut: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".

Added: 64

Changed: 576

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# "Reuters" - 3:03
# "Field Day for the Sundays" - 0:28
# "Three Girl Rhumba" - 1:23
# "Ex Lion Tamer" - 2:19
# "Lowdown" - 2:26
# "Start to Move" - 1:13
# "Brazil" - 0:41
# "It's So Obvious" - 0:53
# "Surgeon's Girl" - 1:17
# "Pink Flag" - 3:47
# "The Commercial" - 0:49
# "Straight Line" - 0:44
# "106 Beats That" - 1:12
# "Mr. Suit" - 1:25
# "Strange" - 3:58
# "Fragile" - 1:18
# "Mannequin" - 2:37
# "Different to Me" - 0:43
# "Champs" - 1:46
# "Feeling Called Love" - 1:22
# "12 X U" - 1:56

to:

[[AC:Side One]]
# "Reuters" - 3:03
(3:03)
# "Field Day for the Sundays" - 0:28
(0:28)
# "Three Girl Rhumba" - 1:23
(1:23)
# "Ex Lion Tamer" - 2:19
(2:19)
# "Lowdown" - 2:26
(2:26)
# "Start to Move" - 1:13
(1:13)
# "Brazil" - 0:41
(0:41)
# "It's So Obvious" - 0:53
(0:53)
# "Surgeon's Girl" - 1:17
(1:17)
# "Pink Flag" - 3:47
(3:47)

[[AC:Side Two]]
# "The Commercial" - 0:49
(0:49)
# "Straight Line" - 0:44
(0:44)
# "106 Beats That" - 1:12
(1:12)
# "Mr. Suit" - 1:25
(1:25)
# "Strange" - 3:58
(3:58)
# "Fragile" - 1:18
(1:18)
# "Mannequin" - 2:37
(2:37)
# "Different to Me" - 0:43
(0:43)
# "Champs" - 1:46
(1:46)
# "Feeling Called Love" - 1:22
(1:22)
# "12 X U" - 1:56(1:56)
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* TakeThat: "Field Day for the Sundays" is one directed at tabloid journalism.
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Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMakers of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.

to:

Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered in particular [[TropeMakers being one of the TropeMakers forerunners]] of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.

Added: 40

Changed: 21

Removed: 27

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-->--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]

to:

-->--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read U" [[note]] read as 1, 2, X, U[[/note]]
U [[/note]]



Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.

to:

Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker TropeMakers of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.




!! Tracklist

to:

\n----

!! TracklistTracklist:






* {{Instrumental}}: "The Commercial".

to:

* {{Instrumental}}: {{Instrumentals}}: "The Commercial".



* WordPureeTitle: "12 X U".



* WordPureeTitle: "12 X U".
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That's not how page quote indentation works.


--->"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"\\
--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]

to:

--->"All ->"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"\\
--Colin
U!!'''''"
-->--Colin
Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
Is there an issue? Send a MessageReason:


Often seen as their [[MagnumOpus defining statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.

to:

Often seen as their [[MagnumOpus defining statement]], statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
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None


--->"All right... Here it is... again. And it's called... "'''''12 X U!!'''''"\\

to:

--->"All right... Here it is... again.Again. And it's called... "'''''12 X U!!'''''"\\

Added: 37

Changed: 70

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* {{Instrumental}}: "The Commercial".



* PostPunk: The album is an UrExample with its cold and angular sound.

to:

* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.

Added: 228

Changed: 260

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Often seen as their [[MagnumOpus defining statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.

to:

Often seen as their [[MagnumOpus defining statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.

The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
Is there an issue? Send a MessageReason:
None


Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.

to:

Often seen as their [[MagnumOpus defining statement, statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
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None

Added DiffLines:

* MinimalisticCoverArt: A pink flag risen on a flat background.
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Added DiffLines:

* LighterAndSofter: After the heavy first half of the album, the second includes Music/{{Buzzcocks}}-like PopPunk songs "Fragile" and "Mannequin".
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* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == "want to fuck you").

to:

* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, and "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == = "want to fuck you").
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Added DiffLines:

[[quoteright:306:http://static.tvtropes.org/pmwiki/pub/images/wire_pink_flag.jpg]]

--->"All right... Here it is... again. And it's called... "'''''12 X U!!'''''"\\
--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]

''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to 30 seconds]] at blistering speed, songs didn't always "end" so much as "stop", some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.

Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.

!! Tracklist
# "Reuters" - 3:03
# "Field Day for the Sundays" - 0:28
# "Three Girl Rhumba" - 1:23
# "Ex Lion Tamer" - 2:19
# "Lowdown" - 2:26
# "Start to Move" - 1:13
# "Brazil" - 0:41
# "It's So Obvious" - 0:53
# "Surgeon's Girl" - 1:17
# "Pink Flag" - 3:47
# "The Commercial" - 0:49
# "Straight Line" - 0:44
# "106 Beats That" - 1:12
# "Mr. Suit" - 1:25
# "Strange" - 3:58
# "Fragile" - 1:18
# "Mannequin" - 2:37
# "Different to Me" - 0:43
# "Champs" - 1:46
# "Feeling Called Love" - 1:22
# "12 X U" - 1:56
----

!! This album provides examples of:
* HardcorePunk: TropeMakers with the album overall, particularly "12 X U". The songs' brevity and aggression were heavily influential to Hardcore Punk bands such as Music/MinorThreat.
* IncrediblyLongNote: [[RapeAsDrama The last word in]] "Reuters".
* MadnessMantra: "Pink Flag" ends with an extended sequence of the band screaming "HOW MANY?!" as the tempo continuously speeds up.
* MinisculeRocking: One of the album's trademarks. The band never play a song beyond what seems necessary, thus most songs lasting between 0:30 - 1:30.
* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == "want to fuck you").
* PunkRock: The artiest and coldest Punk Rock album to boot.
* PostPunk: The album is an UrExample with its cold and angular sound.
* SignsOfTheEndTimes: "Reuters":
-->"Prices have risen since the government fell\\
Casualties increase as the enemy shell\\
The climate's unhealthy, flies and rats thrive\\
And sooner or later the end will arrive"
* WhatIsThisThingYouCallLove: "Feeling Called Love":
-->''What is this feeling called love?''\\
''What is this crazy thing I can't explain anyhow?''
* WordSaladTitle: "Three Girl Rhumba", "Ex Lion Tamer", "106 Beats That".
* WordPureeTitle: "12 X U".
----

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