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* OneWordTitle: "Reuters", "Lowdown", "Brazil", "Strange", "Fragile", "Mannequin" and "Champs".
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Changed line(s) 70 (click to see context) from:
In ninteen fifty-five?''
to:
In ninteen fifty-five?''1955?''
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Changed line(s) 4,5 (click to see context) from:
''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to 30 seconds]] at blistering speed, songs didn't always "end" so much as "stop", some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.
to:
''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to minute, or even 30 seconds]] seconds]], the songs were played at blistering speed, songs didn't [[NoEnding always "end" so much as "stop", "stop"]], some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.
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Changed line(s) 6,7 (click to see context) from:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, the single "12 X U" in particular [[TropeMakers being one of the forerunners]] of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
to:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, the single "12 X U" in particular [[TropeMakers being one of the forerunners]] of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
HardcorePunk.
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Changed line(s) 8 (click to see context) from:
The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
to:
The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', sophomore effort ''Music/ChairsMissing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
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* EpicRocking: At least by the standards of the band itself, "Strange" is this, at almost 4 minutes long--eight times the length of the shortest track!
Changed line(s) 77 (click to see context) from:
''What is this crazy thing I can't explain anyhow?''\\
to:
''What is this crazy thing I can't explain anyhow?''\\anyhow?''
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No longer a trope.
Deleted line(s) 79,86 (click to see context) :
* YourCheatingHeart: "Three Girl Rhumba".
-->''A chance encounter you want to avoid\\
The inevitable\\
So you do, oh yes you do\\
The impossible\\
Now you ain't got a number\\
You just want to rhumba\\
And there ain't no way you're gonna go under''
-->''A chance encounter you want to avoid\\
The inevitable\\
So you do, oh yes you do\\
The impossible\\
Now you ain't got a number\\
You just want to rhumba\\
And there ain't no way you're gonna go under''
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Changed line(s) 38,39 (click to see context) from:
!! Troping in the big swim, rising to the surface:
to:
!! Troping in the big swim, rising Stay glued to the surface:
your TV tropes!
Deleted line(s) 64,68 (click to see context) :
** Also referenced in "Ex Lion Tamer":
--->''Next week will solve your problems\\
But now, fish fingers all in a line\\
The milk bottles stand empty\\
Stay glued to your T.V. sets!''
--->''Next week will solve your problems\\
But now, fish fingers all in a line\\
The milk bottles stand empty\\
Stay glued to your T.V. sets!''
Changed line(s) 82,83 (click to see context) from:
''What is this crazy thing I can't explain anyhow?''
* WordPureeTitle: "12 X U".
* WordPureeTitle: "12 X U".
to:
''What is this crazy thing I can't explain anyhow?''
* WordPureeTitle: "12 X U".anyhow?''\\
* WordPureeTitle: "12 X U".
Changed line(s) 85 (click to see context) from:
* YourCheatingHeart: "Three Girl Rhumba", about someone who ReallyGetsAround.
to:
* YourCheatingHeart: "Three Girl Rhumba", about someone who ReallyGetsAround.Rhumba".
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:306:"All right... Here it is... Again. And it's called... "'''''12 X U!!''''']]
to:
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Changed line(s) 55 (click to see context) from:
So many times, there's nothing left
to:
So many times, there's nothing leftleft\\
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* ReferencedBy: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".
to:
* ReferencedBy: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection"."Connection", one of nine songs lifted by Elastica.
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Changed line(s) 2,6 (click to see context) from:
[[caption-width-right:306:How many dead or alive, in 1955?]]
->"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"
-->--Colin Newman, just before creating HardcorePunk in "12 X U" [[note]] read as 1, 2, X, U [[/note]]
->"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"
-->--Colin Newman, just before creating HardcorePunk in "12 X U" [[note]] read as 1, 2, X, U [[/note]]
to:
->"All
-->--Colin Newman, just before creating HardcorePunk in "12 X U" [[note]] read as 1, 2, X, U [[/note]]
Changed line(s) 41,42 (click to see context) from:
!! This album provides examples of:
to:
!! This album provides examples of:
Troping in the big swim, rising to the surface:
Is there an issue? Send a MessageReason:
adding tropes and such
Changed line(s) 2 (click to see context) from:
to:
[[caption-width-right:306:How many dead or alive, in 1955?]]
* AffectionateParody: "Brazil" is intended to be a parody of punk cliches at the time, such as extravagant metaphors ("Until they split the atom") and militarism (such as the chant of "LEFT-RIGHT" at the end).
Changed line(s) 47,48 (click to see context) from:
* MinimalisticCoverArt: A pink flag risen on a flat background.
* MinisculeRocking: One of the album's trademarks. The band never play a song beyond what seems necessary, thus most songs lasting between 0:30 - 1:30.
* MinisculeRocking: One of the album's trademarks. The band never play a song beyond what seems necessary, thus most songs lasting between 0:30 - 1:30.
to:
* MinimalisticCoverArt: A pink flag risen rose on a flat background.
* MinisculeRocking: One of the album's trademarks. The band neverplay plays a song beyond what seems necessary, thus most songs lasting last between 0:30 - 1:30.1:30. "Field Day for the Sundays" is only 0:28!
* MinisculeRocking: One of the album's trademarks. The band never
* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
Changed line(s) 51,53 (click to see context) from:
* PunkRock: The artiest and coldest Punk Rock album to boot.
* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
* ShoutOut: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".
* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
* ShoutOut: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".
to:
* PunkRock: The artiest PuppyLove: Parodied and coldest Punk Rock album to boot.
deconstructed in "Brazil":
-->''It's true darling, I'll walk you home\\
I'll be your date forever\\
...\\
So many times, there's nothing left
There's nothing left at all''
*PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
* ShoutOut:ReferencedBy: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection"."Connection".
* ShoutOut: "Ex Lion Tamer" mentions two popular TV duos--The Lone Ranger and Tonto, and Batman and Robin.
-->''It's true darling, I'll walk you home\\
I'll be your date forever\\
...\\
So many times, there's nothing left
There's nothing left at all''
*
* ShoutOut:
* ShoutOut: "Ex Lion Tamer" mentions two popular TV duos--The Lone Ranger and Tonto, and Batman and Robin.
Changed line(s) 55 (click to see context) from:
-->"Prices have risen since the government fell\\
to:
Changed line(s) 58 (click to see context) from:
And sooner or later the end will arrive"
to:
And sooner or later the end will arrive"arrive''
** Also referenced in "Ex Lion Tamer":
--->''Next week will solve your problems\\
But now, fish fingers all in a line\\
The milk bottles stand empty\\
Stay glued to your T.V. sets!''
** And not to mention the TitleTrack:
--->''I was sold up the river to the red slave trade\\
The stores were gathered, the plans were laid\\
Synchronised watches at 18:05\\
How many dead or alive\\
In ninteen fifty-five?''
** Also referenced in "Ex Lion Tamer":
--->''Next week will solve your problems\\
But now, fish fingers all in a line\\
The milk bottles stand empty\\
Stay glued to your T.V. sets!''
** And not to mention the TitleTrack:
--->''I was sold up the river to the red slave trade\\
The stores were gathered, the plans were laid\\
Synchronised watches at 18:05\\
How many dead or alive\\
In ninteen fifty-five?''
Added DiffLines:
--> ''I want to be a target for the dailies so they can show\\
Pictures of me with a nude on page three\\
So lacking in taste\\
Touched up near the waist, looking as limp as Monday morning''
Pictures of me with a nude on page three\\
So lacking in taste\\
Touched up near the waist, looking as limp as Monday morning''
Added DiffLines:
* YourCheatingHeart: "Three Girl Rhumba", about someone who ReallyGetsAround.
-->''A chance encounter you want to avoid\\
The inevitable\\
So you do, oh yes you do\\
The impossible\\
Now you ain't got a number\\
You just want to rhumba\\
And there ain't no way you're gonna go under''
-->''A chance encounter you want to avoid\\
The inevitable\\
So you do, oh yes you do\\
The impossible\\
Now you ain't got a number\\
You just want to rhumba\\
And there ain't no way you're gonna go under''
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None
Added DiffLines:
* ShoutOut: The riff from "Three Girl Rhumba" was lifted for the Music/{{Elastica}} song "Connection".
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Changed line(s) 14,34 (click to see context) from:
# "Reuters" - 3:03
# "Field Day for the Sundays" - 0:28
# "Three Girl Rhumba" - 1:23
# "Ex Lion Tamer" - 2:19
# "Lowdown" - 2:26
# "Start to Move" - 1:13
# "Brazil" - 0:41
# "It's So Obvious" - 0:53
# "Surgeon's Girl" - 1:17
# "Pink Flag" - 3:47
# "The Commercial" - 0:49
# "Straight Line" - 0:44
# "106 Beats That" - 1:12
# "Mr. Suit" - 1:25
# "Strange" - 3:58
# "Fragile" - 1:18
# "Mannequin" - 2:37
# "Different to Me" - 0:43
# "Champs" - 1:46
# "Feeling Called Love" - 1:22
# "12 X U" - 1:56
# "Field Day for the Sundays" - 0:28
# "Three Girl Rhumba" - 1:23
# "Ex Lion Tamer" - 2:19
# "Lowdown" - 2:26
# "Start to Move" - 1:13
# "Brazil" - 0:41
# "It's So Obvious" - 0:53
# "Surgeon's Girl" - 1:17
# "Pink Flag" - 3:47
# "The Commercial" - 0:49
# "Straight Line" - 0:44
# "106 Beats That" - 1:12
# "Mr. Suit" - 1:25
# "Strange" - 3:58
# "Fragile" - 1:18
# "Mannequin" - 2:37
# "Different to Me" - 0:43
# "Champs" - 1:46
# "Feeling Called Love" - 1:22
# "12 X U" - 1:56
to:
[[AC:Side One]]
# "Reuters"- 3:03
(3:03)
# "Field Day for the Sundays"- 0:28
(0:28)
# "Three Girl Rhumba"- 1:23
(1:23)
# "Ex Lion Tamer"- 2:19
(2:19)
# "Lowdown"- 2:26
(2:26)
# "Start to Move"- 1:13
(1:13)
# "Brazil"- 0:41
(0:41)
# "It's So Obvious"- 0:53
(0:53)
# "Surgeon's Girl"- 1:17
(1:17)
# "Pink Flag"- 3:47
(3:47)
[[AC:Side Two]]
# "The Commercial"- 0:49
(0:49)
# "Straight Line"- 0:44
(0:44)
# "106 Beats That"- 1:12
(1:12)
# "Mr. Suit"- 1:25
(1:25)
# "Strange"- 3:58
(3:58)
# "Fragile"- 1:18
(1:18)
# "Mannequin"- 2:37
(2:37)
# "Different to Me"- 0:43
(0:43)
# "Champs"- 1:46
(1:46)
# "Feeling Called Love"- 1:22
(1:22)
# "12 X U"- 1:56(1:56)
# "Reuters"
# "Field Day for the Sundays"
# "Three Girl Rhumba"
# "Ex Lion Tamer"
# "Lowdown"
# "Start to Move"
# "Brazil"
# "It's So Obvious"
# "Surgeon's Girl"
# "Pink Flag"
[[AC:Side Two]]
# "The Commercial"
# "Straight Line"
# "106 Beats That"
# "Mr. Suit"
# "Strange"
# "Fragile"
# "Mannequin"
# "Different to Me"
# "Champs"
# "Feeling Called Love"
# "12 X U"
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Added DiffLines:
* TakeThat: "Field Day for the Sundays" is one directed at tabloid journalism.
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Changed line(s) 8,9 (click to see context) from:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMakers of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
to:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered in particular [[TropeMakers being one of the TropeMakers forerunners]] of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
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Changed line(s) 4,5 (click to see context) from:
-->--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
to:
-->--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read U" [[note]] read as 1, 2, X, U[[/note]]
U [[/note]]
Changed line(s) 8,9 (click to see context) from:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
to:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker TropeMakers of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
Changed line(s) 11,12 (click to see context) from:
!! Tracklist
to:
!!
Changed line(s) 39 (click to see context) from:
* {{Instrumental}}: "The Commercial".
to:
* {{Instrumental}}: {{Instrumentals}}: "The Commercial".
* WordPureeTitle: "12 X U".
Deleted line(s) 57 (click to see context) :
* WordPureeTitle: "12 X U".
Is there an issue? Send a MessageReason:
That's not how page quote indentation works.
Changed line(s) 3,5 (click to see context) from:
--->"All right... Here it is... Again. And it's called... "'''''12 X U!!'''''"\\
--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
to:
--Colin
-->--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
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Changed line(s) 8,9 (click to see context) from:
Often seen as their [[MagnumOpus defining statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
to:
Often seen as their [[MagnumOpus defining statement]], statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
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None
Changed line(s) 3 (click to see context) from:
--->"All right... Here it is... again. And it's called... "'''''12 X U!!'''''"\\
to:
--->"All right... Here it is... again.Again. And it's called... "'''''12 X U!!'''''"\\
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* {{Instrumental}}: "The Commercial".
Changed line(s) 46 (click to see context) from:
* PostPunk: The album is an UrExample with its cold and angular sound.
to:
* PostPunk: The album is an UrExample with its cold and angular sound. The band would become {{Trope Codifier}}s with their next two albums.
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None
Changed line(s) 8,9 (click to see context) from:
Often seen as their [[MagnumOpus defining statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
to:
Often seen as their [[MagnumOpus defining statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. It was placed at #412 on ''UsefulNotes/RollingStone500GreatestAlbumsOfAllTime''.
The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8,9 (click to see context) from:
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
to:
Often seen as their [[MagnumOpus defining statement, statement]], the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
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Added DiffLines:
* MinimalisticCoverArt: A pink flag risen on a flat background.
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Added DiffLines:
* LighterAndSofter: After the heavy first half of the album, the second includes Music/{{Buzzcocks}}-like PopPunk songs "Fragile" and "Mannequin".
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Changed line(s) 39,40 (click to see context) from:
* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == "want to fuck you").
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == "want to fuck you").
to:
* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, and "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U"== = "want to fuck you").
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U"
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None
Added DiffLines:
[[quoteright:306:http://static.tvtropes.org/pmwiki/pub/images/wire_pink_flag.jpg]]
--->"All right... Here it is... again. And it's called... "'''''12 X U!!'''''"\\
--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to 30 seconds]] at blistering speed, songs didn't always "end" so much as "stop", some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
!! Tracklist
# "Reuters" - 3:03
# "Field Day for the Sundays" - 0:28
# "Three Girl Rhumba" - 1:23
# "Ex Lion Tamer" - 2:19
# "Lowdown" - 2:26
# "Start to Move" - 1:13
# "Brazil" - 0:41
# "It's So Obvious" - 0:53
# "Surgeon's Girl" - 1:17
# "Pink Flag" - 3:47
# "The Commercial" - 0:49
# "Straight Line" - 0:44
# "106 Beats That" - 1:12
# "Mr. Suit" - 1:25
# "Strange" - 3:58
# "Fragile" - 1:18
# "Mannequin" - 2:37
# "Different to Me" - 0:43
# "Champs" - 1:46
# "Feeling Called Love" - 1:22
# "12 X U" - 1:56
----
!! This album provides examples of:
* HardcorePunk: TropeMakers with the album overall, particularly "12 X U". The songs' brevity and aggression were heavily influential to Hardcore Punk bands such as Music/MinorThreat.
* IncrediblyLongNote: [[RapeAsDrama The last word in]] "Reuters".
* MadnessMantra: "Pink Flag" ends with an extended sequence of the band screaming "HOW MANY?!" as the tempo continuously speeds up.
* MinisculeRocking: One of the album's trademarks. The band never play a song beyond what seems necessary, thus most songs lasting between 0:30 - 1:30.
* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == "want to fuck you").
* PunkRock: The artiest and coldest Punk Rock album to boot.
* PostPunk: The album is an UrExample with its cold and angular sound.
* SignsOfTheEndTimes: "Reuters":
-->"Prices have risen since the government fell\\
Casualties increase as the enemy shell\\
The climate's unhealthy, flies and rats thrive\\
And sooner or later the end will arrive"
* WhatIsThisThingYouCallLove: "Feeling Called Love":
-->''What is this feeling called love?''\\
''What is this crazy thing I can't explain anyhow?''
* WordSaladTitle: "Three Girl Rhumba", "Ex Lion Tamer", "106 Beats That".
* WordPureeTitle: "12 X U".
----
--->"All right... Here it is... again. And it's called... "'''''12 X U!!'''''"\\
--Colin Newman, just before creating HardcorePunk in "12 X U"[[note]]read as 1, 2, X, U[[/note]]
''Pink Flag'' is the 1977 debut album by Art Punk band Music/{{Wire}}. It took the basic ethos of PunkRock and stripped it down even further: [[MinisculeRocking tracks ran as short as 1 minute down to 30 seconds]] at blistering speed, songs didn't always "end" so much as "stop", some tracks barely used more than two chords, and the overall composition from the instruments to the vocals was cold and detached.
Often seen as their defining statement, the album was hugely influential to the PostPunk, AlternativeRock, and HardcorePunk of TheEighties, and the single "12 X U" is considered the TropeMaker of HardcorePunk. The band would add electronics and ProgressiveRock influences to their sound for their second album, ''Chairs Missing'', thereby becoming {{Trope Codifier}}s of PostPunk, but they would never sound like ''Pink Flag'' ever again.
!! Tracklist
# "Reuters" - 3:03
# "Field Day for the Sundays" - 0:28
# "Three Girl Rhumba" - 1:23
# "Ex Lion Tamer" - 2:19
# "Lowdown" - 2:26
# "Start to Move" - 1:13
# "Brazil" - 0:41
# "It's So Obvious" - 0:53
# "Surgeon's Girl" - 1:17
# "Pink Flag" - 3:47
# "The Commercial" - 0:49
# "Straight Line" - 0:44
# "106 Beats That" - 1:12
# "Mr. Suit" - 1:25
# "Strange" - 3:58
# "Fragile" - 1:18
# "Mannequin" - 2:37
# "Different to Me" - 0:43
# "Champs" - 1:46
# "Feeling Called Love" - 1:22
# "12 X U" - 1:56
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!! This album provides examples of:
* HardcorePunk: TropeMakers with the album overall, particularly "12 X U". The songs' brevity and aggression were heavily influential to Hardcore Punk bands such as Music/MinorThreat.
* IncrediblyLongNote: [[RapeAsDrama The last word in]] "Reuters".
* MadnessMantra: "Pink Flag" ends with an extended sequence of the band screaming "HOW MANY?!" as the tempo continuously speeds up.
* MinisculeRocking: One of the album's trademarks. The band never play a song beyond what seems necessary, thus most songs lasting between 0:30 - 1:30.
* NonAppearingTitle: "Brazil", "106 Beats That", "Mannequin". Most of these titles relate to the content of the lyrics in some way, but a few are more oblique: "Brazil" refers to the samba-like groove of Gotobed's drum part, "106 Beats That" was originally written to be 106 beats long.
* PunBasedTitle: The "X" in "12 X U" is self-censorship for "fuck" (so "12 X U" == "want to fuck you").
* PunkRock: The artiest and coldest Punk Rock album to boot.
* PostPunk: The album is an UrExample with its cold and angular sound.
* SignsOfTheEndTimes: "Reuters":
-->"Prices have risen since the government fell\\
Casualties increase as the enemy shell\\
The climate's unhealthy, flies and rats thrive\\
And sooner or later the end will arrive"
* WhatIsThisThingYouCallLove: "Feeling Called Love":
-->''What is this feeling called love?''\\
''What is this crazy thing I can't explain anyhow?''
* WordSaladTitle: "Three Girl Rhumba", "Ex Lion Tamer", "106 Beats That".
* WordPureeTitle: "12 X U".
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