History Music / PatricioReyYSusRedonditosDeRicota

The band was formed in 1976 in La Plata, by members of former bands La Cofradía de la Flor Solar, Dulcemembriyo and Diplodocum Red & Brown. They became a success in the underground circuit in the early 1980s, and released their first LP in 1984, ''Gulp!''. However, it wasn't until ''Oktubre'', released two years later, that the band became the country's phenomenon. They kept releasing albums and doing live concerts until 1991, where the fan Walter Bulacio died by PoliceBrutality. Afterwards, the band limited itself to playing more sporadically until they ended up playing once or twice per year, though the albums continued to be released until their breakup in 2001. During the latter part of TheNineties, they were banned in some venues and cities. Afterwards, both leaders of the band, [[Music/IndioSolari Carlos "Indio" Solari]] and Eduardo "Skay" Beilinson, began fruitful solo careers that continue to our days.

* Eduardo "Skay" Beilinson - Guitars (1976-2001)

The band was formed in 1976 in La Plata, by members of former bands La Cofradía de la Flor Solar, Dulcemembriyo and Diplodocum Red & Brown. They became a success in the underground circuit in the early 1980s, and released their first LP in 1984, ''Gulp!''. However, it wasn't until ''Oktubre'', released two years later, that the band became the country's phenomenon. They kept releasing albums and doing live concerts until 1991, where the fan Walter Bulacio died by PoliceBrutality. Afterwards, the band limited itself to playing more sporadically until they ended up playing once or twice per year, though the albums continued to be released until their breakup in 2001. During the latter part of TheNineties, they were banned in some venues and cities. Afterwards, both leaders of the band, Indio and Skay, began fruitful solo careers that continue to our days.

* ConceptAlbum: ''Momo Sampler'' is a picture of Argentina's society around the time it was done, with different characters from all the different walks of society being represented in every song, from the lower and indigent classes ("Una piba con la remera de Greenpeace", "Rato molhado", "La murga de la virgencita") to those in the middle class whose interests vary from the weird but innocuous ([[ADateWithRosiePalms "Morta punto com"]]) to the outright dangerous ("Sheriff", about a woman obsessed with what was called [[PoliceBrutality "gatillo fácil" and "mano dura"]]). The opener "El templo de Momo" even calls this version of Argentina's society a [[http://en.wikipedia.org/wiki/Murga "murga"]].

* ADateWithRosiePalms: "Morta punto com" talks about a guy excessively obsessed with Internet porn.

* Carlos "Indio" Solari - Vocals (1976-2001)

** [[UsefulNotes/RedOctober "Fuegos de Oktubre"]] from ''Oktubre'' has only two lines that are repeated in the song:

* DarkerAndEdgier: In comparison to everything up to ''Lobo Suelto'' and ''Cordero Atado'', ''Luzbelito'' has a lot of dark chords and musical athmospheres, something further explored in ''Ultimo Bondi a Finisterre'' and especially ''Momo Sampler'', the latter of which was devoid of any kind of "happy" sounding songs, and ''both'' of which are devoid of hits (Luzbelito at least has [[HopeSpot "Juguetes Perdidos"]]). Lyrically-wise, while Solari was never shy about touching dark matters such as the 1917 Russian Revolution ("Fuegos de Oktubre"), the foreign invasion of another country ("Nuestro Amo Juega al Esclavo", "Rock Para los Dientes") or a drug experience ("Ji ji ji"), at least those songs were covered under Solari's cryptic writing as well as the happy-sounding music. Well, in the three albums from the back half of TheNineties, themes such as satanism ("Fanfarria del Cabrío"), the life of big name drug dealer Pablo Escobar Gaviria ("Me Matan Limón") and the status of the Argentinean society facing the TurnOfTheMillennium ([[ConceptAlbum the entirety of]] ''[[ConceptAlbum Momo Sampler]]'') are ambiented with dark-sounding, and more appropriate music. The fact that the band was having serious issues with their newfound popularity at the time, right until the split, doesn't help.

* RefrainFromAssuming: Due to Solari's writing style and his refusal to use the song's chorus for the titles, this is inevitable:
** While it was its WorkingTitle at one point (even appearing as such in some bootlegs prior and after ''Gulp!''[='=]s release), "Unos Pocos Peligros Sensatos" from ''Gulp!'' isn't called "Golpe de Suerte".
** "Ji ji ji", from ''Oktubre'', isn't called "No lo soñé".
** "Yo caníbal", from ''Cordero Atado'', isn't called "Un cordero de mi estilo".
** "Juguetes perdidos", from ''Luzbelito'', isn't called "Banderas en tu corazón".

* AndNowForSomethingCompletelyDifferent: "Murga Purga" from ''Momo Sampler'' is, for all intents and purposes, a rock band playing a [[https://en.wikipedia.org/wiki/Murga murga]].

* DarkerAndEdgier: In comparison to everything up to ''Lobo Suelto'' and ''Cordero Atado'', ''Luzbelito'' has a lot of dark chords and musical athmospheres, something further explored in ''Ultimo Bondi a Finisterre'' and especially ''Momo Sampler'', the latter of which was devoid of any kind of "happy" sounding songs. Lyrically-wise, while Solari was never shy about touching dark matters such as the 1917 Russian Revolution ("Fuegos de Oktubre"), the foreign invasion of another country ("Nuestro Amo Juega al Esclavo", "Rock Para los Dientes") or a drug experience ("Ji ji ji"), at least those songs were covered under Solari's cryptic writing as well as the happy-sounding music. Well, in the three albums from the back half of TheNineties, themes such as satanism ("Fanfarria del Cabrío"), the life of big name drug dealer Pablo Escobar Gaviria ("Me Matan Limón") and the status of the Argentinean society facing the TurnOfTheMillennium ([[Conceptalbum the entirety of]] ''[[ConceptAlbum Momo Sampler]]'') are ambiented with dark-sounding, and more appropriate music. The fact that the band was having serious issues with their newfound popularity at the time, right until the split, doesn't help.

* RefrainFromAssuming:

The band was formed in 1976 in La Plata, by members of former bands La Cofradía de la Flor Solar, Dulcemembriyo and Diplodocum Red & Brown. They became a success in the underground circuit in the early 1980s, and released their first LP in 1985. After several productions and live concerts, the fan Walter Bulacio died in 1991, and the band was banned in some venues and cities, performing once per year in select cities what began to be called "Misas" until the band's dissolution in 2001.

* ConceptAlbum: ''Momo Sampler'' is a picture of Argentina's society around the time it was done, with different characters from all the different walks of society being represented in every song, from the lower and indigent classes ("Una piba con la remera de Greenpeace", "Rato molhado", "La murga de la virgencita") to those in the middle class whose interests vary from the weird but innocuous ([[ADateWithRosiePalms "Morta punto com"]]) to the outright dangerous ("Sheriff", about a woman obsessed with what was called "gatillo fácil" and "mano dura"). The opener "El templo de Momo" even calls this version of Argentina's society a "murga".

* FlyInTheSoup: That's the premise of the title of ''La Mosca y La Sopa'', as seen in the album's booklet.

* NonIndicativeName: There is a song with drug-based horror lyrics, and it's named "Ji ji ji".

** Two songs, "Blues de la Artillería" and "Salando las heridas", both from ''La Mosca y La Sopa'', are potshots towards journalist, monologuist and former Redondos member Enrique Symns.
** The song "Es hora de levantarse querido, ¿dormiste bien?" from ''Cordero Atado'' is a potshot towards Página 12's journalist Carlos Polimeni.

%% (ZCE) * AHellOfATime: "El infierno está encantador", from ''Gulp!''.
* ConceptAlbum: ''Momo Sampler'' is a picture of Argentina's society around the time it was done, with different characters from all the different walks of society being represented in every song, from the lower and indigent classes ("Una piba con la remera de Greenpeace", "Rato molhado", "La murga de la virgencita") to those in the middle class whose interests vary from the weird but innocuous ([[ADateWithRosiePalms "Morta punto com"]]) to the outright dangerous ("Sheriff", about a woman obsessed with what was called "gatillo fácil" and "mano dura").
* CoverVersion: [[Music/TheDoors "Roadhouse Blues"]], which can only be found in some bootlegs.

* FlyInTheSoup: That's the premise of the title of "La mosca y la sopa", as seen in the album's booklet.

* UnsettlingGenderReveal: The subject of "Preso en mi Ciudad", from ''Oktubre'', once made love with "a Dracula with heels", slang for a prostitute.

[[caption-width-right:350:Yes, they have a page in TV Tropes... and you did not dream it!]]

The band was formed in 1976 in La Plata. They became a success in the underground circuit in the early 1980s, and released their first LP in 1985. After several productions and live concerts, the fan Walter Bulacio died in 1991, and the band was banned. They returned a pair of years later, and continued their career. The band broke up in 2001.

Albums:

* AHellOfATime: "El infierno está encantador", from ''Gulp!''.

* FlyInTheSoup: That's the premise of the title of "La mosca y la sopa".

!Tropes
* AHellOfATime: There is a song about Hell being lovely tonight...
* FlyInTheSoup: That's the premise of the title of "La mosca y la sopa"
* NonIndicativeName: There is a song with horror lyrics, and it's named "Ji ji ji"
* SeanConneryIsAboutToShootYou: And he did. ¡Bang! ¡Bang! Estás Liquidado.
* UnsettlingGenderReveal: The singer once made love with a Dracula with heels.