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* LivingToys: The "It's Gonna Be Me" music video has the band as toy dolls in a toy store.
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* SillyLoveSongs: "That's When I'll Stop Loving You", "I'll Be Good for You", and especially "This I Promise You" complete with the cheesy music video.
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* PeoplePuppets: ''No Strings Attached'''s visuals used this motif with the album art. The "Bye Bye Bye" music video shows the band members with ropes attached to their limbs while they are manipulated from above like puppets. Basically it symbolizes how manipulative the PsychoExGirlfriend is, who just wants to toy with them.
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* AutoTune: Used to distort the vocals in "Digital Get Down"
* BreakupSong: The album has three break-up songs, "Bye Bye Bye", "It Makes Me Ill", and "I Thought She Knew".
* BreakupSong: The album has three break-up songs, "Bye Bye Bye", "It Makes Me Ill", and "I Thought She Knew".
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* ChaseScene: The entire premise of the "Bye Bye Bye" music video. The PsychoExGirlfriend runs after Chris and Joey on a train, sics two Dobermans after Justin, and engages JC and Lance in a high-speed car chase.
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* CrazyJealousGuy: "It Makes Me Ill", a song about the subject feeling intense envy about his ex-girlfriend being with another guy.
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* CoverVersion: "Just Got Paid", a song originally recorded by Johnny Kemp. Bonus points for [[Music/{{Guy}} Teddy Riley]] producing both versions.
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* CoverVersion: "Just Got Paid", a song originally recorded by Johnny Kemp. Bonus points for [[Music/{{Guy}} Teddy Riley]] producing both versions.
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''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/{{NSYNC}} on March 21, 2000.
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Music/ChrisKirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Music/ChrisKirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
to:
''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/{{NSYNC}} released on March 21, 2000.
The album would be released after several delays due to the group's ongoing legal battles with former manager LouPearlman, accusing him Pearlman. *NSYNC accused Pearlman of fraud and swindling them of their earnings. They earnings, and they would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member would still record songs for ''No Strings Attached''. Music/ChrisKirkpatrick came up with the name title of the album, referencing them the group finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou
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* AWildRapperAppears: Lisa "Left Eye" Lopes, the rapper of Music/{{TLC}} makes an appearance on "Space Cowboy".
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* AWildRapperAppears: Lisa "Left Eye" Lopes, the rapper of Music/{{TLC}} makes an appearance on "Space Cowboy".Cowboy (Yippie-Yi-Yay)".
* BizarroEpisode: The album is full of your usual BoyBand songs, your break-up songs, your love songs, etc. Then there's "Space Cowboy (Yippie-Yi-Yay)", a song about TheEndOfTheWorldAsWeKnowIt but still partying and going into space. And it has the only feature on the album, a rap from Left-Eye from TLC. [[invoked]]
* SignsOfTheEndTimes: "Space Cowboy (Yippie-Yi-Yay)" has a couple of references to the End Times and prophecies about the end of the world.
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* IntimateTelecommunications: "Digital Get Down", a song about cybersex.
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* IntimateTelecommunications: "Digital Get Down", a song about cybersex.cybersex.
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''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/NSync on March 21, 2000.
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''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/NSync Music/{{NSYNC}} on March 21, 2000.
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''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/Nsync on March 21, 2000.
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''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/Nsync Music/NSync on March 21, 2000.
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* CoverVersion: "Just Got Paid", a song originally recorded by Johnny Kemp. Bonus points for [[Music/{{Guy}} Teddy Riley]] producing both versions.
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* ACappella: The track "I Thought She Knew" is entirely A Cappella.
* DarkerAndEdgier: *NSYNC worked with the same producers/songwriters as the Music/BackstreetBoys on ''No Strings Attached'', and they asked for a harder edge to their sound to differentiate themselves from the group.
* GenreShift: Slight, this album would mark the start of *NSYNC starting to incorporate RAndB into their music, a trend that would continue with their fourth studio album ''Celebrity'', and Music/JustinTimberlake would almost completely shift to ContemporaryRAndB for his solo work.
* DarkerAndEdgier: *NSYNC worked with the same producers/songwriters as the Music/BackstreetBoys on ''No Strings Attached'', and they asked for a harder edge to their sound to differentiate themselves from the group.
* GenreShift: Slight, this album would mark the start of *NSYNC starting to incorporate RAndB into their music, a trend that would continue with their fourth studio album ''Celebrity'', and Music/JustinTimberlake would almost completely shift to ContemporaryRAndB for his solo work.
to:
* AWildRapperAppears: Lisa "Left Eye" Lopes, the rapper of Music/{{TLC}} makes an appearance on "Space Cowboy".
* ACappella: The track "I Thought She Knew" is entirelyA Cappella.
in a cappella.
* DarkerAndEdgier: *NSYNC worked with the same producers/songwriters as the Music/BackstreetBoys on ''No Strings Attached'', and they asked for a harder edge to their sound to differentiate themselves from thegroup.
group. Songs like "Bye Bye Bye", "Space Cowboy", and "Digital Get Down" sounded edgier compared to most of the pop music of that era.
* GenreShift: Slight, this album would mark the start of *NSYNC starting to incorporate RAndB into their music, a trend that would continue with their fourth studio album ''Celebrity'', and Music/JustinTimberlake would almost completely shift to ContemporaryRAndB for his solowork.work.
* IntercourseWithYou: "Digital Get Down", which would mark *NSYNC's first song about doing the deed.
* IntimateTelecommunications: "Digital Get Down", a song about cybersex.
* ACappella: The track "I Thought She Knew" is entirely
* DarkerAndEdgier: *NSYNC worked with the same producers/songwriters as the Music/BackstreetBoys on ''No Strings Attached'', and they asked for a harder edge to their sound to differentiate themselves from the
* GenreShift: Slight, this album would mark the start of *NSYNC starting to incorporate RAndB into their music, a trend that would continue with their fourth studio album ''Celebrity'', and Music/JustinTimberlake would almost completely shift to ContemporaryRAndB for his solo
* IntercourseWithYou: "Digital Get Down", which would mark *NSYNC's first song about doing the deed.
* IntimateTelecommunications: "Digital Get Down", a song about cybersex.
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The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Chris Kirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
to:
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Chris Kirkpatrick Music/ChrisKirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
* ACappella: The track "I Thought She Knew" is entirely A Cappella.
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* GenreShift: Slight,
to:
* GenreShift: Slight,Slight, this album would mark the start of *NSYNC starting to incorporate RAndB into their music, a trend that would continue with their fourth studio album ''Celebrity'', and Music/JustinTimberlake would almost completely shift to ContemporaryRAndB for his solo work.
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!!Tracklist
# "Bye Bye Bye"
# "It's Gonna Be Me"
# "Space Cowboy (Yippie-Yi-Yay)" (featuring [[Music/{{TLC}} Lisa "Left Eye" Lopes]])
# "Just Got Paid"
# "It Makes Me Ill"
# "This I Promise You"
# "No Strings Attached"
# "Digital Get Down"
# "Bringin' da Noise"
# "That's When I'll Stop Loving You"
# "I'll Be Good for You"
# "I Thought She Knew"
----
!!Tropes, Tropes, Tropes!
* DarkerAndEdgier: *NSYNC worked with the same producers/songwriters as the Music/BackstreetBoys on ''No Strings Attached'', and they asked for a harder edge to their sound to differentiate themselves from the group.
* GenreShift: Slight,
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[[quoteright:995:https://static.tvtropes.org/pmwiki/pub/images/812hofxlcl_uf10001000_ql80.jpg]]
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The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Chris Kirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
to:
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Chris Kirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.marionettes.
[=*NSYNC=] would then take control of the direction of the album, choosing the producers and songwriters they wanted to work with, as well as writing and producing themselves. When the album was released, it set the first-week sales Billboard sales record of 2.4 million albums sold, a record that went uncontested for 15 years until Music/{{Adele}} surpassed it with her ''25'' album in 2015.
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[=*NSYNC=] would then take control of the direction of the album, choosing the producers and songwriters they wanted to work with, as well as writing and producing themselves. When the album was released, it set the first-week sales Billboard sales record of 2.4 million albums sold, a record that went uncontested for 15 years until Music/{{Adele}} surpassed it with her ''25'' album in 2015.
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''No Strings Attached'' is the third studio album[[note]]the third chronologically if we are counting the first self-titled album and the [[ChristmasSongs Christmas album]] ''Home For Christmas''[[/note]] by pop BoyBand Music/Nsync on March 21, 2000.
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Chris Kirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
The album would be released after several delays due to the group's ongoing legal battles with former manager Lou Pearlman, accusing him of fraud and swindling them of their earnings. They would eventually reach a settlement that allowed *NSYNC to sever their ties with Pearlman's management company and Creator/RCARecords, and join Creator/JiveRecords. During the legal wrangling, *NSYNC member Chris Kirkpatrick came up with the name of the album, referencing them finally breaking free from Pearlman's control. The album's visuals would take this further and use a puppetry motif, representing *NSYNC finally achieving independence as well as a tongue-in-cheek nod to the criticism that they were manufactured, corporate-controlled marionettes.
